Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
In this beginners pottery class, participants will learn the basics of ceramic hand-building under a local ceramic artist’s loving gaze as they get to explore the endless possibilities and joys of working with clay. Participants will have the option of creating whatever they wish (mugs, planters, bowls, a sculpture, etc.) receiving guidance and knowledge along the way. Perfect for travelers seeking for fun activities in Buenos Aires, no prior ceramic experience is required and the class will taught in English and Spanish. The session will be around 2,5 hours, so we will have time to settle in, introduce ourselves and create something. In this comfortable and engaging atmosphere, we will have some snacks and wine and a carefully curated playlist to groove on while building our ceramics. You’ll also get to paint and decorate your creations using different tools and techniques.Materials, tools, light snacks and beverages will be provided. After the ceramic class, works made during the workshop will be glazed, fired and finished in our studio by us. Students will be able to pick up finished pieces on an arranged pick-up date. This may take up to 3/4 weeks. In case you'd be gone by then we can ship the pieces via FedEx to your hometown (please note shipping cost is not included in price). If you have any other questions regarding our art classes, please contact us at [email protected] We are looking forward to meeting you!
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Meet the creative family duo behind ceramic label Mas & Miek and The Ceramic House, a studio, store, workshop and cafe in the Brisbane suburb of Newstead.
How to make a sink trap for your pottery studio
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Identità visiva del brand Interra ceramica, artigiana e creatrice di ceramiche imperfette nel suo laboratorio di Reggio Emilia.
Robynn Storgaard is a Copenhagen based maker and creative working in the world of ceramics. If you’ve spent any amount of time feeding your interior...
A ceramics studio is made up of lots of elements, so I thought I’d break it down and give some insight on what I couldn’t live without. Here are some insights on handy tips and tricks for setting up a ceramic’s studio at home. Equipment Whether it’s hand-building or wheel throwing ceramics you’re interested in, there are bits and pieces that are needed for both. Here’s my list of things I’d be including in a home set-up studio. The first no brainer is clay, but how much and what type? I’d recommend heading down to your local pottery place and testing a few different types of clay to find what type is going to suit you best. Try something smooth and gritty. Blend them together? There are so many options! A pottery wheel. I have a Shimpo Whisper wheel! Buckets and containers – these are used more than you’d think, I find buckets in my studio important for the recycling of clay, storing glaze and for carry water needed for throwing or tidying up your pieces. Scales – both a standard kitchen scale measuring up to 5kg and a jewellers scales are important to help measure and prepare clay, as well as measuring glaze products. A bench or table – sturdy and level. Shelving – storage of equipment and the drying and storage of all your creations. I find it particularly useful to have a shelf for raw non bisque fired makings, a shelf for bisque fired and a shelf for finished glazed products, this helps to keep everything in order. Plaster bat – a plaster bat is incredibly useful to prepare clay and wedge clay on and is also useful to help in the recycling clay process as it absorbs water from the clay – I’ll pop up a tutorial of how to make a plaster bat at home very shortly. Drying boards – drying boards are useful to place hand built or thrown pieces onto, allowing them to be transferred easily. These can be made from plywood and are are easy and cheap to arrange. Banding wheel – useful to hand builders when making creations and helpful when trimming and carving pieces. Glaze – glaze is a complex component of pottery and as a beginning potter commercial glazes are a safe choice to make the process easier. Glazes can also be made at home from different elements but I would suggest that you invest some time in a glazing course before starting to mix your own. Kiln, – a kiln is a necessary but often quite expensive part of a ceramics studio and often quite a difficult machine to use without practice and guidance. To begin with I used a kiln firing service, which I believe is a great way to start off! Tools A beginners set of tools that I believe are important in a ceramic’s studio include trimming tools, sponges, a cutting wire, ribs, a paintbrush, a rolling pin and cookie cutters. Sanding Pads – finishing your work is key! Big sponges for cleaning. A ruler! A stainless steel one is great and easy to wipe clean! Aprons & towels. A mask – protect your lungs when mixing glazes! Glazing tongs and brushes. These items help to shape your creations and give a good basis for your pottery journey. My Tips & Tricks Having a water source in your studio area or one nearby is very useful but not always necessary. Ensure that you are not putting chemicals and clay into our waterways so recycling your clay rather than tipping it down the drain by using a bucket system or clay trap in your studio. How about a treat? Check out Diamond core tools and Bison Studios for top quality tools to last forever! Make your studio space a happy place, set it up how you like, fill it with inspiration and get your pot on!
Ren von Hasseln polishes up a run-down ranch house in Ojai with colorful brick, handcrafted tile, and glazing galore.
One glance inside Annemieke Boot's Amsterdam ceramics studio and you will see that her work is deeply inspired by Scandinavian simplicity, her designs derived from pure, simple forms. With a keen eye for detail, Annemieke admits that she once was intent to make each and every piece exactly the same
A year ago my pottery adventure started and I learned so much in that year. There are lots of practical things I wish I knew before I started my own studio, so here are my tips and tricks!
How to make a sink trap for your pottery studio
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
A build-out of Simone Bodmer-Turner's studio, in textured white gypsum, is an homage to the organic architects that have shaped her ceramics practice.
I've been doing this pottery thing for a good 2 years now and over that time I've collected some things that I can't live without in the studio. I hope you enjoy this blogpost, if you have any question: let me know! 1. Plaster boards I use my plaster boards every day. Mostly to wedge my clay, but also use them to recycle clay or to dry out pieces that I’ve thrown on the wheel but flopped. I have a few different kinds of plaster boards. One big one (45 by 45 cm), which I use mostly to wedge clay. I use two smaller ones to recycle clay. 2. Plastic buckets You can’t have enough plastic buckets! I have buckets everywhere in the studio. Some with lids, some without. The ones with a lid are for glazes, the ones without lids are to collect dried out pieces of clay or my throwing water. I also have a few rectangular buckets for my clay (they are the perfect size) so they don’t dry out when I’ve opened them . 3. Shelves, shelves and shelves When you don’t have a lot of space, even in you do have a lot of space, shelves are the perfect way to store your pieces. In every step of the process. I have one big shelving unit for my freshly thrown pieces and greenware. And some other shelves for the bisque ware. It’s the easiest way to see what you have made and to see what you still have to do. 4. A pegboard This pegboard is from Ikea and I love it. I mostly use it for all of the different kinds of tools I have as you can see. You can change it around if you like and add more things to it if needed. And it looks nice ;). 5. Plastic covering materials I have a big bag of plastic bags and covers to use for my leather hard pieces. The bag is actually a laundry bag, I like this one because it’s a little flexible, which is nice if you want to have that specific plastic bag or covering that’s at the bottom of the pile. I have different kinds of plastic material. I have plastic bags, which are perfect for smaller pieces like mugs, but I also have big sheets of thick plastic material which I use to cover big batches of for example rainbow dishes. 6. Canvas sheets I have around 5 sheets of canvas laying around in the studio, I use them to roll out clay and to dry slabs of clay on. They are made from thick material, so when I roll out my clay they stay in place. I like this material a lot, because they also pick up a lot of moisture from the clay, but not too much. I bought these in a local fabric store and cut them into smaller pieces. 7. Wooden boards These wooden boards are so useful in the studio. I use them to move around freshly thrown pieces or to dry out slabs of clay. My kiln is in our garage, so I also use these boards to move around greenware and bisque ware. When you go to your local hardware store you can buy big wooden sheets which they can cut for you in your preference. I recommend to get at least 8 mm thickness otherwise the wood can warp (which you don’t want with flat pieces). 8. A wheel bat system If you’re a thrower, like me, I highly (highly!) recommend you to buy a wheel bat system. I did not have one when I first started throwing on the wheel and it’s just so hard to get your pieces of in a good shape.. Mine is from Hartley & Noble, it’s a bit expensive but totally worth the money. If you are still doubting about what things to buy for you studio, this must be one of the first purchases. 9. A giffen grip This one is also kind of a big investment, but I am so happy I have it in the studio. It’s such an easy way to trim your leather hard pieces. I use my Giffin Grip for other things as well, like glazing incense holders or waxing the bottoms of mugs. 10. Plants or other decorative things And last but not least: plants and decor items. Your studio is your happy place and I want to be surrounded by beautiful things when I’m working. It gives me the right energy to work and I like to watch after all the plant babies in the studio. Apart from plants I like to buy items from other makers that I want to give a special place in the studio.
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
ChristinaGoodall Ceramics Amateur potter or a fully fledged studio potter, these Ikea products are going to come in handy to ease your pottery making.
Töpfer basics: Tipps zum Kauf eines gebrauchten oder neuen, eigenen Töpferofens wie dem Toplader Top 60 von Nabertherm für Hobby Töpfer
Light designer Charlie Dumais and his husband, interior designer Charlie Dumais, offer a line of handmade ceramic table lamps made in their workshop in CT.
For Lydia Cambareri, the pleasure of creating one-of-a-kind pottery pieces in the studio is is doubled, because her studio is a converted, 1920s train carriage.
Splitting her time between London and Kuwait, Rawan Muqaddas celebrates the craft of clay combining aesthetics with functionality in the creation of a therapeutic workspace.
Robynn Storgaard is a Copenhagen based maker and creative working in the world of ceramics. If you’ve spent any amount of time feeding your interior...
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Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Grab your apron and try your hand at throwing, spinning and decorating your own wares at a pottery class or cafe in London.
If we take the words at face value, street style is a term penned to describe a centuries old tradition of inspiration, taken from the living breathing moments of the streets. Dirt, cobblestone and pavement are the stage for authentic uniforms of people living out a their daily lives. A welder clads himself in thick fa