My name is Hannah 31 artist redhead, fall wood nymph, cat momma. I post things relevant to myself and my likes. I do not claim these photos as my own unless stated otherwise. Vegetarian since I was five.
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Ceramic Ornament VIP Code**BUY 1 Get 1 50% Off - Use Coupon Code: ORNAMENT50 ***Click here for other Ceramic Ornaments*** The ultimate ornament made for your Nicolas satisfaction. Also, makes perfect secret Santa gifts or gag gifts. PERFECT ornaments for any house. Add some character to your Christmas tree this year, but don't stop there. Do you know people buy these ornaments all year? So many different uses for them. Decorate a mantel.Kids room.Create a centerpiece.Hang from car mirrror.Hang from a window.Display on your refrigerator.Display in your hutch/china cabinet.and many more...Our ceramic ornaments are made with love. Design is printed on to our ceramic ornaments. Circle: 3" x 3"1-sided design 1-sided design Crafted from a high-quality ceramic material Ribbon for hanging included Dye Sublimation Print
File name: 07_11_001021 Title: Plant-Forms Ornamentally Treated - Strawberry Creator/Contributor: Carter, Grace (artist); L. Prang & Co. (publisher) Date issued: Copyright date: 1874 Physical description note: Genre: Chromolithographs; Still life prints; Illustrations Location: Boston Public Library, Print Department Rights: No known restrictions
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Circular Panel. Plate 158.17* ^60 ENCLOSED ORNAMENT. Text Appearing After Image: Plate 159. The Circul Panel. ENCLOSED OENAMENT. 261 Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Square Diaper, &c. Plate 171. 280 REPEATING ORNAMENT. Text Appearing After Image: f y^-^^-^-^/--^^ J Plate 172. The Circle Diaper, &c. The Circle Diaper, Scale Diaper, &c. 281 In the Arabian and the Moorish styles, incrustations of Mosaics instone and glazed terracotta were a popular method of wall-decoration.The art of mosaic has never acquired a firm footing in northerncountries. Plate 172. The Circle Dlu>ee, &c. 1. Mosaic, cathedral, Monreale, Sicily. 2. Arabian mosaic, stucco on stone, (Pxisse dAvennes). 3. Eoman mosaic. 4. Marble mosaic, windows, cathedral, Florence, (Hessemer). 5. Geometrical pattern, Sta. Croce, Florence. 6. Marble mosaic, San Vitale, Ravenna, (Hessemer). 7. Modem tesselated mosaic, Sorrento. 8 and 10. Moorish mosaic, Ambassadors Hall, Alhambra, Granada, (Owen Jones).9. Arabian mosaic, stucco on stone, (Prisse dAvennes). The Scale Diaper, &c. (Enamel.) (Plate 173.) Where the surfaces of metal utensils and vessels are to receivea flat decoration this is usually effected by engraving, etching, dam-askeening, enamel, or niell Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
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Lotte Jacobi, The dancer Claire Bauroff, Berlin, 1928 Anna Pavlova (the dying swan) Barbara Morgan, Anna Sokolow, 1939 Erwin Blumenfeld, Model in Slip, NY, 1947 Niddy Impekoven [November...
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Cabinet de curiosites
lovely khampa tibetan ladies dressed up at a local horse festival in 2010 ===================================================== Ornaments make up most of the life savings of many Khampa families, and so play an important role in Tibetan families' lives as well as in announcing the social status of the wearers. They are saved up for over many years and handed down for centuries from generation to generation within families. Until very recently, these families were nomadic and have to move every few months because of the snowy seasons in the Himalayas, so Khampas have always needed to store their wealth in portable form. So being unable to store wealth in the form of estates or houses or land or in a bank, for millenia wealth has been stored in art, precious fabrics, and particularly into ornaments. Their culture is very conservative about the type of ornaments favored: for thousands of years jewelry made from amber, turquoise and coral have been worn because the stones are believed to hold spiritual power. Gold and silver and also naturally found in Tibet, and the use of these metals by the wealthy also goes back thousands of years. Their ornaments are very chunky, bold and colorful. While the gold earrings that Khampa women wear may have cost them a year or maybe several year's of their salary, ornaments carry so much social status in their society that probably didn't have to think twice about the purchase. To the Khampa people these ornaments have the utmost sentimental value and significance, because they are the physical remnants of generations of their ancestors hard work or success. what these people are wearing is not just their life savings, but also their family history and treasure. this culture has been around for millenia - archeological finds from the 1st century AD in the khampa area unearthed ornaments that are essentially the same in design and materials as today's are. there are also beliefs that the stones provide good luck and protection to disease. dyed red coral is the most sought after stone, but interestingly tibet is very very far from any oceans - all the coral is imported by traders! Religious symbols from Tibetan Buddhism frequency form the designs of pieces, however archeological finds show that the role of ornaments in Tibetan society and peoples' lives long predate the arrival of Buddhism in Tibet. Indeed the beliefs of spiritual protection being provided by coral, amber and turquoise probably originate from the ancient shamanic Bon religion.
French Art Nouveau
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Akantus wood carvings from a book. <3
Designs for cast iron consoles, corbels and an urn
