_117, 1/14/05, 3:38 PM, 8C, 3056x4330 (574+460), 62%, bent 6 stops, 1/40 s, R73.3, G59.0, B73.5
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Circular Panel. Plate 158.17* ^60 ENCLOSED ORNAMENT. Text Appearing After Image: Plate 159. The Circul Panel. ENCLOSED OENAMENT. 261 Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Wabi-sabi is the embrace of the incomplete. The Struttura – or “torn” in Italian – embodies this Japanese aesthetic philosophy in the artist’s handmade sculpting and intricate textural details. Reminiscent of worn cloth, the Struttura Textured Ceramic Vase is a study on the weathered beauty and moving curvature of the material. A one-of-a-kind form, its high-fire porcelain make and ornamental design is to be treasured by its owner – for all its intentional imperfections.
The MADE section of the Architectural Digest Design Show 2019 stole the show, celebrating new works from emerging talent and established designers alike.
A selection from the 100 plates featured in the book Examples of Chinese ornament selected from objects in the South Kensington museum and other collections (1867) by Owen Jones.
- A bespoke service available to all deVOL customers Hand-painted cupboards is something we have been wanting to offer our customers for a long...
Deze houten loungeset voor in de tuin heeft een gelat ontwerp. De set is een geweldige aanvulling op je tuin of terras, voor een gezellig samenzijn met je familie of vrienden. Massief grenenhout: massief grenenhout is een prachtig, natuurlijk materiaal. Grenenhout heeft rechte nerven en de noesten geven het een kenmerkende, rustieke uitstraling. Comfortabele zitervaring: de rugleuning geeft de loungeset extra zitcomfort. Modulair ontwerp: de loungeset is flexibel en gemakkelijk te verplaatsen.Je kunt hem combineren met andere verkrijgbare modulaire segmenten om je eigen persoonlijke loungeset samen te stellen! Goed om te weten: De kussens zijn niet inbegrepen. Om de levensduur van je tuinmeubelen te verlengen, raden wij je aan om de meubelen met een waterbestendige hoes af te dekken. Kleur: honingbruin Materiaal: massief grenenhout Materiaal lattenbodem: multiplex Afmetingen hoekbank: 63,5 x 63,5 x 60 cm (L x B x H) Afmetingen middenbank: 57,5 x 63,5 x 60 cm (L x B x H) Afmetingen voetenbank/salontafel: 57,5 x 57,5 x 30 cm (L x B x H) Draagvermogen (per zitplek): 110 kg Montage vereist: ja Levering bevat: 1 x hoekbank 2 x middenbank 3 x voetensteun/salontafel
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: r fur Kunstgewerbe 1875. Plate 118. The Tassel. 1. French ladys girdle, 12th century, (VioUet-le-Duc). 2—3. Tassels, Holbein, (Teirich). 4. Tassels, Turkish harness, 17th century, United collections,Carlsruhe. 5. Tassel, old standard. United collections, Carlsruhe. 6. Tassel, Tunisian pistol, United collections, Carlsruhe. 7. Leather tassel, ladys bag, German Renascence.8—10. Modern tassels, by Aug. Topfer, (Gewerbehalle). 11. Modern tassel, by A. Seder, Munich. The Fringe, and the Valence. (Plate 119.) If, at the end of a piece of material, the weft-threads (parallelto the end) be drawn-out, the remaining warp-threads will form asimple Fringe. If we give the end greater security, by knotting ortieing the threads together in tufts, we get the ordinary Fringe. TheFringe, however, is not always made of the material; it is oftenmanufactured independently, and sewed-on to the edge of the material.In this case the Fringe is combined with a woven heading-band (gimp). FREE ORNAMENTS. 189 Text Appearing After Image: The Tassel. Plate 118. 190 The Fringe, the Valence, and the Lace Border. Richer tyi^es of Fringes may be produced either by variety ofi\\e edge, so that tufts of unequal lengths form rhythmically alternatinggroups (fig. 2), or by using several thicknesses of Fringe, lying onebehind the other, (fig. 4). The Fringe is always applied long, when a pendant terminationis required. In other cases as, for example, where the fringed ma-terial is to lie horizontally, like small Table-covers, Napkins, &c., it isadvisable to keep the fringe short. Fringes have been in use from the very earliest periods; but itis again the Orientals, and especially the Assyrians, who show a pre-ference for this form. Fringes occur perpetually in various nationalcostumes, and in the toilet of our modern ladies. The Renascence adopted the Fringe as a trimming for furniture,fiiid specially for chairs; although not always with true artistic feeling. The Valence is a hanging textile termination; the lower edge isor Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Thierry Lechanteur è uno dei pionieri nell'uso dell'Intelligenza Artificiale in Belgio e nella fotografia, creando immagini che trascendono i limiti..
Description from title page
The Bastone Collection consists of a cabinet and sideboard designed by master cabinet maker and designer Antrei Hartikainen for Poiat.
By now you might have heard that Donald Featherstone, creator of the pink plastic flamingo, just passed away at the age of 79. This ultimate icon of kitsch is a symbol of hot lazy summers spent outside, and easy suburban living. Turns out it’s also a great base for really fun and ridiculous DIY projects. Watch out washi tape and gold spray paint. As reigning craft supply queens, you are officially put on notice.
Christopher Dresser
Emotion and restraint weave through Andrea Cochran's well-edited landscapes—a look at some of the landscapes that she has designed, as well as our exclusive (and extensive) Q&A with Cochran.
M.A. and J. van Nieukerken. Tegels damestoilet eerste verdieping Bataafsche Petroleum Maatschappij, 1916. Collectie NAi, NIEU 270 Ondanks de opkomst van moderne stromingen als het functionalisme, bleven de gebroeders van Nieukerken stug vasthouden aan hun traditionele, ambachtelijke en historiserende architectuur. M.A. and J. van Nieukerken. Tiles for ladies room in the Bataafsche Petroleum Maatschappij, The Hague, 1916. NAI Collection, NIEU 270 Despite the emergence of modern movements such as Functionalism, the Van Nieukerken brothers stuck to their traditional, artisanal and historicising style of architecture.
When it comes to renovating a bathroom, choosing the right tiles can make all the difference. The right tiles can transform a dull and outdated bathroom into
Paris is synonymous with the florid, tendril-like entrances that so eloquently frame one’s rabbit-hole descent into the belly of the Parisian metro, almost like a piece of theatre. The vibrant sage green cast-iron portals to the underground, often flanked by botanical stalks exhibiting the bulblike red lights overhead, are beacons that connect a modern metropolis…
Round and round With the round shape and asymmetrical placement of the seams, CUT is a uniquely designed pouf that works perfectly as practical seating on its own or as a part of a larger group of furniture. The round shape makes it versatile and easy to place anywhere, be it in the middle of the room, in corners or against a wall. The ornamental seams are the result of a creative approach to a practical problem: Getting the cover to fit the round shape perfectly. POUF: L 84 D 84 H 47 SH 47 cm
