Keni Valenti DressVintageFrom the Late 1980's - Early 1990's CollectionBlackCutout AccentShort Sleeve with V-Neck
Bejeweled Classic. Stunning Vintage 1980’s/1990’s sweater knit, deep v back wiggle dress with spectacular bejeweled adornments. A sultry classic & perfect. 🖤🖤🖤🖤🖤 Fits M/L best (I’m about a M), but please use measurements as fit guide 17” shoulder 19” bust (on the half) 14.5” waist (on the half) 19” hip (on the half) 15.5” vback 23.75” sleeve 41” length Unlined Sweater knit with great stretch Feels like a soft wool blend Pull on style Deep v back Bejeweled neckline and back Excellent vintage condition
Pauline Trigere A-Line DressVintageFrom the Late 1980's - Early 1990's CollectionBlackLong Sleeve with V-NeckConcealed Zip Closure at BackFit:Dresses by Pauline Trigere typically fit true to size.
Mayhem at the match...
Guy Laroche Wrap DressVintageFrom the Late 1980's - Early 1990's CollectionBlackFringe Trim AccentLong Sleeve with V-NeckConcealed Zip Closure at BackFit:Dresses by Guy Laroche typically fit true to size.
"Valentino Couture Le Grand Hotel Paris", Vogue Italia, March 1994 Model : Christy Turlington
KEY FEATURES First-ever officially-licensed compilation of this kind Artwork by noted illustrator/designer Koichi Sato New liner notes by Mark “Frosty” McNeill Double LP housed in wide–spine jacket RELEASE DESCRIPTION Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream. Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism, and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of YMO), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization. These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony, and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs. Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating. TRACKLIST Noriko Miyamoto - Arrows / Eyes Mishio Ogawa - Hikari No Ito Kin No Ito Yoshio Ojima - Days Man Mkwaju Ensemble - Tira-Rin R.N.A-ORGANISM - WEIMAR 22 Naoki Asai - Yakan Hikou Takami Hasegawa - Koneko To Watashi Mammy - Mizu No Naka No Himitsu Dip in the Pool - Hasu No Enishi Wha Ha Ha - Akatere D-Day - Sweet Sultan Perfect Mother - Dark Disco-Da·Da·Da·Da·Run Neo Museum - Area Sonoko - Wedding With God (À Nijinski) LISTEN Available on Desktop & Mobile
Knit pullover sweater c. 1980s/1990s. Heathered beige natural fiber knit with contrasting cream fuzzy angora stripes on left sides of bodice and arm. V-neck construction. Ribbed at wrists and waistband. composition: not listed - feels like cotton/silk blend with angora stripes label: none - likely hand made condition: very good - one small area of angora separating at front tag size: none modern size estimate: xs - small (please refer to measurements for proper fit) MEASUREMENTS shoulder to shoulder - 16" sleeves - 19" bust - 32" waist - 29" length - 21.5" *measurements taken flat - doubled for bust, waist, and hips shown unpinned on model - 5’4”, size xs/s all sales final - please review our shop policies prior to purchase
Throwback pics from the 70s, 80s, and 90s. TV Shows, Bands and Movie Fun. New pics submitted and voted on each day. Keep Calm and Chive On.
Hidebound and Reactionary [over 40,000 followers]. Also on Twitter
Neville Brody born 23rd April 1957 in London, became famous in the 1980's for his typographic design work on numerous British magazines, in particular The Face and Arena. Brody used newly invented desktop publishing tools to the fullest and continues to be influential as a type designer for both print and web In 1988 Thames & Hudson published the first of two volumes about his work, which became the world's best selling graphic design book. Combined sales now exceed 120,000. An accompanying exhibition of his work at the Victoria and Albert Museum attracted over 40,000 visitors before touring Europe and Japan. In 1994, together with business partner Fwa Richards, Brody launched Research Studios, London. Since then studios have been opened in Paris, Berlin with plans to open a New york studio. Clients range across all media, from web to print, and from environmental and retail design to moving graphics and film titles. A sister company, Research Publishing, produces and publishes experimental multi-media works by young artists. The primary focus is on FUSE, the renowned conference and quarterly forum for experimental typography and communications. The publication is approaching its 20th issue over a publishing period of over ten years. http://www.researchstudios.com/home/006-neville-brody/NEVILLE_home.php http://en.wikipedia.org/wiki/Neville_Brody http://www.graphic-design.com/Type/2008/neville_brody.html
MECC - Word Munchers was one of my favorite grade school games. Munch those words! Running on an Apple //c. Special thanks to flickr user DSchrubbe for the monitor.
(More excellent Soviet punk photos here ) "I am a sick man... I am an angry man. I am an unattractive man." Fyodor Dostoevsky, Notes From ...
KEY FEATURES First-ever officially-licensed compilation of this kind Artwork by noted illustrator/designer Koichi Sato New liner notes by Mark “Frosty” McNeill Double LP housed in wide–spine jacket RELEASE DESCRIPTION Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream. Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism, and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of YMO), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization. These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony, and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs. Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating. TRACKLIST Noriko Miyamoto - Arrows / Eyes Mishio Ogawa - Hikari No Ito Kin No Ito Yoshio Ojima - Days Man Mkwaju Ensemble - Tira-Rin R.N.A-ORGANISM - WEIMAR 22 Naoki Asai - Yakan Hikou Takami Hasegawa - Koneko To Watashi Mammy - Mizu No Naka No Himitsu Dip in the Pool - Hasu No Enishi Wha Ha Ha - Akatere D-Day - Sweet Sultan Perfect Mother - Dark Disco-Da·Da·Da·Da·Run Neo Museum - Area Sonoko - Wedding With God (À Nijinski) LISTEN Available on Desktop & Mobile
Can you link Red Bull's F1 team, Bathurst, an Olympic gold medallist, a Touring Car Masters star and a Kiwi World Champion? V8 Sleuth has done it...
Am 28. April 2016 wäre Ferruccio Lamborghini 100 Jahre alt geworden. Wir blicken zurück auf eine ein einzigartiges Lebenswerk.
Born to be wild.
