1725 A Young Girl with an Enslaved Servant and a Dog. By Bartholomew Dandridge - Yale Center for British Art.

1695-1720 Unknown Man, formerly known as Horatio Walpole, 1st Baron Walpole of Wolterton. By an unknown artist.

1710-1722 Joseph Bonnier de la Mosson. By Jean Ranc - Musée Fabre.

1732 Teselskab hos hertuginden by Balthasar Denner (Frederiksborg Slot - Hillerød, Nordsjælland, Denmark). From pinterest.com/Hattie995/1730s-female-clothing/; fixed upper tenth of left edge and enlarged by half.

Oil painting, 'Three Studies of Men' by Luca Carlevarijs, oil on canvas, ca. 1700-ca. 1710

John Wormbergh, dwarf. BM P&D 1851,0308.699

1727 & 1729 Lambert Henrick Emmen. By Jan Abel Wassenbergh - Groninger Museum.

Source: Bloshka

Unknown Artist Date 1730s

1725 Rhoda Apreece (d.1759), Mrs Francis Blake Delaval by John Vanderbank (Seaton Delaval - Seaton Sluice, Northumberland, UK). From artuk.org.

1720-1725 Portrait of a Master Silk Weaver, possibly of James Leman. By Michael Dahl - Victoria and Albert Museum.

1724 Inspectors of the Collegium Medicum. By Cornelis Troost.

Late 18th century, American. Philadelphia museum of art

Man's banyan, 1720s-30s, made in Europe from imported cerulean Chinese silk damask (pale or frost cerulean)

c.1804-14, Breeches, silk, linen, French

The light color palette and spare decoration of this waistcoat are typical of the neoclassical style, which dominated design in the late eighteenth century and early nineteenth century. The silhouette is tight-fitting and markedly angular, with the lower hem cut straight across and rectangular pocket plackets. This was a departure from the skirted waistcoats with

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