**"Jill Lepore is unquestionably one of America’s best historians; it’s fair to say she’s one of its best writers too." —Jonathan Russell Clark, Los Angeles Times Best Books of 2023: New Yorker, TIME A book to be read and kept for posterity, The Deadline is the art of the essay at its best.** Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented—but armed—aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.” Echoing Gore Vidal’s United States in its massive intellectual erudition, The Deadline, with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay—and of history—itself.

Poems, essays, and prompts to sing a new world into being--Queer & BIPOC perspectives on poetry as an insurgent ritual for manifesting liberation and reclaiming power. For poets, spellcasters, and social justice witches, Poetry as Spellcasting positions poetry as a vehicle for healing-justice transformation. It asks: If ritualized violence upholds white supremacy, what ritualized acts of liberation can be activated to subvert and reclaim power? Through essays from a diverse group of contributing poets, organizers, and ritual artists, Poetry as Spellcasting helps readers explore, play, and deepen their creativity and intuition as integral tools for self- and communal healing and social change. Each section opens and closes with a poem, ending with exercises and invitations to the reader. Part I explores the ways in which language can both reflect and manifest reality--and shows that poetry and spellcasting allow us to enter into and harness language in active, heightened ways. Part II focuses on summoning the Earth’s power, highlighting the magic of eco-poetry in the anthropocene and inviting readers into the embodied knowledge of the Earth. Part III explores writing as ritual, ritual as practice, and practice as doing, drawing connections between the creative practices of poetry and spellwork. Part IV centers on teachings from ancestors, practices for possible futures, and the legacy of poetry as political practice. Both poetry and occult studies have both been historically dominated by white, cishet writers; here, Poetry as Spellcasting reclaims the centrality of queer and BIPOC voices in poetry, magic, and liberatory spellwork.

**A New York Times Bestseller "Funny, subversive, and able to excavate such brutally honest sentences that you find yourself nodding your head in wonder and recognition." —Lin-Manuel Miranda, composer and lyricist of In the Heights and Hamilton: An American Musical** Are you a sensible, universally competent individual? Are you tired of the crushing monotony of leaping gracefully from one lily pad of success to the next? Are you sick of doing everything right? In this brutally honest and humorous debut, musician and artist George Watsky chronicles the small triumphs over humiliation that make life bearable and how he has come to accept defeat as necessary to personal progress. The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical (his middle-school rap battle dominance) to the revelatory (his experiences with epilepsy), yet all are delivered with the type of linguistic dexterity and self-awareness that has won Watsky devoted fans across the globe.Alternately ribald and emotionally resonant, How to Ruin Everything announces a versatile writer with a promising career ahead.

From Bustle columnist and Twitter sensation Sophia Benoit, this “charming and often laugh-out-loud funny” (Vogue) memoir-in-essays explores the ins and outs of modern womanhood—from finding feminism, the power of pop culture, and how to navigate life’s constant double standards—perfect for fans of Shrill and PEN15. Like so many women, Sophia spent her formative years struggling to do the “right” thing—to make others comfortable, to take minimal and calculated risks, to live up to society’s expectations—only to realize that there was so little payoff to this tiresome balancing act. Tired of trying so hard, Sophia finally let go of the crushing pressure to be perfect. She navigates the highs and lows of the dating world (high: being a beta tester for Bumble; low: hastily shaving her legs before a hotel hookup and getting blood all over the sheets), and walks the line between being a “chill” girl and making sure her boyfriend’s nonchalance about altitude sickness doesn’t get him killed. She learns what it means to be a feminist, how to embrace her own voice, and when to listen to women who have been through more and have been doing the work longer. With topics ranging from how to be the life of the party (even when you have crippling anxiety), to an ill-fated consultation with a dietician who deemed Sophia’s overindulgence in ketchup a serious health risk, to a masterful argument for why no one should judge you for having an encyclopedic knowledge of reality TV, Well, This Is Exhausting is not only “one of the funniest books you’ll read this year, but it’s also one of the most important” (Shondaland).

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Exploring the endings of species, languages, cultures, and ways of life, this collection “provocatively makes one think about extinction in novel ways.” —Biological Conservation We live in an era marked by an accelerating rate of species death, but since the early days of the discipline, anthropology has contemplated the death of languages, cultural groups, and ways of life. The essays in this collection examine processes of—and our understanding of—extinction across various domains. The contributors argue that extinction events can be catalysts for new cultural, social, environmental, and technological developments—that extinction processes can, paradoxically, be productive as well as destructive. The book considers a number of widely publicized cases: island species in the Galápagos and Madagascar; the death of Native American languages; ethnic minorities under pressure to assimilate in China; cloning as a form of species regeneration; and the tiny hominid Homo floresiensis fossils (“hobbits”) recently identified in Indonesia. The Anthropology of Extinction offers compelling explorations of issues of widespread concern.

When it comes to books, TBR stands for "To Be Read." But since we're talking about beloved bookshelves, there's more to dig into behind the TBR meaning.

Δωρεάν εκθέσεις και επιστολές Michigan ECCE. Να μαθαίνετε πολύ καλά τις γραμμένες εκθέσεις γιατί σας βοηθούν να γράφετε πολύ καλές Αγγλικές εκθέσεις.

It's not always easy to find simple German texts that are both easy and interesting. Here are some resources of easy-to-read German stories and articles.

The logician Kurt Gödel (1906–1978) published a paper in 1931 formulating what have come to be known as his 'incompleteness theorems', which prove, among other things, that within any formal system with resources sufficient to code arithmetic, questions exist which are neither provable nor disprovable on the basis of the axioms which define the system. These are among the most celebrated results in logic today. In this volume, leading philosophers and mathematicians assess important aspects of Gödel's work on the foundations and philosophy of mathematics. Their essays explore almost every aspect of Godel's intellectual legacy including his concepts of intuition and analyticity, the Completeness Theorem, the set-theoretic multiverse, and the state of mathematical logic today. This groundbreaking volume will be invaluable to students, historians, logicians and philosophers of mathematics who wish to understand the current thinking on these issues.

Mathematics has maintained a surprising presence in popular media for over a century. In recent years, the movies Good Will Hunting, A Beautiful Mind, and Stand and Deliver, the stage plays Breaking the Code and Proof, the novella Flatland and the hugely successful television crime series NUMB3RS all weave mathematics prominently into their storylines. Less obvious but pivotal references to the subject appear in the blockbuster TV show Lost, the cult movie The Princess Bride, and even Tolstoy's War and Peace. In this collection of new essays, contributors consider the role of math in everything from films, baseball, crossword puzzles, fantasy role-playing games, and television shows to science fiction tales, award-winning plays and classic works of literature. Revealing the broad range of intersections between mathematics and mainstream culture, this collection demonstrates that even "mass entertainment" can have a hidden depth.

“As a deeply uncomfortable depressed Midwest person, I relate to this excruciatingly hilarious book more than I’d like to admit.” —Samantha Irby, New York Times-bestselling author who still has a blog Birth control. Body hair removal cream. Boobs. It’s all weird, but also pretty normal. Navigating racial identity, gender roles, workplace dynamics, and beauty standards, Mia Mercado’s hilarious essay collection explores the contradictions of being a millennial woman, which usually means being kind of a weirdo. Whether it’s spending $30 on a candle that smells like an ocean that doesn’t exist, offering advice on how to ask about someone’s race (spoiler: just don’t, please?), quitting a job that makes you need shots of whiskey on your lunch break, or finding a more religious experience in the skincare aisle at Target than your hometown Catholic church, Mia brilliantly unpacks what it means to be a professional, absurdly beautiful, horny, cute, gross human. Essays include: Depression Isn’t a Competition but Why Aren’t I Winning?My Dog Explains My Weekly ScheduleMustache LadyWhite Friend ConfessionalTreating Objects Like Women With sharp humor and wit, Mia shares the awkward, uncomfortable, surprisingly ordinary parts of life, and shows us why it’s strange to feel fine and fine to feel strange. “Mia Mercado’s writing is hilarious, warm, relatable, confessional and emotional. Her writing leaps off the page!” —Megan Amram, writer/producer of The Good Place & The Simpsons “Wry, cutting, often silly . . . Fans of Samantha Irby and Sloane Crosley will want to take a look at this feminist, millennial, and comedic delight.” —Booklist “Mercado’s collection of essays will make you laugh out loud at the ridiculous truths of being a human.” —Ms. Magazine

One of the greatest philosophers of the nineteenth century, Schopenhauer (1788-1860) believed that human action is determined not by reason but by 'will' - the blind and irrational desire for physical existence. This selection of his writings on religion, ethics, politics, women, suicide, books and many other themes is taken from Schopenhauer's last work, Parerga and Paralipomena, which he published in 1851. These pieces depict humanity as locked in a struggle beyond good and evil, and each individual absolutely free within a Godless world, in which art, morality and self-awareness are our only salvation. This innovative - and pessimistic - view has proved powerfully influential upon philosophy and art, directly affecting the work of Nietzsche, Wittgenstein and Wagner among others.

This volume explores the extraordinary life and work of Hildegard of Bingen, the 12th century abbess and prophet whose interests ranged from music to theology to zoology to medicine. These essays-written specifically for this volume-approach Hildegard from a variety of perspectives including gender theory, musicology, art history, the history of science, and comparative studies.

On a wharf in Provincetown, Massachusetts, where Greenwich Village bohemians gathered in the summer of 1916, Susan Glaspell was inspired by a sensational murder trial to write Trifles, a play about two women who hide a Midwestern farm wife's motive for murdering her abusive husband. Following successful productions of the play, Glaspell became the "mother of American drama." Her short story version of Trifles, "A Jury of Her Peers," reached an unprecedented one million readers in 1917. The play and the story have since been taught in classrooms across America and Trifles is regularly revived on stages around the world. This collection of fresh essays celebrates the centennial of Trifles and "A Jury of Her Peers," with departures from established Glaspell scholarship. Interviews with theater people are included along with two original works inspired by Glaspell's iconic writings.

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The scope of John Dewey's writings — ranging from aesthetics and education to legal and political theory — and his role in the development of twentieth-century philosophy have helped make him a continuing influence on contemporary thought. One of his most significant contributions to the theory of knowledge lay in his application of the principles of instrumentalism to traditional approaches to logical theory. Essays in Experimental Logic contains 14 of Dewey's most profound papers on many different aspects of knowledge, reality, and epistemology. These papers on experimental logic are based on the theory that possession of knowledge implies a judgment, resulting from an inquiry or investigation. The presence of this "inquiry stage" suggests an intermediate and mediating phase between the external world and knowledge, an area conditioned by other factors. Expanding upon this foundation, these papers consider the relationship of thought and its subject matter; the antecedents and stimuli of thought, data, and meanings; the objects of thought; control of ideas by facts; and similar topics. Three papers describe the various kinds of philosophical realism. The first closely examines Bertrand Russell's dictum concerning "our knowledge of the external world as a field for scientific method"; the other two discuss pragmatism, differentiating Dewey's position from those of James and Peirce. These essays present their author's most easily followed account of his own philosophy. The section entitled "Stage of Logical Thought" analyzes the role of scientific method in philosophy, and the final essay presents a striking theory of a logic of values.

Essays, lectures, and interviews—on everything from gender relations to Ingmar Bergman to adventure travel—from the renowned diarist. In this collection, the author known for “one of the most remarkable diaries in the history of letters” shares her unique perceptions of people, places, and the arts (Los Angeles Times). In the opening group of essays, “Women and Men,” Anaïs Nin provides the kind of sensitive insights into the feminine psyche and relations between the sexes that are a hallmark of her work. In “Writing, Music, and Films,” she speaks as an artist and critic—in book and film reviews, an essay on the composer Edgard Varèse, a lecture on Ingmar Bergman, and the story of her printing press. In the final section, “Enchanted Places,” Nin records her travels to such destinations as Fez and Agadir in Morocco, Bali, the New Hebrides, and New Caledonia—and she concludes with a charming vignette titled “My Turkish Grandmother.”

I don’t mind reading a short story on my computer from time to time. In fact, I do it daily with my Theme of Absence submissions. But when it comes to novels, I still feel like nothing beats …

"When my friend Tashween texted me and said she bought a book I had to read called We Are Never Meeting in Real Life, I was immediately sold." —Elizabeth LillyGet it on Amazon: $23.95 for audiobook, $10.97 for paperback, and $11.99 for Kindle.

Don't miss these 25 smart, funny, thought-provoking essay collections from 2016.

Today “we” (first world country inhabitants) live in a consumerist society. Unfortunately, the sophistication of retail operations is such that it becomes harder and harder to defend ourselves from…

Easy tricks to increase your reading time and retain informationWhether you're studying for your philosophy class or flipping through the morning newspaper, reading can seem like such a chore, especially because it can take so long. But...

Articulate and precise speech is one of the most attractive attributes in a person.

I’m not going to get into the nitty gritty of what ADHD (Attention Deficit Hyperactivity Disorder) is. If you are reading this post there is an excellent chance you already know what it is because you are dealing with it in your classroom. I’m also going to go out on a limb and assume that […]

If you want to find out how to make German friends online, here are 10 great ways to find a language partner! Read this guide to learn about a range of websites and resources you can use to help you find someone you can practice your German conversation skills with.

Synopsis Expand/Collapse Synopsis Like his National Book Award—winning United States, Gore Vidal’s scintillating ninth collection, The Last Empire*,* affirms his reputation as our most provocative critic and observer of the modern American scene. In the essays collected here, Vidal brings his keen intellect, experience, and razor-edged wit to bear on an astonishing range of subjects. From his celebrated profiles of Clare Boothe Luce and Charles Lindbergh and his controversial essay about the Bill of Rights–which sparked an extended correspondence with convicted Oklahoma City Bomber Timothy McVeigh–to his provocative analyses of literary icons such as John Updike and Mark Twain and his trenchant observations about terrorism, civil liberties, the CIA, Al Gore, Tony Blair, and the Clintons, Vidal weaves a rich tapestry of personal anecdote, critical insight, and historical detail. Written between the first presidential campaign of Bill Clinton and the electoral crisis of 2000, The Last Empire is a sweeping coda to the last century’s conflicted vision of the American dream.

In my workshop we never explored our racial identities or how they impacted our writing—at all.