The subject of a comprehensive exhibition at London’s Tate Modern, Agnes Martin’s elegantly minimal works are surveyed in a beautiful new book
About The Artwork walk in the woods. tall pines. warm summer. vertical composition, bright light and color game Original Created: 2017 Subjects: Landscape Materials: Canvas Styles: Realism Mediums: Oil Details & Dimensions Print: Giclee on Fine Art Paper Size: 8 W x 12 H x 0.1 D in Size with Frame: 13.25 W x 17.25 H x 1.2 D in Frame: White Ready to Hang: Yes Packaging: Ships in a Box
70 Artworks by Sandy Welch, Saatchi Art Artist
De uiterst getalenteerde Gustav Klimt creëerde landschapsschilderijen die het toonbeeld zijn van voortreffelijke elegantie, waarbij symboliek, sierlijke patronen en sensuele figuren samensmelten om een wereld van schoonheid, passie en menselijke verbinding te onthullen. Gemaakt met tinten lavendel, violet en paars in 5K
Looking at František Kupka we see an intense channeling of occult vibrations and shimmering realities that asks viewers if they too have experienced their life this way.
About The Artwork oil painting on panel Original Created: 2013 Subjects: Landscape Materials: Other Styles: Expressionism Minimalism Realism Mediums: Oil Details & Dimensions Print: Giclee on Fine Art Paper Size: 8 W x 10 H x 0.1 D in Size with Frame: 13.25 W x 15.25 H x 1.2 D in Frame: White Ready to Hang: Yes Packaging: Ships in a Box
Oak Tree on Slattery WORK-IN-PROGRESS, detail: This is a progress detail from the second of two “neighborhood” paintings I’m doing as a print commission. That is, my client wanted large prints similar to two of my previously sold paintings, and the images I had were too small to make good 16 x 20 prints, so, per the request of my client, I’m creating new versions of those two paintings from which to make prints, and making the originals available for purchase. Below is the entire painting so far: As you can see, I’m sort of working from the left side of the board to the right, So the left side is mostly finished, while on the right the vivid underpainting is still fully visible. Check back soon to see further progress ... Good night ... colorful dreams, everyone!
Willem De Kooning.
Digital Art (Giclée) on Paper From a limited edition of 20 Size : 39.93 x 59.4cm (unframed) / 38.93 x 58.4cm (actual image size) Signed and numbered on the back Style : Abstract Subject : Abstract and non-figurative Please note: This is an original digital artwork. The above image is taken directly from the image file, rather than being a photograph or reproduction of the final print. Printed colours vary slightly from those produced by a computer screen. By default the print is cut with a 0.5 cm white border. If you wish your print to be cut to the edge of the image let me know. Custom sizes up to 102 x 153 cm available on request.
Anastasia Trusova, “Lace over the river” Acrylic on canvas, 2022
Bay Area artist Richard Diebenkorn kept sketchbooks for his entire career; they served as a sort of nomadic studio where he experimented with visuals that bridged figurative and abstract ideas.
Explore nancy lynn donaldson's 269 photos on Flickr!
Before I show you a fabulous artwork I am using as a second inspiration, here are some more components for the new quilt. I made the mistake of counting how many components I have sewn. Including these seven, I now how 36. I need at least 100 before I start to assemble. *** heavy sigh**** Oh well, it will take awhile but hopefully by then I will have several more artworks for inspiration when I start to assemble the components. So, here is the second piece I am using as inspiration. Could be a quilt, huh? But it is a paper collage. LANCE LETSCHER Showboat, 2008. Collage on board. 74” x 50.” A large commissioned piece by Letscher is part of The Austonian art collection. Using discarded vintage ephemera such as found paper, book covers, old magazines and record covers, Lance Letscher creates collaged compositions of astounding intricacy and craftsmanship. Here is what one critic said about the piece: "His compositions, driven by a piecemeal aesthetic with a meticulously obsessive sensitivity to color and content, evoke both the expansiveness of the cosmos and the complex detail of microcellular life forms. Crafted with a rich and vibrant vocabulary eliciting discovery by his viewers, Letscher’s works engage us with their poetry and intricacy." Yeah, yeah, yeah. I don't have a MFA so here is my look at the design elements. 1. Again I chose a piece that has a motif. Do notice that while the rectangles change sizes and colors, their orientation is always in the same direction. 2. Again, the focal point is made primarily by the change in color to warm color vs the mostly cooler rest of the composition. Again, the focal point is off center but still integrated into the entire composition. 3. I think the color range is far more expansive that I am planning or that Heather included in her quilt. 4. Heather had a value variation from top to bottom and I don't see that here but there is a lovely value variation from left to right. It would have been really easy to just fade into dark on the edges but the bottom right has the value coming back up to a light again. I like that. Makes the surface look like it ripples. 5. I love, love, love the layering in this piece. There is real visual depth with rectangles floating on an interesting background. 6. The one thing that really strikes me here is my need to get closer to see more details. At the first Maine Event I discovered that really good artwork needs to be interesting at three distances. From across the room so you want to get closer. From about 6 feet so you want to stop and look longer. And lastly from as close as you can get to see the secret little details you can only see when you get close. I am sure this piece has those little secrets and I want to get much closer to see them. I absolutely want some little details you can only see up close in my quilt. Yep, a real inspiration for me.
Doug Dawson, Winter Flurries II, pastel, 11 x 14.
