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Created in 2006 by multidisciplinary artist Kimsooja, To Breathe – A Mirror Woman was an elaborate installation at the Palacio de Cristal, Parque del Retiro, in Madrid. Originally built in the late 1880s to house a collection of flora and fauna from the Philippines, Kimsooja transformed the Palacio de Cristal into a multisensory sound and light experience. A special translucent diffraction film was used to cover the windows to create an array of naturally occurring rainbows which were in turn reflected by a mirrored surface that covered the entire floor. More

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Frauenkirche Interior, Dresden (via by *pingallery)

1. A House Fit for Winnie the Pooh in the Original Hundred Acre Wood The Bearbnb is situated in Ashdown Forest just south of London, made available to book on Airbnb as part of Disney’s 95th Anniversary celebrations of the loveable children’s character. 2. A Catalogue of Ready-to-Build “Classical French Mansions” by a Vietnamese Architectural Firm These 3D…

The Most Beautiful Dairy in the World In the late 19th century the farmer Paul Pfund traveled to Dresden with his wife and six cows from Reinholdshain in order to supply the city with healthy milk. He...

Designing and crafting unique pieces of furniture that inspire us to be passionate and fearless guardians of the World Heritage.

Explore Fabrice.Dozias' 1190 photos on Flickr!

Schloss Marienburg, Pattensen, Hanover, GERMANY

Loket Castle, Czech Republic.

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OK, here at Chintz of Darkness we have participated in some strange activities and still have the scars and bruises to prove it, thank you very much. With that clearly stated there still remain several activities that we steadfastly refuse to partake in under any circumstance. Acts so vile and insidious that they cannot be spoken of in polite company and only whispered about in dingy doorways and dark alleys. You may ask, dear readers, what are these evil deeds that must be avoided simply to save ones soul? Why none other the insidious acts of DANCING AND CAMPING. Now we are not even going to dignify the subject of dancing. Suffice to say there are only two reasons one should dance 1) you are being electrocuted 2) NEVER!!! End of subject. As to the issue of camping, we live in a part of the country where the practice is held up to near mythic proportions. It seems that trudging around in the middle of nowhere trying to find some crappy place to sleep constitutes “communing with nature”. To us this concept is not only overrated but potentially life threatening. Why risk getting lost in the woods, falling down a ravine or getting devoured by a clan of mountain trolls? Every so called “outdoor activity” can be performed effortlessly from the comfort of our own home AND there is no need to get ants in ones pants or bitten by a hobgoblin. A tented room is a great beginning to ones indoor activities. We started festooning our studio walls with wall hangings and banners as soon as we moved in. Soon the kitchen doorway was transformed into a fearsome entrance to an exotic pavilion with the ceiling draped in cloth of gold. Now the whole design theme has started running rampant. One must duck through gauzy passageways just to find the powder room and we have begun carpeting our apartment’s communal hallway (much to our neighbor’s dismay…) Another activity that is well suited to the indoors is picnicking. Outdoor picnics are simply out of the question due to the fact that our tablecloth collection has ended up as wall upholstery and our placemats and napkins have been made into pillow sets. It goes without saying what we are not about to pack our fine china into some rickety food stained wicker basket or risk losing a silver spoon in the undergrowth simply to eat our lunch in the yard. Now by “fine china” we of course mean an absinthe fountain, a martini shaker and a set of blood red goblets. As for the silverware, our favorite set is stainless steel and resembles a Karl Blossfeldt photograph. Unfortunately the forks were stolen piece by piece by a pair of thieving ghetto witches that gained access under false pretenses and then riffled through our belongings at will. But that is a story for another day…YIKES, is it any wonder why we are hesitant to leave our abode to go wander around in some park looking at the trees? It is much more fun picnicking on fried chicken and potato salad while lounging around half naked in front of a velvet curtain on a luscious pile of pillows. But if you remain stubborn, dear ones, you can try this outside as well, but there is usually no place to hang the draperies… In the future perhaps we shall tackle the controversial subject of blending interior decoration with hiking, but until then enjoy our indoor inspirations… Last but not least, Thomas Britt’s amazingly lovely tent of gloom… Goblins of oaks and denizens of darkness Bathed in the wine of a delightful night... And lives there, but dies at dawn… Dies in me with barbarous voice. The dark forest enchants me! ("The Dark Forest" by Behemoth)

Architects are using AI to create fantastical buildings of our future.

Quando sono arrivata a Würzburg, in Baviera, sapevo che nel palazzo dei principi vescovi, c'erano gli affreschi di Tiepolo. Avevo letto che il soffitto dello scalone era enorme, ma non ero pronta all'emozione che ho provato. Un'emozione da effetti speciali. Non c'è foto, né ricostruzione che possa preparare alla meraviglia, alla vertigine -una sorta di sindrome di Stendhal- che coglie quando si entra e si scopre di essere letteralmente circondati dall'affresco. Enorme. E non è un'esagerazione. Il soffitto occupa 570 metri quadri: una superficie dipinta impressionante e meravigliosa. Nell'inverno del 1750 Tiepolo ha cinquantaquattro anni, quando parte per Würzburg con un aiutante e i due figli, Giandomenico, ventitreenne e Lorenzo, appena quattordicenne. Forse non sa nemmeno esattamente dove si trovi la città verso cui è diretto, ma ha ricevuto, a Venezia, da un banchiere tedesco, una di quelle proposte che non si possono rifiutare. Gli è stato offerto un compenso da capogiro per decorare con storie di Federico Barbarossa la sala dei banchetti, la Kaisersaal, del principe vescovo della Franconia, Karl Philip von Greiffenclau, nel suo palazzo, la Residenza, progettato, venti anni prima, da Balthasar Neumann. Tiepolo, forse, non conosce Würzburg; di sicuro, però, il principe conosce lui e la sua reputazione e per questo è disposto a spendere qualsiasi cifra. Venezia, a metà Settecento, non è più una potenza economica e mercantile, ma c'è un prodotto che esporta in tutta Europa: l'arte, o, meglio, la grande decorazione con motivi mitologici, capaci di creare una storia, un passato prestigioso, anche là dove storia non c'è. Tiepolo è l'artista più noto per la facilità e la velocità con cui dipinge: “è un fuoco inesauribile...fa un quadro in meno tempo che ad altri occorre per stemperare i colori” aveva detto l'ambasciatore di Svezia. E con risultati straordinari. Il principe Greiffenclau lo sa; governa un piccolo paese, ma è ambizioso e si sente alla pari con la più alta aristocrazia europea. Non bada a spese e non ha remore. Vuole il meglio e lo avrà. Nell'estate del 1752 i lavori alla Kaisersaal sono finiti. Tiepolo potrebbe tornare a casa e, forse, ne ha anche voglia. Ma invece, no: il principe è rimasto contentissimo del pittore. E allora gli propone un lavoro quasi impossibile, una sfida: la decorazione del gigantesco soffitto dello scalone che dall'ingresso porta al piano principale. L'impresa è davvero colossale, ma se c'è un artista, o meglio, una ditta capace di portarla a termine è quella dei Tiepolo. Il compenso, anche stavolta, è irresistibile. Tiepolo accetta e, subito, impianta un immenso ponteggio. Comincia a lavorare all'affresco, dal centro, stendendo l'azzurro chiaro del cielo, prima che venga l'inverno. Col freddo si sospendono i lavori: pittore e committente ne approfittano per discutere sui bozzetti, sempre più vicini all'esecuzione finale. Il soggetto principale e i dettagli sono definiti uno a uno. Quando l’attività riprende, nella primavera del 1753, procede speditamente, tanto che ad agosto il soffitto è pronto e a ottobre il cantiere chiude. I Tiepolo ripartono per Venezia, senza nostalgia, forse, per il clima freddo e umido di Würzburg, ma con qualche rimpianto nel lasciare quegli affreschi che li hanno trasportati nella dimensione incantata del racconto e della mitologia e sotto il cielo, perennemente azzurro, della pittura. Il soffitto è concepito come un unica scena con i punti di vista che cambiano mano mano che si sale sullo scalone. L'integrazione con gli stucchi, tra le figure dipinte e quelle scolpite da Antonio Bossi, è perfetta. Al centro l'esaltazione del principe che, come Apollo, il dio delle arti, circondato dagli Dei dell'Olimpo, porta la luce ai quattro angoli della terra. Attorno al cornicione i quattro continenti sono rappresentati da figure femminili. Le raffigurazioni sono tratte dal repertorio di immagini e di motivi più comunemente usato, l'”Iconologia” di Cesare Ripa, ma non mancano dettagli desunti da qualche cronaca fantasiosa di viaggio L'America, come un idolo coronato di piume, è seduta su un coccodrillo e circondata da una folla di indigeni che le portano doni. Il continente è selvaggio: lo dimostrano le teste mozzate in primo piano, così come gli indigeni seminudi che trasportano il corpo di un coccodrillo e che arrostiscono su uno spiedo carni di dubbia provenienza, In basso a sinistra un artista itinerante, in abiti europei, preso dalla curiosità, rischia quasi di cadere dal cornicione e si aggrappa alla tavoletta su cui stava disegnando L'Asia, sul dorso di un elefante, è una principessa crudele- una Turandot ante litteram- che, circondata da dignitari, sta decidendo la sorte di un prigioniero seminudo e impaurito. Un pappagallo colorato becca la ghirlanda che circonda un ritratto sopra la balaustra del cornicione. Accanto si accumulano opere d'arte esotiche forse destinate all'Europa: sculture, un grande obelisco e una lapide dalla misteriosa iscrizione, appoggiata, su un panno per non scivolare dall'architrave in stucco su cui poggia. L'Africa è una nera bellissima avvolta da una veste bianca con un morbido turbante: siede sul dorso di un cammello accucciato, e riceve, in omaggio, doni sontuosi e un incensiere fumante. Merci pregiate, controllate da funzionari ottomani, stanno per essere caricate su un elefante, mentre uno struzzo impaurito tenta di fuggire, trattenuto a stento, dalla cornice, sotto lo sguardo di una scimmia curiosa. L'Europa è il continente “civile”, circondata dalle arti e dalla religione che vincono sulla potenza militare. Le armi sono inutili e a niente serve il cannone, se non come sedile per un gentiluomo che ha le fattezze dell'architetto Neumann, in compagnia del suo cane preferito, in precario equilibrio sul cornicione. In alto il ritratto del principe Greiffenclau, avvolto in un mantello di ermellino, è sostenuto dalla Fama e dalla Gloria, e circondato da un grifone araldico, trasformato, per gioco, in un animale vero e proprio. E poi altri particolari: figure, animali, colori, tessuti...: è davvero tutto un mondo da scoprire. Qui Tiepolo si è voluto ritrarre con il figlio Giandomenico, incipriato e imparruccato come un damerino, mentre contempla la sua impresa. E di impresa si trattò: duecentodiciotto giornate di lavoro per centinaia di metri quadri di affresco. Dentro- è stato detto- c'è l'enciclopedia della pittura del Settecento. C'è una fantasia sbrigliata, uno stile lieve, aereo, ironico, straordinario. Trompe-l'-oeil, architettura fittizia che si mescola a quella vera, immagini che debordano, superano i confini della rappresentazione e invadono il mondo reale. Sì, non è il cinema che ha inventato gli effetti speciali. So bene che nessuna foto può restituire la meraviglia di una visita: allora - non si sa mai -ecco qui un link con qualche notizia utile su Würzburg. E d'estate la Baviera è, davvero, bellissima.

Had you visited the Paris Court in downtown Budapest only a handful of years ago, you’d have met with a significantly different impression. Darkened..

Torino volt az Olasz Királyság első fővárosa ma pedig a kortárs művészet és modern tervezők fellegvára. Torino Olaszország negyedik legnagyobb városa, Piemont és Torino megye székhelye. Lakóinak száma az agglomerációval együtt 1.700.000 fő. TORINO TÖRTÉNELME A kis hegyi tartomány Piemonte sokat hadakozott, de még többször kellett tojástáncot járnia az egymással marakodó Bourbon és Habsburg nagyhatalom között. Savoya francia területe egyre fogyott, s így urainak szemében mind nagyobbra nőtt az Alpokon inneni tartományaik jelentősége. Végre Emanuele Filiberto herceg 1562-ben a francia Alpokból Torinóba helyezte át székhelyét. Ekkor kezdett Savoya olasz állammá válni, ekkor kezdett fejedelmi székhellyé kiépülni a Pó síkság és az Alpok találkozásánál fekvő jelentéktelen városka, mely alaprajzában, beosztásában mindmáig megőrizte a római erődítmények vonalzóval mért szögletességét. A 17-18. században épült nagyvárossá Torino, inkább franciás mint olasz jelleggel. Ebben a katonásan egyhangú városban két nagy képzelőerejű barokk mester és egy szertelen fantáziájú klasszicista mérnök olyan épületeket emelt, melyek különleges bélyeget ütnek józan képére. A barokk építészek közül az első a modenai Guarini (1624-1685) a kor egyik legzseniálisabb építésze akinek műveivel Lisszabonban, Párizsban sőt Prágában is találkozhatunk. A másik a sziciliai Juvara (1685-1736) akinek a merész lendületű kupoláit egy egész sor lombardiai város dómján láthatjuk. A 19. század építésze Antonelli (1798-1888), akinek furcsán monstruózus műve, a,,Mole Antonellia" úgy emelkedik a városkép fölé, mint Párizsban az Eiffel torony. A 19. században ez volt a legmagasabb kőépület a világon 168 m. Ötödrésze csak a hatemeletes,négyszögletű földre helyezett kupoladobozhoz hasonlító ház, atöbbi a föléje tornyosuló kupola, tetején kettős oszlopcsarnokkal, melyből még messze nyúlik a magasba egy folyton keskenyedő kőtorony. Zsinagógának indult, mire elkészült múzeum vált belőle. LÁTNIVALÓK A VÁROSBAN Piazza S. Carlo: Itt található két ikertemplom, a bal oldali a gazdagabban díszített a nagyobbik S.Cristina, Juvara alkotása 1718-ból. A bal oldali párja a S. Carlo ennek fantáziátlan utánzata 1836-ból. A tér 1680-ban épült palotáival, szögletes kimért ablakaival egyébként jellegzetesen torinói.Itt található E. Filibertó lovasszobra, ami a székhelyét Torinóba helyező herceget a Sant Quentini csatában ábrázolja. ahol visszanyerte tartományait. A Piazza S. Carlo után a Via Rómán Guarini egyik műve, a régi jezsuita kolostor, ma Torinó múzeuma, a Palazzo dell' Accademia delle Scienze előtt haladunk el. Palazzo Madama: A Piazza Castello egy négyszögletű tér és a közepén áll a Palazzo Madama. Eredetileg négyszögletű középkori vár volt, sarkain lőrés tornyokkal. 1276-ban a város akkori ura, a monferratói őrgróf emeltette a Julius Ceasar által alapított római vár maradványai fölé. Palazzo Reale: A Palazzo Castello túlsó oldalán, hosszasan húzódik a torinói hercegek, majd a szárd királyok s végül az egyesült Olaszország trónjára emelt dinasztia családi fészke. A Palazzo Reale Torinó egyik legszebb barokk épülete. A Savoyai család hivatalos rezidenciája az 1640-es években épült. Fényűző belső teret csillárok, freskók, falikárpitok, arany és bársony díszíti. Itt található még Európa egyik legnagyobb fegyvergyűjteménye- többek között Savoyai Eugén fegyverzete is. A város térképe

This medieval castle overlooking the Elzbach river looks just like it did hundreds of years ago.

Die Münchener Residenz, former royal palace of the Bavarian kings and Germany’s largest city palace. The Munich Residence is the former palace of the Bavarian monarchs of the House of Wittelsbach in...

I think it's been too long since my last 'house tour' -so todays tour is courtesy of the July/August 1986 issue of 'The World of Interiors' magazine: Grimesthorpe Castle. Grimesthorpe is the last house worked on by the amateur architect, Sir John Vanbrugh although the roots of the house date back to the 13th century. Come on in!We start in 'Vanbrugh's Hall' which has always been used as the houses sitting room. Not exactly a cozy place to curl up with a book, but impressive, isn't it? The house's decoration, circa 1986, was by the Lady of the house starting in 1951, Lady Ancaster (cousin of Nancy Lancaster) and John Fowler.My favorite parts of these grand estates are always the hallways -odd, huh? I love how they are an impressive space to guide guests (and residents) from room to room through a gallery of sorts. Natural light is a big help too! The state drawing room is naturally meant to impress. Imagine taking tea here! I'm sure the Chinese Drawing room will be your cup of tea. The furniture was brought from Florence to the house in 1844. John Fowler had wanted to paint the dado white, but Lady Ancaster insisted on keeping it black - I think it gives the room a more exotic feel. Isn't the wallpaper wonderful? The tea table is Chippendale. The bay window of the room contains this wonderful gothic fretwork ceiling. Lady Ancaster and John Fowler added the side mirrors to visually enlarge the space.Another room with wonderful wallpaper is 'the bird cage room' - suitably named! Housed in a tower dating from the 13th century, Lady Ancaster insisted on covering the floor with rush matting. This became quite popular with country houses all over GB following this. The 'wallpaper' actually consists only of the birds and flowers, all seperate and pasted to the walls. The foliage was then painted in, connecting the scene. The birds on the ceiling were added by Lady Ancaster from a packet of 'spares' found on the estate. My favorite room though, is probably the Tapestry Room. The tapestries lining the room were all done by inhabitants of the house, mostly all men! Here again you see the rush matting.In this corner view of the tapestry room, you can see the latticework pilasters that surround the bay windows.The state dining room is incredibly large! I don't know enough people to seat here! The light fixtures come from the old House of Lords. The bedrooms are no less impressive. The bed in this room was a gift from King Charles I. In another bedroom, seen below, the bed again has kingly associations -the canopy once hung over King George IV's throne. In a corner of the room is a very pretty dressing table set with items belonging to a former resident, Nancy, Lady Astor.I hope you enjoyed the tour!

Beautiful baroque architecture inside Rottenbuch Abbey, Bavaria, Germany (by Thomas Krämer).

Read the Hotel Danieli, Venice hotel review on Telegraph Travel. See great photos, full ratings, facilities, expert advice and book the best hotel deals.

Libraries so stunning you probably won't get much reading done.

Explore Sebdows.Photography's 269 photos on Flickr!

For success in your home decor, be sure to incorporate pattern and texture with your color. The goal is to artfully mix patterns, colors, and styles for an effect that's just right. Many homeowners are terribly shy when it comes to the use of multiple mixed patterns in the design of their decor. However, introducing pattern to a room instantly energizes and adds interest. These could be patterns printed on wallpaper, painted on walls, in tiles, woven into fabrics, in tapestries and wallhangings, the possibilities are endless. Have you ever wanted to bring new life to a tired room without having to start all over? The answer might be as simple as adding a new mix of pattern! Today we have such a great variety of wonderful patterns available to us that it’s fun and easy to improve any room’s personality in a matter of hours by mixing and layering lovely patterns. By changing even a few small items, you can create a big impact on a room. I like mixing multiple patterns because of the interest it brings to a room. Some of the images I have posted below may be too layered for some tastes but you can still use them to learn from. After all you can always take away a pattern or two. Maybe just a punch of mixed, colorful, pattern in a room is all you need to breathe new life into your living space. Keep scrolling, there are mixes for everyone's taste including the tone on tone pattern mix. If you have considered using patterns and pretty prints in your decor but are afraid of your interiors looking like one big kaleidoscope, here are some useful interior design tips to help to make your decision a confident one. Henri Samuel Designer Henri Samuel creates a feast for the eyes in this wonderful room. Layering patterns can be challenging, but when done right, the payoff is well worth the effort. If this is too much for you practice on it by taking away elements and deciding on at least 2 other patterns you would like to continue to use against the green marbled effect background. Maybe just the rug, the red tufted ottoman and the leafy patterned chairs. Jacque Garcia Whether or not you have the kind of wonderful high-ceilinged spaces that predominate here, you can learn much from how the patterns are mixed. Geoffrey Bennison European style pattern mixes include florals, chintz, toile, chinoiserie, checks, plaid and stripes which provide lots of ideas for combining all kinds of prints in striking and unusual ways. Ralph Lauren's country house. He uses lots of pattern against a solid background of white walls. The solid sofa also allows the patterns to take center stage. Most people find it easier and more comfortable to mix this way using the patterns on accent pieces, accessories and pillows. Cowtan & Tout fabrics Patterns with themes of flowers and nature accented with candy colors are romantic yet whimsical, and appeal to feminine sensibilities! theinteriorarchive.com A general rule of thumb for mixing pattern in interior design is to use large patterns on large furnishings, medium on medium, and small prints on small things such as accent pieces. However, as you can see in this picture the small print is on the medium sized sofa and the large stripes on on small pillows. So basically you can throw the rule out the window. It is best if you can learn to trust your eye, It will tell you if it looks right. pinterest.com A lovely mix of florals and plaid and the quilt brings the "pop". Choose a very different pattern that's half the scale or size of the first pattern. If your first pattern is a large floral, the second pattern could be a plaid or geometric shape that has some of the same colors. Then add one more, usually a small scale. Always select at least 3 patterns. In decorating think in terms of odd numbers. The plaid window treatment with several small scale prints on the chair and sofa and some large decorative printed pillows for energy. The whole room is anchored by the rug. This is a great example of the use of color and mixed pattern. bennisonfabrics.com Wall coverings are also a way to introduce pattern into a room and it can be the leading star or a supporting actor. It is important that you maintain balance when working with pattern. berengia.tumblr.com Generally, there are four types of pattern, namely floral, geometric, motif and pictorial. Here you have it all. When mixing and matching pattern, always select a recurring color or theme. Avoid using more than one pattern of a similar scale; pair a large motif with a small print. 24.media.tumblr.com The scale of each pattern is different from the others so they don't compete with each other. There should be plenty of solid colors too, like in this room, so the mixed patterns don't overwhelm the room. thefullerview.tumblr.com Every room needs a dominant pattern and smaller supporting patterns. gastonydaniela.com The Dorthy Draper style of bold colors and mixed patterns. Mario Buatta The rug is the center of attention here with a softer subtle mixing of patterns supporting it at eye level. Denning and Fourcade If you like English interiors, then you must learn to be comfortable with multiple layers of pattern. stroheim.com Pattern mixing today is easier since companies manufacture companion fabrics. If you don't trust your own eye you can always decorate with these. brabournefarm.blogspot.com If the largest scale pattern is not very bold you may want to use stronger patterns in pillows or accent pieces. This background wallpaper has a large pattern but it doesn't overwhelm, it just sets the stage for bolder pillows. traditionalhome.com Lot's of pattern but all in keeping with the same color palette. Michelle Nussbaumer Similar color ways is also another way to unify different patterns. These pillows are all different designs but the colors are all the same..Sometimes you may find a fabric that is reversible or comes in two versions of the same design - the negative and positive forms of the design. That's a very effective way to mix patterns also. signatureprints.com.au Abstract and geometric patterns mixed together bring a more contemporary feel to a room. blog.cuttingedgestencils.com agirlandherpearls.tumblr.com Here is an example of mixing small pattern on the background with bolder on accents and draperies. garyriggshome.com Pattern can also be introduced through artwork. This room has a successful mix of pattern. source unknown Modern, chic, and layered with pattern. charlestonclass.tumblr.com A solid sofa is the ideal place to be bold with pattern! Toss on some lovely mixed patterned pillows. pinterest.com 25.media.tumblr.com I love to bring pattern in by way of furniture. I like it painted or carved .... just subtle touches of pattern throughout. There are at least 10 patterns in this room but they are subdued and well mixed so that they accent instead of overwhelm the room. source unknown Another lovely mixing of pattern. Tone on tone pattern is more subtle and perhaps a better choice for those of you who just aren't interested in going bold. allthekingshouses.tumblr.com You don't have to use colored patterns in a room - neutrals work very well too. There are many different patterns in this room but it has a very cohesive feeling. tginteriors.blogspot.com With neutrals the most important thing to remember is make sure you stay with the same family whether it is cream, taupe, beige, white. They don't mix well together and your room will be a disaster. decor4all.com houzz.com Tobi Fairley Gold tone on tone with great pattern and texture. www.centsationalgirl.com Mixed pattern and texture are crucial to the neutral room's success. Without it you simply have a beige room. It is hard to explain how to mix pattern because so much depends on the eye and there are so many combinations to choose from. Have fun with pattern and remember almost anything goes in today's interior design.I hope this post has been of some help to you. Visit my website at www.lisafarmerdesigns.com Click here to see the previous post! http://www.eyefordesignlfd.blogspot.com/2013/10/napoleon-and-josephines-chateau-de.html This blog post was published by Lisa Farmer

Emperor Nikolai I decreed that Russian artist Eduard Gau start painting watercolors of the Winter Palace’s interior (the Russian Empire's...

Beefbar Paris restaurant opened its doors with a stunning interior design project by Humbert & Poyet.

Kimsooja: To Breathe - A Mirror Woman (2006)

Kimsooja 김수자 (South Korean, b. 1957, Daegu, Korea) - A Reflective Palace Of Rainbows, 2006 The Palacio de Cristal was originally built in the late 1880s in Madrid, Spain. In 2006 artist Kimsooja...

Een adembenemend zeventiende eeuws kasteel verborgen tussen de Toscaanse heuvels.