Vamos a hacer apliques bordados sobre telas de distintas texturas y colores. Cintas, perlas, abalorios e hilos de colores aplicados sobre telas variadas.
Para ti que haces manualidades, estas 10 ideas de apliques de fieltro te serán de gran ayuda y además podrían sacarte de apuros.
Easy to make cool applique heart denim pocket gift pouches. Use them for Valentine's or Mother's Day gift-giving or just for fun storage.
I leave for Quilt Market tomorrow and I really wanted to get this post done before I left. It’s almost midnight and I just finished my last two quilts, got them quilted and the binding sewn …
A look at the Spring 2015 collection of Bustle & Sew patterns. We've chosen some of our favourite designs including the obvious spring-themed bunnies, blossoms and chicks, as well as other lovely patterns like our Tumbling Teacups Applique, English Cottage Tea Cosy and Embroidered Loveheart. As well as the patterns you'll discover some extras too - chapters on freestyle machine embroidery, making lovely softies and transferring your embroidery design to help you make your projects the nicest they can possibly be this spring. You can purchase the full publication containing 10 lovely patterns and all the full-size templates over on the Bustle & Sew website www.bustleandsew.com or, even nicer, you can receive it free when you subscribe to the Bustle & Sew Magazine. www.bustleandsew.com/magazine
Hoy vamos a daros mil ideas para hacer apliques en vuestras labores....ropa infantil, ropa de bebé, complementos, accesorios, tocados...cojines, decoración.
Learn the bassic of hand embroidery with these stitches. 10 basic stitches for hand embroidery.
1. Pequeños animales bordados • 2. Estado de amor • 3. Omita el esquema • 4. Flores bordadas • 5. Estrella en una camiseta • More ...
"Embroidery is the handicraft of decorating fabric or other materials with needle and thread or yarn. Embroidery may also incorporate other materials such as, p
Goodness I have been chilled to the bone these last few days at Chartres and meanwhile fire warnings were out not so far from where my shed is in Australia and places where friends live, so a bit of overnight worrying whether everyone and everything was safe. I am still at Chartres as the Croisements des Arts continues until 25 March when I go to Belgium and teach for three days at Adinkerke, de Panne, just over the French border.I am teaching the Traveller's Blanket/Plaid Nomad for two days and Tifaifai/machine applique one day ( there is still places in the Tifaifai workshop, which always delivers great results and students create their own designs.) If you are interested in joining email me please. ( 26/27/28 March). I have managed to do a lot of stitching on my blue and white piece which has now grown a name- True Blue ( it was called a walk on the wild side as this colour combination is a bit outside of my ken but things change...). As I worked on it I realised that the blue and white combination was very much in tune with my heritage as well as reflecting my love of blue and white ceramics and of course Delft's Blauw . So what to name this blanket was whirling around in my head and I coined true blue which I mentioned somewhere and someone said- but oh yes it also reflects Australia- in that true blue means dinky di or the real thing especially relating to Australianess- so the name reflects both of my worlds, my dutch birth and my adopted country Australia and of course my love of blue and white ceramics. This piece did not begin with a story but it acquired one and as it did I grew to like it much better than I ever expected. I hope to finish it this week, so I can commence another piece to meet this deadline I have made for myself . I sometimes wonder why I do so much stitching. but the texture it creates is a bit mesmerising. I am staying in the old part of Chartres in a little studio apartment called Studio-Adulaire, which is a nice brisk walk to where the exhibition is at the Collegiale Saint Andre. It means I can cook my own food and there is a good market for food in Chartres on Saturdays and everything is within walking distance.I highly recommend it if you intend to spend anytime in Chartres. The owner is very helpful and the studio is well equipped. And then i discovered the Depot-vente in Camphol- a kind of flea market, brocante all rolled into one....so much to see , so many good things, but what to choose? I could not decide and only came away with a book and a bunch of fish knives ( silver with marks for 2 euros) as they are great for mixing textile pigment with base extender- hmmm maybe these are too good for that! An archway near the cathedral- with gnarled some kind of vine- I wonder how old that vine is? One of the buildings I walk past everyday has these wonderful wooden pillars embedded in the wall. the motifs look medieval so again I wonder how old this is? The details has been weathered but even so they are still gorgeous. Traveller's Blanket On-line Class- I am still taking enrollments for the on-line class which is designed to help you record memories in textile and create a rich memory laden cloth that you will never want to part with! Just email me if you are interested. Course consists of the delivery of 4 pdf lessons, a private facebook group to discuss our developing stories/ blankets- and your very own memory cloth/blanket. It is amazing how these pieces acquire meaning as you work. There is a lot of time to invest in the process so a lot of time for contemplation , and it shows in every piece that has been made, I taught a one day workshop for the Traveller's Blanket at Gallery Cardamome last Friday. Of course one day is not enough time to make anything big. So we made a sample piece with one motif to try out different stitches and then a start was made on a larger piece which was a square of about 40 cm.
Ten a la mano estas ideas de apliques hechos con retazos de tela, solo debes contar con telas adhesivas para lograr un lindo acabado.
Watch how flowers can come to life through threads in exquisite embroideries.
I actually really LOVE the art of appliqué! Even though I don't use it that much (practically never) but I do love seeing others' works on the Internet and appreciate the artistry so much :) My October project that I've mentioned earlier in this post is also appliqué-friendly and, personally, I'm going to experiment a little in this field! So I thought if anyone wants to try the same I should tell a bit more about the methods of applique in advance. Method 1 So, the first thing you should remember is that the majority of fabrics tend to fray on the edge. And because of this, if you just simply baste a cutout to the ground fabric, eventually it will fray quite a lot even if at first it doesn't look like it. However, sometimes this kind of ragged and frazzled edge might be the desired effect! Especially, for enthusiasts of rustic style. In such cases, this method is what you need. And, basically, all you need to do is just work back stitch along the whole shape, stepping a little away from the edge. Make your stitches rather small so that all of the fibers are secured. I'm using quilting cotton in this example and it doesn't really fray that much – I frayed it myself for this picture as well as I could. However, if you use linen, for example, it is likely to fray a lot easier and the fibers might pull apart right in front of the stitches. In this case, your back stitching should be even smaller. Method 2 If you don't want the edges to fray, you can work buttonhole (blanket) stitch around the shape. You can work it more densely, of course, like I did in one of the examples in this post. By the way, I'm using a thread of contrasting color for all of the appliqué methods in this article to make it more clear. Naturally, you can use thread of a color similar to the appliqué cutout if you don't want it to stand out too much. Ah, and this method is commonly used in felt applique! Method 3 Now, if you don't want any fraying to take place but also don't want to work a border of buttonhole stitch around it, you can use a fusible interfacing! :) Instructions are easy: 1) cut a piece of interfacing material equal to the piece of fabric you want to apply it too, 2) interfacing material has two sides, one of which is adhesive. Put the interfacing piece with the adhesive side up, and lay the fabric piece on top of it, with its backside down and face up. In conclusion, the adhesive side should be next to the backside of the fabric. 3) iron it thoroughly (settings of heat are according to the type of fabric) staying for several seconds in one place. When you have applied interfacing with the fabric, cut the shape out of it. The thing is, the fibers are now glued from underneath so they are going to hold together and are very unlikely to fray. It is almost like paper. Well, unless you expose it some rough tugging like in a washing machine or if you use it on everyday clothes So, what you will do now will depend on your artistic choice. If you want it to look raw like it is, you can baste it down with tiny running stitches of similar color. Or you can use any decorative stitch, you can find many on the Stitch Library. I used french knots here :) Method 4 This one is likely to look a bit more dimensional, but there is like 0 chances for any fraying to happen. And again, we need interfacing material (it will give a certain advantage but actually you can use another fabric, I will mention it below). BUT we need to put fabric and interfacing material in a different manner now! So, what we do is we put fabric face up, and then we lay interfacing material with adhesive side down. So, the face of the fabric and the adhesive side are supposed to be looking at each other. Then you can draw the shape down and backs titch along the edge. Cut the shape out with a seam allowance and cut a slit in the interfacing material. The turn it out. Now you have a shape like this – face of the fabric up and adhesive side down. You can now place it where you need on the ground fabric and iron it down. If you want to secure it even better, you can stitch a border of buttonhole stitch again, or baste it down in any other way. Or you can work invisible stitch like I did in this example. Like I mentioned, this method can be used with a different fabric instead of interfacing material. Just skip the ironing part and baste the piece down in the way you prefer the most :) So, here are 4 methods for your fabric appliqué! As for me, methods 2 and 3 are what I'm more likely to use but in the end, it all depends on the situation. Hope you find the method you of your liking too and try some appliqué in your next project! :)
Are you considering taking up applique embroidery up as an art form, either as a hobby or as a profession? We are aware of the fact that the art of embroidery does not quite enjoy the same valued place as it used to in the past but they are nevertheless an interesting one. Applique embroidery is the art of placing small bits of clothing to create a pattern on a contrasting fabric to form interesting patterns on it. This form of embroidery can not only make something plain and simple into something special but also adds a textural aspect that makes it very interesting. Some people like to hand embroider the appliqued bits to form a design while others can resort to machine embroidery to make these designs. In some instances, people feel that the look of the applique work comes into its own, only when done by hand. The thing is when you hear about applique, you realize that it is not all as straight or as simple as it sounds. In fact, you will realize that the many variants of applique embroidery are used across the world using many techniques.
Explore niccivale's 1010 photos on Flickr!
Os bordados delicados são verdadeiras obras de arte em fios, valorizando e transformando peças com um toque charmoso e especial.
Modelos para apliques cosidos a mano y a máquina ¿Te gusta coser ?dime que si por favor porque lo que ahora quiero compartirte son lindos moldes de animalitos para apliques en ropa de niños o para
Embroidery 101: How to Embroider: This instructable will teach you the very basics of hand embroidery. Learning to embroider is not as tough as you might think! With a bit of practice, you'll get it down in no time. Plus, embroidery is a nice relaxing thing to do after a long day if…
This seam embellishment starts off with a row of Herringbone worked in a thread the same weight as DMC pearl 5. The next row of Chevron stitch is worked over the herringbone in thread of the same weight. The chevron is spaced so that the bars are between the herringbone. …
Those of you who are following along with the construction of Twilight Gardens may have been wondering about the applique coming up in block 5. We are not quite there yet, but I thought I would give you a little primer on one way to do applique. It seems there are dozens of ways to applique one fabric to another, and ultimately, you need to try a few methods and find the one you like the best and gives you the best results. I tend to be a hand applique person, and many of you are not, and prefer to do everything by machine. The applique in the Twilight Gardens quilt can be done by hand or machine, and this method of prepping your applique pieces can be used for either method. If you have another method you would like to use on this quilt, please feel free to do that. The main thing is that you are enjoying the technique and it is achieving the results you like. Preparing your applique pieces Normally when I do applique, I like to do simple needle-turn. This eliminates the need to pre-turn the edges of your pieces. But I thought I would try a new method. I have seen this demonstrated, and it seemed like a pretty easy method and one that could be used for either hand or machine. Start by tracing your pattern pieces onto the paper (non slick) side of a piece of freezer paper. If you need it, use a light box or a well lit window to help you see the pattern clearly. Make sure you trace an outline for each piece you will be appliqueing, as the freezer paper templates can not be reused. Label them if there is any confusion about where they go in the block design. Cut out the templates right on the line, and separate them into piles based on the fabric that will be used for each applique piece. In this case I have flower petals in either medium or light blue, and leaves that will all be cut out of a single green fabric. I like to use a separate pair of scissors to cut paper from the good ones I use to cut fabric with. This keeps my fabric shears sharper longer. Now, using a water soluble glue stick, apply a little glue on the center of the paper (non slick) side of each template and glue them down to the wrong side of your fabric. Leave 1/2" space between all templates. Once you have your templates glued down, using your fabric shears, cut the fabric pieces out leaving a scant 1/4" seam allowance (about 3/16" is about right) on all sides. Now we will start turning the raw edges of the fabric. If there are any sharp points on your applique shapes, begin by folding over the point first. Using a mini iron and a stiletto that will not melt, gently iron the seam allowance over the template, with the crease right on the edge of the freezer paper. The seam allowance should lightly adhere to the slick side of the freezer paper which is now facing up. Follow around the edge of your template turning the edge with the stiletto and gently ironing with the mini iron to hold in place. The example shown in the photos has all convex sides, but if your piece has a tighter concave curve or an inside point, you will need to clip into the seam allowance almost all the way to the freezer paper to have it conform to the shape easily. Clip only once for an inside point, make a few clips for a curve. Once you make it all the way around your piece it should look like the photos below. The next piece you need to prep is the stems. These also can be made a variety of different ways. The method I will show you here is one of the oldest. It was the first method I learned and one I still prefer for doing small bias stems. Fold over the corner of your stem fabric forming a 45 degree angle. Cut how ever many strips you need off the corner so your strips are cut on the bias. Fold these strips in half down the length of the strip and mark a sew line using a contrasting marking tool at a width slightly wider than your finished stem should be. Here I am marking at a little over 1/8" for a 1/8" finished width. Use a set of press bars for making bias strips. They come in metal, and heat resistant plastic. They both work well, but the metal ones can get hot to the touch. Stitch on your marked line and trim the seam allowance down to less than the width of your finished stem. Here I am trimming seam allowance to less than 1/8". Insert the appropriate size press bar and roll the tube so the seam can be pressed the back side of the stem and not show. Once the seam allowance is pressed to the back, remove the bar and turn over your stem. Pin the stems in place first. Use a fine thread with matching color to applique them down. They can be either machine sewn using a close matching thread color and a blind hem stitch, or they can be hand appliqued. I like to use Kimono brand 100 wt. silk thread by Superior Threads. It is very fine and nearly invisible. It comes in 80 colors and is strong for it's weight. When appliqueing by hand take small stitches. Drop the needle into the background fabric right adjacent to the applique piece, then bring the needle back up slightly under the edge of the applique, and out right at the edge fold. Repeat this stitch along all edges. Once the pieces are stitched in place, turn over the piece and locate the individual pieces with freezer paper still attached inside. CAREFULLY with a pair of applique scissors that are sharp right to the point, cut a small slit in the background directly underneath your applique piece. Be very careful to stay far from the sew edges. You just need a small hole large enough to pull the freezer paper through. Using a stiletto or pair of tweezers, grab the paper and give a slight tug to release the glue. Remove the paper from the back. Here is trick to make your hand sewing much easier. If you use silk thread, you may have the problem of the needle coming un-threaded occasionally due to the fine thread. When you thread your needle, pull a loop of thread through the eye of the needle and loop over the point of the needle, then pull snug into a small knot at the eye. This will keep the thread put while you are sewing. When you reach the end of the thread, tie off and cut the knot off the needle by gently running the blade of your scissors along the eye of the needle. This method of preparing my applique pieces worked very well for this project. At first I was a little concerned about cutting the back of my project to remove paper templates, but I found this was really simple and left a very small hole that does not compromise the strength of the background. As always, I suggest trying this, as well as other methods, and choosing your favorite. Steven
Machine Embroidery applique design, ideal for using on baby clothing, linen, towels, bibs, cushion, wall art etc. Instant download digital zip file Sizes included……………3inch..4inch..5inch FORMATS…….DST.. EXP.. HUS.. JEF.. PES .. VIP.. XXX You will require software to unzip and transfer the files to your embroidery machine. I cannot guarantee results if designs are altered in anyway. Please contact me if you have a specific requirement. For personal use only. Not to be shared or for commercial use
