Since its inception, Hollywood has shown us an image of unattainable youth and glamour, though quite frankly, French collage artist Matthieu Bourel doesn't seem too impressed. Whether in his hand-cut collages or entrancing animated GIFs, Bourel deconstructs images of models and actors of a bygone era. He splices divas' head shots with anatomical diagrams, peeling away what looks like layers of skin to reveal veins and eyeballs. In other works, faces come off like masks only to reveal more removable faces underneath. Bourel's bizarre and slightly morbid work points to the illusions of the entertainment industry. He makes his viewers cognizant of the absurdity of our celebrity-obsessed culture through his strange sense of humor.

Through an Auschwitz commandant’s family life, Jonathan Glazer’s chilling new film reminds us of the banality of evil, says Charlotte Higgins, the Guardian’s chief culture writer

Lucas Simoes was born in 1980 in Brazil. An independent artist, he studied architecture and design in Brazil and Italy. Many of Lucas’ pieces are heavily layered as he cuts away at different …

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We love sharing top notch works of creatives! This is a talented packed bundle of incredible illustrations, photo manipulations, and graphic designs. The collection took us some time to develop, assuring only quality work for your eyes! Prior to this collection (the reason this…

The groundbreaking feminist artist whose work examines the female body as a commodity opens a solo exhibition in Stockholm

See all the looks from the show

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Hannah Höch was not a “good girl.” She was, as curator Juan Vicente Aliaga notes, a “total woman.” Staking her claim among the male Berlin Dada group with grotesque photomontage…

Nacido en Shiraz, al sureste de Iran, Ashkan Honarvar llegó a los Países Bajos huyendo de la guerra que enfrentaba su país natal con el Irak de Saddam Hussein. Graduado en Comunicación Visual por la Universidad de...

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Netflix fans have gone wild after J.A Bayona's Oscar-nominated film Society Of The Snow was released on the streaming service on January 4.

Rail Editor-at-Large Jason Rosenfeld speaks with Jenny Saville about her latest exhibition and the dialogue in her work between realism and abstraction.

Obscured faces peek through tangles of leaves and stems in the ethereal portraits of Toronto-based artist Christine Kim. Her mixed-media collages layer textured graphite gradients and mesh-like cuttings into splintered depictions of her subjects. “‘Fragmentary’ is one word that I return to again and again because I think portraiture is an act of catching glimmers of a person,” she tells Colossal. “I like the idea of not being able to see everything. Having multiple layers partially conceals but the patterns of foliage, (which) also act like a kind of shelter.” For each work, Kim first illustrates a single figure—the subjects shown here are models Yuka Mannami and Hoyeon Jung—and then digitally draws a corresponding botanical pattern. More

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