This bud vase is handmade, using a variety of stoneware clays and glazes. Blanche Ceramics is Trish Fitzpatrick, a ceramic artist living in Melbourne Australia. I build my bud vases using a variety of techniques, including pinching, slabbing, coiling, modelling and carving. As they are hand-built my works are all individual, although many are similar. I use a variety of stoneware clays and glazes to achieve interesting textures, including dappled grey/cream and salt & pepper speckled clays. The process of building, drying, first firing, glazing and decorating, followed by a second and final firing, can take several weeks.

Kurinuki is a Japanese pottery technique that embraces the natural clay surface and individual imperfections that are formed in the intuitive making process. Each pot is hand built and hand carved on the inside and outside. In this collection I took advantage of this technique as it welcomes the raw and pure nature of the mixed clays and porcelain. The contrasts in colours, surfaces and textures are exposed, the tares and brakes in clay are embraced in its crude and rough form. The inside of the dish is glazed with transparent glaze and is therefore food safe. The pot can be used for food (sauces, snacks, olives, oils, etc.), for jewellery or as a stand alone piece. Approx. size: Height 4cm Diameter 7cm Please, note that each item is unique and the one that you receive will vary slightly (in size, share, glaze coverage, imperfections) to the ones you see on the photos. The last few photos show the other items that are made with this same technique that are currently available in my shop. A limited number of items available, please, choose the quantity at the checkout.

Uncover the magic of hand-built ceramics with our quick guide to sculpting a captivating textured pumpkin. 1. Begin by rolling out clay to an ideal 8mm thick...

Our handmade ceramic mug has a charming speckled effect and a stamped heart, it adds a touch of warmth and uniqueness to your beverage enjoyment.300ml Height: 10cm Diameter: 7,5cm One of a kind ceramics. Hand-built by me. High quality stoneware clay, slow dried and glazed. Food, dishwasher and microwave safe, but i recommend hand wash to protect the glaze.

This hand-built form was created using a modified pinch forming method and displays a refined organic quality from any perspective. Its surface carvings were completed while the clay was leather-hard; after the initial firing, under-glaze stain was applied to accentuate surface texture then mid-fired to a rich matte finish. This organic sculpture weights 3.6 lbs and is for display only.

Tall tapered shape bottle with unique texture, & delicate motifs that are carved by hand and not stamped Hand-built pottery, with rustic cream & grey glaze Suitable for Modern, Minimalist, Mid-Century & Contemporary Home Décor Size: 6"L x 4"W x 11"H *Dry Use Only I make my pottery mostly using slab & pinch techniques, after they reach a certain level of dryness in their clay stage, I scribble my motifs (that's why no two are alike) and carve them :). However, some pieces I opt out of adding any motifs, and rely only on the glazing process to decorate & add character to them.

Carving clay is a wonderful way to add texture and interest to your piece. But what's the best way to achieve a perfect finish? Here are my top tips for carving clay. 1. The State of Clay This is by far the most important. Your piece needs to have dried to just the right level before you can carve into it. If the clay is too dry then your tool will just scratch into the surface and you'll risk cracking the piece by the pressure you'll need to apply to make a mark. If the clay is too wet however, you'll find that you won't be able to cut the clay away smoothly; it'll stick to the pot and your tool and you won't get a clean finish. You'll also likely warp the shape of your vessel as it won't be firm enough to hold it's shape. The way to find that sweet spot is to experiment. You'll soon get to the point where you know just by feeling the surface of the clay whether it's ready to carve or not. As a general rule, if it's still tacky or sticky, then it's too wet! 2. Provide an Anchor To get smooth, straight, even lines you need to be in control of the tool and the pot. As I draw my tool down the pot, I use my little finger as an anchor, stroking a line down the pot as I go. It helps me to keep the tool under control and prevents an slips or jerks. 3. Get Comfy Before you begin to carve, make sure you're in a comfortable position. Carving into a vessel puts pressure on it so make sure you're supporting it as best you can. I tend to hold the pot in the palm of my left hand so any pressure put on the pot goes into the base where it's most robust. If you hold your pot by the wall, you run the risk of putting too much pressure on the weaker part of your vessel and then breaking it. 4. Don't be too precious I have carved straight through the wall of countless pots. I've tried to carve pots that were too wet, too dry, with walls that weren't thick enough and everything else in between. The only way to perfect your technique is to practice, practice, practice and accept that a few are going to be destined for the reclaim bucket along the way! 5. Angle your Tool In order to give your piece a beautifully textured surface, you don't need to gouge out huge amounts of clay. If you keep your tool at a relatively shallow angle to the pot, then you'll still get the effect without risking carving straight through the wall. I hope these tips help with your next carving project! For loads more tips and step-by-step projects take a look at my book, 'Carve Your Clay'. Focusing on the pottery surface, Carve Your Clay covers a wide range of decorative carving from piercing, etching, inlaying to sgraffito, faceting, and fettling.The techniques are taught through 16 projects, with clear, step-by-step photography and easy-to-follow instructions to achieve beautiful results. With easy guides on how to create form as well as glazing and firing, this is a comprehensive guide suitable for new and practicing potters alike. Buy it here! Or you can find it on Amazon here

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Learn how to carve a teacup or yunomi from a block of clay using the traditional Japanese kurinuki technique. This kurinuki tutorial will take you step by step through the process of slowly carving away clay to reveal a yunomi teacup.

This polka dots sponge and napkin holder hand built from red clay, hand carved, fired, decorated with white glaze and fired again. Made from: terracotta, glazes. You need to know that each thing is handmade only, therefore really product may be slightly different from picture on the Etsy. Measurement: 9,5 cm tall by 6 cm wide 4" tall by 2,5'' wide Lead-free. Non-toxic. Ready to ship in 3-4 weeks. All of my items come well packaged to prevent any damage. Air delivery from Bulgaria with tracking & insurance. Please allow 2-4 weeks for delivery.

There are certain Pottery Tools you will need and others you will just want because they are cool or they create a great effect. The more tools you have, the

Tara Vaughan's ceramic works are an embodiment of flowing beauty and unorthodox symmetry. Inspired by nature's elegance and the grace of female forms, she crafts unique sculptures and vessels that explore the intriguing interplay between balance and asymmetry. Hand-building each piece using stoneware clay, Tara Vaughan's creations are an invitation to perceive art from new

Hand built ceramic torso sculpture, made with Waihi Beach black sand wedged into whitestone clay. The sculpture is finished with a crackle glaze effect and subtle gold accenting. Each piece is one of a kind, lovingly made by hand and inspired by diverse bodies. This piece is solid, weighing 5 kilos.

by @sarahpikepottery. You know I love my winter, but a seed catalogue just arrived in the mail and it got me all daydreamy thinking about summer. This growing season? More flowers. FOLLOW👉...

| h a n d m a d e . m i n d f u l . a r t One piece is divided into two and comes together again. Just as the myth says about Plato’s theory of us humans and our search for our other half ♡ . ....

Piezas; “pieces” in Spanish. Hand built raw (bisque) white clay with texture, cream faux suede cord, and a beautiful Kenyan bone bead - handcrafted by artisans using recycled cow bone. Each bead is individually carved and polished, and is truly one of a kind. They measure ~7-8” long, with the large top ceramic piece measuring roughly 3-4“ across, for reference. *Given the unique nature of the pieces being sold, the photos and any measurements listed have been used to portray, in general, the item. Slight differences in size and shape are not considered flaws. Variations inherent in the handmade process are to be expected. *The beads are sourced direct and are fair trade. Hand built and fired in SLO, Ca. ♲In an effort to create less waste, items ship in recycled packaging materials. Photos by: Gifted Shop