Paul Harvey Aurandt was born on September 4, 1918 in Tulsa, Oklahoma. Twenty-five years later, the surname was dropped for professional reasons as his star rose in the world of radio. Tragedy struck …
If you’ve taken what may be the most famous photograph in rock and roll history, you could maybe rest on your laurels for a while. But rock photographer Pennie Smith has never seen her London Calling cover photo of Paul S about to smash his bass at the Palladium in New York as the crowning … Continue reading "Pennie Smith’s Candid Photos of The Clash During their First U.S. Tour in 1979"
Don't think too hard about the name.
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Seasonal Art Would you rather see fall colors all year long or spring landscapes? No matter what season you prefer, make it everlasting with our seasons’ art collection. Explore from winter scenery to summery fruits and so much more! This collection will make you and your loved ones smile! Make your favorite season art more vivid with our professionally hand-stretched canvas! Hyunah Kim, Vincent Van Gogh, Duy Hunh, Agnes Cecile have created some of our best-selling seasons art. Travel Art Art is the best way of seeing the world when travel isn’t possible. Explore our curation of travel art for a trip around the globe. See from tourist favorites landmarks–the Eiffel tower– to hidden gems like the breathtaking landscapes of Yosemite National Park. Whether you find a cozy reminder of home, your dream destinations, or even cool maps of the world, our handcrafted frames will give it the perfect finishing touch. The Print This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are “sprayed” onto high-quality paper. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. The high-quality paper (235 gsm) is acid free with a smooth surface. Paper Type: Giclee Print Finished Size: 12" x 18" Arrives by Fri, Apr 26 Product ID: 56424543988A
Some murderers are born...others are made.Human beings are considered the most treacherous animals on the planet. Capable of committing the worst crimes against their fellow man, human beings kill not out of a need for survival, but simply because they can. Paul is one of those human beings. In the beginning, he kills because he just wants the pain and the harassment to stop, but something happens that turns his need to kill into an insatiable thirst for blood that only the thrust of an axe can quench. They say that our eyes are the windows to our soul. Behind Paul's eyes there is an undercurrent of evil that won't rest until he receives the reparations that he believes that he deserves.Can anyone stop him? Only the love of a child can save us from his wraft. A man can only be pushed so far, before he turns and pushes back. | Author: Diane Martin | Publisher: Diane Martin | Publication Date: Mar 21, 2018 | Number of Pages: 528 pages | Language: English | Binding: Paperback | ISBN-10: 0997576146 | ISBN-13: 9780997576146
The best journalistic illustrations seem to combine an enthusiasm for facts, a love of drawing, and a third element-- a personality or character which presents the subject matter in an interesting manner that a photograph could not. Noted illustrator Paul Hogarth (1917-2001) described the third element this way: "The problem is how to make an image compelling, even in an aesthetic way – not just to sit down and make a record." Hogarth grew up poor and his father, a butcher, tried everything to dissuade his son from becoming an artist. He cursed the art school where Hogarth earned a scholarship and he refused to even enter the art gallery where his son had his first exhibition. A fiery young communist, Hogarth went off to fight Franco's fascists in the Spanish Civil War at the age of 17. His close friend Ronald Searle described him as "the original angry young man." Following World War II, Hogarth started his career traveling and illustrating different locations. The communist party invited Hogarth to travel to Poland, East Germany, Czechoslovakia, Romania and Bulgaria to document the improvements made under communism. With Ronald Searle, Laurence Scarfe and Percy Horton he traveled to a remote part of Bosnia to draw the building of a new railway. In the 1950s he became the first British artist to go to China after the war. He wrote and illustrated a book, Looking at China, as a report to the rest of the world. Traveling and drawing on the spot, Hogarth developed his personal style: "I developed a very strong sense of composition and design and the ability to extract elements of significance. Editing and exaggeration are also important." Hogarth's view of a Las Vegas casino Detail Hogarth populated his travelogues with light, whimsical drawings of local people: Hogarth teamed with many of the leading writers of his day to prepare his reports from around the world. He illustrated Alistair Cooke's writings about America, Robert Graves' writings about Majorca, Laurence Durrell's writings about Corfu, Brendan Behan's writings about Ireland. Most famously, his long partnership with Graham Greene took Hogarth to more than 20 countries. Hogarth was elected to the Royal Academy in 1984 and in 1989 was appointed to the Most Excellent Order of the British Empire-- rare honors for an illustrator.
Restaurants, cafes, bars, pubs in the Square Mile.
Ahead of a major show of her work, the designer talks about his new collection inspired by her
Paul Cézanne Boy Resting, circa. 1887
Shipwrecked and sodden, the apostle St. Paul arrived on Malta under less than ideal circumstances. The people he met there were apparently gracious and friendly - Roman citizens, technically, but far removed from Rome and with their own customs and habits. During his three month stay on Malta in AD 60, Paul converted Publius, the island's de facto leader, cured an old man of dysentery, wowed the population and established a strange relationship between Christianity and Empire in Malta. Some two hundred years later, as they were digging graves in the Maltese limestone, the residents of Melite (now Mdina) mixed these two influences in a strange and fascinating way. Above, a marker for the subterranean grave of a doctor. On a recent sunny morning we descended into the cool, dark world of St. Paul's catacombs, where about 1,000 people were buried during the third and fourth centuries. We were in the relative center of Malta, just on the edge of Mdina and Rabat, the twin "cities" (villages is a more appropriate word) that constitute the old capital of the country. The towns occupy a pretty little bulge in the land, where yellow limestone rises above the green fields below. Underground, a maze of interconnected caverns and passageways spreads out into the rock, the walls pockmarked with hollows and archways - the biggest necropolis found on the island. St. Paul's catacombs actually have nothing to do with Paul, other than that they are nearby to the cathedral built in his honor. They were dug to house the remains of Melitta's dead, which - under Roman law - were required to be interred outside the city walls. Compared with similar catacombs in Italy and elsewhere, the complex is only of middling size. But, at 24,000 square feet, the place feels huge. Graves were dug into walls, next to one another and, eventually, into the floor as space grew scarce. There are markers adorned with carvings that gave some information about the person's livelihood and guild. Most of this is normal. But because Malta was isolated to an extent from the rest of the Empire, the architectural style of the tombs is unusual and distinctly local, particularly because of how varied the different graves are. A few badly damaged remains of murals also survive, which are almost unique to the site. But the main point of interest is that the catacombs seem to have been (at least in part) a Christian necropolis dug in the time before Rome converted. St. Paul's cathedral stands on the spot where Paul and Publius, according to legend, were said to have met. It's a large, rebuilt structure - an older church was destroyed by an earthquake, the current iteration was constructed around 1700. It soars suddenly out of an open square, a surprise in the tangled, cramped lanes of Mdina. When the Normans conquered Malta from the Arabs, during the 12th century, they cleared a large part of the city to build the church on ground they considered especially holy. Today, Malta is the most religious European country, and one of the most homogenously Roman Catholic in the world - the tradition of Paul and his miracles still runs very strong here. But, surprisingly, there is no proof of Christianity in the years directly after the apostle's visit. It's been suggested that early Maltese Christians were too afraid of Roman reprisals to express their religion outwardly. After all, Publius himself was killed by emperor Hadrian for his beliefs. One of the most important parts of the catacombs is that they represent the earliest concrete evidence of Christianity on the island, apparently while the Empire still condemned it. Tomb inscriptions and figures of the cross show up in both wall carvings and in the mural fragments, and some of the stranger features in the underground architecture have been attributed to a non-Roman religion. Probably the most curious and illustrative Christian features of St. Paul's catacombs, though, are the "agape" tables. Circular, low and carved directly out of the rock, the tables were probably used for feasts during the burial, as well as on the day of the dead, on which it's believed that Roman Christians held a festive dinner near the graves of their relatives. Agape tables are common only in Christian necropolises, and are almost always surrounded by a kind of "banquette" made of stone, where the family members could lie down to drink and eat. There are several at this site, all with a strange notch in one side that's hard to explain.Unfortunately, the human traffic and the humidity we bring in has all but destroyed the paintings and the more important inscriptions. Wandering around the catacombs is a tight and confusing experience. At times, there's quite a bit of space, but often the going is narrow and low. There's interesting variation in the size of the graves - some are tightly packed in small alcoves, other feature large, carved stone drapings and deep troughs. Quite a few feature small headrests, like pillows. Only a small part of the entire complex is open to the public, but it still takes more than an hour to explore.
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Description Start of the sale: Sunday, 20 February 2022 at 06:21 Item n°1451984741 Sale ends: Sunday, 19 May 2024 at 15:46 Translate Printed colour postcard showing a view of the village of Gandria in Lugano, Switzerland, on Lake Lugano and with Monte San Salvatore behind. Published by Paul Bender, Zollikon-Zürich, No 5785, c.1920s. Postally unused. Very good condition, with very slight corner bumps. Q140 See more
He is said to have passed away in his famous three-Michelin-starred restaurant near Lyon.
Felix Vallotton: Road at St Paul (1922) via The Athenaeum
Paul Cotton of the Los Angeles-based country-rock Americana band Poco has died at 78, per a post shared to Cotton's social media channels.
Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.
General information from the museum (© Copyright - Barnes Foundation - Barnes Foundation) Paul Cezanne exhibited Bathers at Rest at the third impressionist exhibition in 1877. In the 1870s he had been working closely with Camille Pissarro, who encouraged him to paint directly from nature-a central tenet of the impressionist approach. Cezanne wrestles here with the naturalist lessons of Pissarro and his colleagues but ultimately throws off the yoke to produce one of the great masterworks of his career, a painting unlike anything that had come before it. The canvas shows a group of male bathers in a landscape around Aix-en-Provence, with Mont Sainte-Victoire towering in the distance. Two bathers wade in the water, another reclines on the grass, and a fourth seems to be either stretching or undressing. Despite their physical proximity, there is no interaction among the figures; each occupies a separate zone and looks in a distinctly different direction. If critics in 1877 were perplexed by the bathers' strange behavior, they also disapproved of their aggressively strange anatomies. The gender of the reclining figure, for example, is difficult to read, and the bather in the foreground--to whom Cezanne would return years later, in his Bather of 1885 (The Museum of Modem Art, New York)--stands with hunched shoulders and pawlike hands of a jarring reddish color. In this figure especially, the paint is so thick as to be almost sculptural. Across his torso, the colors shift suddenly in patches of green and yellow, while a disruptive blue shadow cuts into his shoulder, its sharp edge mimicking the shape of the mountain. In Bathers at Rest, the impressionist concern with the fleeting effects of light and atmosphere is exchanged for something much more structural. Paint is deployed to build solid forms that are insistent in their physicality--the nude bodies, for example, which are reiterated in the structure of the landscape. Clouds are not misty and vaporous, as one might expect, but thick, material entities that seem carved into the sky. Perhaps the most radical moment in this picture is the bright green patch of light falling in a perfect triangle. Cezanne is working from nature, observing it intently and yet developing his own idiosyncratic vocabulary for representing it. This was the central contradiction of the artist's project, and he would struggle with it, to brilliant result, for the rest of his life. Martha Lucy, The Barnes Foundation: Masterworks (New York: Skira Rizzoli, 2012), 161. Structured table of the work of art Title of the piece of art: "Bathers at Rest (Bathers at rest)" Categorization of the artpiece: painting Original medium of artwork: oil on canvas Original artwork dimensions: Overall: 32 3/8 × 39 13/16 in (82,2 × 101,2 cm) Museum: Barnes Foundation Museum location: Philadelphia, Pennsylvania, United States of America Website: www.barnesfoundation.org License: public domain Courtesy of: Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania About the artist Name of the artist: Paul Cézanne Artist gender: male Nationality of artist: French Jobs of the artist: painter Country of the artist: France Art styles: Impressionism Died aged: 67 years Year of birth: 1839 Year died: 1906 Town of death: Aix-en-Provence About the item Article categorization: art reproduction Method of reproduction: digital reproduction Manufacturing method: UV direct printing Manufacturing: German production Type of stock: on demand production Product use: wall picture, art reproduction gallery Artwork orientation: landscape alignment Image ratio: length : width - 1.2 : 1 Image ratio implication: the length is 20% longer than the width Material options: acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond), poster print (canvas paper) Canvas on stretcher frame (canvas print) size options: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" Acrylic glass print (with real glass coating) size variants: 60x50cm - 24x20", 120x100cm - 47x39" Poster print (canvas paper) variants: 60x50cm - 24x20", 120x100cm - 47x39" Aluminium print (aluminium dibond material): 60x50cm - 24x20", 120x100cm - 47x39" Picture frame: not available Select the material you would like to have The product dropdown menu ofers you the possibility to choose the material and size of your choice. In order match your personal requirements perfectly, you can choose among the following product customization options: Canvas: A canvas print, which should not be confused with an artwork painted on a canvas, is a digital image printed on an industrial printing machine. A canvas produces the exclusive impression of three-dimensionality. A printed canvas generates a nice, appealing appearance. How can I hang a canvas print on the wall? Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang your Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for all kinds of walls. The poster print on canvas material: The Artprinta poster print is a printed canvas paper with a granular structure on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the painting, which facilitates the framing with your custom frame. Metal print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth effect. The Direct Print on Aluminum Dibond is the excellent start to the sophisticated world of fine art replicas made with aluminum. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a sophisticated way to display fine art prints, since it puts the viewer’s attention on the replica of the artwork. Printed acrylic glass (with real glass coating): An acrylic glass print, which is sometimes labelled as a an art print on plexiglass, will transform your favorite original into marvellous décor. Additionally, it offers a great alternative to canvas or dibond art prints. The work of art will be custom-made with the help of modern UV direct print technology. It creates vibrant, stunning color tones. The work of art was painted by the male French artist Paul Cézanne. The painting measures the size: Overall: 32 3/8 × 39 13/16 in (82,2 × 101,2 cm). Oil on canvas was used by the European artist as the medium of the piece of art. This artwork is included in the Barnes Foundation's digital art collection, which is located in Philadelphia, Pennsylvania, United States of America. With courtesy of: Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania (license - public domain).Additionally, the artpiece has the following creditline: . Moreover, alignment is in landscape format and has an image ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Paul Cézanne was an artist, whose artistic style can primarily be classified as Impressionism. The European artist was born in 1839 and passed away at the age of 67 in the year 1906. Important information: We try the best we can in order to depict the art products in as much detail as possible and to exhibit them visually. Nonetheless, the colors of the print products, as well as the print result might vary marginally from the representation on the monitor. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Because our fine art prints are printed and processed manually, there may as well be minor deviations in the motif's size and exact position. © Copyright | Artprinta.com (Artprinta)
