I’ve been interested in working class dress lately. And more specifically 18th century maids costumes. searching the net I’ve found lots of pics of pretty outfits and great pattern mixi…
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
I made this jacket a year ago, as my first real attempt at historical clothing. I have tried it a bit previously but never bothered to read up on historical techniques and silhouettes so the result…
18th Century A 1780s Robe a la Piemontaise 1780s Stays A 1780s Redingote Two 1780s Jackets Barbara Johnson's Brunswick Cotton Print Sacque The Screaming Yellow Sacque Virginia Cloth Anglaise A 1782 Court Dress Parisian Pet-en-l'air Marie Antoinette Dress Linen Riding Habit Costume Close-Up jacket Striped Linen Round Gown The Chocolate Francaise A Short Cloak The following links lead to my webpage, for my pre blog costumes :) Chemise a la Reine 1780s Silk Taffeta Stays Janet Arnold Polonaise A Jacket from Costume Close-Up A Round Gown from Fitting and Proper A Dress From 1770 An Eighteenth Century Hat A 1780s Blue Printed Cotton Gown The 1770s Striped Not a Polonaise Making an 18th Century Petticoat
Introducing the exquisite 18th-Century Dress in Almond Green Linen. This historical reenactment attire is the perfect gift for history buffs. The dress features delicate lace detailing and boning for a flattering silhouette. Crafted from high-quality linen, it showcases the elegance of the past with its authentic design. Whether you're attending a themed event or looking for a unique gift, the 18th-Century Dress is a must-have for those who appreciate the beauty of historical fashion. ☆ DESIGN FEATURES ☆ This faithful reproduction of "English dresses" from the late 18th century exudes grace and style with its precise tailoring and design details. Crafted from high-quality linen, this one-piece dress features a tight bodice and a pleated skirt spanning an impressive 4.5 meters. It offers a flattering silhouette with synthetic boning and preformed elbow sleeves adorned with delicate lace ribbon. The pleated front panel comes with long cotton ties, and the traditional style includes a large train. From Atelier Serraspina, this dress embodies the timeless beauty of history. ☆ FABRICS ☆ LOUISE is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. — Outer Fabric — · 100% European linen · Medium weight linen - 6.05 oz/yd² / 205 g/m² · Prewashed so it didn't shrink anymore · Mechanically softened so it is very soft and especially pleasant for your skin · Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards — Bodice Lining — · Composition: 100% Cotton · Type of fabric: Raw Cotton · Approximate weight: 155 gr/m² — Sleeve Lining: — · Composition: 100% Cotton · Type of fabric: Poplin · Approximate weight: 110 gr/m² ☆ SIZING ☆ — Finding the Right Size: --- Please refer to the size chart in he photos gallery to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. — Custom Sizing:---- If your measurements don't align perfectly with the sizes on the chart, we recommend choosing the "custom size" option. Please submit your measurements in the customization field when placing your order. — Important Note: … Made-to-order items cannot be returned. Please make sure you're certain about the size you choose. If unsure, opt for the custom fit option. ☆ CARE INSTRUCTIONS ☆ To care for your costume, we recommend dry cleaning only, ensuring your costume remains in pristine condition for all your historical adventures. ☆ HOW TO DRESS ☆ · After putting on your historical underwear, step into the dress by sliding it over your head. · Allow the back of the dress to hang behind you, and position the front panel against your abdomen (ensuring the waistband covers the lower ribs). · Secure the front panel around your waist with the cotton ties. · Finally, put your arms through the sleeves and arrange the train folds. · To finish, thread the cord through the eyelets from bottom to top and conceal the knot in the neckline. ☆ PROCESSING TIMES ☆ All our garments, including the LOUISE dresses, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a LOUISE dress in tartan ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Discover the allure of the 1770s with our authentic pre-washed linen dress in a captivating rust orange shade. This exquisite garment is perfect for history enthusiasts and costume collectors who appreciate the beauty and elegance of the era. A truly remarkable gift that captures the spirit of the past. Transport yourself to the elegant 18th century with our LOUISE 18th-Century Dress in Rust Orange Linen. This meticulously crafted replica of the iconic "English dress" embodies the fashion trends of 1770-1785 Western Europe and America. Its striking rust orange color and one-piece design combine historical accuracy with modern craftsmanship. The LOUISE dress features eyelets on both sides of the front opening for a perfect fit. Delicate lace ribbon trims the preformed elbow sleeves, adding a romantic touch. The large pleated skirt measures 37.5 inches (95 cm) in length, reflecting authentic 18th-century fashion. Perfect for historical events or adding a unique piece to your wardrobe, the LOUISE dress epitomizes past elegance. Step into the luxurious world of the 18th century with our LOUISE 18th-Century Dress in Rust Orange Linen. It's more than just a garment; it's an extraordinary journey back in time. ☆ FABRICS ☆ LOUISE is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. — Outer Fabric — · 100% European linen · Medium weight linen - 6.05 oz/yd² / 205 g/m² · Prewashed so it didn't shrink anymore · Mechanically softened so it is very soft and especially pleasant for your skin · Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards — Bodice Lining — · Composition: 100% Cotton · Type of fabric: Raw Cotton · Approximate weight: 155 gr/m² — Sleeve Lining: — · Composition: 100% Cotton · Type of fabric: Poplin · Approximate weight: 110 gr/m² ☆ SIZING ☆ — Finding the Right Size: --- Please refer to the size chart in the photos gallery to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. — Custom Sizing:---- If your measurements don't align perfectly with the sizes on the chart, we recommend choosing the "custom size" option. Please submit your measurements in the customization field when placing your order. — Important Note: … Made-to-order items cannot be returned. Please make sure you're certain about the size you choose. If unsure, opt for the custom fit option. ☆ CARE INSTRUCTIONS ☆ To care for your costume, we recommend dry cleaning only, ensuring your costume remains in pristine condition for all your historical adventures. ☆ HOW TO DRESS ☆ · After putting on your historical underwear, step into the dress by sliding it over your head. · Allow the back of the dress to hang behind you, and position the front panel against your abdomen (ensuring the waistband covers the lower ribs). · Secure the front panel around your waist with the cotton ties. · Finally, put your arms through the sleeves and arrange the train folds. · To finish, thread the cord through the eyelets from bottom to top and conceal the knot in the neckline. ☆ PROCESSING TIMES ☆ All our garments, including the LOUISE dresses, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a LOUISE dress ranges from 6-8 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
This robe en chemise was a very quick and dirty project. The idea was to make something fast while trying out a pattern that I had been altering to fit. I was never entirely happy with my first robe en chemise that I had made for myself, so I wanted to make another. Design-wise it's really similar to the first gown, but there are some subtle, yet significant differences. Most notably, it's worn with a pair of 1780s stays, unlike my first robe en chemise that was made to go over my white 1760s stays, as mentioned in the original post about it. I've had the chance to wear this gown to an event twice already. The first time was to an informal 18th century gathering in February and I actually felt a bit overdressed for the simple occasion. I wore the gown with my old bum pad that is smaller than the one I usually wear (for 1780s gowns). This bum pad doesn't extend to the sides so it's more appropriate for the early 1790s look that I was going for. I'm not entirely happy about the amount of fabric in the back of the skirt because there's not much - with the bum pad it looks kind of sad. I had a very limited amount fabric so I ended up using every bit I had without having to piece the bodice or the sleeves. With so much gathering in the front, not as much material was left for the back. Mia did my hair, as usual. Photo: Jarno Manninen Photo: Jarno Manninen Self-portrait attributed to Marie-Elisabeth Lemoine. Via Christie's And then I also wore the gown to L'Amusette's annual spring ball last Saturday. The theme was French Revolution so the gown was accessorized accordingly. There was no bum pad. This time my hairdo was inspired by the simpler styles appearing in the 1790s as fashion transitions towards neoclassical style. Under the gathered front, the gown has fitted front panels that are tied with five pairs of tapes at center front. This closure method is based on an extant dress in Musee de la Toile de Joyu. If you take a look at the photo in the link, you can see that the panels are unevenly stretched where the ties have pulled the fabric. To avoid this, I added bones to the edges of the panels. Twill tapes were sewn to the underside of the center front panels to create casings for drawstrings. The drawstrings are tied and hidden under the center front. The back is very simple. None of the photos of the finished gown so it very well so here's an in-progress photo before attaching the skirt and sleeves: Oh, and there's a bonus - a little video clip that Mia took on her phone at the Spring ball! :) My Pinterest research boards related to this project: Robe en Chemise: 1780s Robe en Chemise: 1790s Chemise gown extants 1780s hair, caps and hats 1790s hair, caps and hats
Step back in time with our LOUISE, 18th-Century Dress in Toffee Linen, a beautifully crafted historical garment that brings the elegance and sophistication of the 18th-century fashion to your wardrobe. This one-piece dress, inspired by the "English dress" or "Round Gown" worn in Western Europe and America between 1770-1785, is steeped in history and designed for the modern woman who appreciates timeless style.The dress is made with high-quality linen in a rich toffee shade that is both elegant and versatile. Each dress is handcrafted with meticulous attention to detail, reflecting the handcrafted quality, creativity, and authenticity that our store stand for. This dress is more than just a garment; it's a piece of wearable history, an expression of a love for vintage style and a testament to the timeless appeal of well-crafted, beautiful clothing. Make a statement with the LOUISE, 18th-Century Dress in Toffee Linen, and wear a piece of history.
A Chemise, or Shift, Under All Layers Layers, layers, layers. . .That’s what it takes to interpret the clothing of the working class. . .While I am not a stickler to 100% authenticity, there are certain guidelines that should be addressed if a person wishes to display a visual language to the 18th century onlookers. . .It is a facet of interpreting any century that will be much appreciated by those who want to see history come alive. For years I visited Colonial Williamsburg, knowing that what I saw there. . .be it clothing. . .wares. . .or buildings. . .I could depend on the fact that it was as authentic as possible in our era of time. . . Then a dream came true and I found myself employed there. My greatest joy was being able to dress in authentic reproductions of 18th century English colony clothing. I appreciated even more the hard work that the Costume Design Center went to in order to provide period clothing that was as accurate as possible and still be worn each day by the interpreters. Their standards of appearance were well set. Many did not like having to measure up to those standards each day, but I knew that when I was a visitor, it made all the difference. “Visitors to Colonial Williamsburg receive a lasting and important visual image of life in Colonial America from the clothing worn by our employees. Costumes represent period clothing. When worn correctly, the costume is an important interpretive tool helping to convey an accurate picture of the eighteenth century. Therefore, employees must pay particular attention to the regulations concerning the proper way to appear in costume before the public.” Standards of Appearance, Costume Design Center While I worked in the Mary Dickinson shop (based on that of a milliner’s establishment) I learned a few of the ways that research was done on the period clothing. Art of the 18th century played a huge part in their decisions. What better way than studying the paintings and prints of the 18th century to base a costume on? It’s true that they didn’t get it totally right in the beginning, when there wasn’t enough time to do extensive research, but throughout the years, better choices have been made. The research is on-going to this day. As more is learned, changes are made. So when I decided to study and make period clothing that might have been worn in New France, I began looking at French art and sketches of the people who worked and lived here. There isn’t a lot to go on, so it has taken much time with only a little insight. I have found some striking lap-overs between the French and English dress, but there seems to be a few distinctions, too. The English working class stuck closer to subdued colors, often weaving and dying their own cloth. While the higher class of the British colonies did wear fine silks that were bright and exciting, the common woman rarely had this choice. On the other hand, the French loved color in bright prints and stripes in every class, often combining different prints together. The ladies of New France were not allowed to weave their own cloth. It had to come from the King’s storehouses, thus offering a better fabric from many parts of the world to the working woman. Blues, yellow or golds, reds seem to be popular and suitable for short gowns, jackets and petticoats. Older women wore more subdued colors but the prints available for them were in the same style. Stripes, in a ticking type of weave, were also popular paired with the prints. Petticoats (skirts) were shorter than the English and shoes were often Indian moccasins instead of stiff leather shoes. Aprons might be of white muslin but more often than not, they were of checks or stripes in various colors. Under it all, the chemise (shift as the English call it) was worn. The French corset was the same as the English stays, just a different word. A cap might be worn on her head, but often a blue (most popular) scarf was tied over the hair bandana style. I have noticed that in some sketches, when a cap is worn, a ribbon of blue (most popular) might be tied around it. Nothing that I have found about their clothing is the least bit somber. I’ve included a few of the sketches that I found for a visual view of the French clothing probably suitable as period clothing of those living west of the Mississippi River in the 18th century. The people of New France enjoyed Life and they let their clothing speak of their happy-go-lucky attitude with their clothing. . .just as interpreters of the time period will hopefully do in this present day. source unknown/pinterest
Wearing vintage is hardly a modern hipster eccentricity. Hand-me-downs have always dominated in the pre-Walmart era. But in certain eras the custom had a greater effect on the social fabric of the…
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Fasion of 1780's
18th Century Bodice Pattern I drafted this bodice pattern for my Robe à l’Anglaise back in 2017 and recently reused and tweaked it a bit, since there were some issues with my first version. Read about that in my new blogpost 🙂 You can download version 2.0 of this 18th century bodice pattern down below… Read More 18th Century Bodice Pattern
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.
With our guild's upcoming 18th C Picnic in Balboa Park this coming Saturday I finally kicked myself in the butt last month to replace my earlier red floral linen caraco that was too short-waisted for me. Every time I raised my arms or stood up from a chair, there was a gap between the jacket and the skirt. I actually tried to find some more of the linen to remake one but had no luck since I bought it about 5 years ago. I had lucked out buying this fabric while at Michael Levine's in the LA Garment District after Costume College. Sally Queen was there giving a private shopping tour of 18th C fabrics and overheard her saying this was perfect. So after they left I bought some. And I bought the solid red linen to go with it for a petticoat aka skirt. For this picnic I wanted something quick to make and my new JP Ryan short jacket pattern fit the bill. I'd seen a couple of them with the lacing in front and thought that might help with some of the fitting problems I've had with those front closures. I've made a couple versions where I used hooks & eyes on the side or in the center but always had to cover it with ruching. I'm also not a pinner, ie pinning it closed as you historically would. I like the varieties on this jacket that are possible of using different colored ribbons, a contrasting stomacher, or a reversible one. So I chose the pattern pieces to do View B but with the ribbon closure that shows on D. I'm going to wear my red linen skirt and hope to use it multiple times with other fabrics. I decided to use the cotton fabrics I bought in Williamsburg a couple years ago, both of which will go with my red petticoat. After checking the fabric amounts, I had 3 yds of the blue and 5 yds of the red. Obviously I bought the red to make another longer caraco or Anglaise. So instead of wasting that on a short jacket, I decided to just do the blue one. And whenever I get a brown or blue petticoat done, I can wear it with that too. At the bottom of this page on the Silly Sisters site you can see some other lovely fabrics to educate your eye on what to look for while searching for your own. http://www.sillysisters.com/clothing2.htm I've seen similiar fabric patterns at Michael Levines in the LA Garment District where I bought this blue and brown floral patterned cotton. If I ever get a blue petticoat made I can wear both the blue jacket and this with it. I found this beautiful 1770s short jacket in the Cora Ginsburg Collection and this would be an easy fabric to find if you wanted to copy it. I liked both the short jackets and caracos (they're longer) because they use less fabric than the Anglaise or polonaise, are less work and time consuming, and you can use them with different colored petticoats for a variety of looks. *Edited to add- I recently learned that both the short jacket and caraco are used interchangeably with caraco being the French term.* This pattern only had three main pieces plus the stomacher (the center panel that is separate from the bodice) and the sleeves. How much easier is that? I didn't have to alter the waist length on this one like I did on my previous Period Impressions caraco. In fact the only alteration I did was my usual enlarging the upper arm portion. I made my muslin first out of a good cotton muslin and decided to use that also to flatline my bodice. With it being so horribly hot lately I just wasn't feeling like cutting another flatlining fabric out, plus another lining. Yes, I am lining this because it needs a little more body and for once I'm going to bag-line it. I know, I always say I won't do that and just do facings all around. But this time I'm going for quick and easy. It's also closer to the period correct way of finishing it. Even with the three layers of cotton it's not bulky. My first caraco was made with my Victorian-bodice-mindset and I flatlined it in twill and put boning in the seams. I was a real newbie at Georgian/Colonial fashion. This was also the one I wore to Colonial Williamsburg and was told that the neckline should be just above the nipple line, not halfway up my neck. This pattern was the generic size and you were expected to alter it to your own body. So I can thank Janea Whitacre there for that wonderful bit of advice. And then seeing my friend Barbee Mullin's bodices that were wafer-thin set me on a different path too. I have to say going to Colonial Williamsburg was a great learning location for my costuming. So no more binding myself in the dress. I'll let the stays (corset) do that. The three pieces sewed together very quickly although the pattern doesn't have the usual notches that I'm used to. It does have little lines that I'm assuming are for matching the pieces because it was a little confusing as to what side of each piece went to what. You'd think with only three pattern pieces it wouldn't be that hard. but if you've separated them and set them aside and then later pick them up, they're not very obvious as to what they are or what side they belong on. So here's my tip: make a light pen or pencil mark in your seam allowance telling you that it's a center back seam or side back to center panel, etc. Or maybe make up your own notches. Ok, so all pieces were sewn together and my shoulder seams were wider on the front bodice on the armhole side. I just trued it up cutting off a little wedge. This pattern has two back styles so I'm thinking the front bodice portion is the generic size for them. When I sewed the muslin together all the pieces lined up properly but after I sewed the fashion fabric and flatlining together both sides of the lower portion of the jacket was longer than the front portions. Stretch issues?? Maybe, because I'm sure I did stretch the muslin down to get the ends to fit and ease them in. But the final length on the bottom was a 3" difference. Because I'm doing the baglining of the jacket, it will at least make it easier to deal with finishing those edges. I'm guessing this is just part of the style or maybe I'm supposed to trim it because the pattern doesn't say anything about it. The directions are minimal. The pattern is mostly a no-brainer on construction other than a few things you obviously are already supposed to know. I may have to wait for another trip to Williamsburg for some more great tips. In the meantime, I'm leaving that 3" difference alone and letting it be part of the jacket. It kind of folds into the flared portions. I'm doing View B as opposed to View D. *Now that I'm writing this, I again remembered that the front of the jacket is the generic one because this pattern has two lengths so maybe I was supposed to trim off that extra? But I wanted the longer length. Honestly I don't know. I'm not really that knowledgeable in Georgian fashion. While looking at some other short jackets I noticed a similar uneven bit. So I'm rationalizing that it's part of the way it pleats. At least until I learn otherwise let's call it done. * I took this to a sewing workshop with Shelley Peters to work on the sleeves there and once again had issues with them fitting my upper arms. I had enlarged it but I still had too much fullness in the sleeve caps. Shelley tried a few different things but in the end she asked why do I try to pleat the fullness in and it never gets it spread out smoothly when I could just gather them and ease it around. ?? Umm, I don't know, I guess because I thought it was easier than having to run it through the sewing machine twice on each side to gather it? Maybe leftovers from working on later time periods? So I basted a gathering stitch and guess what? They went in much better~ Not perfect but better. And they're done. Now I have to decide if I'm going to do sleeve ruffs to go with the cuffs I made next. Next up were the eyelets on the front that I'll be running my ribbon through. I think I read somewhere that people are using grosgrain ribbon for extra strength but I don't think I'll be able to find a blue or red one. I had all intentions of putting grommets in while at Shelley's class using her grommet setter but on asking one of my friends online, I was quickly chastised that grommets weren't used back then and I had to do handsewn eyelets. Darn. So I dug up a video online on how to do them. http://www.ehow.com/video_12303912_make-handsewn-eyelet-fabric.html And found a photo tutorial also. http://www.elvenhippiegypsy.com/Eyelets.html One of my blogging friends, Laurie, who often goes to Williamsburg, had a couple posts on making her 18th C jacket and I picked up a couple ideas from her, like her eyelets and how they looked on the inside. Notice there's no cut thread between each eyelet? Not sure why but methinks maybe so you don't have knots and makes it look cleaner. To read more on her jacket- http://teacupsinthegarden.blogspot.com/2014/03/pink-floral-on-blue-18th-century-jacket.html I was finally down to two weeks before the picnic and still had to do those eyelets. I started making the holes with my awl and stitching them with two strands of embroidery floss but as fast as I stitched, the holes closed up. I have arthritis in my thumb and the more I fought this, the more it hurt. After getting two finally done and putting some Fray Check on so the holes would stop shrinking, I had to set it aside. It just hurt too much. And I still had 8 more to go. One evening Shelley stopped by on her way home with her grommet setter and we did it. Then I covered them with my embroidery floss stitches so they wouldn't show. I'm sorry all you historically correct people but I have my limits. I put it on my dressform to see if it’s going to work. I think so. I bought some royal blue 5/8" ribbon and pulled out my bodkins I bought a few years ago from Silly Sisters and laced it up. Umm, no. Not going to work with a ladder lacing. It needs to tie at the top with a pretty bow, darn it. So I did a crisscross lacing starting at the bottom and was able to lace it on top. Historically the stomacher is pinned to the stays to hold it in place and you wear your jacket over it. I'm a newbie and that's not working for me. I won't tell you what I'm doing to do that but you won't be able to see it, and right now that's all that's important to me. I get to wear it. Photos of it on me and everyone else at the picnic will be forthcoming next week. ~~Val~~
A woman's mantua and petticoat parts, British, 1775-85 of French silk satin tamboured with chenille thread, chenille fringe, 1780-85; altered 1870-1910
Some things never change … today the newspapers and magazines are full of Royal & celebrity gossip with images of our royals, aristocrats and celebs in their finery etc. Was it any different i…
Experience the allure of historical fashion with our meticulously crafted Lace-Up Bodice in Toffee Linen. Part of our exclusive DORINE Collection, this exquisite bodice transports you to the world of 18th century costume design. Made from medium-weight laundered linen and lined in soft cotton, it offers both durability and comfort. Features include pre-shaped elbow sleeves, synthetic boning, and 2 boned and quilted stomachers, ensuring a perfect fit and authentic period look. Handcrafted with great care and attention to detail, this historical piece embodies the quality, creativity, and authenticity of Atelier Serraspina. Order your DORINE, Lace-Up Bodice in Toffee Linen today and own a work of art that lets you immerse yourself in the elegance of the past. Design Features of our Lace-Up Bodice in Toffee Linen The DORINE, Lace-Up Bodice in Toffee Linen features a front opening with metal eyelets on both sides, ensuring a perfect fit every time. The bodice is lined with cotton and includes pre-shaped elbow sleeves for added authenticity. The bodice also features 2 boned and quilted stomachers in matching colors (toffee & chocolate), adding a dash of contrast and sophistication. Synthetic boning along the back seam and both sides of the front opening ensures the jacket maintains its shape, enhancing your silhouette while keeping you comfortable. Fabrics & Care DORINE Lace Up Bodice is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. You can therefore combine your DORINE Lace-Up Bodice with any linen or tartan skirts from the shop. Outer Fabric: 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Color: Toffee Prewashed and mechanically softened Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards Bodice & Sleeve Lining: Composition: 100% Cotton Type of fabric: Poplin Approximate weight: 110 gr/m² Care Instructions: We kindly recommend dry cleaning only. About Sizing Please refer to the size chart to select the correct size for your lace-up bodice. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Request Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the Dorine Lace-Up Bodice, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a Lace-up Bodice ranges from 4-6 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Step into the world of Outlander with this breathtaking historical costume, perfect for your next reenactment, historical event, or themed party. Inspired by the late 18th century garments worn on the popular TV show, this four-piece ensemble consists of a lace-up bodice, 2 stomachers (in toffee and chocolate linen), and a long pleated skirt, all crafted from high-quality prewashed linen. Indulge in the artistry and authenticity of this handcrafted historical costume and make a statement at your next event. We meticulously create each garment with love and care, using only the finest materials to ensure a piece you'll cherish for years to come. Design Features of the Historical Costume in Toffee Linen The DORINE Costume Our historical costume is not only visually stunning but also designed with care and attention to detail. Embrace your inner Claire Fraser and make a statement at your next event. This beautifully designed 18th Century outfit is sure to turn heads and leave a lasting impression. The Lace-Up Bodice Meticulously made from toffee linen and lined with cotton for ultimate comfort, this bodice offers a perfect blend of style and functionality. With boning in the back seam and both sides of the front opening, it provides the essential structure for a flattering fit. The pre-shaped sleeves elegantly end at the elbow, adding a touch of grace to your ensemble. Delivered with two matching linen stomachers, our historical costume is a complete and versatile garment that will transport you to the world of historical fashion. The Skirt The skirt consists of 2 toffee linen panels, connected at the sides while leaving the upper ends open on each side. This design enables easy wearing of the skirt. The panels of this historical skirt feature 18th century-style pleats. At the front, pleats extend towards the sides, while at the back, they converge in the middle. In the photos, the skirt is worn over a bustle pad, which adds volume to the hips and accentuates the waist's slenderness. Fabrics and Care The DORINE costume is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. Outer Fabric and Skirt: 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Prewashed and mechanically softened Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards. Bodice & Sleeves Lining: Composition: 100% Cotton Type of fabric: Poplin Approximate weight: 110 gr/m² Care Instructions: To care for your historical costume, we recommend dry cleaning only, ensuring your costume remains in pristine condition for all your historical adventures. How to wear your Historical Costume in Toffee Linen To wear your historical costume, please follow these steps: Skirt: Secure the linen skirt by tying the back panel ties and knotting them at the front. Adjust the front panel by wrapping it like an apron around the waist, making a double turn. In the accompanying photos, the skirt is styled with a bustle pad to add volume to the hips and highlight the waist. Bodice: Put on the jacket. Cross the cord through the metal eyelets, starting from the bottom and going to the top. Before tightening the drawstring, slide the stomacher behind it and ensure a comfortable, snug fit around the chest. About Sizing Finding the Right Size: Please refer to the size chart to select the correct size for your bodice. Keep in mind that an historical costume doesn't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Sizing Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the DORINE Costumes, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come.Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for a DORINE historical costume ranges from 4-6 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Step back in time with our exquisite CHARLOTTE, 18th Century Overdress in Toffee Linen & Skirt. Inspired by the popular fashion of Western Europe and America from 1770-1785, the dress is a beautiful blend of historical accuracy and contemporary craftsmanship. The costume includes a long overdress and a skirt. The Overdress features a fitted bodice with metal eyelets, pre-shaped elbow sleeves with pleated lace trim, and a wide pleated train. The skirt (in chocolate, white, or toffee) is an 18th century pleated petticoat made of linen panels. Discover the timeless beauty and exquisite craftsmanship of the past with CHARLOTTE, our 18th Century Overdress in Toffee Linen & Skirt. Experience the luxury of authentic style, expertly crafted to elevate your wardrobe and transport you through time. Design Features Eyelets on both sides of the front opening, ensuring a perfect fit. Synthetic boning on the back and both sides of the front opening, ensuring a flattering silhouette. Preformed elbow sleeves adorned with delicate lace ribbon (color: beige) Large train measuring 3 meters wide and a length of 37.5 inches (95 cm), with a pleating following the traditional 18th-century style. Fabrics & Care Outer Fabric: 100% European medium weight linen - 6.05 oz/yd² / 205 g/m² Color: Cherry Red Laundered & mechanically softened Bodice Lining: Composition: 100% Raw Cotton (155 gr/m²) Color: Beige Sleeves Lining: Composition: 100% Poplin Cotton (110 gr/m²) Color: White Care Instructions: We kindly recommend dry cleaning only. About Sizing Finding the Right Size: Please refer to the size chart to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Here's a complete guide on how to measure yourself. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. After placing your order, submit your measurements through our Custom Sizing Form as soon as possible. Delay in receiving your measurements will also delay your order. Processing Times All our garments, including the Charlotte Overdress, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. The typical production time for an 18th Century Overdress ranges from 4-6 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
If you're anything like us, you have probably been really into the moment the color pink is having in fashion this summer, thanks to a certain iconic doll. It's been really fun and inspiring to see people from all different aesthetic groups and fashion spaces
I love the clothes of the 18th century. So, I thought I would share some of my favorites. These have aided me in the writing of my historicals, and if you are writing in the genre, then be sure to research the clothing of the era your story is set in. Is this gown not beautiful? It is newly made for a wedding dress made of pale pink silk. If I was a young bride today, this is the dress I would want, even if it did cost me an arm and a leg. Go to the Rossetti website to view more images of this stunning gown. In US dollars it costs $4565. Close up shots really show the beauty and amazing craftsmanship of the embroidery and lace. http://www.rossetti.vispa.com/c18-17.html In the novel I am currently writing, Before the Scarlet Dawn, my heroine Eliza Morgan has stitched a beautiful gown and wears it to her first social gathering in the Colonies. It is July, and she knows all the ladies will no doubt be wearing calico and soft, pale cottons due to the heat. But when her husband's eyes glow with pleasure with her in it, she is convinced it is the right choice. This gown also by Rossetti, is the perfect image of what I have in mind for Eliza. I took this photo at a historical fair at Rose Hill Manor in Frederick, Maryland. If only I had not gotten the table legs in the photo it would have been much better. How important is dress to you while reading a historical novel? When writing, do you include brief descriptions of the clothing your characters are wearing? What moments in a story are most important when it comes to including the gown your heroine is wearing, or the suit of clothes your hero has donned?
This price include tops+skirts+panniers hoop+2 small rose brooch.We have three sizes to choose Due to the weight of the skirt support, only orders within the United States will be given a skirt support Dress Size: S: Bust 34.3-36.3 inches, Waist 26.5-28.5 inches, Shoulder 14-14.5 inches M: Bust 36.2-38.2 inches, Waist 29.5-31.5 inches, Shoulder 15 inches L: Bust 38.2-40.2 inches, Waist 31.5-33.5 inches, Shoulder 15.4-15.9 inches XL: Bust 42.1-44.1 inches, Waist 35.5-37.5 inches, Shoulder 16.4-16.9 inches If you need special sizes, you can also contact me directly.Special customization requires an additional custom fee of $ 50 Dress can be worn as a Venice Carnival costume, Mardi Gras costume, ball dress, halloween costume, marie antoinette cosplay, marie antoinette reenactments, Palace of Versailles events, Bastille day events, waltz dress, and more. Dress is made from a very rich looking pink brocade with Rococo embellishments around the neckline and sleeves, and underskirt petticoat. This listing is for the overskirt, the underskirt and the panniers cage frame 3 separate peices. Dress in the pictures shown in the rose pink. Dress gown costume can be constructed in blue, candy pink, or ivory, and many other colors. I have custom constructed the Rococo trim from a heavy weight wide satin ribbon, and scalloped white scrolling laces. Luscious looking cabbage roses accenting the Rococo trims. These custom built trims add the confectionary dessert appeal that was a favorite theme during the Rococo period. Processing time is around a 4-5 weeks + shipping
GENTS FRENCH METALLIC EMBROIDERED COURT COAT, WAISTCOAT and CAPE, LATE 18th - EARLY 19th C. Photos used with permission from Whitaker Auction House. http://www.whitakerauction.com
Today I am going to show you some pictures of the process I went through in order to embroider the Count D’Almaviva’s vest (waistcoat) for my Marriage of Figaro Shoot. Here is a picture…
Defy the present with our CHARLOTTE Mango Linen 18th-Century Reproduction Dress. With its square neckline and metal eyelets, this dress is ideal for those who love historical dressing and makes for a perfect gift for collectors. Transport yourself to the past with our CHARLOTTE, 18th-Century Overdress in Mango Linen & Skirt. This meticulously handcrafted 18th-century reproduction is made from durable yet soft prewashed mango linen. With its square neckline, metal eyelets, and pre-shaped elbow sleeves trimmed with delicate pleated sand lace, this overdress exudes elegance and authenticity. The raw cotton lining, synthetic boning, and wide train pleated in the 18th-century style complete the look. Add optional linen skirts in white or mango for a complete historical wardrobe. Embrace the past with style and sophistication with our CHARLOTTE, 18th-Century Overdress in Mango Linen. 1. "18th-Century Charlotte Overdress, Cherry Red Linen with Authentic Train, Perfect for Historical Reenactment & Costume Enthusiasts" 2. "Revolutionary War Era Reproduction, Cherry Red Linen Overdress & Skirt, Ideal for History Buffs and Reenactor Gifts" 3. "Authentic 1770s Style Cherry Red Overdress, Prewashed Linen with Period Skirt Option, Unique Gift for Period Fashion Lovers ☆ OVERDRESS ☆ Introducing the CHARLOTTE overdress, a stunning 18th-century costume that combines a fitted bodice with a wide, pleated open skirt. Crafted with a generous volume of fabric, this outfit exudes elegance. You have the flexibility to purchase the overdress alone or to pair it with a skirt. The linen bodice is fully lined with raw cotton and cotton poplin for the sleeves. It features a square neckline that closes at the front with eyelets and delicate lace ribbon trims on the preformed elbow sleeves. Synthetic whalebones are meticulously placed on the back and both sides of the front opening, providing structure and elegance. The overdress is completed with a wide, 37.5-inch pleated train, adding a dramatic flair to the ensemble. ☆ SKIRT ☆ The HELOISE linen petticoat is a beautifully designed historical garment consisting of two fabric panels (3 for sizes X1, X2, X3) joined at the sides with an open upper end. This clever opening allows for easy wearing of the skirt. The pleating of the panels follows the elegant 18th-century style. The front pleats cascade from the central box towards the sides, while the back pleats converge in the middle of the back. For added shape and emphasized waistline, the photos show the petticoat worn over a bustle pad. ☆ SIZING ☆ Finding the Right Size: Please refer to the size chart in the photo gallery to select the correct size for your dress. Keep in mind that historical costumes don't follow standard sizing, so getting an accurate fit is important for comfort and effectiveness. Custom Sizing: If your measurements don't align with the sizes on the chart, we recommend choosing the "custom size" option. Please add your measurements to the customisation field. Important Note: Made-to-order items cannot be returned. Please make sure you're certain about the size you choose. If unsure, opt for the custom fit option. ☆ FABRICS ☆ Charlotte is made of prewashed medium-weight linen (205gr/m), in a range of colors matching Atelier Serraspina's color palette. You can therefore combine your Charlotte open dress with any linen or tartan skirts from the shop. Outer Fabric and Skirt: · 100% European linen · Medium weight linen - 6.05 oz/yd² / 205 g/m² · Prewashed so it didn't shrink anymore · Mechanically softened so it is very soft and especially pleasant for your skin · Fabric woven according to universally accepted quality requirements which correspond to OEKO-TEX 100 standards Bodice Lining: · Composition: 100% Cotton · Type of fabric: Raw Cotton · Approximate weight: 155 gr/m² Sleeves Lining: · Composition: 100% Cotton · Type of fabric: Poplin · Approximate weight: 110 gr/m² ☆ HOW TO DRESS ☆ The Charlotte outfit is to be put on as follows: The petticoat: Put on your petticoat by the head.Once put on, the petticoat is tied in the following way: you start by tying the ties of the back panel, making a knot on the front; then you adjust the front panel like an apron, with a double turn around the waist. The overdress: Just slip your arms through the sleeves of the dress mantua that you'll tie at the front, passing a cord through the eyelets on either side of the opening.In the presentation photos, the dress is worn over a bum pad which adds volume to the hips and emphases the thinness of the waist. ☆ CARE INSTRUCTIONS ☆ We kindly recommend dry cleaning only. ☆ PROCESSING TIMES ☆ All our garments, including the Charlotte Overdress, are handmade in our workshop in Spain. Each piece is crafted with love and care, using the finest materials to ensure excellent quality. These garments are meant to be cherished for years to come. Please note that our items are meticulously handmade, which means it will take some time for us to create them. The typical production time for an 18th-Century Overdress & Skirt ranges from 4-6 weeks, depending on the current order volume. Keep in mind that the processing time does not include shipping.
Please note that most of the dresses presented here in our Etsy store are just examples of our old work for clients. These are not ready made dresses for sale. We realize only customized dresses and we DON'T HAVE SHORT DEADLINES. Therefore, before you make a purchase, please ask us for details in a private message. If you make a purchase without reading this description - we do not accept cancellation of the transaction. We do not accept returns and resignations from an already ordered dress during sewing or after sending it (does not apply to tailoring corrections), because our dresses are made to measure and based on a design that is created individually for each customer. By clicking "buy it now" - you accept our terms. We accept payment plans discussed individually with each client. We are small fashion house Atelier Saint-Honore and we make all designs individually for each clients. All dresses are sewn for measures. We use traditional haute couture techniques like fine hand made finishes, hand made embroidery and artistique techniques of decorations. We offer the highest quality custom service and the best materials. Please ask in private for more details.