Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Vertebrate. When the main-stem oscillatesfrom side to side (as in Plate 93. 4, 5, & 8), then the arrangementis termed Undulate. Plate 93. The Vertebrate Band, &c. 1—6. Paintings, Greek, terracotta vessels. 7—8. French, mural paintings, 13th century, (Racinet). 9. Glass window, Cathedral, Bourges, 14th century, (Racinet). 10. Medieval. 11. Intarsia, Sta. Maria in Organo, Verona, 1499. 12. Modern, plate-border. Plate 94. The Undulate Band. 1—3. Persian, metal vessels, (Racinet). 4. Indian. 5. Byzantine, glass mosaic, San Marco, Venice, (Musterornamente). 6. Portion of Romanesque initial, 13th century, Berlin Museum. 7. Romanesque, portal of cathedral, Lucca, (Musterornamente). 8. Gothic flat carving, end of 15th century, (Musterornamente). 9. Medieval, mural painting, Swedish church. 10. French, mural painting, 13th century, (Racinet). 11. Early Gothic, French. 12. Gothic, manuscript ornamentation. 13. Late Gothic, flat carving, 15th century, (Musterornamente). BANDS. 147 Text Appearing After Image: The Vertebrate Band, &c. 10 Plate 93. 148 BANDS. Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Printed in Germany
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: Plate 174. The Circle Diaper, &c. EEPEATING ORNAMENT. 285 Text Appearing After Image: The Circle Diaper, &c. Plate 175. 286 The Circle Diaper, &c — Various Diapers. 12th centuries, painting begins, followed by Glass-painting strictlyso-called, the design being outlined in brown paint; flashed glass, &c.followed later. After passing through a period of decadence; and almost vanishingduring the last two centuries; Glass-painting has, of late years, againbecome the object of great attention, and especially that branch which,leaving strict painting on one side, produces its most striking effectswith coloured glass and leaden cames. The vigorous outlines,produced by the lead-setting, enhance the brilliancy of the- colours,and prevent the impleasant optical effect produced by the blending ofcontiguous tints. We have here to deal only with the ornamental decoration olsnrfaces by painting or mosaic. The best examples are to be foundin the transition period from the Romanesque to the Gothic style inthe churches of Germany, France, and England, the three countriesw Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
1. Treats of prehistoric art; ancient art and architecture: Eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and renaissance architecture...
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Book digitized by Google from the library of Oxford University and uploaded to the Internet Archive by user tpb.
E: Materials and documents of architecture and sculpture, Paris, 1872-1914 P: Materiały i dokumenty o architekturze i...
Reissue with new t.p. of the plates of Ancient architecture restored and improved (London, 1742); see ESTC. Plates retain dates 1741 and 1742
Consists of illustrations with descriptive titles in French
From the collection of the esteemed Archaeological Survey of India as maintained at the Indira Gandhi National Centre for the Arts.Place of publication of this...
This fourth ed. is a reprint of the first ed. published in 1738. Likely publication date for this ed. is 1790 or 1791. See BAL
Printed in Germany
Includes index
1. Treats of prehistoric art; ancient art and architecture: Eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and renaissance architecture...
Details of Victorian Architecture
v. 1. Treats of Prehistoric art.- Ancient art and architecture.- Eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and Renaissance...
144 p., ill., 28 cm., trade catalogs
Title vignette
Title vignette
v. 1. Treats of Prehistoric art.- Ancient art and architecture.- Eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and Renaissance...
Artist Eric Standley (previously here and here) laser cuts sheets of paper, creating intricately patterned forms by stacking the sheets over 100 layers high. The final works reflect classical stained glass windows, and are inspired by geometric patterns found in both Gothic and Islamic architecture. Recently these designs reference fractal geometry, a rhythmic pattern that is self-replicating. “These rhythms are found at a cosmological scale in the ever-expanding universe, across culture and time in Gothic and Islamic architecture as well as at the profoundly fundamental building blocks of life,” said Standley. More
This fourth ed. is a reprint of the first ed. published in 1738. Likely publication date for this ed. is 1790 or 1791. See BAL
Title vignette
Consists of illustrations with descriptive titles in French
Thierry Lechanteur è uno dei pionieri nell'uso dell'Intelligenza Artificiale in Belgio e nella fotografia, creando immagini che trascendono i limiti..
Roman Ornament. Corinthian and Composite Capitals. The pilasters from the Villa Medici are perfect specimens of Roman ornament as could be found.
Identifier: handbookoforname1900meye Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use Year: 1900 (1900s) Authors: Meyer, Franz Sales, 1849- Subjects: Decoration and ornament Art objects Publisher: New York, B. Hessling Contributing Library: Wellesley College Library Digitizing Sponsor: Wellesley College Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: The Square Diaper, &c. Plate 171. 280 REPEATING ORNAMENT. Text Appearing After Image: f y^-^^-^-^/--^^ J Plate 172. The Circle Diaper, &c. The Circle Diaper, Scale Diaper, &c. 281 In the Arabian and the Moorish styles, incrustations of Mosaics instone and glazed terracotta were a popular method of wall-decoration.The art of mosaic has never acquired a firm footing in northerncountries. Plate 172. The Circle Dlu>ee, &c. 1. Mosaic, cathedral, Monreale, Sicily. 2. Arabian mosaic, stucco on stone, (Pxisse dAvennes). 3. Eoman mosaic. 4. Marble mosaic, windows, cathedral, Florence, (Hessemer). 5. Geometrical pattern, Sta. Croce, Florence. 6. Marble mosaic, San Vitale, Ravenna, (Hessemer). 7. Modem tesselated mosaic, Sorrento. 8 and 10. Moorish mosaic, Ambassadors Hall, Alhambra, Granada, (Owen Jones).9. Arabian mosaic, stucco on stone, (Prisse dAvennes). The Scale Diaper, &c. (Enamel.) (Plate 173.) Where the surfaces of metal utensils and vessels are to receivea flat decoration this is usually effected by engraving, etching, dam-askeening, enamel, or niell Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Signatures: [B] [superscript 2] C-G [superscript 2] H, 220 +14 plates
Printed in Germany
