a blog about character design, puppets, and illustration
Heading into its fifth weekend at the U.S.
“Bluish things!”
“呪術廻戦2期のエンディングアニメーションのカラースクリプトを担当しました。 新井さんの描く絵コンテが素晴らしく とてもいい経験になりました！ #呪術廻戦 #JujutsuKaisen”
I have been interviewed for Cartoon Brew so I took this chance to share some Ping Pong backgrounds and the color-script of the first episode. I hope you will enjoy them. I didn't had the chance to communicate here but I was lucky to be the Background Director at Tatsunoko Pro for the latest Masaaki Yuasa TV show based on Taiyo Matsumoto's Manga. My most intense and rememberable project so far. Above the Color-Script of the first Episode. I hope the be able to show them all one day.
sombhatt: “ Folio from a Qur’an in Maghribi script, c. 1560. The verses are divided by motifs in gold, while the diacriticals and vocalizations are highlighted with color. ”
Looking at František Kupka we see an intense channeling of occult vibrations and shimmering realities that asks viewers if they too have experienced their life this way.
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The Art of Pixar: The Complete Color Scripts and Select Art from 25 Years of Animation, is a lovely book to behold. Published by Chronicle Books, it spans every major motion picture by Pixar, and even some of their shorts, displaying their color scripts and a little concept art too. Each film section opens up saying which artist created the scripts, and what media they used. Afterwards, the artwork speaks for itself. Here we experience the true importance of color to deliver the feeling and atmosphere of an entire story without ever saying anything. Toy Story before the characters were even finalized. But still, you can recognize the parts of the movie. In A Bug's Life, you can see each place is given a specific color palate. Making colors that are not part of that palate really stand out, like the bird. Of all the color scripts in this book, I think that the ones that Lou Romano did for The Incredibles are my favorites. In these scripts, Romano really breaks down each scene into its basic colors, sometimes only using 3 or 4, yet we still understand exactly what is going on, and how we feel about it. These scripts really answer the hardest questions, determining which color should represent which space, how large a space it should take up, and how they will interact with each other. How simplistically sophisticated it is is truly breath taking. I love the color scripts of Up, they have such a charming character! Some color scripts for a few of Pixar's shorts are in this book. I just really liked this guy. Some concept art for the various Pixar movies. Most of the examples here were painted by Lou Romano. Pros: Hard back, sturdily bound, great color quality and nice paper. It is thick with work, and no writing except for a small introduction. It is longer than tall, near a movie screen ratio. Cons: I've heard that this book contains only a little more work than is already located in other Pixar books dedicated to each movie. However, if you do not already possess a number of Pixar books, this publication is a wonderful collection How To Buy: Amazon If you buy the book using this link, it will help tell me which books you like me to review, and will assist me towards purchasing more If you like this book, you might like
Up - Color Keys (More at Living Lines)
Enjoy Today's selection of the best speed paintings! Looking for previous selections? Follow this link! January 18th: The artists of today's selection:
www.artofali.com/2012art
Instagrammer Palette Maniac highlights the beauty of striking color palettes seen in the media today. It proves how one color palette can define a scene.
As part of out 'Art Of' series, we explore the world of renderers by looking at GI, and speak exclusively to Pixar (RenderMan), Solid Angle (Arnold), Chaos Group (V-Ray) and many more.
