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Art Nouveau Russian Silver Imperial Document Folio 1898-1908 via
VASE, CIRCA 1900 Gilt bronze with a relief decoration of swirls 26.7 cm. high Exhibition Hector Guimard, March 1970-April 1971: The Museum of Modern Art, New York California Palace of the Legion of Honor, San Francisco Art Gallery of Ontario, Toronto Musée des Arts Décoratifs, Paris Bibliography Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 34-35 Exposition Guimard, Musée d’Orsay, Paris 1992, p. 258, ill. 1, n. 65 in the album dedicated to the Castel Béranger; for the design in stoneware, n. 4 New Architecture, Number 6, October 2000, Andreas Papadakis publisher, in collaboration with the Victoria and Albert Museum, ill. p. 8 Hector Guimard, March 1970-April 1971, Musée des Arts Décoratifs, Paris, ill. p. 33, n. 82 in the exhibition catalogue
The heart as an icon : The use of the heart as an icon for love and devotion has been one of the most enduring through the ages. In the traditional art and folklore of Europe, the heart symbol was drawn in a stylized shape. This shape is typically coloured red, suggesting both blood and, in many cultures, passion and strong emotion. The heart, as one of the red suits in playing cards decks, have existed since the 15th century. The shape is particularly associated with romantic love; it is often seen on St. Valentine's Day cards, chocolate boxes, and similar popular culture artifacts as a symbol
Rene Lalique's superb Art Deco and Art Nouveau designs Frosted pale blue spherical incised glass vase - Rene Lalique Opal and gold pendant - Rene Lalique If you are an aficionado of Art Nouveau and Art Deco, it's hard to ignore Rene Lalique's remarkable designs. Lalique, in his time was recognized as an artist, designer, jeweller, innovator, glass-maker, industrialist and a visionary ! His creations in jewellery were seen as revolutionary and he was one of the most outstanding exponents of Art Nouveau. His masterful work in glass, and exquisite jewellery design came to epitomize the Art Nouveau style and adorned the most exotic women of Paris.
René Lalique, Brooch dancing nymphs in a frame of bats, circa 1902-1903. © Studio Paquebot - Collection Shai et Shuxiu Lin Bandmann.
Brooch by Rene Lalique, 1900-02.
A muster of peacocks flock together to form this Lalique vase in the Borromée motif, first created by René Lalique on August 8, 1928. Composed of elegant opalescent and green stained glass, this vase embodies the elegance and artistry of Lalique's most renowned designs. Lalique remains one of the most popular designers and sculptors of the Art Nouveau and Art Deco periods. He mastered the press-molded techniques, and glass aficionados and amateur collectors alike continue to marvel at the grace, magnificence and authenticity of his creations around the world. Discontinued in 1947, the rare Borromée pattern remains coveted by collectors. Featured in R. Lalique: Catalog Raisonné de l'Oeuvre de Verre by Félix Marcilhac, 1994, page 434, no. 978. Engraved "R. Lalique France" 14" high x 13 1/2" diameter
Scanned from the book "Lalique, Museum Calouste Gulbenkian". Beautiful Century
René Lalique(Рене Лалик). Украшения.Часть 2 ------------------Подвески-------------- --- ======================================== =========== ---------------------------- ----------------------------------- ----------------Броши------------------ ========================================…
wineofwizardry: “ René Lalique Pin Design ”
Crafted by the celebrated French glassmaker René Lalique, this exquisite Laurier vase is molded from polished glass with a blue stain. The design, conceived by Lalique in 1922, was aptly named for its press-molded laurel motifs. Both classic and fresh, the vase is a superb example of Lalique's clean and elegant Art Deco style. René Lalique remains one of the most popular sculptors of the Art Deco period, and glass aficionados and amateur collectors alike continue to marvel at the grace, magnificence and accuracy of his creations the world over. A significant contributor to the Art Deco movement, his penchant for innovation and eye for style made Lalique one of the premier craftsmen at the Paris Exhibition of 1925. Discontinued in 1947, the Laurier pattern remains coveted by collectors. Featured in R. Lalique: Catalogue Raisonné de l'Oeuvre de Verre by Félix Marcilhac, 1994, page 427, no. 947. Engraved “R. LALIQUE FRANCE” Circa 1922 4 1/4" diameter x 7" high
