Toutes les informations et lots de la vente aux enchères « Collection Gilles Labrosse #1 », par Maître Gérald RICHARD et Maison de Ventes Richard - HOTEL DES VENTES DE VILLEFRANCHE, mardi 22 septembre 2020
1784 Count Vaudreuil. By Élisabeth Vigée Le Brun.
1785-1790 Eleanor and Margaret Ross. By Alexander Nasmyth - Yale Center for British Art.
1787 Portrait of Alexandr Matveevich Dmitriev-Mamonov. By Mikhail Shibanov - State Russian Museum.
1782 Jean-Jacques Bachelier. By Adelaide Labille-Guiard.
1785-1790 Portrait of a Man. By Francisco Bayeu - National Gallery of Canada.
1779-1780 George Boone Roupell. By John Singleton Copley.
1782 Alexander Lanskoy, Favourite and Lover of Catherine II the Great. By Dmitry Levitzky - State Russian Museum.
1780 Augustus, Duke of Sussex. By Benjamin West - Royal Collection Trust UK.
1780-1781 George III. By Thomas Gainsborough - Royal Collection Trust UK.
1781 Marie Romain Hamelin. By Alexander Roslin - Rijksmuseum Twenthe.
1788 Wilhelmina of Prussia, Princess of Orange. By Johann Friedrich August Tischbein - Mauritshuis.
1781 The Twelve Months - January. By Richard Earlom. Published by Carington Bowles. The British Museum.
1785 The Lethbridge Children. By Charles Gill - Tate Gallery.
If you're anything like us, you have probably been really into the moment the color pink is having in fashion this summer, thanks to a certain iconic doll. It's been really fun and inspiring to see people from all different aesthetic groups and fashion spaces
109. ‘One cannot afford to pay mining wages to a farm boy. But there are two empty cottages at Mellin, in the other row. They bring in nothing as they are, and Jim could live in one for the repairing . I should ask no rent from him so long as he worked for me.’ Zacky blinked . ‘No rent? That d’ make a difference. Have you mentioned it to the boy?’
30. ‘You were my father’s personal servant. When he died you were left in a position of trust. Well, you may have a guinea for every field you find that isn’t choked with weed and lying fallow, the same for a barn or a stable that is not falling down for need of a timely repair. Even the apples in the orchard are mouldering amongst the dead leaves for lack of someone to gather them— ’
26. There ahead in the soft and sighing darkness was the solid line of Nampara House. It struck him as smaller than he remembered, lower and more squat; it straggled like a row of workman's cottages.
49. '. . . You knew that was not all,' Elizabeth repeated in an undertone. 'Something was understood between us. But we were so young -'
