Source: DierendonckBlancke Photographies: Filip Dujardin, Dennis De Smet (model) The first steps taken by the architect and the client start with the search of a suitable building site. Under the architect’s advice, two neighboring houses were purchased, which exceeded the budget of the client. However, this allowed them to redefine the plot boundary and construct a Source: DierendonckBlancke Photographies: Filip Dujardin, Dennis De Smet (model) The first steps taken by the architect and the client start with the search of a suitable building site. Under the architect’s advice, two neighboring houses were purchased, which exceeded the budget of the client. However, this allowed them to redefine the plot boundary and construct a
CLICK photo = LARGE format + slide show.. (Exhibition photos by A.Linnemann) CERAMIC CONCRETION Mette Marie Ørsted DK Exhibition October 31 - November 30, 2013 Abstract visions concreted in a tangible material.. Mette-Marie Ørsted works with geometry, card houses, cultural cities in her Ceramic Concretions, which are as cut out with scissors, out and assembled, clearly grown out from the 2D flat to 3D form. She explores the architectural space interacting with the ceramic spacious, the raw clay versus the glazed surface, the poetic narrative towards pure geometric form. She refers to cultural experience, urban communities and ways of living - abstracts concreted in a tangible material. METTE MARIE ØRSTED by William Gelius Mette Marie Ørsted's exceptional sensitivity to clay is known in her sensuous ceramic bowls, pitchers, vases and much more. Holding her rustic dishes in the hands almost feels like a warm handshake, but it does not imply the absence of formal consideration. And on rare occasions, she engages in pure form experiments, as is the case for this exhibition. The project has been a long time coming. In 2004, she created three small, brittle vase - assemblies that now are exhibited for the first time: One in 6 parts of Bedouin tent fabric - thin bone china with fibre material, and one in 7 parts of high-fired red clay on the outer surface appearing as dusty walls, while the inside has tin-glazed walls. Placed with space between the parts, as it is intended, a labyrinth of mazes of narrow alleys and empty streets occurs, that gives the whole piece a character like a desert-city. In 2010, for the exhibition 'The world on a plate' at Gammelgaard Culture Centre in Herlev, she created dishes with tin-glazed card houses resting on a plate. It is of these fantasy cities and imaginary houses that this exhibition of new artworks originates from. As a novelty, it is a modernist, neo-plasticism or constructivism aesthetic that now exists. With their right angles they remind us of utopian architectural models, but when it comes to it, they are not models, nor houses. They are spatial structures that only occasionally meet a tight modernist requirement for vertical and horizontal. Equally often they challenge the logic, structure, balance and harmony by standing upside-down, hanging or sitting at an angle. The pieces for the exhibition are an exciting formation study, the results of which may well prove to be included in the foundation of Mette Marie's future work - amongst other things, the vases, jugs and dishes. Photos by Ole Akhøj DK: Mette Marie Ørsted: "In the works I have examined the contrast between seemingly random and highly controlled structures. This happened both on an artistic level and in the practical work with the material. The work is to be shown as if it had partially constructed itself in a dynamic field between self-organized organic and geometric design. They are inspired by my own sketch drawings that in their line is similar to the city and landscape maps. The lines rise from the flat to the space and become three-dimensional models. Thereby they also reference to mud-architecture in the Arab countries. In recent years, I have concentrated on the forming and construction techniques in high-fired red clay and earthenware, shown at the exhibition 'The World on a plate'. This project builds on these techniques. I examine the clay structural tensions: - Can it in the work-flow be compressed or deployed depending on particular techniques and the use of in-blending materials that I have found? " Grateful thanks to the Danish National Bank Anniversary Foundation of 1968 for the generous support of Ann Linnemann Gallery exhibition program of 2013. Photos of her earlier works: Mette Marie Ørsted was educated at the School of Arts&Crafts (now: Danish Academy Design School) 1973-1977. She has had several solo exhibitions and participated in group and juried exhibitions, including the Biennial for Crafts and Design on Traphøj Art Museum and Kolding Castle in 2007 and The Design Museum Denmark 2002, and received Grants from the Danish Arts Foundation, including a Work Grant in 2011. She has had her own studio since 1990, and she is a member of the Danish Arts and Crafts Association BIOGRAPHY – METTE MARIE ØRSTED Born in 1952 Member of the Danish Arts And Crafts Association EDUCATION & PROFESSIONAL CARRIER 2010- Keramikunderviser på Institut for Blinde- og Svagtseende, Hellerup 1990- Eget værksted, Gammel Kongevej 39 C 1988-1996 Gæstelærer, Danmarks Designskole 1984-1986 Billedskolen, Jagtvej 1973-1977 Skolen for Brugskunst (Danmarks Designskole), Keramik- og Glaslinjen SELECTED SOLO EXHIBITIONS 2010 Mobil Tepotte, Butik for Borddækning, København 2008 Porcelænskander klippet med en saks, Butik for Borddækning, København 2007 Kanden – kan den, Galleri Pagter, Kolding 2005 Kander klippet med en saks, Galleri Nørby, København JURIED EXHIBITIONS 2007 Biennalen for Kunsthåndværk og Design 2007, Trapholt og Koldinghus 2002 Biennalen for Kunsthåndværk og Design 2002, Kunstindustrimuseet SELECTED GROUP EXHIBITIONS 2013 Mesterværker, Ann Linnemann Galleri, København 2012 Behold, Ann Linnemann Galleri, København 2011 Verden på et Fad, Gammelgaard, Herlev 2010 Tepotter af tiden, Danmarks Keramikmuseum Grimmerhus, Middelfart 2009 Kunstforeningen af 14. august Sommerudstilling, Ann Linnemann Galleri, København Clausens Kunsthandel, København 2008 Porcelænskander klippet med en saks, Butik for Borddækning, København Et tosset teselskab, Butik for Borddækning, København 2007 5 kunstnere, Bispegården, Kalundborg Func Art, Drud og Køppe Galleri, København 2006 Galleri Kant, Sønderho, Fanø North meets South, Nordiska Museet, Stockholm 2004 Ceramiques Danoises, Centre de Creation Ceramique de La Borne 2000 Keramik uden fortilfælde, Udstillingssted for Ny Keramik, København 1999 Brugsting i lertøj, Galleri Nørby 1998 Suppeskåle, Galleri Nørby, København Udstillingssted for Ny Keramik, København 1997 The Contemporary Teapot, Danmarks Keramikmuseum Grimmerhus, Middelfart 1996 Vase, Galleri Nørby, København Dansk Kunsthåndværk og design, Skt. Petersborg Duplika, Dansk Arkitektur Center – Gammel Dok, København GRANTS AND AWARDS 2011 Statens Kunstfonds arbejdslegat 2009 Legat fra boet efter Gertrud Vasegård Bergiafonden og Statens Kunstfonds legat til udstillingen 'Verden på et fad' 2007-2009 Statens Kunstfonds arbejdslegat 2007 Nordea Danmark Fonden 1999-2001 Statens Kunstfonds arbejdslegat 1997 Statens Kunstfonds arbejdslegat 1995 Danmarks Nationalbanks Jubilæumsfond 1994 Den Danske Keramiktriennalepris PUBLICATIONS Dansk design ved årtusindeskiftet. Christian Ejlers forlag Ny keramik. Udstillingssted for ny keramik. Rhodos forlag COLLECTIONS Kunstmuseet Trapholt, Kolding Kunstindustrimuseet, København Statens Kunstfond Kulturforvaltningen, Kolding Kunstforeningen af 14. august
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