A look back at ten years of open access posts and ten years of progress on The Scholarly Kitchen.
Materials you can pick The product dropdown menu gives you the chance to choose your prefered material and size. Therefore, we allow you to choose among the following options: The canvas print: The canvas direct print is a printed canvas mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the use of any wall-mounts. A canvas print is suited for any type of wall. Metal print (aluminium dibond): These are metal prints on aluminium dibond material with an impressive depth effect. A direct Aluminium Dibond Print is the ideal introduction to fine art replicas manufactured with aluminum. The bright and white sections of the original artpiece shine with a silk gloss but without any glare. The colors of the print are vivid and luminous, the details of the print appear crisp and clear. Poster print (canvas material): Our poster print is a UV printed cotton canvas paper with a slightly roughened structure on the surface. A poster is optimally suited for putting your art print with the help of a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6 cm around the work of art in order to facilitate the framing with your custom frame. Acrylic glass print (with real glass coating on top): A glossy print on acrylic glass, which is often referenced as a print on plexiglass, transforms your original work of art into beautiful décor. Your own version of the work of art will be made with state-of-the-art UV print technology. The plexiglass protects your chosen fine art print against light and heat for many decades. Legal disclaimer: We try our utmost in order to describe our products in as much detail as we can and to demonstrate them visually in our shop. Nevertheless, the tone of the print materials and the print result may vary somehwat from the presentation on your monitor. Depending on your screen settings and the quality of the surface, not all color pigments can be printed 100% realistically. Bearing in mind that all art reproductions are processed and printed by hand, there may also be slight discrepancies in the motif's size and exact position. Detailed art product infos In 1700 the artist Unknown made this work of art. What is more, the artwork is included in the Rijksmuseum's digital collection, which is the largest museum for Dutch art and history from the Middle Ages to the present day. We are pleased to reference that this public domain work of art is being supplied with courtesy of Rijksmuseum.The creditline of the artpiece is: . What is more, the alignment is portrait with a ratio of 9 : 16, which implies that the length is 45% shorter than the width. Details on the unique artwork Work of art title: "Man with hat and basket on Rear View" Artwork categorization: painting Generic term: classic art Century: 18th century Created in the year: 1700 Artwork age: 320 years Museum / collection: Rijksmuseum Museum location: Amsterdam, Netherlands Available at: Rijksmuseum License type: public domain Courtesy of: Rijksmuseum About the item Article classification: fine art reproduction Method of reproduction: digital reproduction Manufacturing process: digital printing Provenance: produced in Germany Stock type: production on demand Proposed product use: home décor, art print gallery Image alignment: portrait format Image ratio: length to width 9 : 16 Meaning of image aspect ratio: the length is 45% shorter than the width Available product materials: metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating) Canvas on stretcher frame (canvas print) size variants: 50x90cm - 20x35" Acrylic glass print (with real glass coating): 50x90cm - 20x35" Poster print (canvas paper) options: 50x90cm - 20x35" Aluminium dibond print options: 50x90cm - 20x35" Picture frame: without frame Artist overview table Name: Unknown Professions: painter Classification: old master © Copyrighted by, Artprinta (www.artprinta.com)
Explore Martin E. O'Connor's 894 photos on Flickr!
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This essay by Mark Strand was originally written for The New York Review of Books as a review of the exhibition of Edward Hopper’s drawings at the Whitney Museum of American Art in 2013. It was found as a handwritten text in his notebook after he died in November 2014 and transcribed by his literary executor, Mary Jo Salter.
Explore Martin E. O'Connor's 894 photos on Flickr!
Rear view of a cowboy
blogged at andreajoseph24.blogspot.com/
Close-up
Porsche 991 GT2RS illustrations full set Unleash the power of the Porsche 991 GT2RS with our stunning vector illustration! Featuring editable paths with stroke and fill, this design is perfect for any Porsche enthusiast or designer. Available in SVG, PDF, EPS, and Affinity Designer formats, it's also compatible with Adobe Illustrator. This package includes the full set of: Front view Side view Rear view Also available individually.
Rear View Prints is the work of Patrick Redmond, a VFX Artist from Ireland who's worked on a huge array of films including Disney's
About This is a graphic hard-edge abstract painting from California-based artist Alex Couwenberg. Alex Couwenberg is a Southern California abstract painter deeply influenced by the art and culture of his local community. Couwenberg’s thin line, patterns and choice of color are particularly inspired by surf and skateboard cultures, as well as the custom car and hot rod aesthetic elsewhere known as Finish Fetish. His artistic influences include the Light and Space Movement, as well as the work of Karl Benjamin, who was Couwenberg’s mentor. He is best known for combining hard-edge abstraction with gestural brushwork, layering, raw edges, and textured surfaces, thereby bringing depth and an expressionist touch to a tradition of painting known typically for its flatness. Couwenberg's paintings can be found in numerous public, private, corporate and museum collections, including the Getty Museum, throughout the United States, Europe and Asia.
This essay by Mark Strand was originally written for The New York Review of Books as a review of the exhibition of Edward Hopper’s drawings at the Whitney Museum of American Art in 2013. It was found as a handwritten text in his notebook after he died in November 2014 and transcribed by his literary executor, Mary Jo Salter.
