Barbara Cartland Francis Marshall
Barbara Cartland Francis Marshall
87028 heads the 1505 Glasgow-Euston southbound near Craigenhill, 22nd February 1986. My chariot at that time, a Datsun Cherry, an amazing car which tolerated me servicing it, is parked in shot for posterity.
Until last spring I had never heard of Francis Marshall. Then one day this note arrived: Hello I love your blog, it really is a source of daily inspiration. My kind of work isn´t particulary retro, but there is so much to learn from those amazing illustrators of the fifties that I end up incorporating a lot from what you post. I´ve been looking for information on a British illustrator called Francis Marshall. He did fashion stuff, and covers for Barbara Cartland romance novels. I can´t find much, and was wondering if maybe you have some magic wellspring of information, or a know where originals of his work can be found? Thanks so much Ximena Maier Ximena and I began corresponding and she generously agreed to send me some scans of Francis Marshall's cover illustrations from the many Barbara Cartland romance novels she had. "My mother has several hundred Barbara Cartland novels," wrote Ximena, "which she read as a teen, and my sister and I have read them enthusiastically too. They´re so simple that you can read them even if you don´t speak much English, so they were a perfect learning tool, and a lot of fun. I still read one every now and then, if I have the flu." "Of all the ones we have, the best are the ones with covers by Francis Marshall," she continued. "After him, the standards slips, and they´re totally unreadable. Or else I´m influenced by the cover art, which is really good, head and shoulders above the usual Mills&Boon type stuff." Ximena is right - Marshall's covers really are good. And so stylistically atypical of romance cover art its almost a wonder that he received the assignment to do them in the first place. Some are fairly painterly and 'illustrative'... But many others begin to verge on cartoony (and I don't mean that as a slight - I think these are some of my favourites). Occasionally one or two even remind me a little of Jack Davis' work - when Davis was doing his more realistic looking stuff. There's that same sense of rapidly drawn sketchiness; an infectious, energetic, first draft gestural quality that absolutely breathes with life! Ximena seems to agree with me. She writes, "His fashion stuff in the forties and fifties seems to be pretty much like most others in the premier league . But these romance covers are very different from the usual." "For one thing, all the girls have 'manga eyes', which is a signature mark of Barbara Cartland heroines, and makes them more unreal. For another, they´re all period costumes, and his background in fashion really shines through here. He is brilliant with the clothes, I find." She continues, "I particulary love how loose they are. That green skirt in Lessons in Love, or the bridge in Fragrant Flower, they seem to have been done in seconds. Much more alive than the typical historical romance cover." Earlier this week we learned from commentor Chad Sterling that Barbara Cartland refused to return any of the original paintings to Francis Marshall, instead framing them and hanging them on the walls of her mansion, which left Marshall feeling quite bitter. Ximena provides an eye witness confirmation of that sorry situation: "I once had tea with Barbara Cartland (possible title for an autobiography) and she had a whole wall with originals. They were a bit bigger than an A4, and so cool, all together like that, it made me really jealous." As Tom Watson pointed out in a follow-up comment, the practice of keeping illustrators' originals under the assumption that the physical art was part of the purchase price of the reproduction rights was all too common for many decades - and rarely challenged by artists who feared rocking the boat and risking the loss of future assignments. From personal experience, (having had the experience many times in the early years of my career of not getting my original art back) I learned to always clarify the purchase terms of an assignment in writing up front. * Many thanks to Ximena Maier for introducing me to the fantastic art of Francis Marshall - and for sharing her scans and stories with us! * For anyone interested in seeing many more of Francis Marshall's romance cover illustrations, be sure to visit Rhonda Whiting's blog, Barbara Cartland Books and Cover Art * My Francis Marshall Flickr set.
Barbara Cartland Francis Marshall
The Romance of Food by Barbara Cartland Published in 1984 by Doubleday Books
When beautiful Atalanta Lynton has a chance meeting with a dashing French artist on her way home to her fathers modest Vicarage from Combe Castle where her aunt and cousins reside, she is smitten by his handsome Gallic charm and his talent as an Impressionist artist. But no sooner than Paul Beaulieu, for that is his
“What woman does not long to be carried like a lamb in the arms of the man she loves.” Published in 1984, The Romance of Food by Barbara Cartland features over 170 pages full of cream-laden…
In the loveless household of General Sir Frederick and Lady Emily Osmund and their empty-headed twin daughters, begrudgingly adopted niece Azalea is little more than a wallflower. And all because her kind, heroic and beloved father died in a manner they wrongly consider scandalous and because her mother was Russian!
Barbara Cartland Francis Marshall
Until last spring I had never heard of Francis Marshall. Then one day this note arrived: Hello I love your blog, it really is a source of d...
Fresh from heroic exploits in the Battle of Trafalgar, Captain Conrad Tiger Horn has returned to Portsmouth take command of a magnificent new ship, The Invincible, which he is to sail to Antigua to defend British trading routes against American privateers and, of course, the French. But the fly in the ointment is
Barbara Cartland Francis Marshall
