Role play: there are 9 pairs of matching boarding passes (one for the check in assistant, one for the passenger) with dialogue prompts and missing information to fill in. There is also a sample dialogue on the last page :o)P.S: I must give credit to Aylee for the Boarding Pass template (link: www.ayleebits.com) - ESL worksheets

English ESL Kids Job Role Plays Worksheet

Dramatic play or pretend play can help kids deal with real-life situations. Read this article for many role-play topics to help your kids learn and grow.

It is a role play game. You can play it in three rounds: 1) Individual students get a card and read it, take over the role and try to convince the others why they should live; 2) personal decision of each student and justification, 3) group discussion. My students liked it a lot and discussed heatedly. - Typos removed, thanks for the PM. - ESL worksheets

Imaginative role play is an important part of early childhood development. Set up an engaging doctor themed dramatic play corner with these fun printables!

After much hunting on the internet I have managed to collate some artwork by one of the many fantasy artists that have inspired me a great deal over the years. There are of course many, many magnificent artists out there, too many to name or put in some kind of favourite order, many of whom have also inspired me in one way or another. But this particular artist's work was some of the first fantasy art I saw that immediately captured my imagination, the man I am talking about is Gary Chalk. Gary is well known for his work on the Talisman board game produced by Games Workshop in 1983 and the extremely popular Lonewolf series of fantasy gamebooks written by Joe Dever. After his time at Games Workshop Gary and a colleague moved on to produce their own miniatures wargame to rival GW's Warhammer called Fantasy Warlord which ran for two years. Gary has recently been doing work for French miniature company Rackham and producing illustrations and concept art for their mini's and if you read the interview following the illustrations you will see what he's up to currently! Some of Garys work.... Talisman First Edition box art..... Fantasy Flight Games produce the newest version of Talisman - Revised 4th edition which is available from many game stockists. There are also a good deal of expansions available now as well including new ones not released for the old game. The Dungeon, The Highlands, The Sacred Pool, The Reaper, The Frost March, The Dragon. Its an excellent boardgame and a classic to boot. If you played it as a kid, you won't be disappointed with these new versions!... Fantasy Flight Games - Talisman The book series Gary is most famous for illustrating is Lone Wolf series. Lone Wolf introduced a progressive skill set throughout the adventure which was great and something not found in Fighting Fantasy at the time. You can read more about Fantasy Warlord here. Some work for Rackham..... And the rest of the artwork I have found. Of course this is only a small sampling, but enough to give you a good taste nonetheless. Enjoy. It was a bit of a struggle to find high quality images created by Gary on the internet, but a big thanks to those who posted them up and especially big thanks to the Project Aon team and its volunteers who do so much to keep Lonewolf alive and available on the net. Most and nearly all of the original books are available to play freely online due to the genorisity of Gary and Joe Dever so head on over to Project Aon here. Gary Chalk Mini Interview - The Unvarnished Truth Gary, thanks for taking the time to answer a few questions, and before we start I have been asked to pass on the thanks and gushing admiration towards yourself from many fellow gamers on the forums! I have already expressed the fact that your art made the fantasy games I played come to life and fired up my imagination, creating a great love for fantasy art. But who and what were your inspirations when you began your artistic life and how did you begin your artistic career, was it in the field of fantasy art? I actually started my working life in a graphic design studio, where I learnt all the things they had neglected to teach me at art school. This was practically everything. We produced all sorts of stuff, from leaflets to pizza boxes, but precious few orcs. While I was working there, I started looking for freelance illustration and eventually found enough to earn a precarious living. How did you come to be involved with the Lonewolf gamebook series and the Talisman boardgame? I was working for Games Workshop with the important title of Games Developement Manager. I had a drawing board and a staff of one - me. I had joined the company while they were developing Talisman and they had a rough board for play testing which was rather like a an aerial view of a landscape. It wasn’t very exciting, so I came up with the idea of turning the landscapes on their side, running them together and drawing them in detail. People liked it. Lonewolf came about because Livingstone and Jackson were looking for people to ghostwrite their fighting Fantasy books for a pitiful royalty. They approached myself and Joe Dever, who was working away in the bowels of their warehouse. I thought,that if we were good enough to write their books, we were good enough to write our own. That’s how we came up with the idea of Lone Wolf which was loosely based on the world that Joe had used for his D&D games. What were the reasons for you leaving Games Workshop and what do you think of the modern face of the company? I left Workshop to work the Lone Wolf books, which was extremely easy as GW had never actually given me a contract! I must admit, the world was perhaps more interesting in the days when there was more gaming diversity about. I find the modern Warhammer worlds mind-numbing dull, but since they have been specifically designed to appeal to twelve year old boys, rather than sad old gits like me, that’s not really very suprising. As for White Dwarf, it isn’t really a magazine, it’s a monthly product catalogue and a very well designed one at that. I don’t think that Workshop products have been made to appeal to adult gamers for years. Adults are no longer their target market. If adults want to buy their products, no doubt they are pleased, but their buyers are adolescent boys who buy boxes of orcs for about two years until they discover girls. My only problem with this is that the omnipresent GW shops have helped kill off a lot of small games and model shops. However, you can find anything on the internet these days, from independent figure makers to saucy young women who have forgotten to put any clothes on. If you want a different fantasy game, invent a world, draw a quick map and download a free set of rules. That should take about two evenings. You can find figures in any scale or material and you can paint them any colour you like. That’s why it’s called « fantasy » gaming. By the way, nowhere is it written that orcs are green… When you left Games Workshop you created your own wargame "Fantasy Warlord", do you have any regrets about this game not continuing, is there anything you would have done differently with hindsight? Fantasy Warlord was a ghastly mistake. It cost me a lot of money and the stress turned my hair white. That, by the way, is absolutely true. I had utterly misjudged the market. The gamers actually wanted what Workshop was producing for them and not a game that used pseudo-military tactics to determine the outcome of fantasy battles. The gamers really wanted an infinite number of badges and lots of spikey bits. The world had changed, but I hadn’t changed with it. In addition to all this,the launch coincided with that of Grenadier’s Warlord game and a major economic crisis that the then Chancellor of the Exchequer told us was going to a little « blip ». Never trust a man in a suit. With hindsight, I would have left the gamers to play Warhammer and run screaming over the horizon. Given the nature of fantasy art and the clients imagination versus your own some frustration must occur on occassion with differing visions. So, when you are working, do you find the ideas for a piece come easily to you? Or do the confines of a brief often limit your imagination or what you'd do given total freedom? The ideas come easily, but trying to work out what an editor wants is more difficult. Fantasy clients are relatively easy to please. They know what they want,and they let you fill in the details. Brilliant! The children’s book market is a different kettle of fish, however. The editors are largely middle class young women with no training in design and even less idea of what children actually enjoy, especially boys. They think that twelve year old boys are still playing with wooden trains, rather than enjoying the dubious delights of Grand Theft Auto. In order to work out what they actually want you to draw, you may have to employ a ouija board. Having said that, I thoroughly enjoy fitting drawings into odd shapes etc. Do you have a favourite piece of art created by yourself? No, not really… Are there any projects you would have liked to have done but never got the opportunity to be involved with? Only about five and a half million. Classic stories like Treasure Island and The Last of the Mohicans appeal greatly to me and I seem to be getting very interested in the Steampunk genre. I’ll draw whatever anyone asks for, though, that’s part of the fun of the job. Do you play any games yourself or have time to paint miniatures (photos!!?) ? I play historical wargames with miniatures. The English Civil War, Darkest Africa and I have two new armies, Bolshevik and Chinese for the 1920s along with a complete Wild West town with and all its inhabitants. I also play games with a huge Norman army and a pirate fleet - « Aha Jim Lad« . Sorry, I don’t know what came over me there for a moment… My main problem is a lack of opponents. I live in rural Normandy and there’s not much in the neighbourhood except cows. The nearest three live an hour away in deepest Brittany and the designated driver has been suffering from a bad knee. I’ll have to wait a bit before he can press the pedal to the metal and speed up the autoroute from Rennes, with a boot full of little men. What have you been doing over the last year and can you tell us about any new up and coming projects you have been working on? In addition to a couple of drawings for the french version of the Lone Wolf RPG, I am currently working on the Lone Wolf boardgame with Jamie Wallis of Greywood Publishing. At the time of writing, we are about 90% of the way through the artwork and graphics. We are hoping to produce it book form, yes, book form, and as a number of downloads. If we produce it as a book, it will make it easily available online and it should be a bit cheaper for the gamer as there is no VAT involved. Take out the staples, cut out the playing pieces and it’s ready to go. We want to make all the components available as downloads, so that players can expand the game at will with extra boards and playing pieces in whatever way they like. So, if you want to fight with the armies of the Dark Lords in the Streets of Holmgard, you can add two village maps together to make part of a city. If you want to double up the size of your giak army, you can simply download a second set of playing pieces at a reasonable price. People who enjoyed Cry Havoc, should enjoy this game too. Although the rule mechanisms are different, it has the same feel with highly detailed individual warriors and attractive, colourful maps. I’m also working on the background for a series of online gamesbooks, but I can’t tell you to much about these as I am waiting for the contract to arrive for signature. There will be three to start with and they will be in a totally new setting. Swords and sorcery with just a whiff of gunpowder. And finally, errrrr.....can you sign my complete collection of Lonewolf gamebooks? I’ll sign anything except a cheque…. Gary, I just want to thank you for taking time to answer these questions, you have made a fan very happy indeed and I am sure fellow gamers will be very interested to see what new work you have in the pipeline.Thank you! You can visit Gary's website here and follow him on twitter "@garychalkpics". Until next time! Footnote: Gary offered to supply some pictures of the Lonewolf game pieces and I also asked if he had any of his gaming table/painted miniatures. At time of posting I am awaiting a response but will post it up when I get them! dfb

Miss polly had a dolly nursery rhyme pretend play activity for kids preschoolers toddlers eyfs.

In this blog post, we’ll be exploring How to change your Traveler’s element in Genshin Impact. Let’s get started! Welcome to Genshin Impact, the open-world action RPG from miHoYo! This game has you playing as the Traveler, a character who can use various elements to explore the world and battle enemies. One of the unique mechanics in Genshin Impact is the ability to change the Traveler’s element at any time. Overview of Genshin Impact Genshin Impact is an open-world action role-playing game developed by miHoYo. It was released for the PlayStation 4, Windows, Android, and iOS platforms in September 2020. The game takes place in the fantasy world of Teyvat, where players take on the role of the Traveler – a mysterious figure who embarks on a journey to discover the secrets of the world.What is the Traveler’s Element?The Traveler’s element is a major part of Genshin Impact. It represents the elemental affinity of the Traveler and determines which elements the character can use in battle. When the Traveler first starts out, the element is set to Anemo, but it can be changed by the player. How to Change the Traveler’s Element Equip Your Party: Before you can change the Traveler’s element, you need to make sure that your party is properly equipped. Make sure that each character has the necessary elements to access the Statue of the Seven, as well as the necessary items and abilities to interact with it. Access the Statue of the Seven: Once your party is ready, you can begin the process of changing the Traveler’s element. To do so, you need to access the Statue of the Seven. This statue can be found in various locations across the world, including Liyue Harbor, the Monstadt Harbor, and the Dragonspine. Interact with the Statue: Once you have accessed the Statue of the Seven, you need to interact with it. Doing so will allow you to change the Traveler’s element to any of the seven elements in the game – Anemo, Geo, Electro, Pyro, Cryo, Hydro, and Dendro. SummaryRecap of the Steps: To change the Traveler’s element in Genshin Impact, you need to do the following: equip your party, access the Statue of the Seven, and interact with it. Doing so will allow you to choose the desired element. Benefits of Changing the Traveler’s Element: Changing the Traveler’s element can be beneficial in a variety of ways. It allows you to choose the element that best suits your playing style and can offer an advantage in certain battles. Additionally, it can give you access to new characters, weapons, and items. Changing the Traveler’s element in Genshin Impact is a relatively simple process. All it takes is a few quick steps and you’ll be ready to explore the world of Teyvat with your new element. So what are you waiting for? Get out there and discover the secrets of the world! Publisher(s):miHoYo Engine:Unity Release date:September 28, 2020 Mode:Single-player, Multiplayer age rating (PEGI):12+ Tags:tier list, characters, genshin interactive map, genish impact , genshin imact, genish, gensh, genshin imapct, genshin im

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English ESL Kids Town Role Plays Worksheet

Does your child love to pretend? Pretend play can develop your child’s learning and problem-solving abilities. Here are some great role play ideas for kids.

Children love role-playing and this type of play is highly educational. Here are 30 of the best role play ideas for kids.