Estas cafeterías rusas, que están causando furor en redes sociales como Instagram, parecen sacadas de un cómic.
Sometimes, muses can live right next to you, and if you are willing to notice them, they will inspire you on a daily basis.
Everyone who designed these deserves a standing ovation.
So down below we have a quick random page-sketch, if you ask me, it’s really easy to follow and here’s the fundamentals as to why: 1: Comics are Theatre So a thing to remember that will put a zing on your comics is to have people do gestures, notice below how how the two characters are using their body language along with the second most expressive body part; The hands. Reason why I say that people should remember Comics as Theatre is because on stage the actors had to do wide expressive motions with their bodies to convey to an audience that could be sitting far away on who is talking and what their mood is. ( this is why William Shatner is so expressive and all over the place during Star Trek. Because he was used to be on theatre.) If you do notice in movies however, you can spot that the body language is kept subtle. This is because with movies you can get close to the actor and notice the changes in their faces and small things like fidgeting with their fingers to express restlessness…. in comics, this is super hard to express the latter and you could accidentally end up with just characters standing right up in a pose ( i see a lot of new comic artists trying to convey the subtleness of a movie into a comic, and it ends….pretty boring.) TL;DR: try to express your characters like an actor of stage would! Don’t be shy and don’t let them be it either. You’ll have so fun, trust me. ========================================================== 2: Remember the 180! so a lot of people talk bout the 180, and I never got it at first til’ i began looking it up. Basically what it means is that two characters or a scenery should always be presented on being on the same side of the page (unless you had a middle panel showing the 90 degree turn of the subject/people.) Notice how the two characters stay on the same side through the page but the left one. It will help the reader to know who is who, and thats A and B when making a comic! TL;DR: Try to keep everything on the same side at all times unless you show a panel with a 90 degrees turn before going to 180. ========================================================== 3: Ayo snake! you cute as hell This one’s easy! Imagine a snake slithering over yo page ( it’s a nice snek) and you follow it with your eye. Make your reader follow the snakes path as well! No but seriously; Try to always make panels and compositions so that they point to the next panel! Be it via speech-bubbles or characters or environment. Notice how each panel literally guides you to the next. Character A looks to the right while character B looks down to the left, where her gaze hits the end of that panel which is compositioned to guide you down into the fourth panel, where char A almost points with her eyebrows and arms to the fifth ( which goes from top left to bottom right due to character B’s angle. Then just put speech-bubbles in the path and voila! The snake b slitherin’…wait…..Slytherin…oh… ========================================================== Sizes are everything Super easy but some forget; Remember to always have the smaller character be smaller than whats bigger than them. Don’t try to flip around and improvise sizes for the sake of trying to get an impact out of it ( unless they get further and further away). Oft it just messes the reader’s perception of size in the comic if you experiment too much and they get taken out of it early and will just end up reading text on pictures. SO this was just some quick tips, hope yall try these tricks out the next time you make a comic c: cheers <3
Suzanne Collins biography, graphic novel style! Students should enjoy reading, right!? And there's a reason why young children love picture books: images are appealing. Do I prefer reading a graphic novel version of my favorite books? Not really. But, that doesn't mean none of my students do. In fact, I would say quite a few of them would prefer it. If I want my students to enjoy reading, I need to offer plenty of choices. The same with writing. Some kids are happy to write a classic book report. But some aren't. So why not give them choices? With the recent announcement on the Hunger Games Fireside Chat of Sara Gundell's comic-style biography of Suzanne Collins (author of The Hunger Games), (see picture) this reminds me that there are so many appealing ways to entice students to read rather than the traditionally printed book. I offer loads of choices in my high school classroom because we all have different tastes. I do love reading comics and have Calvin and Hobbes, The Far Side, Close to Home, and Frazz books for students to read. Of course I offer the classics along side them, but I would much rather have a student read something over nothing. We need to admit that it is OK to allow these choices in our classroom. Students DO learn from reading non-academia texts! Reading the Guiness Book of World Records is still helping my students' reading skills. How? Because they are reading! It doesn't matter what they are reading. The act alone and repetition of it makes them better readers. It is the same with writing. The more they write, the better writer they become. So why do we assign the boring 5-paragraph essay over and over again so they learn to hate writing? I don't know (well I do...because we are forced to). It's crazy. I would rather assign them more relevant and personally-connected pieces because 1. they will enjoy it, and 2. the chances of them copying & pasting text from the internet is less likely. Here's a free download for you: comic strip panels to use to assign a comic bio or book report. Download all of the pages here: I created them using Pasq.com's Comic Life program. You can head to my teacher store to find additional ideas for literature- and history-based learning. Sample pages:
Cómo hacer un cómic - Descarga Recursos educativos y material didáctico para niños/as de Infantil y Primaria.
In order to be something interesting, you dont think that only stories and images are the elements, do you? Because comics consists of several elements and each element has its function to complement the other elements so as to create interesting comics.
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