Quick Overview: Size: 1.5" tall Design: Detailed clear jar filled with artist's paint brushes, adorned with realistic paint splatters> please note that this design utilizes screen printing and clear enamel. Metal: Premium silver-plated finish Pin Posts: Two Extras: Comes with two durable black rubber backs and presented on a custom-designed backing card Secure Your Pin: Consider adding our Deluxe Locking Pin Backs to your order for extra security: https://www.etsy.com/listing/830648821/deluxe-locking-pin-back-for-enamel-pins Description: Unleash your inner artist with our Paint Brushes in Clear Jar Enamel Pin. This meticulously crafted pin captures the essence of an artist's workspace, showcasing a jar full of paintbrushes, each with its unique and realistic details. Subtle paint splatters add a touch of authenticity, symbolizing the beautiful chaos that often accompanies creativity. Meanings & Symbolism: Paint Brushes: Representing the tools of creation, imagination, and self-expression. Clear Jar: Signifying transparency, vulnerability, and the open nature of artistic endeavors. Paint Splatters: Symbolic of the messy yet beautiful process of creation and self-discovery. Uses: Artistic Accessory: A chic addition to your attire, showcasing your love for art and creativity. Perfect Gift: An ideal gift for artists, art enthusiasts, or anyone passionate about self-expression. Collector's Gem: A unique and detailed pin for collectors who appreciate the intricacies of design. Key Features: Intricate Details: Each paintbrush in the jar is intricately detailed, showcasing various types, sizes, and paint remnants. Unique Design: A blend of realism and artistry, this pin perfectly encapsulates the world of art and creation. Durable Construction: Made with premium materials, ensuring longevity and resistance to wear and tear. Our Paint Brushes in Clear Jar Enamel Pin is more than just an accessory—it's a piece of art. Whether you're an artist, an admirer of art, or someone who finds beauty in the little things, this pin is a testament to the endless bounds of creativity. Wear it proudly, and let it inspire you to pick up your brush, dip it in paint, and create your masterpiece. Add unique, high-quality flair to your pin collection. © The Gray Muse™
Quick Overview: * Size: 1.5" tall * Design: Detailed clear jar filled with artist's paint brushes, adorned with realistic paint splatters * Metal: Premium gold-plated finish * Pin Posts: Two * Extras: Comes with two durable black rubber backs and presented on a custom-designed backing card Description: Unleash your inner artist with our Paint Brushes in Clear Jar Enamel Pin. This meticulously crafted pin captures the essence of an artist's workspace, showcasing a jar full of paintbrushes, each with its unique and realistic details. Subtle paint splatters add a touch of authenticity, symbolizing the beautiful chaos that often accompanies creativity.
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 7 also. This is part 8 of a 10-part series on the works of J. C. Leyendecker: 1940 The Saturday Evening Post December 21 1940 1942 "Baby New Year at War" The Saturday Evening Post January 2 1943 1941 "No Trespassing" The Saturday Evening Post January 3 1942 1944 U.S.A War Bonds poster 1946 Thanksgiving American Weekly magazine November 24 1946 1947 "Father's Day" The American Weekly June 15 1947 1947 "Memorial Day" The American Weekly May 25 1947 1947 "Thanksgiving" The American Weekly November 23 1947 1948 "Easter" The American Weekly March 28 1948 1948 "Thanksgiving 1648" The American Weekly November 21 1948 The American Weekly November 21 1948 1948 The American Weekly December 19 1948 1949 "Thanksgiving" The American Weekly November 20 1949 Note: I do not have dates for the remainder of the images in this series. A Real Happy New Year Arrow Collar Company study Arrow Collar Company Arrow Collar Company Arrow Collar Company Arrow Collar Company Arrow Collar Company Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts artwork Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts Arrow Collars and Shirts artwork Arrow Collars and Shirts artwork Arrow Collars and Shirts Arrow Collars and Shirts for Dress Arrow Collars Hampton's Magazine Advertiser Arrow College Shirts artwork Arrow College Shirts Arrow Dress Collars and Shirts Arrow Silk Shirts and Arrow Collars Boys of Summer Caught in the Act of the Plan artwork Chesterfield Cigarettes Christmas Cluett Shirts Collier's magazine Cream of Wheat Downed lithograph 71.1 x 55.9 cm Drum Major artwork oil on canvas 67.3 x 52.1 cm The Saturday Evening Post Drum Major studies oil on canvas 67.3 x 52.1 cm The Saturday Evening Post Gillette Razors lithography on die-cut tin hanging sign
The Pin Museum has a great selection of enamel pins featuring images lifted from iconic paintings and sculptures from Dali to Van Gogh. Their current lineup includes over a dozen different designs, all available in their online shop. More
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 3 also. This is part 4 of a 10-part series on the works of J. C. Leyendecker: 1918-19 Kuppenheimer Clothing Style Booklet 1918c Order Coal Now lithographic poster 1919 "April" The Saturday Evening Post April 5 1919 1919 "Lifeguard" The Saturday Evening Post August 23 1919 1919 "Thanksgiving" The Saturday Evening Post November 29 1919 1919 Chesterfield Cigarettes 1919 Chesterfield Cigarettes 1919 The Saturday Evening Post May 10 1919 artwork 1919 The Saturday Evening Post May 10 1919 1919 The Saturday Evening Post WW1 Soldier and Civil War Veteran 1920 "Easter 1920" The Saturday Evening Post April 3 1920 1920 "Graduate" oil on canvas 61.6 x 50.8 cm The Saturday Evening Post June 5 1920 The Saturday Evening Post June 5 1920 1920 "The Candidate" The Saturday Evening Post oil on canvas 71.1 x 55.9 cm 1920 Arrow Shirts The Saturday Evening Post November 16 1929 1920 Kuppenheimer Clothing artwork 1920 The Saturday Evening Post July 3 1920 1920 The Saturday Evening Post December 25 1920 1920 The Saturday Evening Post November 27 1920 artwork 1920 The Saturday Evening Post November 27 1920 1920c Arrow Shirts 1920c Kuppenheimer Good Clothes oil on canvas laid on board 67.9 x 50.8 cm 1920s Arrow Dress Collars and Shirts 1920s Arrow Dress Collars and Shirts study 1921 "1922" The Saturday Evening Post December 31 1921 artwork 1921 "1922" The Saturday Evening Post December 31 1921 1921 Interwoven Socks advertisement 1921 Interwoven Socks The Saturday Evening Post June 4 1921 1921 Kuppenheimer Clothing The Saturday Evening Post October 8 1921 1921 Kuppenheimer Clothing The Saturday Evening Post August 13 1921 1921 Kuppenheimer Clothing The Saturday Evening Post April 23 1921 1921 Kuppenheimer Good Clothing 1922 "Easter" The Saturday Evening Post April 15 1922 1922 "Thanksgiving" The Saturday Evening Post November 25 1922 1922 Kuppenheimer Clothing The Saturday Evening Post September 9 1922 1922 Kuppenheimer Clothing The Saturday Evening Post February 25 1922 1922 Kuppenheimer Clothing 1922 The Saturday Evening Post October 14 1922 1922 The Saturday Evening Post December 23 1922 1922 The Saturday Evening Post December 23 1922 1922 The Saturday Evening Post June 24 1922 1923 Kuppenheimer Good Clothes oil on canvas 71.1 x 53.3 cm The Saturday Evening Post June 14 1923 1923 The Saturday Evening Post October 6 1923 1923 The Saturday Evening Post March 17 1923 artwork 1923 The Saturday Evening Post March 17 1923 1923 The Saturday Evening Post December 22 1923 artwork 1923 The Saturday Evening Post December 22 1923 1923 The Saturday Evening Post August 25 1923 artwork 1923 The Saturday Evening Post August 25 1923 1923 The Saturday Evening Post October 27 1923 1923 "Easter" The Saturday Evening Post March 31 1923 Easter artwork 1923 "Easter" The Saturday Evening Post March 31 1923 1923 The Saturday Evening Post June 2 1923 studies 1923 The Saturday Evening Post June 2 1923
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 9 also. This is part 10 of a 10-part series on the works of J. C. Leyendecker: Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing oil on canvas laid on panel 76.2 x 54.6 cm Kuppenheimer Clothing studies Kuppenheimer Clothing studies Kuppenheimer Clothing studies Kuppenheimer Clothing study Unknown Unknown Unknown Unknown Unknown study Unknown Unknown Unknown artwork Unknown artwork Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown study Unknown study Unknown Unknown Unknown Unknown Sailor Girl oil on canvas laid on board 58.4 x 50.8 cm Soldier at Home oil 48.3 x 48.3 cm Studies Study Studies Studies Studies Study Studies Studies Study Study Study The Consolation oil on canvas The Pierce-Arrow Motor Car Company U.S. Navy Recruitment Poster oil on canvas 101.4 x 71.1 cm U.S. Navy Recruitment Poster WW2 General
Joseph Christian Leyendecker (1874 – 1951) was one of the pre-eminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post. Between 1896 and 1950 Leyendecker illustrated more than 400 magazine covers including 322 for The Saturday Evening Post, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication. For full biographical notes see part 1. For earlier works by Leyendecker, see parts 1 - 9 also. This is part 10 of a 10-part series on the works of J. C. Leyendecker: Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing Kuppenheimer Clothing oil on canvas laid on panel 76.2 x 54.6 cm Kuppenheimer Clothing studies Kuppenheimer Clothing studies Kuppenheimer Clothing studies Kuppenheimer Clothing study Unknown Unknown Unknown Unknown Unknown study Unknown Unknown Unknown artwork Unknown artwork Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown study Unknown study Unknown Unknown Unknown Unknown Sailor Girl oil on canvas laid on board 58.4 x 50.8 cm Soldier at Home oil 48.3 x 48.3 cm Studies Study Studies Studies Studies Study Studies Studies Study Study Study The Consolation oil on canvas The Pierce-Arrow Motor Car Company U.S. Navy Recruitment Poster oil on canvas 101.4 x 71.1 cm U.S. Navy Recruitment Poster WW2 General
Celebrate the essential tool of every artist with our Paint Water Cup Enamel Pin. This pin is a fun nod to the creative process and the indispensable role of the paint water cup in every artist's toolkit. Whether you're a seasoned painter or someone who simply appreciates the artistry of watercolor, this pin is a statement piece that pays homage to the beauty found in the simplicity of creating. Key Features – Detailed enamel pin featuring the playful text "Paint Water Cup" – Premium gold-plated finish– 1.25" wide– Double pin posts with durable black rubber backs. Secure your pin with our deluxe locking pin backs or magnetic locking pin backs. – Presented on a branded backing card. Find other artistic and expressive pins in our Artist Enamel Pin Collection. © The Gray Muse™
It amazes me that I could of missed someone like J.C. Leyendecker (1874-1951) when I was in art school. (I'm sure some of my teachers must of mentioned him but I was probably daydreaming of other things) His work is so incredible! But now that I have found him and
Начало здесь , продолжение тут . J.C. LEYENDECKER American Art Archives Today’s Inspiration A Different Drummer Vintage et cancrelats Erik Johnson Illustrator Clinton T. Hobart Midnight Pine Large Size Paintings The Arting Blog Comics Book Stories The Saturday Evening Post The Pictorial Arts
A bit messy, a bit chaotic, a bit colorful. If you are an artist or you know one, this is a great descriptive pin button or refrigerator magnet just for you. This 1.25" button features one of my original designs, and is assembled by my husband or myself on our professional button machine, so we can check each one for quality and alignment. It is coated with a mylar sheet which makes it nice and shiny, and keeps it protected from the elements. You can choose between a pinback button to wear as an accessory on your clothing or handbag, backed with a ceramic magnet to attach to your refrigerator, or assembled as a keychain. This design is also available as a vinyl decal for your car, laptop, or whatever else you want to decorate! https://www.etsy.com/listing/699543332 See all of our pinback buttons, magnets, and keychains here: https://www.etsy.com/shop/RedNebulaStudiosShop/search?search_query=pinback Please note; these buttons are water resistant, but not waterproof! Do not wear while swimming or otherwise submerge them in water. Warning: Choking hazard - Small parts. Not for children under 3 yrs.
Calling all creative souls! This is our favorite must-have accessory for every art enthusiast. Our Paint Brushes in Clear Jar Enamel Pin celebrates the joy of painting with a unique and charming design that captures the essence of creativity. Whether you're a seasoned artist or a budding creative, this enamel pin speaks volumes about your passion for the arts. Key Features – Detailed UV screenprinted design of paint brushes with clear enamel fill for the “jar”– Premium silver-plated finish– 1.5" tall– Double pin posts with durable black rubber backs. Secure your pin with our deluxe locking pin backs or magnetic locking pin backs. – Presented on a branded backing card. Find other artistic and expressive pins in our Artist Enamel Pin Collection. © The Gray Muse™
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This week our class focuses on creating costumed characters with clothing that displays believable drapery and folds. Few artists have ever been as skilled at rendering garb of every type as was Joesph Christian (J.C.) Leyendecker (1874-1951). Born in Germany, Leyendecker and his family moved to America in 1882. He attended the Chicago Art Institute and, along with his younger brother Frank, was enrolled in the Academie Julian in Paris. The brothers returned to Chicago in 1899 and set up their studio on South Michigan Ave. Joe soon received his first commission for a Saturday Evening Post cover, and would later produce 322 covers for the magazine. Leyendecker also did covers for Collier's Magazine, and by 1900 had moved with his brother and sister to New York City to begin an enormously successful career as a commercial artist and illustrator. His client list included Kuppenheimer Suits, Interwoven Socks, Kellogg's and, most notably, Arrow shirt collars. The Arrow Collar Man-a male answer to the Gibson Girl-came to define the fashionable American male during the early decades of the twentieth century. For the illustrations Leyendecker often used his favorite model Charles Beach (1886–1952) who later became his manager and lived with him until the end of his days. Leyendecker preceded Norman Rockwell, who was hugely influenced by the illustrator, particularly early on in his career. The two became good friends and remained so throughout their lives. Through his work for the Saturday Evening Post, J.C. Leyendecker created lasting cultural images for the early half of the 20th Century in America. The mainstream image of Santa Claus as a jolly fat man in a red fur-trimmed coat was popularized by Leyendecker, as was the image of the New Year Baby. The tradition of giving flowers as a gift on Mother's Day was started by Leyendecker's May 30, 1914 Saturday Evening Post cover depicting a young bellhop carrying hyacinths. It was created as a commemoration of President Woodrow Wilson's declaration of Mother's Day as an official holiday that year. Method: In December of 1950, Saturday Evening Post cover artist J.C. Leyendecker outlined his basic method in a letter to a student: “My first step is to fill a sketch pad with a number of small rough sketches about two by three inches, keeping them on one sheet so you can compare them at a glance. Select the one that seems to tell the story most clearly and has an interesting design. Enlarge this by square to the size of the magazine cover, adding more detail and color as needed. You are now ready for the model. First make a number of pencil or charcoal studies. Select the most promising and on a sketch canvas do these in full color, oil or water with plenty of detail. Keep an open mind and be alert to capture any movement or pose that may improve your original idea. “You may now dismiss your model, but be sure you have all the material needed with separate studies of parts to choose from, for you are now on your own and must work entirely from your studies. This canvas will somewhat resemble a picture puzzle, and it is up to you to assemble it and fit it into your design at the same time simplify wherever possible by eliminating all un-essentials. All this is done on tracing paper and retraced on the final canvas. Your finished painting may be any size to suit you, but is usually about twice the size of the reproduction." “As a rule, I start work with a round or flat sable using a thin wash, with turps as a medium. Keep shadows very transparent, and as the work progresses, apply the paint more thickly on lighted areas, adding some poppy oil or linseed oil if necessary, and using a larger flat bristle brush for the heavier paint, but still keeping the shadows thin and vibrant. When the work is dry, apply a quick drying retouching varnish either with a brush or an atomizer. Sometimes because of prohibitive model rates or other reasons, one is forced to use photography, but try and avoid it if possible." Leyendecker's defined, highly structured-even sculptural-style influenced that of the character designs of Disney's "Pocahontas" (animator Glen Keane, among others, is a long time admirer of J. C. Leyendecker's works), as well as the video games Team Fortress 2 and The Dagger of Amon Ra. Special thanks to lines and colors and Gurney Journey for publishing Leyendecker's process.
I recently visited the Reynolda House Museum of American Art in Winston Salem, NC, which is currently hosting a wonderful retrospective of J.C. Leyendecker's work. This exhibit covers J.C.'s career through a selection of 42 original paintings, and more than 100 vintage Saturday Evening post cover
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This is an antique, bevel-matted lithograph from an old book of drawings, A GALLERY OF GIRLS, illustrated by C. Coles Phillips, known for his beautiful FADEAWAY GIRLS, and published in 1911. Each print is on semi-gloss paper and professionally matted in an off-white acid free matte. PUBLICATION DATE: 1911 ARTIST: C. COLES PHILLIPS, SIGNED IN PLATE TITLE: LONG DISTANCE LENDS ENCHANTMENT ( A wonderful example of Coles Phillips Fadeaway Girls) CONDITION: EXCELLENT -- The prints in this series are clear, clean, bright and extraordinarily colorful (really very vibrant). No foxing, creasing or folds unless otherwise noted. A really fine image. Excellent definition. Nice clean lines. This print is about 110 years old and guaranteed to be original. It’s an authentic old print from the aforementioned publication, and NOT A REPRODUCTION. The visible print, including the border around the image, is 8 1/4" x 11" (including the border around the print). Matted the print measures 11" x 14". This is a standard size matte that will fit into a standard size frame—no costly custom frames required. ABOUT C. COLES PHILLIPS [From Wikipedia, the free encyclopedia] Clarence Coles Phillips (1880 – June 13, 1927) was an American artist. He was born in Springfield, Ohio. While studying at Kenyon College in 1902, he found an audience for drawing in the school yearbooks. His drawings appear in the 1901-1904 issues of The Reveille, and in the 1921 and 1922 editions of the U.S. Naval Academy's yearbook, "Lucky bag". After leaving Kenyon, Phillips moved to New York determined to earn a living with his art. After taking classes in art school, Phillips started his own advertisement agency. In 1907, Phillips met with J.A. Mitchell, the publisher of Life Magazine, and was hired at the age of 26. Phillips would be associated with the magazine throughout his life. Phillips became very popular with readers and was awarded cover assignments. In 1908, he created a cover that would become his trademark: by combining foreground and background elements of the same color, he created the "fadeaway girl," which became a popular convention in print art for decades to come. Phillips lived and worked in New Rochelle, New York, a popular residential community for illustrators including J.C. Leyendecker and Norman Rockwell. He died of a kidney ailment on June 13, 1927, in New Rochelle, at the age of 47. The day he died, his good friend and neighbor J.C. Leyendecker took the four Phillips children into Manhattan to see the Charles Lindbergh Parade on Fifth Avenue. ABOUT OUR MATS All of our prints are bevel matted in a very high quality, and simple off-white/ivory matting. The BLACK ACID FREE BACKING, WHICH IS NOT ATTACHED TO THE PRINT, also meets the same high quality standard. We take pride in what we sell—look at our feedback. All mats are acid-free and the small piece of tape used to attach the print to the top of the mat is artists tape. This print is truly ready to be framed and preserved. SOME COMMENTS ABOUT OUR MATS Always a wonderful transaction. Will buy again. Awesome Prints & Mats!!!!! Incredible Print. Fab pkg. Rapid ship. Gorgeous Mat. Great communication. A+ Beautiful Print. Awesome Mat! Fab pkg. Rapid ship. Bought 4 MORE! A++++ As always, a very fine print & mat, well-packed & promptly shipped: A+ This print is better than I imagined, the mat is fabulous, everything is perfect Beautiful print and matte, great shape, great packaging, quick service. Very fast shipping, nicely matted, and a nice print. Beautifully matted, just as described. A+ seller! Great print artfully matted. Prompt service. Thanks. Great service-prompt delivery-beautifully matted-perfection! Will buy from again GENERAL INFORMATION If you have a question don't hesitate to contact us. We are happy to answer questions and can usually do so within 24 hours. Return policy: Please be assured that we strive to provide our customers and potential customers with accurate descriptions and we always do our best to mention any condition issues worth noting. If you are ever dissatisfied with a purchase from us, please contact us immediately. We stand behind what we sell and will do our best to accommodate. All of our items have a full return policy, less return shipping (unless we goofed). ALL OF OUR MATTED PRINTS ARE WRAPPED IN A CLEAR CELLOPHANE ENVELOPE THAT PROTECTS THE PRINT DURING SHIPPING AND IS PERFECT FOR GIFT GIVING.
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Assemblage artist Bernard Pras creates incredible 3D installation portraits from trash. (via @saatchi_gallery Instagram)
Joseph Christian Leyendecker was a German-American illustrator. He is considered to be one of the pre-eminent American illustrators of the early 20th century. Leyendecker was born on March 23, 1874, at Montabaur in Western Germany, a tiny village 18km east of the Rhine. In 1882, the Leyendecker family emigrated to Chicago, Illinois. After working in late adolescence for a Chicago engraving firm, J. Manz & Company, and completing his first commercial commission of sixty Bible illustrations for th
