Natural small Tiger's Eye tumbled stones from Brazil. These pieces measure approximately .6 to .9 inches with most measuring .75 inches.These Tiger's Eye tumbled stones are sold in sets of 6 pieces. Tiger's Eye is a stone of Confidence. Promotes energy flow through the body when worn or carried. Lends confidence, strengthens convictions. Protects against all forms of danger. Increases psychic awareness. Stimulates wealth.Chakra: Solar Plexus  ❤︎ Follow us on Instagram to keep updated on sales and have first dibs on new products @CasparCuriosities ❤︎

deserved to grow, and to change, to become all the girls that i could be over the course of my life, each one better than the last.

You will receive 1 green cats eye star . Intuitivly chosen 1 1/8" in size

Beautiful Diamond design in these two CRYSTAL Flute glasses. These champagne flutes have a unique shape - 5 inch bowl is the diamond shape; the stem is 3 inches. The bowl of the flute is long with the shorter stem. Size: 8" tall The design cut in these flutes are CROSS CUTS or DIAMOND SHAPES. Crystal champagne glasses "At my age I need beer glasses, champagne glasses, and wine glasses - away with the eye glasses!"

Sigil to ward off the evil eye

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Rainbow Fluorite Stars bring Peace, Bliss, Calm + Positive Vibes into your sacred space. These little crystal stars are carved from colorful fluorite with lovely watery translucence + pretty banding. I love a dish of pretty mini crystal stars, crescent moons, spheres + other shapes on my nightstand as part of my bedroom decor. How will you use your collection of magical mini crystals? Fluorite crystals have a grounding + harmonizing spiritual energy coming through in the clear, blue, teal, magenta, purple colors + undulating patterns in the natural stone. Sprinkle a little celestial magic into your world with these beautiful multicolored gemstone stars. There are endless fun ways you can use these celestial crystal shapes in your crystal display + your crystal grid designs. These mini stars can be used in your crystal crafts like jewelry making, intention candles, resin crafts + wish jars. Crystal Healing Properties of Rainbow Fluorite Rainbow Fluorite is balancing to the Third Eye Chakra + promotes mental clarity. Fluorite increases your intuitive abilities, links the human mind to universal consciousness + develops connection to Spirit. Rainbow Fluorite has a stabilizing energy, encouraging positivity + balance. It increases self confidence + helps you with decision making. It's a good crystal to keep on your desk + an excellent crystal for students as it can help with concentration. Think of your crystals as energetic allies, each with their own personality, their own energetic blueprint + be open, without expectation to what they can teach you + how they might open your consciousness. Stars are symbolic of divine guidance + protection, as well as imagination, wonder, dreams + magic. Listing is for 1, 3 or 6 intuitively chosen crystal stars, rounded on both sides with a smooth, glossy polish. These hand carved stars vary in shape, interior pattering, color hue/saturation + clarity as shown in pics. They're measured by diameter in millimeters, about 8-9mm thick. Weights + measures are approximate. 1 inch= 24.5 millimeters These crystals are natural gifts from Gaia with variances in shape, size, interior patterns, color hue/saturation + clarity as shown in the pics. Each mini star is unique + one of a kind. If you have a color preference, leave a note in your order + I will do my best to accommodate. All of the sweet little crystal moons + stars shown in these pics are available in our shop HERE: https://www.etsy.com/shop/WildMountainShop?ref=seller-platform-mcnav%C2%A7ion_id§ion_id=30252267 All of my Fluorite Crystals are HERE: https://www.etsy.com/shop/WildMountainShop?search_query=fluorite Visit my Etsy Storefront: https://www.etsy.com/shop/WildMountainShop For more info visit my main website HERE: https://wildmountaincrystals.com/ Follow me on Instagram: https://www.instagram.com/wild_mountain_crystals/

I was sending out this mass of email responses this morning, and thought about how novel it would be to start planning shoots for fun again! There was a sector of my life that started there, and although it’s quickly transitioned to more of a “business” – I miss shooting for the fun of it! I love weddings, and brides and all my amazing clients – but the core of where I started comes from...

Unique Annabergite Crystals. Photo Credit: © Jean-Marc Johannet Annabergite Annabergite is an arsenate mineral consisting of...

Cats can live without people but some people can’t live without cats. WHY I EYES YA manifests a complex and unique collaboration: Lucy and Tai each do their work, obsessively and alone, and then come together to show and tell. They swap ideas, correct each other’s mistakes, tell each other ‘more of this’ or ‘less of that’, ‘that’s too gross’ or ‘make it grosser.’ Following this, they return to their separate studios, back to their solitary and obsessive work, collecting books and magazines to cut and paste, while keeping in touch by sending each other links to kooky online videos, cutesy photo-blogs, creepy fan-sites and other feline flotsam and jetsam. For Lucy and Tai, a self-consciously cultivated yet sincerely instinctive obsession with cats and the craziness of cat lovers is interbred with a careful yet intuitive emphasis on collage. A casual but keen interest in the proliferation of online memes meets a subtle yet insistent blurring of the line between processes and products. The discourse of the collaboration is as important to them as the pin-boards adorned with their combined constructions. Before WHY I EYES YA, these peculiar collages of cats were Lucy’s and Tai’s private passions. The artists saw this activity as separate from their ‘proper’ practice: as somehow too strange and silly for public or professional presentation. But just as homemade pet videos ‘go viral’ when their often rather hapless makers post them online, so too this bit of fun grew to become a fixation and a focus for the artists’ work. In her 2011 novel A Summer Without Men, Siri Hustvedt writes of Abigail, an elderly woman whose seemingly lovely, lacy embroidered quilts, tablecloths and tea-cosies contain hidden details of deviance and transgression. Floral patterns conceal miniaturised and disguised scenes of sex and masturbation, violent retributions and feminist rebellion. Lucy and Tai do not seek to hide their deviant impulses: the ‘wrongness’ of the images they select and the compositions they arrange is made manifestly apparent. But their work shares with the fictional Abigail’s a sense of defiant humour and subversion of sociological stereotypes. Abigail’s ‘private amusements’ wryly explode the fantasy of the sweet little old lady: for her, needlework is a potent means of creative expression, not merely a decorative pastime taken up to please. Even more so than needlework, cat-loving is an obsession that is inseparable in the popular imagination from a kind of solitary, spinsterish femininity. In writing this essay, I collected from friends and acquaintances many dozens of stories of eccentric aunts and odd neighbours: women whose cats suckle at their earlobes and at the folds of skin around their neck, women who feed their cats fresh oysters by candlelight, women whose muscles are atrophied from years of sleeping in a bed overtaken by a dozen purring animals, women whose meagre incomes are spent almost entirely on veterinary care and toy mice on strings. In the stories I was told, these women are never partnered, and are never professional: their personhood is imagined as incomplete, and their emotional life as tragically (if comically) stunted and sick. (Thanks to the rich and curdled mass of cat tales I was told, this essay too is something of a collaboration.) It is invariably assumed that some woeful betrayal or terrible trauma must have made these women what they are: crazy cat ladies, so lonely without a man or a mission in life that they surround themselves with animals that will be loyal and will tolerate their love. But a love of cats is, of course, not always so wild or extreme. To witter about a pet is socially acceptable in a way that to gush about a partner or spouse is not. In the right kind of moderation, cat-loving is seen as a sign of a warm and gentle nature. Lucy and Tai are as interested in this kind of controlled emotional transference as they are in the fanatical extremes of crazy cat ladies. In focusing on creatures posed at awkward angles or in wacky surrounds, they test the limits of what we can find cute; revealing that what ought to be sweet very often turns out to be quite sick. The artists are fascinated by the most bizarre feline breeds: wrinkle-skinned hairless cats that must be kept out of sunlight, creatures too in-bred and genetically deformed to be able to walk more than a few metres, even one ‘pure-bred’ unable to drink from anything but a running stream of cool water. WHY I EYES YA treads the boundaries between the cute and the creepy, the seductive and the sinister; the exhibition presents two artists’ private obsessions for public consumption in a context that questions whether their work should be appreciated for its conceptual challenges or its technical charms. The work is a hybrid of the analogue, homey and handmade with the digitally global and anonymous. It is captivating and seductive in its often sickening weirdness. Lucy James and Tai Snaith may not be crazy cat ladies, but they are every bit as hilarious, as kooky and as compulsively obsessed. In perhaps the strangest quirk of all, they are also truly warm, sane, kind and clever people—and they each possess perhaps rather surprisingly well-developed social skills. Say hi, show them your cat photos, maybe even introduce them to your cats. You know you want to—and they know you want to, too. Roger Nelson

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