"Gulf Racing"
Want to sell your eLearning course and make some money? Here are three services that will help you do that.
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Besides these: other forms appear, whichare still popular. Sometimes the upper side was broadened to receivesome ornament or a gem (figs. 5, 9, 10, 13), a method which wasused in the Renascence (figs. 20—29), while the Middle Ages preferredcylindrical, ribbon - like bands (figs. 14 and 16), and architecturalmotives (fig. 17). It was reserved for Modern times to give the Wedding-ring its smooth, convenient, but artistically unimportant form. Thepredominant material is gold. Niello, enamel, pearls, and gems, areused for its further decoration. The ring has frequently given riseto artistic freaks, e. g. where two or three separate rings are soconstructed that they may be interlocked. Plate 273. The Ring. 1—3. Egyptian, signet, (Menard et Sauvageot). 4. Roman, signet, found in the Crimea. 5. Egyptian, with enamel and two horses in free relief. 6. Egyptian, with pierced work, (Racinet/7—8. Greek. 9—10. Roman, found in the Crimea.11. Etruscan, gold, Vulci, (Bliimner). JEWELRY. 4»5 Text Appearing After Image: The Ring. Plate 273. 486 The Ring. — The Chain. 12. Porapeian. 13. Ancient Italic. 14 and 16. So-called Jewish wedding-rings, 15th and 16th cen-turies, collection of the late architect Oppler, Hanover,(Luthmer). 15. Renascence, with cut onyxes, Collection in Cassel,(Luthmer). 17. Gothic, 13th century, (Mothes). 18. Renascence, enamelled, representing the Fall of Man. 19. Renascence, with clasped hands. 20. Renascence, from a picture, dated 1672, Museum, Cologne. 21. Renascence, Museum, Sigmaringen, (Luthmer). 22—23. Renascence, from pictures at Gotha and Darmstadt, (Luth-mer). 24. Renascence, from a picture, Germanisches Museum, (Luth- mer). 25 and 27. Renascence, private collection, Mainz, (Luthmer). 26. Renascence, Hildesheim, with niello-work, (Luthmer). 28, 29, 31, and 32. Renascence, (Hefner-Alteneck). 30 and 32. Renascence, after Hans Mielich, Middle of the 16th century. The Chain. (Plate 274.) Chains are an interesting chapter in ornament. The task of arthere is to treat th Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Graphic design resources for graphic designers. Information resources to inspire art directors. Content that we have carefully created about graphic design.
The story of a happy artist. Anna Liversidge shares her experience as a member of the Happy Artist Studio.
Dear all, here are the samples of students work for the Grade B, Art & Design IGCSE June 2021 - 0400 - Syllabus 2020-2022. I truly feel the ...
A look at the things to consider when you're looking at online courses or classes in any area, and how to decide whether a course is for you.
How do you build an art e-course? What topics should you choose to cover? Hi, my name is Carrie and here on Artist Strong I help artists like you refine your skill and develop your unique artist vo…
The story of a happy artist. Anna Liversidge shares her experience as a member of the Happy Artist Studio.
