Hans Memling Allegory with a Virgin 1479
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Wolfegger Hausbuch, Mittelrhein um 1475
: Bibel AT, dt.: Bücher Mose, Josua, Richter, Ruth; Universitätsbibliothek Heidelberg
Mittelalterliche Handschriften
Research and re-creation of medieval costume and crafts by THL Edyth Miller
Albrecht : Versbearbeitung einzelner Prosastellen aus "Ehebüchlein" und "Spiegel der Sitten", je 30 Verse Nordbayern, 4. Viertel 15. Jh Cgm 5185 Folio 55
Hans Prunner Editore a small publishing company based in Milano, Italy, specialized in limited edition high quality publications on Arms and Armour.
Солдаты,офицеры, ландскнехты. 15-16 век. After Hendrik Goltzius 1587 High Altar of St Mary (a soldier) 1477-89 Wood Church of St. Mary, Cracow MASTER M S Christ Carrying Christ Carrying the Cross 1506 Tempera on limewood, 147,5 x 92,6 cm Christian Museum, Esztergom ----------------------------…
Costume in Sacred Art,XV to XVII c. The costumes in early devotional paintings hardly give any correct information on the cos...
Hugo van der goes portinari triptych right st margaret st mary magdalene - Hugo van der Goes - Wikipedia
Miniature object
The gisants of Pierre d'Évreux-Navarre (+1412) and his wife Catherine d'Alençon (+1462) once adorned their tomb which could be seen in the choir of the église de la Chartreuse in Paris, a church that got destroyed during the French Revolution. They were carved around 1412/1415 and show contemporary armour and clothing of the time. Pierre's early full plate armour is basic and smooth: the poleyns (knee cops) show no lames in between the greaves and the cuisses. But the back of his knees are protected by lames instead of mail, a very modern feature. Also no traces of decoration can be found, except for the border with rivets at the end of his vambraces. A mail collar protects Pierre's neck. He would have worn a 'great bascinet' (which had plate defences for the throat instead of a mail aventail). His loosely worn surcoat covers his armour but does show an early 'fauld' (protection for the lower body consisting of horizontal lames) which ends in a point. A fauld was always attached to a breastplate or a cuirass so we can be very sure that underneath the surcoat Pierre's torso is completely encased in plate armour.
Tapestry with scenes of a deer hunt and falconry
Edward de la Hale, 1431