1773 Joseph I of Portugal. By Miguel Antonio do Amaral - State Hermitage Museum.

c. 1770s Marie Victoire d'Arenberg, Margravine of Baden-Baden. By Joseph Wolfgang Hauwiller - Heimatmuseum Rastatt, The Rastatt City Museum in Vogel's House.

1773 John Smyth of Heath Hall, Yorkshire. By Pompeo Batoni - York Museums Trust.

1775 Portrait of Captain Carl Adolf Möllersvärd. By Ulrica Pasch.

1776 Queen Charlotte with Charlotte, Princess Royal. By Benjamin West - The Royal Collection Trust, UK.

c. 1779-1782 Portrait of a Gentleman (probably Jean-Baptiste-Francois Dupre). By Joseph-Siffred Duplessis - Fine Arts Museums of San Francisco.

1776 Portrait Group of the Drummond Family, Peter Auriol Drummond, Mary Bridget Milnes Drummond and George William Drummond. By Benjamin West - Minneapolis Institute of Art.

1773 Leopold II and his family (detail). By Wenceslaus Werlin - Kunsthistorisches Museum, Vienna.

1775 Marie-Thérèse de Savoie, comtesse d'Artois. By Joseph Ducreux.

1779 Admiral Clark Gayton. By John Singleton Copley - National Maritime Museum, Greenwich, London.

1779 Portrait of Admiral Augustus Keppel. By Joshua Reynolds - The National Maritime Museum, Greenwich, London.

1779 King George III. By Benjamin West - Royal Collection Trust, UK.

1776 Portrait of Count Chernyshev. By Alexander Roslin - Hermitage Museum.

1775-1790 French or English Gentleman’s Suit (L: front view/R: back view). Coat, waiscoat, breeches made of uncut figured velvet, lace, sequins, cotton lining, silk lining. Museum of Fine Arts, Boston.

1779 Captain Thomas Baillie. By Nathaniel Hone the Elder - National Maritime Museum.

c. 1775 Portrait of Countess Konstancja Tyszkiewicz, née Princess Poniatowska. By Marcello Bacciarelli.

1775 Portrait of Lieutenant General James Cuninghame. By Angelica Kauffman.

Spirit of 76

Lorenzo Tiepolo llegó a Madrid en 1762 acompañando a su padre Giovanni Battista, que fue contratado por el rey Carlos III de España, para que pintase los techos del recién construido palacio real. Al morir Giovanni Battista en 1770, Lorenzo decidió permanecer en España al servicio del rey con un modesto salario. En Madrid, Lorenzo se dedicó a pintar una serie de retratos y estudios de cabeza ya al pastel, o combinando la técnica del pastel con el óleo, que constituye lo más valioso de su producción. La presente obra de Lorenzo recuerda, en su composición, los dibujos de cabezas de otro artista veneciano, Giovanni Battista Piazzetta, y que Lorenzo pudo conocer a través de grabados.

1775 Femme by Louise Elisabeth Vigée Lebrun (location ?). From pinterest.com/delmuroray/18th-century/.