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“Mir tut mal wieder alle weh, ich hoffe, es ist von der Osteoporose, und nicht von #Corona, gestern haben sich beim MixMarkt wieder DREI Leute zwischen mir und einer gerade bezahlenden Person durchgedrückt, manche lernen´s nie, manche noch später... 😭😭😭🤬🤬🤬”
¿Es el entorno el que nos define? Aprendemos a vernos como nos ven, a valorarnos como nos valoran. Lo que escuchamos y vivimos nos forma. No vemos el mundo como es, vemos el mundo como somos. Somos víctimas de nuestras creencias, pero podemos cambiarlas. Bruce Lipton, doctor en Medicina, investigador en biología celular.
The distorted perceptions that we get from our mirrors.
t-ears: “ black-leather: “ another-death: “ c-apitalist: “ exorcis-m: “ i-m-s-a-t-a-n-s-o-n: “ (via r-e-m-e-m-b-e-r-e-v-e-r-y-d-a-y, rimbaud) ” ”
Nacida en Irlanda del Norte, Anne Magill se trasladó a Londres cuando ganó una plaza para estudiar en St. Martins School of Art. Posteriormente se convirtió en una ilustradora galardonada, trabajando para editoriales y agencias de diseño y publicidad. Ha ganado el Benson & Hedges Illustration Awards. Su primera exposición individual fue en 1992 y desde entonces ha expuesto regularmente en galerías de Londres, así como en Europa, Estados Unidos e Irlanda. Magill describe su trabajo como una captura de una sensación de momentos fugaces en la vida. "Siempre hay narrativa en mis pinturas y siempre estoy tratando de transmitir esto a través del uso de la luz, el color y la textura. El trabajo es casi siempre figurativo. Estoy atrapada en tratar de transmitir los momentos en que algo épico acaba de suceder, o está a punto de suceder, pero sólo sugerirlo - una especie de enfoque "menos es más". Magritte dijo que era un hombre que pensaba y que comunicaba sus pensamientos por medio de la pintura. Anne Magill es un testigo, que da testimonio de una serie de silenciosas escenas humanas por medio de su pintura. El gran poder de su trabajo es su genio Hopper-like para obligarnos a tejer una historia, extraída de nuestro propio repertorio sobre estas escenas. Aunque no conocemos a los hombres o mujeres, sentimos que los reconocemos, mientras permanecen mirando un acontecimiento que no podemos ver ni caminar, la cara oculta bajo un sombrero, hacia un destino del cual no somos conscientes. Las pinturas se llenan menos de ambigüedad que de misterio. Son la pareja joven que acaban de romper o de conocerse? ¿Están los ancianos saliendo o acercándose al paisaje? ¿Hay algún elemento de escape o resignación en el cuadrado de sus hombros? Golpean una nota de Yeatsian que nos recuerda" que una piedad más allá de toda la mentira está escondida en el corazón del amor." Estando en pie ante una de sus pinturas nos convencemos de que comprenderemos, finalmente, la verdad humana que inspiró la imagen. El mundo se desvanece y somos sacados de nuestro tiempo por el poder misterioso e icónico de la figura, su humanidad atrapada por el artista." - Josephine Hart "Ella es una maestra de retratar emociones cargadas y tensiones silenciosas y esto le da a las pinturas su poder y elocuencia." - Lucy Alexander, The Times. Fuentes: http://www.annemagill.com https://www.facebook.com/AnneMagillArtist https://www.artweb.com/artists/144_annemagill http://www.heart-break.co.uk/2010/11/anne-magill/ http://www.kaifineart.com/2016/04/anne-magill.html http://www.redraggallery.co.uk/print-anne-magill.asp https://thenewschoolart.org/art-courses/painting/figure/lewes/painting-dynamically-in-acrylics-with-anne-magill-lewes-dec16/ http://www.tuttartpitturasculturapoesiamusica.com/2013/03/Anne-Magill.html https://en.wikipedia.org/wiki/Anne_Magill Nota: La propiedad intelectual de las imágenes que aparecen en este blog corresponde a sus autores y a quienes éstos las hayan cedido. El único objetivo de este sitio es divulgar el conocimiento de estos pintores, a los que admiro, y que otras personas disfruten contemplando sus obras.
solo imágenes que me encuentro por ahí, algunas muy raras, otras no tanto . ♡
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바보 애미티,,
So why Anime- Jesus ? Why not? I dig the teachings of Yeshua (that's J.C. or Jesus for those crazy christian so-called-followers wh...
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Where does style come from? Frederick Taubes (who was a real smart guy) wrote that an artist's personal style "seems to stem from geography, climate, diet and other factors." Some people speculate that "other factors" might include eye disease. Others suggest that that stylistic distortions might be an artist's way of covering up for technical weaknesses. For example, illustrator Seymour Chwast, who draws with a flat, simplified style, stated that he avoids pictures "that require craftsmanship and a drawing ability that I do not have." Illustrator Edward Sorel, famous for drawing with loose swirls, said “I have never had the confidence that I could draw.... To me, a person with drawing skill is a guy who can sit down to a piece of paper and draw upon his familiarity with the body and with gesture, and do whatever he wants to do...” But ahhh, when an artist possesses the skill to "do whatever he wants to do,” and uses that skill to develop a personal style out of strength rather than weakness, the result can be a joy to behold. It becomes a full throated expression of the artist's personal reaction to the world's forms and colors. Which brings me to Carter Goodrich. Goodrich is one of those artists with the formidable drawing skill to do whatever he wants. The following Forbes cover from 1989, an illustration of Europeans courting the Russian bear... ...shows that Goodrich not only understands anatomy, facial expressions and body language (what Sorel called "gesture") but also that he has that rare and wonderful ability to spin his knowledge into all kinds of imaginative scenarios. Does he need to take a revealing human facial expression and posture, put them on a huge shaggy bear and dress her up in a fancy gown (complete with ursine cleavage)? Not a problem. Note the marvelous spread of her haunches-- a masterful touch, one that would escape a less imaginative artist. Unlike many artists with great technical skill, Goodrich never seems to have been tempted to waste his abilities on hard realism. Instead, he knew to follow his imagination and his powers of observation into a distinctive personal style. His wide faces, exaggerated bodies and distinctive palette have made his work instantly recognizable to readers of the New Yorker: More of Goodrich's delicious style is displayed in this illustration from The Emperor's New Clothes: Weird hairdos and faces, extravagant gestures and bizarre fabrics all given credibility by excellent drawing. Goodrich is such a master of visual story telling, he is free to take liberties with accuracy: In the following detail, note how Goodrich conveys speed with just the direction of those pencil strokes in the shadow of the hockey player, or how the white trail of that one skate dramatizes the ominous, searching approach, or how Goodrich directs our attention to that puck by engineering the highest contrast spot in the picture (a dense black shape framed in a white window) or how effectively he uses that foreshortened purple hockey stick to establish the spatial relationship with the goalie. Brilliant. Contrast how the lines under the player show directional speed while the lines surrounding the puck-- both horizontal and vertical-- do not. You wouldn't notice such tiny touches in the printed version, yet their effect would be unmistakeable. With such a rich assortment of tools at his disposal, Goodrich doesn't need to worry about drawing that front skate accurately in order to be understood. He has the freedom to play games with the foot (exaggerate it or draw it like a tiny stump) with no risk of confusing anyone. Similarly, he can disconnect that pelvis and make the skater look like a sack of bowling balls hurtling down the ice. The audience still gets it because Goodrich maintains such exquisite control over the image in other respects. You can't just take such liberties; if your style is genuine you have to earn them. Goodrich has not only earned his freedom, he knows how to put it to good use.
20 juegos de palabras visuales, desconcertantes y surrealistas de Randy Lewis
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"Farting boyfriend causes neighbors to call police."
Feel free to peruse this gallery of fine art memes at your leisure.
25 Squeamish Images That Are Cursed By Cringe Lords - The internet has generated a huge amount of laughs from cats and FAILS. And we all out of cats.
Optical illusions are always fun and fascinating as they trick our brains into perceiving things differently than they actually are. It may sound cliché, but illusion drawings are our reminder that the things we see are not always as they seem.
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Explore carollferazz's 198 photos on Flickr!
These are my favorite Klance comics. Most of them will probably be from elentori, ikimaru and pretzellus bc I love their art :)
Vor allem Menschen mit Füßen.
This is a signed and numbered art print of the cover I did for "Animorphs #14: The Unknown," printed on acid free, Epson matte velvet art paper. This is limited to an edition of 50, signed by the artist, David Mattingly, in silver ink and offered in 3 sizes, 8.5 x 11 inches, 13 x 19 inches and 17 x 22 inches. Each print is hand printed by the artist in his studio.
“Glim" by Reynier Llanes
34 Awful Toilets to Clog Your World with Cringe - The internet has generated a huge amount of laughs from cats and FAILS. And we all out of cats.
Codex 99 features a rich article on Fritz Kahn, German gynaecologist and popular science writer from the 1910's to the 1960's. Apart from writing articles on popular science for publishing house Kosmos's 'Gesellschaft der Naturfreunde' magazine, Fritz Kahn also authored many books on a variety...
Artist Spotlight: Denis Sarazhin http://ift.tt/2bCsJ9q via @Booooooom
