Portrait of a gentleman, pencil drawing, Charles Hayter, Great Britain, 1786-1832
Half-title: Perspective, practical geometry, drawing and painting
In this article about branding colors, we’ll touch on concepts from artistic disciplines—like color theory and art history—and merge them with the best practices for branding and marketing and what a small business needs to survive in today’s business landscape.
The Terrace Of The Charles Hayter Household art print by Dearborn-Massar. Our art prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired.
Half-title: Perspective, practical geometry, drawing and painting
Charles Hayter. Introduction to Perspective. 1846.
Charles Hayter. Introduction to Perspective. 1846.
Charles Hayter. Introduction to Perspective. 1846.
Charles Hayter poster print. Crafted from museum-quality, crease-resistant matte paper, this poster is built to last - just like the lasting impact Charles Hayter had on history.It's more than just a decorative piece - it's a compliment magnet that starts conversations like wildfire! Bold and imposing, this print instantly transforms the look of a room. The satisfyingly sturdy paper is equally at home in or out of a frame, and you'll quickly get used to hearing 'where did you get that?'Whether it adorns a classroom wall, personal study, living room or office, it also packs some serious educational value. As a captivating reminder of the story that Charles Hayter represents, it piques curiosity and inspires deeper learning.Like all our home decor, your print is carefully packaged to ensure it arrives in pristine condition, ready to captivate and inspire. And if you have any questions, comments or suggestions? We're a small friendly team, and we're just a message away!
Charles Hayter. Introduction to Perspective. 1846.
Charles Hayter. Introduction to Perspective. 1846.
Patio At Mr. And Mrs. Charles Hayter's Home by Dearborn-Massar
Portrait miniature of Mrs H. Bouchier by Charles Hayter, British, 1815
Art.com | We Are Art We exist so you can have the art you love. Art.com gives you easy access to incredible art images and top-notch craftsmanship. High-Quality Framed Art Prints Our high-end framed wall art is printed on premium paper using non-toxic, archival inks that protect against UV light to resist fading. Experience unmatched quality and style as you choose from a wide range of designs to enhance your room décor. Professionally Crafted Framed Wall Art Attention to detail is at the heart of our process, as we exclusively use 100% solid wood frames that include 4-ply white core matboard and durable, frame-grade clear acrylic for clarity, long-lasting protection of the artwork and unrivaled quality. With a thoughtfully selected frame and mat combination, this piece is designed to complement your art and create a visually appealing display. Easy-to-Hang & Ready-to-Display Artwork Each framed art piece comes with hanging hardware affixed to the back of the frame, allowing for easy and convenient installation. Ready to display right out of the box. Handcrafted in the USA. Travel Art Art is the best way of seeing the world when travel isn’t possible. Explore our curation of travel art for a trip around the globe. See from tourist favorites landmarks–the Eiffel tower– to hidden gems like the breathtaking landscapes of Yosemite National Park. Whether you find a cozy reminder of home, your dream destinations, or even cool maps of the world, our handcrafted frames will give it the perfect finishing touch. The Print This art print displays sharp, vivid images with a high degree of color accuracy. A member of the versatile family of art prints, this high-quality reproduction represents the best of both worlds: quality and affordability. Art prints are created using a digital or offset lithography press. Paper Type: Art Print Finished Size: 12" x 18" Arrives by Mon, Mar 25 Product ID: 55629108959A
Charles Hayter. Introduction to Perspective. 1846.
Portrait of Princess Victoria of Kent (later Queen Victoria) with her spaniel Dash. Original artist Sir George Hayter (1792-1871). In 1833, Victoria noted the sittings for the original portrait in her...
Design history is partly built on design books and ephemera. Organizing, categorizing and analyzing these materials are essential to the documentation of our past. For those who have built design libraries with the rarities purchased from Irving Oaklander, who passed away last year, you won’t want to miss the forthcoming Swann Auction, “Art, Press & Illustrated Books Featuring Graphic Design & Typography from the Inventory of the Late Irving Oaklander” (Sale # 2313) on May 9,
Why were curates in Austen’s England poor and despised?
Portrait of George Hayter, pencil drawing, Charles Hayter, Great Britain, 1792-1832
An original early 19th-century lithograph print, John Hayter, La Jeunesse. A very fine hand-coloured and pencil signed lithograph by Painter-in-Ordinary to Queen Victoria, John Hayter (1800–1895). The lithography shows wonderful spontaneity and achieves a Romantic atmosphere, apt for its picturesque allegorical subject. Hayter was the second son of the miniaturist Charles Hayter. He first painted Queen Victoria when she was twelve years old. Hayter established himself during the 1820s, with portraits of notable figures such as the Duke of Wellington. His portrait drawings, in chalks or crayons, became particularly popular, a number of them being engraved for The Court Album, which contained portraits of the female aristocracy. John's brother, Sir George Hayter, was also a portrait painter; both artists were talented draughtsmen and experimented in techniques of engraving—their work early examples of printmaking before the etching revival that was to come later in the middle of the century. This lithograph is one of a series of three that we have for sale (see JX-496 to JX-498). On grey paper. This work forms part of a beautiful collection of pictures, principally by Caroline (Lyons) Pearson (1800–1879) and dating from the 1830s. The subjects comprise Swiss landscapes, along with other Continental views in the Pyrenees, France and Spain, as well as a few pictures of or by other family members. The particular interest in Pearson's landscapes lies in her drawing technique, which combines brown wash with charcoal, producing an effect similar to that of lithography. The collection includes three beautiful portrait lithographs by Painter-in-Ordinary to Queen Victoria, John Hayter (1800–1895), and it appears that Pearson's drawings emulate the dramatic effects of these works. Lithography was a relatively new medium in the 1830s, embraced by artists looking to reproduce the stirring shifts of tone that could be achieved with charcoal or black chalk. Some of Pearson's landscapes use charcoal so liberally across the sheet that they appear in turn to be influenced by the velvety tonal graduation that printing from ink on stone could achieve. The result is that Pearson's drawings are imbued with a sense of romance, evoking the feeling of a place, not just representing it topographically. Her landscapes are a fine example of the popularity of Switzerland in the early 19th century thanks to Romantic poets such as Byron and Shelley and the Romantic imagination through which these landscapes were conceived. Caroline Pearson was of considerable financial means, by birth and through marriage. She was daughter of John Lyons of Antigua, who owned St Austin’s, an 190-acre estate in the New Forest, Lymington, Hampshire. She had a sister, Catherine, who is also recorded as an artist; there is a collection of watercolours, depicting her travels between the French Pyrenees and the Alps, in the Radnorshire Museum at Llandrindod Wells. It is likely that the sisters travelled and sketched together. In 1820 Caroline married Henry Shepherd Pearson (1776–1840), who was acting Governor of Penang from 1807 to 1808. When Henry died in 1840 they were residing at Boulogne-sur-Mer in northern France. Caroline moved in privileged circles and would have associated with influential figures of the day. Her landscape drawings attest to this, with subjects including a view from Lord Brougham's garden at Cannes, and views at M. Haldimand's Lake Geneva. Lord Brougham, newly arrived at Cannes in 1834, played a fascinating role in the making of modern Cannes, and English-Swiss Jane Marcet (née Haldimand) was an innovative writer of popular, explanatory science books, whose works were an early inspiration for the young Michael Faraday. In very good condition for its age. The odd minor mark away from the image. Please see photos for detail.There are historic adhesive marks and/or paper remnants to the corners on the verso, from previous mounting.
Portrait of Miss Strange, pencil drawing, Charles Hayter, Great Britain, 1786-1832
Charles Hayter. Introduction to Perspective. 1846.
xviii, 263 p., 19 leaves of plates (some folded) : 22 cm
Charles Hayter. Introduction to Perspective. 1846.
The demand for miniature portraits is on the rise - read our expert guide to all you need to know about collecting miniature portraits
