This is a beautiful chromolithograph of costumes in the 16th, 17th, and 18th centuries, from a book published in 1901. Captions under each image identify the costumes shown. Size of plate: approx 7.5" x 10.75" The print is blank on the back and printed on firm paper that is almost like cardstock. This antique chromolithograph is in very good condition and would look beautiful framed. For other fashion prints, click on: https://www.etsy.com/ca/shop/bananastrudel?ref=seller-platform-mcnav&search_query=fashion This is an original, not a reproduction! Bananastrudel sells only originals. Shipped to you in an archival cello sleeve with sturdy backing. B2
This is a beautiful chromolithograph of costumes in the 16th, 17th, and 18th centuries, from a book published in 1901. Captions under each image identify the costumes shown. Size of plate: approx 7.5" x 10.75" The print is blank on the back and printed on firm paper that is almost like cardstock. This antique chromolithograph is in very good condition and would look beautiful framed. For other fashion prints, click on: https://www.etsy.com/ca/shop/bananastrudel?ref=seller-platform-mcnav&search_query=fashion This is an original, not a reproduction! Bananastrudel sells only originals. Shipped to you in an archival cello sleeve with sturdy backing. B2
This is a beautiful chromolithograph of costumes in the 16th, 17th, and 18th centuries, from a book published in 1901. Captions under each image identify the costumes shown. Size of plate: approx 7.5" x 10.75" The print is blank on the back and printed on firm paper that is almost like cardstock. This antique chromolithograph is in very good condition and would look beautiful framed. For other fashion prints, click on: https://www.etsy.com/ca/shop/bananastrudel?ref=seller-platform-mcnav&search_query=fashion This is an original, not a reproduction! Bananastrudel sells only originals. Shipped to you in an archival cello sleeve with sturdy backing. B2
Europeana
17th century fashion. Noblewoman in 1650. French baroque fashion. 17th century. Ancien Régime court dress. Sheets for costume design by Franz Lipperheide
Bodice Backs and Bumrolls We are accustomed to seeing antique fashion from the front. It is presented to us that way in museums and paintings. Unless there is a notable feature (usually a train) in…
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Traditional costumes in Holland in the 18th century ...
1500-1540 Schäufelein, Hans Leonhard (Formschneider, Ehemalige Zuschreibung)
Attributed to Master E.S.German (or conceivably Swiss) engraver, Southwestern Germany 1430s-1470 Also attributed to Master bxg , active c. 1470-1490 Pair Of Lovers Master E. S., is derived from the monogram, E. S., which appears on eighteen of his prints. The title, Master, is used for unidentified artists who operated independently. He was probably the first printmaker to place his initials on his work. Remaining signed works by E. S. indicate that he was active in printmaking from 1450 to 1467, the latest date to appear on one of his prints. Attributed to Master E.S.German (or conceivably Swiss) engraver, Southwestern Germany 1430s-1470 Also attributed to Master bxg , active c. 1470-1490 Two Card Players in the Garden Master E. S. probably came from southwestern Germany or Switzerland, as did the engraver called the Master of the Playing Cards. This view rests mainly on stylistic comparisons with the contemporary painting of that region. Although evidence indicates that he was most active in the Upper Rhine region, there also is evidence that he visited Mainz, to the south on the Rhine at the confluence of the Main River opposite Wiesbaden, a major economic & cultural center. Attributed to Master E.S.German (or conceivably Swiss) engraver, Southwestern Germany 1430s-1470 Also attributed to Master bxg , active c. 1470-1490 Playing Music in the Garden E. S. probably came from a background & training as a goldsmith, rather than as a painter. He sometimes used goldsmith punches in his prints & some works are clearly designs for metalwork. He was the first printmaker to sign his prints with an engraved monogram, which was standard practice on significant pieces of metalwork. He engraved 2 images of Saint Eligius, the patron-saint of goldsmiths. He liked to fill his engravings with decorative detail, sometimes overloading the composition, & only slowly does a sense of volume or recession develop in his work. Attributed to Master E.S.German (or conceivably Swiss) engraver, Southwestern Germany 1430s-1470 Also attributed to Master bxg , active c. 1470-1490 Delilah Cutting Sampson’s Hair. c. 1460-1465. Staatliche Kunstsammlungen Dresden. Dresden, Germany. Since his earliest prints show a practiced use of the burin, he is presumed to have worked as a goldsmith for some years before beginning printmaking. His level of production of prints probably means that he worked on these only during his later years. Another important printmaker & goldsmith, Israhel van Meckenem, was probably his leading assistant at the end of his career & 41 of his plates passed to him, being reworked by van Meckenem. Attributed to Master E.S.German (or conceivably Swiss) engraver, Southwestern Germany 1430s-1470 Also attributed to Master bxg , active c. 1470-1490 Lovers On Horseback (Perhaps in a park.) Attributed to Master E.S.German (or to The Master of the Housebook) engraver, Germany. The Garden of Love. Two Lovers in a Garden sitting on a raised bed. The bed is raised inside wood to prevent plants becoming waterlogged, & grass treated as a flowery mead planted with low growing wild flowers plus a clever castle-design flower pot. A bird seems entranced by the courting rituals of the humans or perhaps by the gentleman's pointy-to-the-extreme shoes.
