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Музыка в живописи XV – XVI века – женщины, мужчины, собаки, часть 1 Unknown (Master of the Female Half-Length Portraits) Three Ladies Making Music 1530-60 Jan Hermansz van Bijlert (Dutch painter, c 1597–1671) The Concert 1630s Gabriel Metsu (Dutch Baroque Era Painter, 1629-1667) Virginal Gerard…
The role of women and girls in Elizabethan England involved getting married to a respectable young man and bearing him many children.
British Library, Yates Thompson 3, detail of f. 172v. Book of Hours, Use of Rome ('The Dunois Hours'). Paris, c. 1440 - c. 1450 (after 1436). 'Lust'.
Hogyan volt illendő öltözködnie annak, aki a középkorban nő létére birtokokat felügyelt, ráadásul a király húga volt? Angliai Eleonóra hercegnő, a lázadó Simon de Montfort későbbi feleségének ruhatárába beletekintve tisztább képet kapunk a 13. századi öltözet divatjáról.
Since the 16th century, a figure blowing bubbles has served as an allegory for the vice of vanity. A schoolboy slouches on a chair beside his unopened books as bubbles drift overhead. The note tucked in the broken glass reads: "Le Parasseux indigne de vivre" (the lazy one unworthy of living). The soap bubbles and the crumbling wall suggest the fleeting nature of time, and the laurel wreath symbolizes glory ignored. Rejecting prevailing academic traditions, Couture developed a highly personal technique involving bright colors and expressive paint textures, which was based on his studies of Venetian works in the Louvre Museum. He frequently depicted contemporary subjects but filled them with moral overtones. An influential teacher, Couture trained such artists as Edouard Manet, Puvis de Chavannes, Mary Cassatt, and Eastman Johnson.
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Il processo per combattimento non è un' invenzione dell'autore di Game of Thrones: derivato dal l' ordalia di origine germanica, fino al XV secolo fu una delle procedure per determinare l'esito di una disputa, sparendo completamente dai codici legislativi europei verso la fine del XVI secolo.
We have the opportunity to observe Ember days 4 times