About The Artwork old japanese technique from the 8the century. it consists to draw in a few lines only with chinese ink on paper. this art is part of zen culture Original Created: 2016 Subjects: Cats Materials: Paper Styles: Fine Art Mediums: Ink Details & Dimensions Painting: Ink on Paper Original: One-of-a-kind Artwork Size: 11.8 W x 15.7 H x 0.4 D in Frame: Not Framed Ready to Hang: Not applicable Packaging: Ships Rolled in a Tube
About The Artwork ..........I let my art do the talking............. Original Created: 2018 Subjects: Portrait Materials: Paper Styles: Abstract Abstract Expressionism Fine Art Illustration Portraiture Mediums: Ink Black & White Ballpoint Pen Details & Dimensions Painting: Ink on Paper Original: One-of-a-kind Artwork Size: 7 W x 9.4 H x 0 D in Frame: Not Framed Ready to Hang: Not applicable Packaging: Ships in a Box
About The Artwork In a valley where the air is clear and mute, we gather to dance in the lemon hues of dusk. Original Created: 2016 Subjects: Nature Materials: Paper Styles: Faux Fauvism Expressionism Contemporary Modern Abstract Mediums: Acrylic Ink Details & Dimensions Painting: Acrylic on Paper Original: One-of-a-kind Artwork Size: 11 W x 7 H x 0.1 D in Frame: Not Framed Ready to Hang: Not applicable Packaging: Ships in a Box
Build your own art collection! Use the code MOREART during checkout for 40% off when you buy 2 or more items! This is one piece in the Cherry Tree Digital Art series created by Morris Digital Designs. This picture features blooming Japanese cherry blossoms, brought to life in a watercolor ink painting. This piece is available as a downloadable wall art print. Your order will be for a digital item only. This picture is saved as a portrait with a 2x3 aspect ratio, 400 dpi, and is printable up to a max size of 24x36 inches. The file type is a jpeg. This item is meant for personal use only.
Artist Endre Penovรกc (previously here and here) depicts mysterious cats and ethereal roosters with a carefully perfected watercolor technique using diluted inks. Instead of trying to control his brushstrokes, Penovac seems to let the medium run amok across the canvas as it bleeds in every direction, and yet even these happy accidents result in precisely rendered paintings. Seen here is a collection of paintings from the last year or so, but you can see more originals and prints on Saatchi Art. More
Giclee print of an original oil painting by Brian Kershisnik. Printed with archival ink on archival Hahnemeuhle William Turner paper. Signed and numbered by the artist. Edition size 195.
Greg Dunn is working on a PhD in neuroscience at the University of Pennsylvania - but paints haunting pictures of human brain cells.
Instead of starting an art project by developing its story, just start drawing and leave part of your concept to chance. Here's a quick way to get started!
Build your own art collection! Use the code MOREART during checkout for 40% off when you buy 2 or more items! This is one piece in the Cherry Tree Digital Art series created by Morris Digital Designs. This picture features blooming Japanese cherry blossoms, brought to life in a watercolor ink painting. This piece is available as a downloadable wall art print. Your order will be for a digital item only. This picture is saved as a portrait with a 2x3 aspect ratio, 400 dpi, and is printable up to a max size of 24x36 inches. The file type is a jpeg. This item is meant for personal use only.
Join artist Renee Mueller as your create ethereal charcoal portraits with a romantic lush floral series fit for the stage. Inspired by theater, dance and the women who are part of its history.
Iโve been making an exciting foray into the world of natural paints and inks. Itโs not so different from natural dyeing really. You can use the same dye plants but just create a really strong dye bโฆ
Alcohol ink is an extremely flexible and impressionistic medium. Just as with any art, practice will allow you greater control over the medium and allow you to more strongly define your paintings and patterns, but what you choose to do with theses inks, whether itโs create flowing abstract art or stained-glass-like im
Natural Ink Making Techniques, Getting Started with Natural Inks, Ink Recipes, Ink Making Supplies and Tools
John and I had a fun day in the studio recently. We both wanted to do a bit of experimental mark-making, to explore new ideas. John is looking for inspiration for his printmaking and I thought it would be interesting to play with marks and compositions which could be the starting points of new drawings or which might possible translate into textiles. We gathered lots of tools and then made a few new ones, looking for anything which would make an unusual mark if dipped in paint: We decided to stick to black and white, so we could concentrate on marks and tone. I mixed up a tub of black acrylic and got out some Platignum Calligraphers Black Ink too (a good non-waterproof ink, as it separates into pretty colours when wet, rather than just going grey). I found an oil bar and some liquin too, which is great for smearing not just oil bars but also oil pastels. Plus a Derwent Inktense block and grater (tiny gratings can be scattered onto wet paper or sprayed with water for speckled effects). We both put on latex gloves and set-to on a big piece of cartridge paper each. It was such fun - no pressure to make something which 'works', just pure experimentation. This was my first sheet: I am particularly interested in randomness, so many of the new tools we made were designed to make the marks more hard to control. To add to the random element, we both cut up our sheets into equal pieces, using pre-decided measurements, not aesthetic judgement to create the sections: I like the way it changes things when you isolate a section. The emphasis on the various elements changes, because of the enforced edges, and you start to get interesting things happening with composition. On my 2nd sheet, I started with some large marks in a grey emulsion, to create a new element of contrast. I made a new tool too - a piece of corrugated card to print with. You can see the marks top right: I cut this one into squares. As the paper's dimensions didn't divide exactly into squares, this allowed me a slight element of judgement, as I could move the composition of any square a centimetre or two to the left or right. I then selected the best 6 squares from the 9 created. These are my favourites. It's surprising how well they work just as they are, but you can also see how they could be taken into print or textiles. It would be fun trying to find ways to reinterpret the marks and tones in the different medium. I can highly recommend this as a very enjoyable way of exploring new techniques and getting new inspiration. The randomness is important though, as a way of forcing you not to be too controlling and letting unexpected things happen. John did some experiments using blotting paper, which he tore into strips. Even the offcuts were interesting, which I saved as we were clearing up. The beautiful blue is the Platignum ink: Even my offcuts were quite interesting: Have a go. Even before we got drawing, it was good fun making the tools from odds and ends we found around the studio, taping them to bits of stick and then finding out what marks they made.
How to get started with Natural Ink Making, Important Mindsets, Challenges
