Dada demands explanation, yet it somehow also demands not to be explained.
About This Product Once upon a time…the name Tristan came to be. Our personalized art print celebrates the singular story of Tristan’s remarkable journey through history, featuring a detailed account of the name’s origin, meaning and how it managed to survive the test of time. The descriptive words at the bottom of Tristan’s print reflect the spirit and energy of its “Destiny Number” according to numerology. Whether Tristan is a newborn, teen, or grown-up, a family member, friend, teacher, co-worker or any special someone, each story is an inspirational reminder of his core identity: Tristan, that one wonderful word by which he is known. As a gift or keepsake to honor and inspire the Tristan in your life, our art print makes for smart, engaging and distinctive décor. Combining typography with artistic expression, our original content is a result of years of rigorous research and carefully curated pieces of history. Every story we tell, we tell with love. Framed and unframed artwork is made to order in our California and Oregon facilities. Art prints are professionally printed on heavyweight fine art paper with archival inks for vibrant long-lasting color, clear text and crisp imagery. Each solid wood frame is handcrafted and available in smooth matte black and soft matte white painted finishes. With a buffered acid-free mat and backing to beautifully showcase your art, framing-grade acrylic glazing filters UV rays for protection and longevity. Frame is finished with a dust cover, wall bumpers and wire ready for hanging!
This was the first picture I took on Tristan and it's still my favourite because I think it shows in graphic detail just how close people are living to the lava, the volcano and their possible destruction. This is life on a slag heap with the union flag flying defiantly against all the odds.
Remember when the most stressful thing you could do was to hit the internet button on your flip phone?
2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal
Explore verylegalmuffin's 7898 photos on Flickr!
Among musicologists and serious lovers of music, Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of nineteenth-century Europe. It shows in most successful form Wagner's unsurpassed gift for using the instruments of the orchestra, and generations of students have worked with it to learn its technique. Tristan und Isolde also has a remarkable historical position. It was the opera that most of the post-Wagnerians used to build upon, and it was also the opera that the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late nineteenth- and early twentieth-century musicians had to come to terms, and much musical history of this period can be understood through it. This edition reproduces the full orchestral score in a clear, modern engraving for easy reading and piano study, with large legible notation. Do not confuse this with a piano rendering; it is a full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to recordings. In no other manner can the listener keep full awareness of the incredible orchestral richness of this opera.
[[{"fid":"22268","view_mode":"wysiwyg","fields":{"format":"wysiwyg","field_file_image_alt_text[und][0][value]":"Tristan and Isolde","field_file_image_title_text[und][0][value]":"Tristan Iseult","fi
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on sexuality—like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow.