1 p. ., 2 p. 31 cm

THE WORLD TREE “The great World Tree marks the end of the WAnderer’s journey. All four seasons are represented in the branches of the tree and as its base is a labyrinth of the kind fou…

SIMS 4 CC CREATOR | INDONESIAN | FOLLOW ME ON INSTAGRAM @simsregalia

Identifier: pagantribesofbor01hose Title: The pagan tribes of Borneo; a description of their physical, moral and intellectual condition, with some discussion of their ethnic relations Year: 1912 (1910s) Authors: Hose, Charles, 1863-1929 McDougall, William, 1871-1938 Haddon, Alfred C. (Alfred Cort), 1855-1940 Subjects: Ethnology Anthropometry Publisher: London : Macmillan and co., limited Contributing Library: University of California Libraries Digitizing Sponsor: Internet Archive View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: nang klinge, the important design,since it is the last part of all to be tatued. Fig. 71 is termedtushun tuva, but a distinct face is visible in the centre ofthe pattern ; the general similarity between this last designand the examples of tushun tuva shown in the designson PL 138, Figs. 4 and 5, is quite obvious; the lower ofthe two tushun tuva designs in Fig. 5, PL 138, is com-posed of angular lines, thus reverting to the angularityof the lines in text. Fig. 69; at E, Fig. 3, PL 140, the linesare partly angular, partly curved, and the bilateral symmetryis entirely lost ; finally, in Fig. 72, the relationship of thetushun tuva design to an anthropomorph is entirely lost. A typical form of tatu on the foot of a low-class womanis shown on PL 138, Fig. 6; a chiefs daughter wouldhave some modification of the principal element of thethigh design tatued on this part. ii. Kenyah Tatu. The culture of the Sarawak Kenyahs is closely allied tothat of the Kayans, and their tatu may be considered Text Appearing After Image: Platk 137. XII DECORATIVE ART 261 separately from that of the Kenyah-Klemantan tribeswhose tatu is much more original in design. The men of such Kenyah tribes as the Lepu Jalan,Lepu Tau, Lepu Apong, etc., if tatued at all, are tatuedin the Kayan manner, that is, with some form of dog designon the forearms and thighs, and with rosettes or stars on theshoulders and breasts. The dog design is usually knownas usang orange the prawn pattern ; the teeth of the dogare held to represent the notched border of the prominentrostrum characteristic of the prawns of the genus Palceman^that occur so plentifully in the fresh-water streams ofBorneo. An extreme modification of the dog design toform a prawn is shown in PI. 137, Fig. 9; PI. 136, Fig. 4,is a dog design, and is so termed. PL 136, Fig. 10, isknown as toyu, a crab ; A is the mouth, ba ; B the claw,katip ; C the back, likut; D the tail, zkong. PI. 136, Fig. 9,is termed Izpan katip^ jaws of the centipede. All theseare tatued on the flexor surf Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.