With our guild's upcoming 18th C Picnic in Balboa Park this coming Saturday I finally kicked myself in the butt last month to replace my earlier red floral linen caraco that was too short-waisted for me. Every time I raised my arms or stood up from a chair, there was a gap between the jacket and the skirt. I actually tried to find some more of the linen to remake one but had no luck since I bought it about 5 years ago. I had lucked out buying this fabric while at Michael Levine's in the LA Garment District after Costume College. Sally Queen was there giving a private shopping tour of 18th C fabrics and overheard her saying this was perfect. So after they left I bought some. And I bought the solid red linen to go with it for a petticoat aka skirt. For this picnic I wanted something quick to make and my new JP Ryan short jacket pattern fit the bill. I'd seen a couple of them with the lacing in front and thought that might help with some of the fitting problems I've had with those front closures. I've made a couple versions where I used hooks & eyes on the side or in the center but always had to cover it with ruching. I'm also not a pinner, ie pinning it closed as you historically would. I like the varieties on this jacket that are possible of using different colored ribbons, a contrasting stomacher, or a reversible one. So I chose the pattern pieces to do View B but with the ribbon closure that shows on D. I'm going to wear my red linen skirt and hope to use it multiple times with other fabrics. I decided to use the cotton fabrics I bought in Williamsburg a couple years ago, both of which will go with my red petticoat. After checking the fabric amounts, I had 3 yds of the blue and 5 yds of the red. Obviously I bought the red to make another longer caraco or Anglaise. So instead of wasting that on a short jacket, I decided to just do the blue one. And whenever I get a brown or blue petticoat done, I can wear it with that too. At the bottom of this page on the Silly Sisters site you can see some other lovely fabrics to educate your eye on what to look for while searching for your own. http://www.sillysisters.com/clothing2.htm I've seen similiar fabric patterns at Michael Levines in the LA Garment District where I bought this blue and brown floral patterned cotton. If I ever get a blue petticoat made I can wear both the blue jacket and this with it. I found this beautiful 1770s short jacket in the Cora Ginsburg Collection and this would be an easy fabric to find if you wanted to copy it. I liked both the short jackets and caracos (they're longer) because they use less fabric than the Anglaise or polonaise, are less work and time consuming, and you can use them with different colored petticoats for a variety of looks. *Edited to add- I recently learned that both the short jacket and caraco are used interchangeably with caraco being the French term.* This pattern only had three main pieces plus the stomacher (the center panel that is separate from the bodice) and the sleeves. How much easier is that? I didn't have to alter the waist length on this one like I did on my previous Period Impressions caraco. In fact the only alteration I did was my usual enlarging the upper arm portion. I made my muslin first out of a good cotton muslin and decided to use that also to flatline my bodice. With it being so horribly hot lately I just wasn't feeling like cutting another flatlining fabric out, plus another lining. Yes, I am lining this because it needs a little more body and for once I'm going to bag-line it. I know, I always say I won't do that and just do facings all around. But this time I'm going for quick and easy. It's also closer to the period correct way of finishing it. Even with the three layers of cotton it's not bulky. My first caraco was made with my Victorian-bodice-mindset and I flatlined it in twill and put boning in the seams. I was a real newbie at Georgian/Colonial fashion. This was also the one I wore to Colonial Williamsburg and was told that the neckline should be just above the nipple line, not halfway up my neck. This pattern was the generic size and you were expected to alter it to your own body. So I can thank Janea Whitacre there for that wonderful bit of advice. And then seeing my friend Barbee Mullin's bodices that were wafer-thin set me on a different path too. I have to say going to Colonial Williamsburg was a great learning location for my costuming. So no more binding myself in the dress. I'll let the stays (corset) do that. The three pieces sewed together very quickly although the pattern doesn't have the usual notches that I'm used to. It does have little lines that I'm assuming are for matching the pieces because it was a little confusing as to what side of each piece went to what. You'd think with only three pattern pieces it wouldn't be that hard. but if you've separated them and set them aside and then later pick them up, they're not very obvious as to what they are or what side they belong on. So here's my tip: make a light pen or pencil mark in your seam allowance telling you that it's a center back seam or side back to center panel, etc. Or maybe make up your own notches. Ok, so all pieces were sewn together and my shoulder seams were wider on the front bodice on the armhole side. I just trued it up cutting off a little wedge. This pattern has two back styles so I'm thinking the front bodice portion is the generic size for them. When I sewed the muslin together all the pieces lined up properly but after I sewed the fashion fabric and flatlining together both sides of the lower portion of the jacket was longer than the front portions. Stretch issues?? Maybe, because I'm sure I did stretch the muslin down to get the ends to fit and ease them in. But the final length on the bottom was a 3" difference. Because I'm doing the baglining of the jacket, it will at least make it easier to deal with finishing those edges. I'm guessing this is just part of the style or maybe I'm supposed to trim it because the pattern doesn't say anything about it. The directions are minimal. The pattern is mostly a no-brainer on construction other than a few things you obviously are already supposed to know. I may have to wait for another trip to Williamsburg for some more great tips. In the meantime, I'm leaving that 3" difference alone and letting it be part of the jacket. It kind of folds into the flared portions. I'm doing View B as opposed to View D. *Now that I'm writing this, I again remembered that the front of the jacket is the generic one because this pattern has two lengths so maybe I was supposed to trim off that extra? But I wanted the longer length. Honestly I don't know. I'm not really that knowledgeable in Georgian fashion. While looking at some other short jackets I noticed a similar uneven bit. So I'm rationalizing that it's part of the way it pleats. At least until I learn otherwise let's call it done. * I took this to a sewing workshop with Shelley Peters to work on the sleeves there and once again had issues with them fitting my upper arms. I had enlarged it but I still had too much fullness in the sleeve caps. Shelley tried a few different things but in the end she asked why do I try to pleat the fullness in and it never gets it spread out smoothly when I could just gather them and ease it around. ?? Umm, I don't know, I guess because I thought it was easier than having to run it through the sewing machine twice on each side to gather it? Maybe leftovers from working on later time periods? So I basted a gathering stitch and guess what? They went in much better~ Not perfect but better. And they're done. Now I have to decide if I'm going to do sleeve ruffs to go with the cuffs I made next. Next up were the eyelets on the front that I'll be running my ribbon through. I think I read somewhere that people are using grosgrain ribbon for extra strength but I don't think I'll be able to find a blue or red one. I had all intentions of putting grommets in while at Shelley's class using her grommet setter but on asking one of my friends online, I was quickly chastised that grommets weren't used back then and I had to do handsewn eyelets. Darn. So I dug up a video online on how to do them. http://www.ehow.com/video_12303912_make-handsewn-eyelet-fabric.html And found a photo tutorial also. http://www.elvenhippiegypsy.com/Eyelets.html One of my blogging friends, Laurie, who often goes to Williamsburg, had a couple posts on making her 18th C jacket and I picked up a couple ideas from her, like her eyelets and how they looked on the inside. Notice there's no cut thread between each eyelet? Not sure why but methinks maybe so you don't have knots and makes it look cleaner. To read more on her jacket- http://teacupsinthegarden.blogspot.com/2014/03/pink-floral-on-blue-18th-century-jacket.html I was finally down to two weeks before the picnic and still had to do those eyelets. I started making the holes with my awl and stitching them with two strands of embroidery floss but as fast as I stitched, the holes closed up. I have arthritis in my thumb and the more I fought this, the more it hurt. After getting two finally done and putting some Fray Check on so the holes would stop shrinking, I had to set it aside. It just hurt too much. And I still had 8 more to go. One evening Shelley stopped by on her way home with her grommet setter and we did it. Then I covered them with my embroidery floss stitches so they wouldn't show. I'm sorry all you historically correct people but I have my limits. I put it on my dressform to see if it’s going to work. I think so. I bought some royal blue 5/8" ribbon and pulled out my bodkins I bought a few years ago from Silly Sisters and laced it up. Umm, no. Not going to work with a ladder lacing. It needs to tie at the top with a pretty bow, darn it. So I did a crisscross lacing starting at the bottom and was able to lace it on top. Historically the stomacher is pinned to the stays to hold it in place and you wear your jacket over it. I'm a newbie and that's not working for me. I won't tell you what I'm doing to do that but you won't be able to see it, and right now that's all that's important to me. I get to wear it. Photos of it on me and everyone else at the picnic will be forthcoming next week. ~~Val~~
We have come to associate delicate white muslin material woven in India with Regency fashion to such a degree that it is easy to forget that other colors and printed fabrics were also used, and tha…
I ended up with about 1.5 yards of a beautiful silk striped taffeta from searching for fabrics for a client. I pondered it for a while, not knowing what I could possibly make out of such a small amount. Then I came across this jacket. I had to try. Turns out, it was practically made for it. The first thing I did was figure the width based on the stripes. I used the measurements from my own stripes rather than trying to figure out the originals, since I would optimally like the stripes to line up in a similar way. I used some old shapes from other garments to work out length measures. I threw together a mock-up on Saturday night, which fit almost perfectly! I worked all of Sunday and most of Monday, and got to the point of trimming and inserting the sleeves. It was a very quick and easy garment to make, thankfully. The stomacher is a separate piece, pinned in for wear. There are tucks which run the entire length of the front, only tacked down from the bottom of the armscye to the waist. The front trim tapers as it goes up. The fronts and backs are actually one piece connected through the skirt, the only full length seam being center back. I treated the construction similar to the Polonaise gown, with backstitched side seams. The lining is only to the waist, attached to the pleats so it doesn't show on the waistline. You can also see where I did a short cut by cutting the fronts on the selvedge, so I only had to fold it back once and stitch the trim over it rather than roll it. For the trim, I folded back the edges to finish. The bodice trim was gathered using a whip stitch a varying distance from the edge to create a little ruffle. The inside edge was tacked down with small tucks sticking up. The cuff was done similarly, but with an extra gathering line near the top. The front tuck is left loose over the shoulder.
Various fiber-based materials
From the seller: Circa 19THC. floral silk brocade bodice..possibly remade and lined at a later date.The design on the silk is quite beautiful. Item Measurements: Apprx. 24" from shoulder apprx. 8" across armhole 19" across chest.15-16" across waistline Item condition: In very good strong condition,One tiny minute spot is all I see..All items we list need to be cleaned. From Me: This was clearly in the midsts of being remade when someone gave up. There is enough details left though to show this was originally from about the 1740's. Here's another jacket with similar sleeves. And another over at Mara Riley's site. And, of course, the Snowshill Manor one (made famous by Janet Arnold).
Historical costuming
Caraco HALO Petrol
Conscious Jacquemus La Veste De Nimes Caraco denim jacket Jacquemus elevates the staple nature of this denim trucker jacket with its signature eye for statement silhouettes. Its open front curves out at the waist to create a sculptural peplum hem that’s enhanced with a voluminous ruffle at the back. It’s crafted in garment-dyed recycled cotton for a lower environmental impact. Imported Highlights black recycled cotton denim garment dyed logo patch to the rear pointed flat collar peplum hem front button fastening long sleeves buttoned cuffs two chest flap pockets This item is made from at least 50% recycled or upcycled materials. For recycled synthetic clothing products, we highly recommend using a microfibre-catching washing bag to ensure that no microplastics that can pollute water are released in the process. Learn more about what makes a product Conscious on our Conscious Criteria page Composition Recycled Cotton 100% Washing instructions Machine Wash Wearing The model is 1.77 m wearing size 36 Product IDs FARFETCH ID: 20895122 Brand style ID: 233DE028101699B
The fit: MANEGE is a stretch lace camisole with adjustable straps. Its finishes are scalloped at the collar and bottom. The top is lined and its fit is adjusted. The silhouette: The MANEGE caraco top is a gem of our Grace & Mila collection. This fitted lace model, ultra-glamorous and feminine elegance, will quickly become a must-have for your dressing room. You will love the lightness of this caraco with adjustable straps, guaranteeing absolute comfort. Let yourself be seduced by the irresistible charm of the MANEGE caraco, the perfect piece to sublimate your style in any occasion.How to wear a lace camisole? At Grace & Mila, the MANEGE lace top is styled with fluid MARC pants and the MALENE blazer jacket, making it the ideal working girl ensemble. We love this timeless, feminine silhouette. We also like to wear it with any high-waisted pants and a shirt for everyday wear.Sizing advice: Size normally, take your usual size. Available from XS to XL to fit everyone women's curves. Our model measures 1m70, has a 59cm waist, 87cm hips and wears a size S. 100%NYLO_DOUB:100%POLY
Jacquemus white Cropped Caraco Puffer Jacket. Receive complimentary UK delivery on orders over £100 and free returns.
The fit: MANEGE is a stretch lace camisole with adjustable straps. Its finishes are scalloped at the collar and bottom. The top is lined and its fit is adjusted. The silhouette: The MANEGE caraco top is a gem of our Grace & Mila collection. This fitted lace model, ultra-glamorous and feminine elegance, will quickly become a must-have for your dressing room. You will love the lightness of this caraco with adjustable straps, guaranteeing absolute comfort. Let yourself be seduced by the irresistible charm of the MANEGE caraco, the perfect piece to sublimate your style in any occasion.How to wear a lace camisole? At Grace & Mila, the MANEGE lace top is styled with fluid MARC pants and the MALENE blazer jacket, making it the ideal working girl ensemble. We love this timeless, feminine silhouette. We also like to wear it with any high-waisted pants and a shirt for everyday wear.Sizing advice: Size normally, take your usual size. Available from XS to XL to fit everyone women's curves. Our model measures 1m70, has a 59cm waist, 87cm hips and wears a size S. 100%NYLO_DOUB:100%POLY
The fit: MANEGE is a stretch lace camisole with adjustable straps. Its finishes are scalloped at the collar and bottom. The top is lined and its fit is adjusted. The silhouette: The MANEGE caraco top is a gem of our Grace & Mila collection. This fitted lace model, ultra-glamorous and feminine elegance, will quickly become a must-have for your dressing room. You will love the lightness of this caraco with adjustable straps, guaranteeing absolute comfort. Let yourself be seduced by the irresistible charm of the MANEGE caraco, the perfect piece to sublimate your style in any occasion.How to wear a lace camisole? At Grace & Mila, the MANEGE lace top is styled with fluid MARC pants and the MALENE blazer jacket, making it the ideal working girl ensemble. We love this timeless, feminine silhouette. We also like to wear it with any high-waisted pants and a shirt for everyday wear.Sizing advice: Size normally, take your usual size. Available from XS to XL to fit everyone women's curves. Our model measures 1m70, has a 59cm waist, 87cm hips and wears a size S.
Stylish women's clothing for casual mood and occasion. Online shopping for dresses, skirts, shirts, tops, coats, pants. Here you can find ready-to-wear items and how-to-wear looks.
Stylish women's clothing for casual mood and occasion. Online shopping for dresses, skirts, shirts, tops, coats, pants. Here you can find ready-to-wear items and how-to-wear looks.
I have just finished my week long embroidery spree as I create a jacket and gilet for my up comming Der Schauspieldirektor photo shoot. You can read about the play in one of my previous posts, or f…
Jacquemus white Cropped Caraco Puffer Jacket. Receive complimentary UK delivery on orders over £100 and free returns.
The fit: MANEGE is a stretch lace camisole with adjustable straps. Its finishes are scalloped at the collar and bottom. The top is lined and its fit is adjusted. The silhouette: The MANEGE caraco top is a gem of our Grace & Mila collection. This fitted lace model, ultra-glamorous and feminine elegance, will quickly become a must-have for your dressing room. You will love the lightness of this caraco with adjustable straps, guaranteeing absolute comfort. Let yourself be seduced by the irresistible charm of the MANEGE caraco, the perfect piece to sublimate your style in any occasion.How to wear a lace camisole? At Grace & Mila, the MANEGE lace top is styled with fluid MARC pants and the MALENE blazer jacket, making it the ideal working girl ensemble. We love this timeless, feminine silhouette. We also like to wear it with any high-waisted pants and a shirt for everyday wear.Sizing advice: Size normally, take your usual size. Available from XS to XL to fit everyone women's curves. Our model measures 1m70, has a 59cm waist, 87cm hips and wears a size S.
The fit: MANEGE is a stretch lace camisole with adjustable straps. Its finishes are scalloped at the collar and bottom. The top is lined and its fit is adjusted. The silhouette: The MANEGE caraco top is a gem of our Grace & Mila collection. This fitted lace model, ultra-glamorous and feminine elegance, will quickly become a must-have for your dressing room. You will love the lightness of this caraco with adjustable straps, guaranteeing absolute comfort. Let yourself be seduced by the irresistible charm of the MANEGE caraco, the perfect piece to sublimate your style in any occasion.How to wear a lace camisole? At Grace & Mila, the MANEGE lace top is styled with fluid MARC pants and the MALENE blazer jacket, making it the ideal working girl ensemble. We love this timeless, feminine silhouette. We also like to wear it with any high-waisted pants and a shirt for everyday wear.Sizing advice: Size normally, take your usual size. Available from XS to XL to fit everyone women's curves. Our model measures 1m70, has a 59cm waist, 87cm hips and wears a size S. 100%NYLO_DOUB:100%POLY
Caraco encolure en V CAPRICE. Indispensable caraco de soie à porter sous les vestes Bretelles réglables Coupe ajustée Le modèle mesure 1m78 et porte une taille 1.
Countess Olympe asked the question,
The fit: MANEGE is a stretch lace camisole with adjustable straps. Its finishes are scalloped at the collar and bottom. The top is lined and its fit is adjusted. The silhouette: The MANEGE caraco top is a gem of our Grace & Mila collection. This fitted lace model, ultra-glamorous and feminine elegance, will quickly become a must-have for your dressing room. You will love the lightness of this caraco with adjustable straps, guaranteeing absolute comfort. Let yourself be seduced by the irresistible charm of the MANEGE caraco, the perfect piece to sublimate your style in any occasion.How to wear a lace camisole? At Grace & Mila, the MANEGE lace top is styled with fluid MARC pants and the MALENE blazer jacket, making it the ideal working girl ensemble. We love this timeless, feminine silhouette. We also like to wear it with any high-waisted pants and a shirt for everyday wear.Sizing advice: Size normally, take your usual size. Available from XS to XL to fit everyone women's curves. Our model measures 1m70, has a 59cm waist, 87cm hips and wears a size S. 100%NYLO_DOUB:100%POLY
La doudoune Caraco puffer jacket from Jacquemus featuring black, layered design, padded design, funnel neck, detachable hood, front press-stud and zip fastening, long sleeves, ribbed cuffs and hem and grosgrain logo.
Jacquemus La Parka Courte Caraco in beige features a cropped shape. Details include round fit, water-repellent cotton canvas, wadded interior, velcro logo patch, drawstring hood with circle and square tips.
Caraco short down jacketLe Chouchou collectionExtractable hoodAdjustable hoodDouble zip-fasteningRibbed knit edges100% PolyamideGender: WomenMaterial: POLYAMIDEColor: PANNAMade in: ITProduct ID: 23H233CO0421320_110*Import tax/duty will be calculated at checkout (If applicable)
Caraco encolure en V CAPRICE. Indispensable caraco de soie à porter sous les vestes Bretelles réglables Coupe ajustée Le modèle mesure 1m78 et porte une taille 1.
Garment-dyed non-stretch regenerative cotton denim jacket. · Spread collar · Button closure · Mock flap pockets at chest · Flared hem · Single-button barrel cuffs · Grosgrain logo flag at back yoke · Logo-engraved antiqued silver-tone hardware Part of the Le Chouchou collection. Supplier color: Camel/Beige 100% regenerative cotton. Made in Portugal. 232553F060001
Caraco Pattern, Professor Nancy Hills ‘Symphony In White’ exhibition at Berrington Hall throughout 2014.
Caraco encolure en V CAPRICE. Indispensable caraco de soie à porter sous les vestes Bretelles réglables Coupe ajustée Le modèle mesure 1m78 et porte une taille 1.
Caraco mi-matière__TAB__Description- Caraco de coupe fluide effet satiné - Modèle déposé - Col en V profond bordé de dentelle à l'avant - Détails en dentelle à l'arrière - Fines bretelles réglables - Modèle déposé __TAB__Détails du produit
La doudoune Caraco puffer jacket from Jacquemus featuring black, layered design, padded design, funnel neck, detachable hood, front press-stud and zip fastening, long sleeves, ribbed cuffs and hem and grosgrain logo.
Disponible en grège, aubergine et gris moyen Cardigan fantaisie large en maille chinée Col rond Manches longues tombantes Boutons laiton avec armoiries Finitions bords côtes au col, manches et bas du vêtement Mesures pour une taille S/M : 110 cm de poitrine, 106 cm de largeur bas vêtement, 62 cm de longueur Ce cardigan fantaisie en cachemire et laine de couleur aubergine se mariera parfaitement avec votre dressing. Sa coupe parfaite loose et masculine convenant à toutes les morphologies, est sublimée d'une encolure arrondie et de manches longues bouffantes. N’hésitez pas à le porter à même la peau ou encore avec un caraco en dessous. Ses boutons en laiton l’accessoirisent pour vous donner encore plus de prestance et d’élégance tous les jours ! Ce modèle taille normalement et se porte ample. Justine mesure 177 cm et porte du S/M.
