Do you feel like you have no clue where to start when designing your home? Rug, furniture, paint 😱 😡 Did you buy that $2,000 sofa and now it doesn’t fit and you cannot return it?! 😭 Did you just...

How To Make Old-Fashioned Nova Scotia Hodgepodge When your garden or a farmer's market offers the first harvest of potatoes, carrots, beans, and peas, it's time to enjoy a wonderful meal of the new vegetables, enhanced with a bit of heavy cream, butter, pepper and salt. Fresh chives are also a nice addition just before serving. Instead of butter, you may use finely diced salt pork fried to a golden brown to which you add the cream before drizzling over the vegetables. The above veggies were purchased at the Liverpool public market from Valerie Jollimore who is open daily except Sunday from 9 am to 5.30 pm. New small potatoes, halved or quartered Carrots, scrubbed clean and cut into bit size pieces Beans, cut into bite-size pieces Peas, shelled or use snap peas in the pods To a large saucepan, add carrots, potatoes and beans. Add just enough water to cover. Add a pinch of salt. Bring to a boil and cook for 15 minutes or until vegetables are tender. Cook peas in a separate pot or a couple of minutes in the microwave. Drain vegetables; add peas. Add a small amount of heavy cream and a dab of butter. Add pepper and salt to taste. Sprinkle with chives (optional). If using salt pork, add the cream to the fried pork and when heated, pour over the vegetables.

My guest this week has some serious talent, yet she is so humble and modest, it was like pulling teeth to agree her to be interviewed. She felt she was not up to the calibre of my past guests. When you see her photos you will shake your head at that! Not only is she such a vibrant person she is stunning and so down to earth, you can't help but feel drawn to her. Please welcome the beautiful... Colleen Sawatsky from The Vintage Home She is ... Colleen is a purveyor of all things vintage. I have had the pleasure of being in her home for a blogger brunch this past summer, her home knocked my socks off! Everywhere you looked it was perfectly styled and there was something so pretty to look at. No surprise that Colleen is a stylist as well! Many items from her home and collections are used by local stylists for magazine shoots. As a long time decor magazine addict you start to recognize spaces and know who designed them. Colleen's spaces have always stood out with her unique vintage style, so when I first met her, I felt I was meeting design royalty! Her portfolio speaks for itself, her love of beautiful things and creating beautiful vignettes is so evident. Colleen's Home: Sharalee Prang Photography Sharalee Prang Photography Sharalee Prang Photography Sharalee Prang Photography Sharalee Prang Photography A Beach Cottage, her "stuff" used as props, styled by Heather Cameron. Janis Nicolay Photography Styled by Heather Cameron Janis Nicolay Photography Styled by Heather Cameron Janis Nicolay Photography Styled by Heather Cameron Janis Nicolay Photography Styled by Heather Cameron Colleen's pantry - yes, her pantry full of goodies! Colleen Sawatsky A shoot she styled for BC Bride. Tell us a bit about your background? Your education? Has design always beenin your blood? Our home growing up was a way my parents used their creative gifts and antiques played a part in that. In my 30's I went to Interior Design School (BCIT). Bob & I both had antiques when we married and they blended together well. Then we got the collecting bug, and some of it had to go! That is how we began, friends liked our look and it grew from there. I have clients referred from friends, and businesses & designers that buy our pieces. We also have a booth @ Village Antiques Mall in Fort Langley. How would you describe your design style? Eclectic eclectic & eclectic! Sorry, but we love most everything but are drawn to the mix! Our home is mostly traditional, but our look that we sell is very French/Shabby! We love mid century modern art deco and Hollywood Glam, but sadly those pieces can be hard to get and pricey. Where do you find inspiration for your designs? I really enjoy magazines in print or online! Blogs are amazing sources of inspiration! As much as I love architecture/decor tension I also find some homes are bossy, you just have to give it what it wants sometimes! Other inspiration can come from a piece of furniture you or your client loves, it can be a jumping off point & that is always a great start! I really try to see how much of the clients inventory we can use, reuse or redo. I am crazy for dressers used as hall pieces, beside a fireplace, kitchen islands, a bathroom vanity, or bedside tables! Move it about, you'll be surprised What tips do you have for aspiring designers in getting their design work published or to hone their skills? Hone your skills...well sometimes you have to work for family & friends for free, or start @ a big or small firm or store. Stick with it! Getting your work published... well I say, "Know your audience". The published work I am drawn to is called "Life Style" stories! We have been in Style At Home, Canadian House and Home, and Country Living and O Magazine. We still have a story to be published. I've had the privilege of working with Heather Cameron, I read her article for Victoria Magazine, and went to her Organic farm to introduce myself. I followed her print career. Years later I had some projects in mind and blessedly for me Heather liked them, it all worked from there. Heather did the work with the magazines so I can't give myself credit there. Janis Nicolay was the photographer for all the stories.... amazing work! If you want to be published jut submit some of your work to a magazine and see where it goes! Magazines have departments that highlight products, or a "store watch" that gives a shout out to businesses. I do know you should be careful how much you put out online yourself, if you are interested in publishing some of your work don't put it on your blog! You are known in our parts as the queen of fabulous vintage finds, what makes you decide to grab something to re-vamp or walk away? Well to be honest my husband is my "picker". Yes I do buy some stuff but Bob does most of the buying he has a great eye and great style! He will phone me sometimes if he is in doubt about whether I think it will sell or maybe discuss the price. we have clients that could be looking for a certain piece and I am the one that has the pulse on that! We...woops, he, spends a lot of time looking at garage sales thrift stores flea markets auctions & referrals. It is very time consuming, but its his "golf", I just have to sell everything! People wonder why they don't find the stuff...and its all about time, you have to be out there to find the treasures! And what comes home with us or what doesn't usually has to be boiled down to cost! If we can't sell it for a profit we don't buy it! Some pieces we can't pass up for reasons only your heart can tell and they usually stay in our home, that is till someone begs to buy it (and sometimes that takes years for us to part with it!) What is one design faux pas that you wish could be banished? Oh boy...hmmmmm.well I have to say not trying! (Probably not considered a faux pas) There are so many resources out there for anyone to tap into. Either hire someone, it’s cheaper than a mistake, or try to educate yourself. I know budget is a concern for most of us but we all need to feel warmth & joy at home, how we decorate can help, and we can do it well at any price point You have such an eye for details and styling, what quick and easy tips do you have that anyone can do to give their home a bit of chutzpah? Quick & easy: Paint & proportion. Not so quick...you really need to have an anchor or focal point, sofa or bed, to start the process. Once you have determined your priorities the small stuff falls into place. Have a paper file or e-file of inspiration, this is so helpful. I am the first to admit I have a roving eye, our home is always in flux, if that’s not for you pick your targets and stay on course. As a mother to 3 children, how do you balance your family life and your work? Well our eldest daughter and her husband live very close by. Our youngest daughter is a university student and lives at home, we make it a priority to spend time together. I am blessed to have a job where I can set a lot of my hours to work around family. When your kids are younger the time demands are different. I have a huge respect for the families that do it well. What do you like to do in your free time? Free time is an oxymoron in a home based business, free time for my husband and I may include looking for treasures! We love to entertain, volunteer, and I enjoy helping our daughter with her horse. I enjoy reading, spending time with friends and family. What goals or aspirations do you have for your design business and/or your blog? Just to keep selling wonderful furniture. I love it when someone "gets" the patina of an aged piece, or sees the details revealed with a bit of paint. I know "vintage" is not for everyone, in this regard we were "green" before it was a buzzword! As for my blog, well everyone knows that a good one takes a lot of time, so I hope to put more into mine. Blogs are an endless supply of creativity and talent, I am constantly reminded of the support and generosity of fellow bloggers, I wish to do better at all of these! If you could meet anyone or do anything who or what would it be? Do anything...hmmmm.... maybe rest! Seriously, go on holidays with my family more often. The five of us spent 5 days alone over the summer and it was pure joy to have those days together. What are your views on the role of Canadian design on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? There is so much talent in this country! Its been said before but worth repeating, we aren't outspoken in promoting ourselves. There is now a well-deserved shift in attitude about showing what we are capable of! Our amazing designers and accessibility to wonderful homegrown products, and the ability to get the ideas and info out there has changed the landscape of design in the last 20 years. I believe that the unique sense of style we Canadians have, at times, is determined by cultural and regional input. What is unique in us is the willingness to take chances and to have fun! Decorate with what you love, honor you’re home by living the best you can in it. I would rather go for better than bigger.We embrace welcoming warmth and hip design! Wow Barb, thanks for the opportunity, I am so honored to be on the roster of your "so Canadian, eh". Barb you have, since the time I met you, showed organization great energy, enthusiasm, creativity caring and great spirit. I truly mean it when I say the generosity of fellow designers and bloggers is amazing. I was born before TV and have witnessed the generations of creativity grow stronger with each decade. Technology does not replace good old get down there and do it, yet it enhances our choices & educates us. Good design still needs the human heart & spirit to create a memorable idea, and a welcoming home. Colleen. Well thank-you Colleen. It was such an honour to have finally met you after admiring your work for a few years! You are such a warm and exuberant woman with such a zest for life and for seeing beauty in everything. Thanks-you for making me feel so special every time we meet. Hugs. XO Barbara

I love the comforting simplicity of a classic Nova Scotian Hodge Podge. Traditionally made during the summer months when fresh beans, peas, carrots and potatoes are readily available, this dish can be adapted to include local meats like bacon or lamb and any vegetables you have growing in the garden

"Hodge Podge Lodge was one of the first nature shows for children, airing in the seventies on Maryland Public Television and syndicated on the east coast. The show's host, Miss Jean Worthley, inspired a generation of children about the natural world. Worthley, former preschool teacher, came up with the idea of a naturalist living in a cabin. On the show Miss Jean taught children about nature through hands-on activities, including cooking and crafts, in a small cabin built on the MPT site. The Lodge sat for more than 30 years in the very same spot on the Maryland Public Television lot. And despite its much-loved history, fell into disrepair. Until now. Hodgepodge Lodge has been renovated and relocated to the grounds of the Howard County Conservancy." -- Quotes from the sign at the lodge. Mt. Pleasant (Howard County Conservancy), Maryland

I love the comforting simplicity of a classic Nova Scotian Hodge Podge. Traditionally made during the summer months when fresh beans, peas, carrots and potatoes are readily available, this dish can be adapted to include local meats like bacon or lamb and any vegetables you have growing in the garden

…Lodge – my term for “a mess”. My hanging spice shelf embodied that term big time! You know, it’s one of those spots in the kitchen that truly ends up…

I am on cloud nine this week, excited to have my latest guest visit my blog. As a long time admirer, it was thrilling when she agreed to be interviewed! Please give a warm welcome to... Suzanne Dimma, Editor-In-Chief of Canadian House and Home {Photo: Sophie Giraud} She is Suzanne Dimma is well known in the Canadian design scene, currently she holds the coveted position of Editor-In-Chief of Canadian House and Home. But Suzanne has been involved not only in House and Home but several other Canadian publications, was a host on her show, The Style Dept, a HGTV Canada show, which I wish was still on, is a regular design expert on the Marilyn Denis Show, and was even a judge on HGTV's Designer Superstar Challenge! I have admired her work for many years! She is truly a Canadian design icon. I had the pleasure of meeting her at our Blend 2011 Design Blogger gathering we organized and held during IDS West in October. It was such a thrill to be in the same room as her. I was awestruck and quite nervous about meeting her. I wish we weren't so busy that evening, it would of been such a pleasure to have had a conversation with her, so it is such an honour to be able to interview her for my blog! {That's me on the far left!} {Photo: Per Kristiansen} Suzanne's first home. It was her design of this space that really got my attention. Suzanne is a master at creating timeless and classic spaces. Truly a sign of a talented designer, one whose spaces stand the test of time. I admire designers whose spaces don't scream a certain era but can look current even years later. If you want to see more photos of her homes you can find photos here. {Photo: Michael Alberstat} {Photo: Michael Graydon} The entry in Suzanne's current home. I love how she mixes it up and changes things creating a whole new look. Nothing seems to stay the same, always evolving and changing with the seasons. Currently her home is undergoing a renovation, which you can follow along on her blog at houseandhome.com {Photo: Rob Fiocca} Suzanne and her husband Arriz at home with their cat, Z. Love, love the gallery wall! Wouldn't you agree that every sofa looks better with an Hermes throw? {Photo: Rob Fiocca} Suzanne's dining room. Ahh...wishbone chairs.... {Photo: Michael Graydon} The fabulous off-the grid cottage Suzanne shares with her husband, featured in the October 2011 issue of Canadian House and Home. {Photo: David Bagosy} A vignette she pulled together for the first season of The Style Dept. {Photo: Angus Ferguson} A gorgeously layered and colourful living space designed by Suzanne for The Style Dept. A frequently pinned photo and one that has made it's rounds on various blogs. {Photo: Michael Graydon} An amazing family friendly condo project she worked on. The luxurious black panelled walls, double ringed mirrors and scones drip with glamour, while the simple chair and teddy bear casually thrown on temper the space and give it life. {Photo: Ron Baxter Smith} An Ikea print ad Suzanne styled, can you spot the Ikea? A fabulous example of mixing the high and low, antiques and big box store finds to create a one-of-a-kind space. This ad was part of a 4 part ad campaign that won a Communications Arts Award. No surprise there! Tell us a bit about yourself, your background, has design always been something you are drawn to? Did you go to school to study design? Oh absolutely I have always been drawn to design! When I was in grade school my favourite toys were Lincoln Logs and Lego. I also spent hours fashioning model houses using shoe boxes and cardboard then decorating them with furniture and drapery whipped up from odds and sods found in the house. My family lived in Lincoln, Massachusetts for a few years and I attended a phenomenally creative school. One assignment involved sending us into the forest behind the school with the challenge of building a structure that would survive the winter using only what we could find in the woods. Each week we would go out and evaluate how our various stick houses were doing. I found it so exciting and I’m certain that these sorts of experiences were entirely influential. Later, when I was a teenager, my mother let me decorate the area at the back of the house where my bedroom was. She also consulted with me regularly about how to decorate and update the rest of the house. She still does! In terms of studies, I was very focused on the art program at my high school, then after graduation, I completed a Bachelor of Fine Arts at York University with a major in graphic design and photography. Following that I completed the interior design program at Humber College. Both were truly amazing experiences. Before you were the Editor-In-Chief of one of the most premier design magazines, Canadian House and Home, what did you do? Just before I took on the role of Editor at House & Home I was acting as the Home design Director of the now defunct, (but fantastic), Wish magazine as well as Canadian Family and Gardening Life. I held this role for about 5 years and was, in fact, part of the team that originally created Wish. I was also hosting my own television series on HGTV called ‘the Style Dept.’ that is now seen in many countries around the world. Prior to that I had been the Creative Director at Canadian House & Home in charge of conceptualizing and developing their home product line that was sold at over 100 Hudson Bay stores across the country. It was an entirely different type of role than the work I do at the magazine. And before that I was a freelance designer for several years, dividing my time between working on residential clients as well as working as a freelance stylist for a variety of magazines and some big advertising clients including Ikea, Home Outfitters, Eddie Bauer, Homesense, Eaton’s, the Hudson Bay Co., Harry Rosen and Pottery Barn to name a few. I was very busy! And before that I had been a senior design editor at Canadian House & Home for several years. I have also worked for several different design firms doing everything from retail to corporate design work. That’s my resume in a nutshell. How did you get your big break? My big break actually came back at the age of 15 when I landed the summer internship for Lynda Reeves, House & Home’s publisher, when she was a practicing decorator. I assisted her for two or three summers working out of her home office and obviously we kept in contact afterwards. We have a long history and she has given me several work opportunities. Acting as a judge on HGTV’s Designer Superstar Challenge was also a big break for me as it led to securing my own television show as well as the opportunity to appear regularly on various television series including the Marilyn Denis show now. Even though most of us would feel that your job would be our dream job, what goals or aspirations do you have? That’s a tough one because I really do feel like I have reached the pinnacle of my career in design media in Canada, which was always my goal. And I am really focused on where I am right now. I suppose that down the line it could be interesting to collaborate with my husband, Arriz, on doing beautiful and quality residential work. What do you like to do in your free time? Like so many people, I don’t have a lot of free time so it is very precious. I try to escape to the country whenever I can. I love the outdoors and nature and am happiest when I’m swimming in the lake at the cottage, reading by the water…really anything by the water is perfect. I love to snowshoe and cross country ski in the winter. I am addicted to yoga so I spend a lot of time at my local yoga studio, Octopus Garden. And I love spinning. My idea of a perfect weeknight is to make a fantastic meal at home with my husband, Arriz, and sit by the fire with our two cats, Po and Z (pronounced Zee), watching a movie. I am usually pretty wiped at the end of the day so nothing beats staying at home! And I love to check out the restaurant scene with friends wherever I am. As Editor-In-Chief, for a fantastic Canadian publication, where do you find inspiration for the magazine and for your own home/ design work? How do you decide what makes the cut and what doesn’t? House & Home has a distinct and specific taste level. When scouting shots come across my desk, I know fairly quickly if it meets our criteria or not. I know it like the back of my hand as does the senior editorial staff. It is difficult to put into words but, above all else, we look for quality, sophistication, creativity and authenticity. We map out our issue themes every year so we need to ensure that the spaces we choose work within them. And we love to discover new talent. As far as inspiration, it comes from everywhere; designers, books, our favourite stores and shops, the various international gift and furniture shows, other magazines, and of course blogs and the internet. The edit team has lots of brainstorming meetings where everyone has the opportunity to present their views on various design ideas so we also get inspiration from the office dialogue and collaboration. They are a pretty creative bunch! What is involved in being the Editor-In-Chief, briefly fill us in on your typical day and the role you play at the magazine? My days are pretty hectic. Most days I am in back-to-back meetings because everyone on the team needs to get approval on everything that goes in the magazine. There are initial planning meetings where the design editors make proposals for story ideas. There are meetings to choose locations and discuss props and the angles of shots. There are meeting with the art department to discuss layouts and meetings with the copy and features dept. to discuss the packaging and writing. There are budget meetings to make sure we aren’t spending too much. And there are some very in-depth cover meetings. I also meet regularly with the communications departments about events like the various Interior Design Shows or our annual trends breakfast. And there are meetings with our I-pad dept and the website team to make sure the magazine and our web presence gel. I wasn’t kidding when I said there were a lot of meetings! During the week of production before we send the pages out to press, most of my time is spent reading, editing and tweaking layouts. It is a deadline driven business, which makes it frenzied at times and there is always some drama or last minute panic. I have to sign off on every page. This is usually when I write my Editor’s letter as well. In the middle of all this there are various photo shoots in studio or on location to attend. I also go to numerous events and store openings. Plus some suppliers will come to our offices to present new product developments. Now and then there are some fantastic press trips that I am lucky to be invited on. Last year I flew to Paris with Hermes and the year before I visited the Milan furniture fair — both were glorious. I love to travel so this is the best part of my job. I have family and friends in NYC and Chester, Nova Scotia so whenever there is a photo shoot in either place I’ll go and handle the art direction. Tweeting, blogging and posting on Pinterest have also become a part of my job so I work that in. Of course I also make appearances and presentations at various events. And I film a lot for our on line TV show, interviewing homeowners and international designers and doing house tours. And I go to the Marilyn Denis show once a month or so to talk with Marilyn about design …that involves a whole other series of meetings! My days are seriously jam-packed. What tips do you have for aspiring designers in getting their design work published or to hone their skills? First off, get the adequate training. My time in the interior design program at Humber was invaluable. And if you can, apprentice with someone whose work you admire where you can learn from the best and also make connections with the trades and key industry players. To get published, you first need to take a project to completion. We are far more likely to publish a house that is finished than one that is only half way there. Pay special attention to the details and the layers. I have seen some gorgeous homes architecturally speaking (some from fairly prolific designers and architects) that we simply cannot print because they were totally empty of decorating or any sense of life. But it doesn’t have to be the Royal Palace for me to take notice. House and Home has published the first apartments of some established designers including Brian Gluckstein, Sarah Richardson, Candice Olsen and Tommy Smythe, not to mention myself. All of these spaces were small, affordable but very well done. Next, it is beneficial if you can take a great photograph so you can document your work well. Take lots of pictures. My biggest pet peeve is when people send a shot of a fireplace mantle and a chair against a wall, for example, and nothing else. We need to see the entire house and that includes a kitchen, one bathroom, one bedroom, a front entry area, and living room… minimum. Pull back and capture everything. If you have a good project and good photos, you’re well on your way. A great story helps as well. Tell me the story and send me the pictures! I love getting a surprise gorgeous house in an e-mail or letter. In fact, I would send both. That way I have a digital copy and a hard copy to act as a reminder. What are some design faux pas that you think should just be abolished? - I am not a fan of leather parsons chairs. They are far too common. I was tired of them back in the 80’s and I still am. - Guitars and other musical instruments as décor with the exception being the baby grand piano - The over zealous use of recessed pot lights. There are so many gorgeous fixtures out there now. Invest in a few great lights and cut back on the pots. - Matchy-matchy colour and fabric schemes. I think most of us will agree that the most inspiring spaces lean more to the eclectic side. - The same goes for matched sets of furniture. When was the last time that you saw a gorgeous bedroom with a matching bed, and end tables and bureau? - Over-glamourized effects. It just isn’t relevant anymore. If you could meet anyone or do anything who or what would it be? To meet: I would like to have the privilege to meet either of my style icons; Muriel Brandolini or Ines de la Fressange. I admire both of them for their confidence and passion and would love to speak to them about how they make their visions happen. To do: I have aspirations of designing an off-the-grid eco lodge experience in northern Ontario based on the elemental design of my own cottage. There is nothing like it here and I would love to create the same type of environment for other people to enjoy. My experience there has changed my life and it would be nice to be able to share it. You are surrounded by such amazing design inspiration, how do you decide what and how to decorate your own homes? It is incredibly difficult not to get influenced by all of the inspiring spaces that I see daily. I have developed a rather bad and expensive addiction to renovating and redecorating because of it! (There are worse addictions though.) In fact, I am about to embark on a reno at my Toronto home soon and I have changed my mind hundreds of times because of finding or seeing something I like better since my last decision. But my final decision is often a matter of budget. I also pay attention to the space and items that I already have. Not every look can be transported to every space. So this narrows things down a bit. I often advise people when they are just starting to make those big purchases for their home, like a sofa or a bed, to buy wisely and take the time to think through the decision because you will probably have it for a long time. Think about what kind of space you eventually want to live and aim toward that. Like the fashion world, it’s usually better to invest in one or two truly fantastic items rather than a plethora of poorly made things. Antiques and classics are always my starting point. Your husband is Arriz Hassam, a partner in the design firm, 3rd Uncle, how do you two work together in designing your homes? Who has the most say, or the most influence, he or you, or is it pretty even? Oh, I have to be careful answering this one! Actually, we work amazingly well together. We really allow each other equal say because our skill sets are quite different. Arriz has a degree in architecture so his main focus is always on construction and structure. He has an incredible gift for solving spatial issues. I like to focus more on the final look, furniture and space planning and decorating. But one of my favourite things to do is to sketch out ideas together. Now and then we disagree but we always come up with a solution. What are your views on the role of Canadian design on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? I speak to so many international designers who are impressed by the Canadian Design Scene. We can proudly boast some larger than life stars at all ends of the design spectrum including Yabu Pushelberg, Shim Sutclilffe, KPMB, Powell and Bonell, Umbra, Brian Gluckstein as well as Sarah Richardson, to name a few. I don’t particularly see Canadian designers as having a specific role related to their nationality. I believe that our role is the same as good design world-wide; to deliver stellar work that ultimately improves the quality of people’s lives while connecting them to beauty. I would, however, like to see Canadian designers make a mark through an outstanding effort to operate with responsibility when it comes to ecological concerns. In regards to defining a unique Canadian style, design has become so global that I think it is difficult to distinguish a style with a place. Words that come to mind when I think of our design scene as a collective though are: authentic, subtle, thoughtful, and restrained. What sets us apart though are our heritage and natural resources – especially our wood. I think a lot of people see Canadian style in things like fur and antlers and rustic, organic qualities. I do see a lot of homes with antlers! But it is really only a small portion of the kind of work that’s being done here. It is interesting though that the oldest company in Canada, The Hudson Bay Co., is in the midst of a total brand overhaul and is suddenly ultra-cool. Those red, yellow, black and green stripes, truly iconic Canadiana, are showing up in some of the most fascinating interiors as well as on the most stylish people at home and abroad. Suzanne, thank-you so much for taking time out of your busy schedule to participate in my series. I am truly honoured and flattered you agreed! What a busy life you lead. I can relate to making things out of Lego, as a child I loved to build houses with what little Lego I had. I was also constantly making new cardboard box homes for my Barbies and I re-decorated my Barbie house constantly! As for my room, my patient mother let me paint my whole room several times and create a rainbow theme - yikes - so 80's. Down to rainbow print sheets and drapes, which she gave to me last year for posterity sake! XO Barbara

So glad you came today! Felt good to switch things up a bit and move my So Canadian eh? series to Friday. I am incredibly thrilled and honoured to have another design idol of mine visiting this week. This designer, she doesn't call herself that though, so I'll call her design magician instead, is Canada's design darling. Her personality is infectious as is her design aesthetic. She is known for creating incredibly layered, glamorous and knock out spaces. Please give a warm welcome to Samantha Pynn Photo: Tim Leyes Courtesy of RTR Media Inc. She is..... Samantha, known for her emphasis on eco-friendly design and upcycling a thrifty find mixed in with glamourous additions can be seen in this season's Summer Home on HGTV Canada. While I would LOVE a summer home of my own, it is enjoyable to watch her along with her design team transform sad cottages into cozy and design savvy abodes. Samantha is also a design contributor to CItyline TV, columnist at the National Post, design contributor at Style at Home, hosted webisodes for HGTV Canada called The Mix and The Switch, and has her own webisodes, on You Tube called Samantha's OPYNNion! She also hosted and was principal designer on her own HGTV Canada series Pure Design, which I so miss. This week's episode of Summer Home had Samantha transforming this cottage...... Photo: John Queenan Into this. Photo: Virginia MacDonald Samantha is one busy gal but the magic she creates in spaces takes my breath away. You can see how she incorporates up-cycled treasures made new, mixed with paint and a fabulous finds to create realistic spaces that you can see yourself living in. I find I am drawn to designers who create approachable spaces. Here are a few of my favourites! Can you spot the thrifted finds, Ikea add ins along with high end items? photos by Virginia MacDonald Tell us a bit about yourself, your background, your education? Has design been something you have always been drawn to? I went to UofT and have an honours English Specialist degree, then I went to Ryerson for magazine journalism. While I was there I was tending bar and working as a location scout for music videos and commercials. I really wanted to work at a gardening or decorating magazine. I was definitely obsessed with my own apartment, constantly refinishing furniture and I had a perennial garden at my mom’s house. It started when I was a kid. My grandmother (dad’s side) was a Martha Stewart – she taught me how to clean, knit, paint, bake. I’m not a good baker, but everything else rubbed off. And then I started working at Style at Home magazine… Have you always been an interior designer? If not, what was your first career? I’m not an interior designer – not formally trained. I’m a decorator. I apprenticed with David Overholt at Style at Home and while at Style at Home I went to Ryerson for drafting and space planning. You and your designs have been featured in many publications, and on television., such as Style at Home and Cityline. How did you get your big “break”? I worked my butt off. I interned at Style at Home and I stayed as long as I needed to get the job done and I was hired. There were many nights I worked until mid-night or later and was back in the office in the morning. The team was lean when I was there so I had the opportunity to take on big stories. I never said no because I loved the work. A Cityline producer had liked one of my stories on bar carts – there was a full page picture of me pouring a drink behind a barcart (I tended bar during my first year at Style at Home) and she asked me to come on CityLine live with Marilyn Denis. I slowly got better (with Marilyn’s help) and fast-forward 8 years of full-throttle scouting, designing, and styling for magazines and photo shoots and I had my own TV show. Your HGTV Canada show, “Pure Design” {which I absolutely loved} focused on eco-friendly design. What are some ways homeowners can approach the design of their homes in an eco-friendly way? Work with what you have. Paint, re-upholster, move furniture (like a dresser to a front entryway). Buy second hand - even if you have to refinish it – it’s worth it to get a piece that no one else has. What are some design faux pas that you wish could be banished? Black leather sofas with donut rolled arms, corner cabinets and fireplaces, dining chairs that look like tomb stones, foam pillows. What do you like to do in your free time, that is if you have any? I go to yoga, spin classes, and recently started kettle bell when I’m not working. I love spending time with family and friends. And other than that my world is a big decorating and design bubble. How do you start a design project? What inspires the direction your design project will take? The homeowners - I need to see what their style is before I take on their project. I won’t touch a project where I can’t deliver or over deliver. If it’s a project for myself, that’s a whole different story. I’m influenced by places I travel, stores, designers, magazines (I’m a magazine junkie) What tips do you have for aspiring designers to hone their skills? Apprentice with someone and that may mean getting them coffee or picking up dry cleaning. Help family and friends. Read everything you can about design. Look at beautiful pictures. Analyze every room you enter good or bad. Talk to experts. Don’t pretend that you know everything – no one does. You are embracing online TV and have created a few webisodes and now your own YouTube channel, what is next for you? Any new shows? {These questions were written up in early February before we knew about her newest venture with HGTV called "Summer Home" which premiered on Monday}! Top Secret! Just kidding. TV and more webisodes are definitely on the horizon. What are your views on the role of Canadian design on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? Canadians are all over the map when it comes to design. We’re a mosaic so it’s only natural that there are people who love modern design, trad, country, European, American, and a whole slew of international influences as well. We are a cold country so many of us are not so into pattern and bright colour everywhere. That’s not to say that we’re all beige. I mean we still love our neutrals, but if there is one thing that I’ve seen change since I started my career is our use of colour and pattern and it continues to grow. Samantha thank-you for taking time out of your incredibly busy schedule to visit us here this week. I have adored your designs, your visits on Cityline and now your new show! HGTV Canada personality Samantha Pynn (Pure Design, The Party) is pleased to host the brand-new season of Summer Home, launching on April 2 at 8pm ET/5pm PT on HGTV Canada. Summer Home airs back-to-back episodes Mondays at 8PM ET/PT. XO Barbara

I made a realization the other day - I have yet to ever make bread pudding using actual yeast bread. I've made it with Irish soda bread, with banana bread, and even with biscuits. And every time, it's been really yummy! Having already done quite a bit of experimenting with the basic bread pudding recipe, I decided to branch out even further and see what else I could use to make a delicious, custardy pudding. This actually came about because I wanted to make biscuit pudding, but found out after mixing up the custard that I didn't have enough biscuits. What to do? At that point, I went ahead and tossed in the biscuits, then started improvising, tossing in a bit of this and a bit of that. Leftover muffin, graham crackers, cereal crumbs, all were added with the hope that the pudding would at least be edible. Turns out, I needn't have worried. It was delicious! It had a wonderfully soft, custardy texture and a delightful combination of flavors. Thus Hodge-Podge Pudding was created. Here is a recipe/formula for making this fun pudding, which can be used for either breakfast or dessert. It utilizes foods that you have on hand, and need to use up, so it saves money while creatively using leftovers. Hodge-Podge Pudding 2 1/4 cups milk 1/2 cup sugar 1 1/2 tsp. cinnamon 2 large eggs, slightly beaten 5 cups assorted grain foods (at least 2-3 cups should be bread-like: bread, biscuits, waffles, pancakes, muffins, etc. Fill in the rest with stuff like cold cereal, leftover cooked cereal, leftover cooked rice, crackers, etc.) Heat oven to 350. Grease a 1 1/2-qt. casserole. Mix milk, sugar, cinnamon, and eggs in large bowl with wire whisk until well blended. Stir in bread/grains. Pour into casserole. Bake uncovered 40 to 45 minutes or until knife inserted 1 inch from edge of casserole comes out clean. I later made another batch of this hodge-podge pudding (pictured above), this time using biscuits, waffles, saltines, and cereal crumbs, and baked it in a 9x13. It turned out really good. To make this into a great dessert, try topping it with a dessert sauce as found in any of these recipes: cottage pudding, Woodford pudding, Irish soda bread pudding.

Inside: You will find detailed instructions on how to make a Roman blind for your home! If you are dying to make a fully functioning Roman blind, the instructions are below. Don't let all the photos and steps scare you away. It does look daunting but I tried to be as thorough as possible so you won't have to "guess" your way through like I did. Once you make one, you will realize how easy they are to make. The most important thing I can't stress enough, is to be precise in your measurements. Remember the old saying," measure twice, cut once!" Dying to make one for yourself and save yourself $$? Have no fear, if you can sew a straight stitch on your sewing machine, then you can do it! Supplies: Fabric of your choice. {I highly recommend a good heavy weight fabric with a tight weave} I wouldn't make a blind wider than the width of the fabric. If your window is wider than that, you should make two blinds to sit side-by-side. Lining. {I used black out lining in order to keep the room dark but there are various types you can use. I highly recommend using a lining as then your blind won't be see-thru, it will look professionally made} #1: Piece of wood, about 1" x 2", cut to the desired width of your blind, this will be what you use to mount your blind to the window frame #2: Piece of wood, about 1/4" x 1", cut 1/2" less than the width of your blind, this will be inserted at the bottom of the blind to give it support and hold its shape. #3: Wooden dowels, about 4-5, 5/16"" thick, cut 1/2 " less than the desired width your blind . If the finished width of your blind is going to be 48", then cut the dowels to 47 1/2 ". This is where my saga began, my windows were wider than 48", the longest length a 5/16" thick dowel is sold. I searched high and low, but after exhausting my resources I chose to use garden bamboo, purchased at my local garden centre. Make sure you find the straightest and even thickness bamboo. #1: Mounting brackets, to hang up the blind to window #2: Eye hooks, around 4-5 #3: Small plastic rings, I used 16. #4: Nylon cording, about 5 times the length of your blind. #5: Cleat, you will only need this if you aren't using a cord lock. #6: 1 1/2- 2" wide twill tape, about 5 times the width of you blind. These will be used to make dowel pockets. OR you can make your own tape, cutting strips of fabric or lining and folding in a hem along the length of the strip. Cord lock. This is optional but it eliminates the need for a cleat to hold the cords in place so the blind will stay drawn. {I decided on this towards the end of making my blind, photos are near the end} Staple gun Thread, needle, pins and coordinating thread 1. Before you begin, you need to decide if you want an outside mount or inside mount blind. Outside mount {a blind that sits outside of the window frame}: {33 Shades of Green, another fabulous Roman shade tutorial} Or Inside mount {one that fits inside the window frame}: 2. Measure the dimensions of the window. If you want an inside mount, you need to be precise in your measurements so that it will fit perfectly. For an outside mount you need to determine how much you want the blind to sit outside of the frame. Then add 4 inches to the width and 6 inches to the length of your desired finished measurements. These will be your cutting measurements. My blind is going to be 40"long by 58" wide, so my cutting measurements would be 46" long by 62" wide. 3. Lay out your fabric and using a square ruler, measure and cut out your fabric. 4. Using the same measurements, cut out your lining. 5. Using an iron, iron a hem on 3 sides of your blind; the bottom and sides. Leave the top part un-hemmed. To get nice crisp corner for your blind follow my steps below. ** edited January 17, 2015. After getting many emails and comments, it is clear that people's math skills are not what I thought they would be. The side hems should be 2 inches (hence cutting your fabric 4 inches wider than the finished width, and the bottom hem would be 2 inches, leaving 4 inches for the top to overlap the wood piece. {1} Iron each edge, {2} unfold {3} iron the corner over just to the point where the arrow is pointing, it is the point where the two folds met. {4} Finally, iron back the edges along the original ironed edge. 6. Do the same with the lining. Ironing a hem only on 3 edges, leaving the top edge un-hemmed. ** edited January 17, 2015 and iron the hem of the lining about 1/4 - 1/2" more than what your ironed for the fabric. So if the hem for the fabric is 2 inches, the hem for the lining is 2 1/4 - 1/2.inches. 7. Lay out your ironed fabric on a flat surface 8. Lay the lining on top with wrong sides {hemmed sides}together. 9. Re-measure the width of your blind just to make sure it is "square", make any adjustments to the hems with the iron if needed. {This is an easy step to overlook, but it can save you a headache in the end if the blind is too big or too small for the window!} 10. Pin all the edges of the lining to the fabric. 11. Hand stitch the lining to the fabric, using an invisible stitch, being careful not to go through to the front, just catching the folded edge of the lining and the folded flap {hemmed edge} of the fabric. Alternately, you can sew the edges on the machine. I prefer to hand stitch as then the blind looks more tailored and "clean". 12. Determine the placement of the dowel pockets. It is best to place the dowels about 10-12" apart so you get 5-6" folds. The placement of the first dowel is half of the space plus 1". So if I choose to place my dowels 10" apart, the first dowel is place 6" from the bottom edge {10/2=5 +1= 6} I know, math again, crazy! It is also best to have the last dowel placed about 10" from the top. Here is a diagram I drew so you can see the dowel placement and the ring placement. I chose to place my dowels about 9" apart, as you want about 4 dowels for a blind my size and I had to fiddle with the placement in order to come close to 10". 13. Mark the dowel pocket placement using a ruler/yardstick and a pencil. Or if you are Martha, you can use a disappearing ink pen. 14. Measure the width of the lining, add 1" and cut 4 pieces of twill tape. These will be made into dowel pockets. 15. Iron the twill tape. {1} Iron the tape in half lengthwise {2} Fold over the ends and iron. {3} Pin the iron twill tape to the lining. Place the free {unfolded} edges along the line, the folded edge facing the bottom edge of the blind. 16. {5} Stitch the edge of the tape {the non-folded edge} with the sewing machine, {5} sewing through the lining and fabric. I used white thread and brown thread so that the lining side was white and {6} the fabric side had coordinating thread. 17. Sew on the plastic rings to the edge of the tape. Because my blind is wide I chose to use 4 rings across the dowel pocket. I placed the rings about 2 1/2 inches from both edges and then evenly spaced the two middle rings and that they line up, up the blind. I think for most blinds, 3 vertical rows of rings would be enough. See diagram. 18. Slip the flat wood piece {1/4" x 1"}, cut 1/2" shorter than the width of the blind, into the bottom edge hem. Stitch the corner closed. 19. Slip the dowels, {cut just slightly shorter than the width of the lining} into the twill tape pockets. 20. Stitch the ends closed. 21. Wrap the wood that will be used for mounting the blind with a scrap of lining or fabric. Use a staple gun to hold it in place. 22. Mark the placement of where the batten board will sit. I marked off the top of where my blind will be {the finished height of my blind}. You do this by measuring from the bottom. Since my finished height of my blind is 40", I drew a line 40" from the bottom edge of the blind. 23. Line the mounting board with the staple side facing up the blind along the marked line {where the arrow is pointing} Then lay the board down, staples side is down and now the line is below the board. You can staple the fabric to the top of the board and roll it back up. You will find the board then lines up perfectly . 24. Mark the placement of the eye hooks by moving the board down to the first dowel pocket, using the plastic rings as guides. 25. Screw in the eye hooks. Since I made 4 vertical rows of plastic rings {see the diagram}, then there will be 4 eye hooks lined up along the mounting board. 26. Now you are going to start threading the nylon cord. Determine which side you want the cords to be pulled from, then start from the farthest row of rings. I measured the length of the blind, plus the width, plus some excess so you have cord hanging to pull {about 1/2 the height of the blind}. I then cut that length of the cord. 27. Tie the cord to the bottom ring, then thread through all the vertically placed rings running up the blind to the eye hook that is vertically placed as well. Then thread the string through all the eye hooks that are along the top of the mounting board. Letting the excess string lay to the side. 28. Cut lengths for all the other vertical rows. Everytime it will be shorter as you will need less horizontal length of cord. I found that by taking the cord and laying it out loosely to my desired length and then cutting was easiest. Do that for the remaining vertical rows of rings. You can refer to my drawing to get an idea of what I mean. 29. Leave the excess cord laying to one side. Now you will either mount a cord lock or another eye hook to channel all the cords together. This is how you will open and close the blind. If you use a cord lock then you won't need a cleat, unless you want a tidy way to hang the cords. For this blind I chose to use a cord lock, but with the black and white striped blind I just used another eye hook, but then a cleat is necessary to hold the cords in place so your blind will stay up in place. 30. If using a cord lock, then you will need to screw on the mounting bracket first. If you want to use the eye hook option, photos are at the end of this tutorial. If you are making an outside mount blind, the the brackets will be placed not at the ends of the board but along the back. 31. Now screw the cord lock on top. Making sure the placement is correct. There are "wires" on the top. The cut ends face to the outside of the blind {see the 2nd following photo} and..... the "folded" end faces inside the blind. This is important, you want the locking system to lock the "right" way. 32. You are going to thread all the cords through this. 33. The best way to thread the cords through is to hold the blind up so the cord lock is hanging down and thread the cords in, the small "roll" will open up and they thread in quite easily. 34. Screw the second mounting bracket on the opposite end of the board. You may need to make adjustments once it is up. I realized I had a gap, so I had to move the bracket over a bit. 35. Hang up the blind using the mounting brackets to your window frame. Alternatively, instead of a cord lock {I am finding with the weight of this blind, the cords on the far end of the blind keep slipping} you can use an eye hook screwed to the end of the board to channel all the cords in one place. If you choose to use this, then you will need a cleat mounted along the window frame to hold the cords so the blind will stay in place. It will take a few times to "train" the fabric to fold. Just guide the fabric along, eventually it will "remember" and fold on it's own! *visiting: Frugal Friday @ The Shabby Nest

I am on cloud nine this week, excited to have my latest guest visit my blog. As a long time admirer, it was thrilling when she agreed to be interviewed! Please give a warm welcome to... Suzanne Dimma, Editor-In-Chief of Canadian House and Home {Photo: Sophie Giraud} She is Suzanne Dimma is well known in the Canadian design scene, currently she holds the coveted position of Editor-In-Chief of Canadian House and Home. But Suzanne has been involved not only in House and Home but several other Canadian publications, was a host on her show, The Style Dept, a HGTV Canada show, which I wish was still on, is a regular design expert on the Marilyn Denis Show, and was even a judge on HGTV's Designer Superstar Challenge! I have admired her work for many years! She is truly a Canadian design icon. I had the pleasure of meeting her at our Blend 2011 Design Blogger gathering we organized and held during IDS West in October. It was such a thrill to be in the same room as her. I was awestruck and quite nervous about meeting her. I wish we weren't so busy that evening, it would of been such a pleasure to have had a conversation with her, so it is such an honour to be able to interview her for my blog! {That's me on the far left!} {Photo: Per Kristiansen} Suzanne's first home. It was her design of this space that really got my attention. Suzanne is a master at creating timeless and classic spaces. Truly a sign of a talented designer, one whose spaces stand the test of time. I admire designers whose spaces don't scream a certain era but can look current even years later. If you want to see more photos of her homes you can find photos here. {Photo: Michael Alberstat} {Photo: Michael Graydon} The entry in Suzanne's current home. I love how she mixes it up and changes things creating a whole new look. Nothing seems to stay the same, always evolving and changing with the seasons. Currently her home is undergoing a renovation, which you can follow along on her blog at houseandhome.com {Photo: Rob Fiocca} Suzanne and her husband Arriz at home with their cat, Z. Love, love the gallery wall! Wouldn't you agree that every sofa looks better with an Hermes throw? {Photo: Rob Fiocca} Suzanne's dining room. Ahh...wishbone chairs.... {Photo: Michael Graydon} The fabulous off-the grid cottage Suzanne shares with her husband, featured in the October 2011 issue of Canadian House and Home. {Photo: David Bagosy} A vignette she pulled together for the first season of The Style Dept. {Photo: Angus Ferguson} A gorgeously layered and colourful living space designed by Suzanne for The Style Dept. A frequently pinned photo and one that has made it's rounds on various blogs. {Photo: Michael Graydon} An amazing family friendly condo project she worked on. The luxurious black panelled walls, double ringed mirrors and scones drip with glamour, while the simple chair and teddy bear casually thrown on temper the space and give it life. {Photo: Ron Baxter Smith} An Ikea print ad Suzanne styled, can you spot the Ikea? A fabulous example of mixing the high and low, antiques and big box store finds to create a one-of-a-kind space. This ad was part of a 4 part ad campaign that won a Communications Arts Award. No surprise there! Tell us a bit about yourself, your background, has design always been something you are drawn to? Did you go to school to study design? Oh absolutely I have always been drawn to design! When I was in grade school my favourite toys were Lincoln Logs and Lego. I also spent hours fashioning model houses using shoe boxes and cardboard then decorating them with furniture and drapery whipped up from odds and sods found in the house. My family lived in Lincoln, Massachusetts for a few years and I attended a phenomenally creative school. One assignment involved sending us into the forest behind the school with the challenge of building a structure that would survive the winter using only what we could find in the woods. Each week we would go out and evaluate how our various stick houses were doing. I found it so exciting and I’m certain that these sorts of experiences were entirely influential. Later, when I was a teenager, my mother let me decorate the area at the back of the house where my bedroom was. She also consulted with me regularly about how to decorate and update the rest of the house. She still does! In terms of studies, I was very focused on the art program at my high school, then after graduation, I completed a Bachelor of Fine Arts at York University with a major in graphic design and photography. Following that I completed the interior design program at Humber College. Both were truly amazing experiences. Before you were the Editor-In-Chief of one of the most premier design magazines, Canadian House and Home, what did you do? Just before I took on the role of Editor at House & Home I was acting as the Home design Director of the now defunct, (but fantastic), Wish magazine as well as Canadian Family and Gardening Life. I held this role for about 5 years and was, in fact, part of the team that originally created Wish. I was also hosting my own television series on HGTV called ‘the Style Dept.’ that is now seen in many countries around the world. Prior to that I had been the Creative Director at Canadian House & Home in charge of conceptualizing and developing their home product line that was sold at over 100 Hudson Bay stores across the country. It was an entirely different type of role than the work I do at the magazine. And before that I was a freelance designer for several years, dividing my time between working on residential clients as well as working as a freelance stylist for a variety of magazines and some big advertising clients including Ikea, Home Outfitters, Eddie Bauer, Homesense, Eaton’s, the Hudson Bay Co., Harry Rosen and Pottery Barn to name a few. I was very busy! And before that I had been a senior design editor at Canadian House & Home for several years. I have also worked for several different design firms doing everything from retail to corporate design work. That’s my resume in a nutshell. How did you get your big break? My big break actually came back at the age of 15 when I landed the summer internship for Lynda Reeves, House & Home’s publisher, when she was a practicing decorator. I assisted her for two or three summers working out of her home office and obviously we kept in contact afterwards. We have a long history and she has given me several work opportunities. Acting as a judge on HGTV’s Designer Superstar Challenge was also a big break for me as it led to securing my own television show as well as the opportunity to appear regularly on various television series including the Marilyn Denis show now. Even though most of us would feel that your job would be our dream job, what goals or aspirations do you have? That’s a tough one because I really do feel like I have reached the pinnacle of my career in design media in Canada, which was always my goal. And I am really focused on where I am right now. I suppose that down the line it could be interesting to collaborate with my husband, Arriz, on doing beautiful and quality residential work. What do you like to do in your free time? Like so many people, I don’t have a lot of free time so it is very precious. I try to escape to the country whenever I can. I love the outdoors and nature and am happiest when I’m swimming in the lake at the cottage, reading by the water…really anything by the water is perfect. I love to snowshoe and cross country ski in the winter. I am addicted to yoga so I spend a lot of time at my local yoga studio, Octopus Garden. And I love spinning. My idea of a perfect weeknight is to make a fantastic meal at home with my husband, Arriz, and sit by the fire with our two cats, Po and Z (pronounced Zee), watching a movie. I am usually pretty wiped at the end of the day so nothing beats staying at home! And I love to check out the restaurant scene with friends wherever I am. As Editor-In-Chief, for a fantastic Canadian publication, where do you find inspiration for the magazine and for your own home/ design work? How do you decide what makes the cut and what doesn’t? House & Home has a distinct and specific taste level. When scouting shots come across my desk, I know fairly quickly if it meets our criteria or not. I know it like the back of my hand as does the senior editorial staff. It is difficult to put into words but, above all else, we look for quality, sophistication, creativity and authenticity. We map out our issue themes every year so we need to ensure that the spaces we choose work within them. And we love to discover new talent. As far as inspiration, it comes from everywhere; designers, books, our favourite stores and shops, the various international gift and furniture shows, other magazines, and of course blogs and the internet. The edit team has lots of brainstorming meetings where everyone has the opportunity to present their views on various design ideas so we also get inspiration from the office dialogue and collaboration. They are a pretty creative bunch! What is involved in being the Editor-In-Chief, briefly fill us in on your typical day and the role you play at the magazine? My days are pretty hectic. Most days I am in back-to-back meetings because everyone on the team needs to get approval on everything that goes in the magazine. There are initial planning meetings where the design editors make proposals for story ideas. There are meetings to choose locations and discuss props and the angles of shots. There are meeting with the art department to discuss layouts and meetings with the copy and features dept. to discuss the packaging and writing. There are budget meetings to make sure we aren’t spending too much. And there are some very in-depth cover meetings. I also meet regularly with the communications departments about events like the various Interior Design Shows or our annual trends breakfast. And there are meetings with our I-pad dept and the website team to make sure the magazine and our web presence gel. I wasn’t kidding when I said there were a lot of meetings! During the week of production before we send the pages out to press, most of my time is spent reading, editing and tweaking layouts. It is a deadline driven business, which makes it frenzied at times and there is always some drama or last minute panic. I have to sign off on every page. This is usually when I write my Editor’s letter as well. In the middle of all this there are various photo shoots in studio or on location to attend. I also go to numerous events and store openings. Plus some suppliers will come to our offices to present new product developments. Now and then there are some fantastic press trips that I am lucky to be invited on. Last year I flew to Paris with Hermes and the year before I visited the Milan furniture fair — both were glorious. I love to travel so this is the best part of my job. I have family and friends in NYC and Chester, Nova Scotia so whenever there is a photo shoot in either place I’ll go and handle the art direction. Tweeting, blogging and posting on Pinterest have also become a part of my job so I work that in. Of course I also make appearances and presentations at various events. And I film a lot for our on line TV show, interviewing homeowners and international designers and doing house tours. And I go to the Marilyn Denis show once a month or so to talk with Marilyn about design …that involves a whole other series of meetings! My days are seriously jam-packed. What tips do you have for aspiring designers in getting their design work published or to hone their skills? First off, get the adequate training. My time in the interior design program at Humber was invaluable. And if you can, apprentice with someone whose work you admire where you can learn from the best and also make connections with the trades and key industry players. To get published, you first need to take a project to completion. We are far more likely to publish a house that is finished than one that is only half way there. Pay special attention to the details and the layers. I have seen some gorgeous homes architecturally speaking (some from fairly prolific designers and architects) that we simply cannot print because they were totally empty of decorating or any sense of life. But it doesn’t have to be the Royal Palace for me to take notice. House and Home has published the first apartments of some established designers including Brian Gluckstein, Sarah Richardson, Candice Olsen and Tommy Smythe, not to mention myself. All of these spaces were small, affordable but very well done. Next, it is beneficial if you can take a great photograph so you can document your work well. Take lots of pictures. My biggest pet peeve is when people send a shot of a fireplace mantle and a chair against a wall, for example, and nothing else. We need to see the entire house and that includes a kitchen, one bathroom, one bedroom, a front entry area, and living room… minimum. Pull back and capture everything. If you have a good project and good photos, you’re well on your way. A great story helps as well. Tell me the story and send me the pictures! I love getting a surprise gorgeous house in an e-mail or letter. In fact, I would send both. That way I have a digital copy and a hard copy to act as a reminder. What are some design faux pas that you think should just be abolished? - I am not a fan of leather parsons chairs. They are far too common. I was tired of them back in the 80’s and I still am. - Guitars and other musical instruments as décor with the exception being the baby grand piano - The over zealous use of recessed pot lights. There are so many gorgeous fixtures out there now. Invest in a few great lights and cut back on the pots. - Matchy-matchy colour and fabric schemes. I think most of us will agree that the most inspiring spaces lean more to the eclectic side. - The same goes for matched sets of furniture. When was the last time that you saw a gorgeous bedroom with a matching bed, and end tables and bureau? - Over-glamourized effects. It just isn’t relevant anymore. If you could meet anyone or do anything who or what would it be? To meet: I would like to have the privilege to meet either of my style icons; Muriel Brandolini or Ines de la Fressange. I admire both of them for their confidence and passion and would love to speak to them about how they make their visions happen. To do: I have aspirations of designing an off-the-grid eco lodge experience in northern Ontario based on the elemental design of my own cottage. There is nothing like it here and I would love to create the same type of environment for other people to enjoy. My experience there has changed my life and it would be nice to be able to share it. You are surrounded by such amazing design inspiration, how do you decide what and how to decorate your own homes? It is incredibly difficult not to get influenced by all of the inspiring spaces that I see daily. I have developed a rather bad and expensive addiction to renovating and redecorating because of it! (There are worse addictions though.) In fact, I am about to embark on a reno at my Toronto home soon and I have changed my mind hundreds of times because of finding or seeing something I like better since my last decision. But my final decision is often a matter of budget. I also pay attention to the space and items that I already have. Not every look can be transported to every space. So this narrows things down a bit. I often advise people when they are just starting to make those big purchases for their home, like a sofa or a bed, to buy wisely and take the time to think through the decision because you will probably have it for a long time. Think about what kind of space you eventually want to live and aim toward that. Like the fashion world, it’s usually better to invest in one or two truly fantastic items rather than a plethora of poorly made things. Antiques and classics are always my starting point. Your husband is Arriz Hassam, a partner in the design firm, 3rd Uncle, how do you two work together in designing your homes? Who has the most say, or the most influence, he or you, or is it pretty even? Oh, I have to be careful answering this one! Actually, we work amazingly well together. We really allow each other equal say because our skill sets are quite different. Arriz has a degree in architecture so his main focus is always on construction and structure. He has an incredible gift for solving spatial issues. I like to focus more on the final look, furniture and space planning and decorating. But one of my favourite things to do is to sketch out ideas together. Now and then we disagree but we always come up with a solution. What are your views on the role of Canadian design on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? I speak to so many international designers who are impressed by the Canadian Design Scene. We can proudly boast some larger than life stars at all ends of the design spectrum including Yabu Pushelberg, Shim Sutclilffe, KPMB, Powell and Bonell, Umbra, Brian Gluckstein as well as Sarah Richardson, to name a few. I don’t particularly see Canadian designers as having a specific role related to their nationality. I believe that our role is the same as good design world-wide; to deliver stellar work that ultimately improves the quality of people’s lives while connecting them to beauty. I would, however, like to see Canadian designers make a mark through an outstanding effort to operate with responsibility when it comes to ecological concerns. In regards to defining a unique Canadian style, design has become so global that I think it is difficult to distinguish a style with a place. Words that come to mind when I think of our design scene as a collective though are: authentic, subtle, thoughtful, and restrained. What sets us apart though are our heritage and natural resources – especially our wood. I think a lot of people see Canadian style in things like fur and antlers and rustic, organic qualities. I do see a lot of homes with antlers! But it is really only a small portion of the kind of work that’s being done here. It is interesting though that the oldest company in Canada, The Hudson Bay Co., is in the midst of a total brand overhaul and is suddenly ultra-cool. Those red, yellow, black and green stripes, truly iconic Canadiana, are showing up in some of the most fascinating interiors as well as on the most stylish people at home and abroad. Suzanne, thank-you so much for taking time out of your busy schedule to participate in my series. I am truly honoured and flattered you agreed! What a busy life you lead. I can relate to making things out of Lego, as a child I loved to build houses with what little Lego I had. I was also constantly making new cardboard box homes for my Barbies and I re-decorated my Barbie house constantly! As for my room, my patient mother let me paint my whole room several times and create a rainbow theme - yikes - so 80's. Down to rainbow print sheets and drapes, which she gave to me last year for posterity sake! XO Barbara

It is such an honour to have one of Canada's top design gurus visiting the blog this week! An internationally recognized designer, Brian not only contributes regularly as a guest expert on Cityline TV, has had his designs published in numerous publications but has had great success with the launch of GlucksteinHome. GlucksteinHome can be found in The Bay and Home Outfitters across Canada, a brilliant endeavour to bring affordable yet tasteful and classic decor by Brian to the average Canadian. Can't afford Brian to come in and design your home? Well you have have pieces designed by him at fabulous price points! Most recently Brian has partnered with Benjamin Moore to create custom colour palettes to coordinate with the Gluckstein Home line. Please welcome.... Brian Gluckstein He is... Brian captures the essence of timeless and classic design. Truly a master in creating luxurious interiors dripping with elegance. Here is a bathroom Brian designed, one of my all time favourite bathrooms! Can you imagine bathing in this room? When you read the interview you will see why this is "so" Brian! Here are a few images from their Spring and Summer 2012 Patio Collection! Tell us a bit about yourself? What is your background? Has design been something you have always been drawn to? I was drawn to design and architecture even as a young child. I was always sketching floor plans and building houses out of Lego. I really believe Lego is the best toy and every child should have it. Later, I studied at Ryerson and graduated from their interior design program. Have you always had a career in design? I've always worked in design. I've never worked in another profession. Even while I went to school, I worked for another designer. You are a well-known designer, not only nationally but internationally as well, whose work is featured in print and on television. How did you get your big "break"? How did you get to where you are today? I don't think I really had one big break. I feel like my business grew organically through my relationships with my clients. I was fortunate enough to be recommended to some serious art collectors and a few people with great style early in my career. Those recommendations perpetuated that circle of clients and my business continually developed. Your company, GlucksteinHome, has created fresh, unique and a hugely popular soft furnishings, accessories and furniture line. Where do you find inspiration for your designs? I typically draw inspiration from fashion. I read all the fashion magazines and go to the shows and constantly tear images from magazines. I;m also inspired by antique furniture and textiles, whether 18th century or mid century, and I love going to antique shows and markets. Our GlucksteinHome product line is designed with a collections approach to reflect our customer's personal style. So I'm also inspired by those lifestyles which range from traditional to sleek to cosmopolitan to glamorous. What trends do you see being strong this year in homes, furniture and accessories? We're going to see the integration of antique pieces- furniture and accessories. We'll create homes that don't look sterile but have personality that reflects the owner and draws on other cultures. What hopes and dreams do you have for your company? On the interior design side, I hope to continue to get inspiring projects both commercially and residentially. On the product design side, we'll continue to launch new products, expand our categories and partner with great manufacturers - like our current partners including Benjamin Moore, Sealy and Remington Homes - and bring our product to an international market. We recently launched the line at Lord & Taylor Home in the US. We've also brought GlucksteinHome brand to various social media sites including Twitter, Facebook and Pinterest and we hope to build strong relationships with our customers and the design community. We're excited about the conversations we can have there. How would you describe your design style? Timeless. How do you start the design process? What inspired the direction your design will take? For interior design, I look at the client's lifestyle and the architecture of the project and interpret it. For product design, I'll sometimes start with a textile or an antique piece. I always consider the five lifestyle collections we design under and then I create something unique to reflect each style whether it's modern, contemporary, casual, transitional or traditional. This really reflects the diversity of our customers. What advice can you give homeowners to bring a bit of splash into their homes without a lot of cash? For high impact with a low investment, I always recommend paint, accessories and art. You can add a great splash of colour to update the look of your space without changing the central pieces. What design faux pas you wish could be abolished? I'm not fond of spaces that are over thought and try too hard. Or interiors that have too many patters in one space. I like calm, meditative, beautiful spaces with several interesting focal points. What are some tips you can share with aspiring designers to help get their work noticed, to hone their skills? Work for the best. New designers will just learn so much when they have a great mentor. Getting published can also get an aspiring designer notices- whether it's through their own blog, traditional print media or television. What do you like to do in your free time? I like to spend time at my home in Palm Beach. I also love to read in the bath. You and your staff read blogs, and you even have one! What are some of your favourite reads? What tips do you have for design bloggers to get their blog noticed? I'm obsessed with my iPhone camera and shoot anything that doesn't move. I use my Tumblr blog {http://glucksteinhome.tumblr.com/} to share some of my favourite images - whether it's a peek at a client's home or something inspiring from an antique fair. Blogs allow designers to share what's happening in our world and I don't think we have enough opportunities to do that. I love blogs that have a specific point of view- it makes it a good reference and gives readers a reason to come back to it. What are your views on the role Canadian design plays on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? I think Canadian designers are very sophisticated and there is a European flavour to Canadians. I think we produce some of the best fashion, design and architecture and interiors in the world and are now being recognized as such. It is truly a great time for Canadian design. Brian I am so incredibly honoured that you visited this week. As a long time fan of yours, I was thrilled to have had the opportunity to interview you! I love what you have accomplished in your career and look forward to seeing more amazing interiors and products designed by you! XO Barbara

As always, it is such a thrill to interview designers that I have admired for so long! This week's guest has impeccable taste that she brings to her store, The Cross. I am giddy to have Stephanie Vogler visiting this week! Welcome... Stephanie Vogler from The Cross {Darci and Stephanie} She is... Stephanie, is the co-owner and creative genius behind The Cross, Vancouver's go-to destination for designers and home decor lovers alike. Located in the heart of Yaletown, the store drips with gorgeousness, every nook and cranny full of drool worthy goods. It is a must-visit destination for those who simply want to be wowed and blown away. Full of simply pretty things from floor to ceiling, Stephanie and partner, Darci Ilich, have created a successful shop that has design aficionados flocking to take in the latest trend. Not only does Stephanie work her magic at her shop but her home, which is beautifully decorated recently was featured in Style at Home's November issue. Simple serene, full of light and sparkle her home is stunning. Renting has not deterred her to bring the magic from her shop over to her home, truly an inspiration to us all! {All photos Style at Home by Janis Nicolay} Tell us a bit about your background? Your education? Has design always been in your blood? My parents are both entrepreneurs and instilled in me at an early age the value of hard work. I literally grew up in the retail environment, so it’s definitely in the blood. Straight out of high-school I went to work for my Mom, Valerianne in her bedding shop. We grew the business together and opened five more stores in the span of eight years. I learned so much about the retail environment and my Mom taught me the value of exceptional customer service. Her motto was “the customer is always right” and I have implemented the same philosophy at The Cross. My Mom also gave me creative freedom and encouraged my design development. She always told me “there are no rules”, and I couldn’t agree more. I have no formal design training, my style is all based on instinct. It’s very liberating. What made you decide to open The Cross, a go-to destination for all things beautiful? We were inspired to bring a new style to Vancouver and offer exceptional design to everyone. Once we found the perfect location in Yaletown we jumped in with both feet. We committed wholly to the shop and often worked 7 days a week. It was exhausting, but so rewarding! What have you enjoyed about running a successful store? Not enjoyed? I love doing the buying and having the creative freedom to design and create my own products. Seeing my colleagues grow and flourish within the store is also so rewarding for me. The hardest part is the reality that there is a bottom line. Learning about the numbers (sometimes the hard way) is the least enjoyable part of being an owner. How would you describe your design style? Relaxed, Refined, Curated, Whimsical, Evolving. Where do you find inspiration for your shop and your designs? I draw inspiration from fabric. I’m a sucker for bold colour combinations, pattern play, layers and texture. Being surrounded by such fabulous items and design inspiration, how do you decide the direction of the décor of your home? This is a funny thing to explain. I feel like I am so lucky to be able to fulfill my ultimate design desires in the shop. I call The Cross my laboratory. It’s an explosion of all things beautiful and you can literally get lost in the shop for hours exploring and escaping into the layers and hidden treasures. That being said, I crave a tranquil, peaceful environment at home. White walls, natural table top finishes such as wood or marble and linen upholstery keeps it simple. I keep my palette neutral which allows for quick impulse colour bursts depending on the season. I’m very impulsive! I understand you rent your home as well? What tips do you have for other renters in approaching the design of their space? The first thing we did before moving into this space was to paint it out in Benjamin Moore, Cloud White. I'm not a fan of "builder beige" and I felt that the money spent in painting was well worth it considering that we expected to rent for a minimum of 5 years. The other thing I did was wallpaper the master bedroom wall behind the bed. Yes, it was a splurge, but I felt that given the simplicity of the rest of the bedroom the wall needed some decoration. As an alternative, you could panel a large canvas with wallpaper for a similar effect that you could move to your next residence. Another thing I urge renters to do is replace the lighting! Investing in a great chandelier or beautiful table lamps can entirely change the look and feel of a room, and you will always take your lighting with you. I also say, if possible keep your furniture pieces neutral, classic and modular. If you are planning to rent for a while, purchasing flexible pieces will save you from replacing them with every move. What is one thing you feel that one can do to inject style into their home without breaking the bank? When I'm in a mood to change things up in my place I usually start by looking in my cupboards. I'm sure you've all heard "Use what you've got" as a decorating mantra. I will pull items that co-ordinate by colour and create vignettes around the house. Layering books, a great candle, a vintage find with a beautiful flower stem or green sprig usually fulfills my urge for something new. I urge my friends and clients to buy things along their travels that they love. Layer, layer, layer and in no time your home will be filled with items you love and it will tell a fantastically interesting story about you! What's more chic than that? Not only are you a successful entrepreneur but a mom to two as well, how do you balance your business and your family life? I’m starting to think balance is a dirty word. Really…is there such thing? The reality is that we do the best that we can do. I aim to be as productive as I can in the time that I’m at work and when I’m home with my kids I try to be the best Mom I can be by being present with my kids, and enjoying the moment. I have a fantastic team at work and a great husband, and nanny at home. It really does take a village. What do you like to do in your free time? I spend all my free time with my family. You can find us at Jericho beach all summer long and skiing at Whistler during the winter months. When I have a bit of ‘me time’ I’ll get a massage or pedicure—I try to meditate during the pampering! So relaxing… Tell us one thing that would surprise us! I’ve never clipped my kids nails…it freaks me out! What goals or aspirations do you have for The Cross, where would you like to see your shop in the future? We have had great success with our design services and we will be growing that end of the business over the next three years. I can't wait to see what is in store for The Cross. I love stepping through those doors of the shop, and to be transported to a magical place! Thanks for bringing such beauty to Vancouver! XO Barbara

This November I visited River Cottage HQ with some friends, we were there to experience a River Cottage HQ Dining Event for ourselves.

Learn how to make mod podge. You have to try this easy homemade mod podge recipe with only 2 easy ingredients. So simple!

It is such an honour to have one of Canada's top design gurus visiting the blog this week! An internationally recognized designer, Brian not only contributes regularly as a guest expert on Cityline TV, has had his designs published in numerous publications but has had great success with the launch of GlucksteinHome. GlucksteinHome can be found in The Bay and Home Outfitters across Canada, a brilliant endeavour to bring affordable yet tasteful and classic decor by Brian to the average Canadian. Can't afford Brian to come in and design your home? Well you have have pieces designed by him at fabulous price points! Most recently Brian has partnered with Benjamin Moore to create custom colour palettes to coordinate with the Gluckstein Home line. Please welcome.... Brian Gluckstein He is... Brian captures the essence of timeless and classic design. Truly a master in creating luxurious interiors dripping with elegance. Here is a bathroom Brian designed, one of my all time favourite bathrooms! Can you imagine bathing in this room? When you read the interview you will see why this is "so" Brian! Here are a few images from their Spring and Summer 2012 Patio Collection! Tell us a bit about yourself? What is your background? Has design been something you have always been drawn to? I was drawn to design and architecture even as a young child. I was always sketching floor plans and building houses out of Lego. I really believe Lego is the best toy and every child should have it. Later, I studied at Ryerson and graduated from their interior design program. Have you always had a career in design? I've always worked in design. I've never worked in another profession. Even while I went to school, I worked for another designer. You are a well-known designer, not only nationally but internationally as well, whose work is featured in print and on television. How did you get your big "break"? How did you get to where you are today? I don't think I really had one big break. I feel like my business grew organically through my relationships with my clients. I was fortunate enough to be recommended to some serious art collectors and a few people with great style early in my career. Those recommendations perpetuated that circle of clients and my business continually developed. Your company, GlucksteinHome, has created fresh, unique and a hugely popular soft furnishings, accessories and furniture line. Where do you find inspiration for your designs? I typically draw inspiration from fashion. I read all the fashion magazines and go to the shows and constantly tear images from magazines. I;m also inspired by antique furniture and textiles, whether 18th century or mid century, and I love going to antique shows and markets. Our GlucksteinHome product line is designed with a collections approach to reflect our customer's personal style. So I'm also inspired by those lifestyles which range from traditional to sleek to cosmopolitan to glamorous. What trends do you see being strong this year in homes, furniture and accessories? We're going to see the integration of antique pieces- furniture and accessories. We'll create homes that don't look sterile but have personality that reflects the owner and draws on other cultures. What hopes and dreams do you have for your company? On the interior design side, I hope to continue to get inspiring projects both commercially and residentially. On the product design side, we'll continue to launch new products, expand our categories and partner with great manufacturers - like our current partners including Benjamin Moore, Sealy and Remington Homes - and bring our product to an international market. We recently launched the line at Lord & Taylor Home in the US. We've also brought GlucksteinHome brand to various social media sites including Twitter, Facebook and Pinterest and we hope to build strong relationships with our customers and the design community. We're excited about the conversations we can have there. How would you describe your design style? Timeless. How do you start the design process? What inspired the direction your design will take? For interior design, I look at the client's lifestyle and the architecture of the project and interpret it. For product design, I'll sometimes start with a textile or an antique piece. I always consider the five lifestyle collections we design under and then I create something unique to reflect each style whether it's modern, contemporary, casual, transitional or traditional. This really reflects the diversity of our customers. What advice can you give homeowners to bring a bit of splash into their homes without a lot of cash? For high impact with a low investment, I always recommend paint, accessories and art. You can add a great splash of colour to update the look of your space without changing the central pieces. What design faux pas you wish could be abolished? I'm not fond of spaces that are over thought and try too hard. Or interiors that have too many patters in one space. I like calm, meditative, beautiful spaces with several interesting focal points. What are some tips you can share with aspiring designers to help get their work noticed, to hone their skills? Work for the best. New designers will just learn so much when they have a great mentor. Getting published can also get an aspiring designer notices- whether it's through their own blog, traditional print media or television. What do you like to do in your free time? I like to spend time at my home in Palm Beach. I also love to read in the bath. You and your staff read blogs, and you even have one! What are some of your favourite reads? What tips do you have for design bloggers to get their blog noticed? I'm obsessed with my iPhone camera and shoot anything that doesn't move. I use my Tumblr blog {http://glucksteinhome.tumblr.com/} to share some of my favourite images - whether it's a peek at a client's home or something inspiring from an antique fair. Blogs allow designers to share what's happening in our world and I don't think we have enough opportunities to do that. I love blogs that have a specific point of view- it makes it a good reference and gives readers a reason to come back to it. What are your views on the role Canadian design plays on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? I think Canadian designers are very sophisticated and there is a European flavour to Canadians. I think we produce some of the best fashion, design and architecture and interiors in the world and are now being recognized as such. It is truly a great time for Canadian design. Brian I am so incredibly honoured that you visited this week. As a long time fan of yours, I was thrilled to have had the opportunity to interview you! I love what you have accomplished in your career and look forward to seeing more amazing interiors and products designed by you! XO Barbara

As always, it is such a thrill to interview designers that I have admired for so long! This week's guest has impeccable taste that she brings to her store, The Cross. I am giddy to have Stephanie Vogler visiting this week! Welcome... Stephanie Vogler from The Cross {Darci and Stephanie} She is... Stephanie, is the co-owner and creative genius behind The Cross, Vancouver's go-to destination for designers and home decor lovers alike. Located in the heart of Yaletown, the store drips with gorgeousness, every nook and cranny full of drool worthy goods. It is a must-visit destination for those who simply want to be wowed and blown away. Full of simply pretty things from floor to ceiling, Stephanie and partner, Darci Ilich, have created a successful shop that has design aficionados flocking to take in the latest trend. Not only does Stephanie work her magic at her shop but her home, which is beautifully decorated recently was featured in Style at Home's November issue. Simple serene, full of light and sparkle her home is stunning. Renting has not deterred her to bring the magic from her shop over to her home, truly an inspiration to us all! {All photos Style at Home by Janis Nicolay} Tell us a bit about your background? Your education? Has design always been in your blood? My parents are both entrepreneurs and instilled in me at an early age the value of hard work. I literally grew up in the retail environment, so it’s definitely in the blood. Straight out of high-school I went to work for my Mom, Valerianne in her bedding shop. We grew the business together and opened five more stores in the span of eight years. I learned so much about the retail environment and my Mom taught me the value of exceptional customer service. Her motto was “the customer is always right” and I have implemented the same philosophy at The Cross. My Mom also gave me creative freedom and encouraged my design development. She always told me “there are no rules”, and I couldn’t agree more. I have no formal design training, my style is all based on instinct. It’s very liberating. What made you decide to open The Cross, a go-to destination for all things beautiful? We were inspired to bring a new style to Vancouver and offer exceptional design to everyone. Once we found the perfect location in Yaletown we jumped in with both feet. We committed wholly to the shop and often worked 7 days a week. It was exhausting, but so rewarding! What have you enjoyed about running a successful store? Not enjoyed? I love doing the buying and having the creative freedom to design and create my own products. Seeing my colleagues grow and flourish within the store is also so rewarding for me. The hardest part is the reality that there is a bottom line. Learning about the numbers (sometimes the hard way) is the least enjoyable part of being an owner. How would you describe your design style? Relaxed, Refined, Curated, Whimsical, Evolving. Where do you find inspiration for your shop and your designs? I draw inspiration from fabric. I’m a sucker for bold colour combinations, pattern play, layers and texture. Being surrounded by such fabulous items and design inspiration, how do you decide the direction of the décor of your home? This is a funny thing to explain. I feel like I am so lucky to be able to fulfill my ultimate design desires in the shop. I call The Cross my laboratory. It’s an explosion of all things beautiful and you can literally get lost in the shop for hours exploring and escaping into the layers and hidden treasures. That being said, I crave a tranquil, peaceful environment at home. White walls, natural table top finishes such as wood or marble and linen upholstery keeps it simple. I keep my palette neutral which allows for quick impulse colour bursts depending on the season. I’m very impulsive! I understand you rent your home as well? What tips do you have for other renters in approaching the design of their space? The first thing we did before moving into this space was to paint it out in Benjamin Moore, Cloud White. I'm not a fan of "builder beige" and I felt that the money spent in painting was well worth it considering that we expected to rent for a minimum of 5 years. The other thing I did was wallpaper the master bedroom wall behind the bed. Yes, it was a splurge, but I felt that given the simplicity of the rest of the bedroom the wall needed some decoration. As an alternative, you could panel a large canvas with wallpaper for a similar effect that you could move to your next residence. Another thing I urge renters to do is replace the lighting! Investing in a great chandelier or beautiful table lamps can entirely change the look and feel of a room, and you will always take your lighting with you. I also say, if possible keep your furniture pieces neutral, classic and modular. If you are planning to rent for a while, purchasing flexible pieces will save you from replacing them with every move. What is one thing you feel that one can do to inject style into their home without breaking the bank? When I'm in a mood to change things up in my place I usually start by looking in my cupboards. I'm sure you've all heard "Use what you've got" as a decorating mantra. I will pull items that co-ordinate by colour and create vignettes around the house. Layering books, a great candle, a vintage find with a beautiful flower stem or green sprig usually fulfills my urge for something new. I urge my friends and clients to buy things along their travels that they love. Layer, layer, layer and in no time your home will be filled with items you love and it will tell a fantastically interesting story about you! What's more chic than that? Not only are you a successful entrepreneur but a mom to two as well, how do you balance your business and your family life? I’m starting to think balance is a dirty word. Really…is there such thing? The reality is that we do the best that we can do. I aim to be as productive as I can in the time that I’m at work and when I’m home with my kids I try to be the best Mom I can be by being present with my kids, and enjoying the moment. I have a fantastic team at work and a great husband, and nanny at home. It really does take a village. What do you like to do in your free time? I spend all my free time with my family. You can find us at Jericho beach all summer long and skiing at Whistler during the winter months. When I have a bit of ‘me time’ I’ll get a massage or pedicure—I try to meditate during the pampering! So relaxing… Tell us one thing that would surprise us! I’ve never clipped my kids nails…it freaks me out! What goals or aspirations do you have for The Cross, where would you like to see your shop in the future? We have had great success with our design services and we will be growing that end of the business over the next three years. I can't wait to see what is in store for The Cross. I love stepping through those doors of the shop, and to be transported to a magical place! Thanks for bringing such beauty to Vancouver! XO Barbara

This November I visited River Cottage HQ with some friends, we were there to experience a River Cottage HQ Dining Event for ourselves.

Photography: Sarah DeShaw Flowers: Straton Hall Events Venue & Catering: Jekyll Island Club Hotel Bride, Groom, & Bridal Party clothing: Bridals by Lori Bridal Shoes: Vera Wang Lavender Band: Spike at the Beach Wedding Website Click to see our Engagement Film, Wedding Preview, and Wedding Film by Artworks Wedding Cinemas! Our wedding was recently featured on Style Me Pretty Georgia. Check it out!

Make these fun DIY Mod Podge terra cotta pots to add to your spring decor. This post answers the questions: what is mod podge, how to use mod podge, and does mod podge dry clear?

What can Mod Podge do?? Get 101 Mod Podge uses here! You'll be surprised at all of the things you can make: gifts, jewelry, decor, and more.

If you've never decoupaged before or just have some questions, use this resource to learn how to Mod Podge. Includes FAQs, videos, and more!

I am on cloud nine this week, excited to have my latest guest visit my blog. As a long time admirer, it was thrilling when she agreed to be interviewed! Please give a warm welcome to... Suzanne Dimma, Editor-In-Chief of Canadian House and Home {Photo: Sophie Giraud} She is Suzanne Dimma is well known in the Canadian design scene, currently she holds the coveted position of Editor-In-Chief of Canadian House and Home. But Suzanne has been involved not only in House and Home but several other Canadian publications, was a host on her show, The Style Dept, a HGTV Canada show, which I wish was still on, is a regular design expert on the Marilyn Denis Show, and was even a judge on HGTV's Designer Superstar Challenge! I have admired her work for many years! She is truly a Canadian design icon. I had the pleasure of meeting her at our Blend 2011 Design Blogger gathering we organized and held during IDS West in October. It was such a thrill to be in the same room as her. I was awestruck and quite nervous about meeting her. I wish we weren't so busy that evening, it would of been such a pleasure to have had a conversation with her, so it is such an honour to be able to interview her for my blog! {That's me on the far left!} {Photo: Per Kristiansen} Suzanne's first home. It was her design of this space that really got my attention. Suzanne is a master at creating timeless and classic spaces. Truly a sign of a talented designer, one whose spaces stand the test of time. I admire designers whose spaces don't scream a certain era but can look current even years later. If you want to see more photos of her homes you can find photos here. {Photo: Michael Alberstat} {Photo: Michael Graydon} The entry in Suzanne's current home. I love how she mixes it up and changes things creating a whole new look. Nothing seems to stay the same, always evolving and changing with the seasons. Currently her home is undergoing a renovation, which you can follow along on her blog at houseandhome.com {Photo: Rob Fiocca} Suzanne and her husband Arriz at home with their cat, Z. Love, love the gallery wall! Wouldn't you agree that every sofa looks better with an Hermes throw? {Photo: Rob Fiocca} Suzanne's dining room. Ahh...wishbone chairs.... {Photo: Michael Graydon} The fabulous off-the grid cottage Suzanne shares with her husband, featured in the October 2011 issue of Canadian House and Home. {Photo: David Bagosy} A vignette she pulled together for the first season of The Style Dept. {Photo: Angus Ferguson} A gorgeously layered and colourful living space designed by Suzanne for The Style Dept. A frequently pinned photo and one that has made it's rounds on various blogs. {Photo: Michael Graydon} An amazing family friendly condo project she worked on. The luxurious black panelled walls, double ringed mirrors and scones drip with glamour, while the simple chair and teddy bear casually thrown on temper the space and give it life. {Photo: Ron Baxter Smith} An Ikea print ad Suzanne styled, can you spot the Ikea? A fabulous example of mixing the high and low, antiques and big box store finds to create a one-of-a-kind space. This ad was part of a 4 part ad campaign that won a Communications Arts Award. No surprise there! Tell us a bit about yourself, your background, has design always been something you are drawn to? Did you go to school to study design? Oh absolutely I have always been drawn to design! When I was in grade school my favourite toys were Lincoln Logs and Lego. I also spent hours fashioning model houses using shoe boxes and cardboard then decorating them with furniture and drapery whipped up from odds and sods found in the house. My family lived in Lincoln, Massachusetts for a few years and I attended a phenomenally creative school. One assignment involved sending us into the forest behind the school with the challenge of building a structure that would survive the winter using only what we could find in the woods. Each week we would go out and evaluate how our various stick houses were doing. I found it so exciting and I’m certain that these sorts of experiences were entirely influential. Later, when I was a teenager, my mother let me decorate the area at the back of the house where my bedroom was. She also consulted with me regularly about how to decorate and update the rest of the house. She still does! In terms of studies, I was very focused on the art program at my high school, then after graduation, I completed a Bachelor of Fine Arts at York University with a major in graphic design and photography. Following that I completed the interior design program at Humber College. Both were truly amazing experiences. Before you were the Editor-In-Chief of one of the most premier design magazines, Canadian House and Home, what did you do? Just before I took on the role of Editor at House & Home I was acting as the Home design Director of the now defunct, (but fantastic), Wish magazine as well as Canadian Family and Gardening Life. I held this role for about 5 years and was, in fact, part of the team that originally created Wish. I was also hosting my own television series on HGTV called ‘the Style Dept.’ that is now seen in many countries around the world. Prior to that I had been the Creative Director at Canadian House & Home in charge of conceptualizing and developing their home product line that was sold at over 100 Hudson Bay stores across the country. It was an entirely different type of role than the work I do at the magazine. And before that I was a freelance designer for several years, dividing my time between working on residential clients as well as working as a freelance stylist for a variety of magazines and some big advertising clients including Ikea, Home Outfitters, Eddie Bauer, Homesense, Eaton’s, the Hudson Bay Co., Harry Rosen and Pottery Barn to name a few. I was very busy! And before that I had been a senior design editor at Canadian House & Home for several years. I have also worked for several different design firms doing everything from retail to corporate design work. That’s my resume in a nutshell. How did you get your big break? My big break actually came back at the age of 15 when I landed the summer internship for Lynda Reeves, House & Home’s publisher, when she was a practicing decorator. I assisted her for two or three summers working out of her home office and obviously we kept in contact afterwards. We have a long history and she has given me several work opportunities. Acting as a judge on HGTV’s Designer Superstar Challenge was also a big break for me as it led to securing my own television show as well as the opportunity to appear regularly on various television series including the Marilyn Denis show now. Even though most of us would feel that your job would be our dream job, what goals or aspirations do you have? That’s a tough one because I really do feel like I have reached the pinnacle of my career in design media in Canada, which was always my goal. And I am really focused on where I am right now. I suppose that down the line it could be interesting to collaborate with my husband, Arriz, on doing beautiful and quality residential work. What do you like to do in your free time? Like so many people, I don’t have a lot of free time so it is very precious. I try to escape to the country whenever I can. I love the outdoors and nature and am happiest when I’m swimming in the lake at the cottage, reading by the water…really anything by the water is perfect. I love to snowshoe and cross country ski in the winter. I am addicted to yoga so I spend a lot of time at my local yoga studio, Octopus Garden. And I love spinning. My idea of a perfect weeknight is to make a fantastic meal at home with my husband, Arriz, and sit by the fire with our two cats, Po and Z (pronounced Zee), watching a movie. I am usually pretty wiped at the end of the day so nothing beats staying at home! And I love to check out the restaurant scene with friends wherever I am. As Editor-In-Chief, for a fantastic Canadian publication, where do you find inspiration for the magazine and for your own home/ design work? How do you decide what makes the cut and what doesn’t? House & Home has a distinct and specific taste level. When scouting shots come across my desk, I know fairly quickly if it meets our criteria or not. I know it like the back of my hand as does the senior editorial staff. It is difficult to put into words but, above all else, we look for quality, sophistication, creativity and authenticity. We map out our issue themes every year so we need to ensure that the spaces we choose work within them. And we love to discover new talent. As far as inspiration, it comes from everywhere; designers, books, our favourite stores and shops, the various international gift and furniture shows, other magazines, and of course blogs and the internet. The edit team has lots of brainstorming meetings where everyone has the opportunity to present their views on various design ideas so we also get inspiration from the office dialogue and collaboration. They are a pretty creative bunch! What is involved in being the Editor-In-Chief, briefly fill us in on your typical day and the role you play at the magazine? My days are pretty hectic. Most days I am in back-to-back meetings because everyone on the team needs to get approval on everything that goes in the magazine. There are initial planning meetings where the design editors make proposals for story ideas. There are meetings to choose locations and discuss props and the angles of shots. There are meeting with the art department to discuss layouts and meetings with the copy and features dept. to discuss the packaging and writing. There are budget meetings to make sure we aren’t spending too much. And there are some very in-depth cover meetings. I also meet regularly with the communications departments about events like the various Interior Design Shows or our annual trends breakfast. And there are meetings with our I-pad dept and the website team to make sure the magazine and our web presence gel. I wasn’t kidding when I said there were a lot of meetings! During the week of production before we send the pages out to press, most of my time is spent reading, editing and tweaking layouts. It is a deadline driven business, which makes it frenzied at times and there is always some drama or last minute panic. I have to sign off on every page. This is usually when I write my Editor’s letter as well. In the middle of all this there are various photo shoots in studio or on location to attend. I also go to numerous events and store openings. Plus some suppliers will come to our offices to present new product developments. Now and then there are some fantastic press trips that I am lucky to be invited on. Last year I flew to Paris with Hermes and the year before I visited the Milan furniture fair — both were glorious. I love to travel so this is the best part of my job. I have family and friends in NYC and Chester, Nova Scotia so whenever there is a photo shoot in either place I’ll go and handle the art direction. Tweeting, blogging and posting on Pinterest have also become a part of my job so I work that in. Of course I also make appearances and presentations at various events. And I film a lot for our on line TV show, interviewing homeowners and international designers and doing house tours. And I go to the Marilyn Denis show once a month or so to talk with Marilyn about design …that involves a whole other series of meetings! My days are seriously jam-packed. What tips do you have for aspiring designers in getting their design work published or to hone their skills? First off, get the adequate training. My time in the interior design program at Humber was invaluable. And if you can, apprentice with someone whose work you admire where you can learn from the best and also make connections with the trades and key industry players. To get published, you first need to take a project to completion. We are far more likely to publish a house that is finished than one that is only half way there. Pay special attention to the details and the layers. I have seen some gorgeous homes architecturally speaking (some from fairly prolific designers and architects) that we simply cannot print because they were totally empty of decorating or any sense of life. But it doesn’t have to be the Royal Palace for me to take notice. House and Home has published the first apartments of some established designers including Brian Gluckstein, Sarah Richardson, Candice Olsen and Tommy Smythe, not to mention myself. All of these spaces were small, affordable but very well done. Next, it is beneficial if you can take a great photograph so you can document your work well. Take lots of pictures. My biggest pet peeve is when people send a shot of a fireplace mantle and a chair against a wall, for example, and nothing else. We need to see the entire house and that includes a kitchen, one bathroom, one bedroom, a front entry area, and living room… minimum. Pull back and capture everything. If you have a good project and good photos, you’re well on your way. A great story helps as well. Tell me the story and send me the pictures! I love getting a surprise gorgeous house in an e-mail or letter. In fact, I would send both. That way I have a digital copy and a hard copy to act as a reminder. What are some design faux pas that you think should just be abolished? - I am not a fan of leather parsons chairs. They are far too common. I was tired of them back in the 80’s and I still am. - Guitars and other musical instruments as décor with the exception being the baby grand piano - The over zealous use of recessed pot lights. There are so many gorgeous fixtures out there now. Invest in a few great lights and cut back on the pots. - Matchy-matchy colour and fabric schemes. I think most of us will agree that the most inspiring spaces lean more to the eclectic side. - The same goes for matched sets of furniture. When was the last time that you saw a gorgeous bedroom with a matching bed, and end tables and bureau? - Over-glamourized effects. It just isn’t relevant anymore. If you could meet anyone or do anything who or what would it be? To meet: I would like to have the privilege to meet either of my style icons; Muriel Brandolini or Ines de la Fressange. I admire both of them for their confidence and passion and would love to speak to them about how they make their visions happen. To do: I have aspirations of designing an off-the-grid eco lodge experience in northern Ontario based on the elemental design of my own cottage. There is nothing like it here and I would love to create the same type of environment for other people to enjoy. My experience there has changed my life and it would be nice to be able to share it. You are surrounded by such amazing design inspiration, how do you decide what and how to decorate your own homes? It is incredibly difficult not to get influenced by all of the inspiring spaces that I see daily. I have developed a rather bad and expensive addiction to renovating and redecorating because of it! (There are worse addictions though.) In fact, I am about to embark on a reno at my Toronto home soon and I have changed my mind hundreds of times because of finding or seeing something I like better since my last decision. But my final decision is often a matter of budget. I also pay attention to the space and items that I already have. Not every look can be transported to every space. So this narrows things down a bit. I often advise people when they are just starting to make those big purchases for their home, like a sofa or a bed, to buy wisely and take the time to think through the decision because you will probably have it for a long time. Think about what kind of space you eventually want to live and aim toward that. Like the fashion world, it’s usually better to invest in one or two truly fantastic items rather than a plethora of poorly made things. Antiques and classics are always my starting point. Your husband is Arriz Hassam, a partner in the design firm, 3rd Uncle, how do you two work together in designing your homes? Who has the most say, or the most influence, he or you, or is it pretty even? Oh, I have to be careful answering this one! Actually, we work amazingly well together. We really allow each other equal say because our skill sets are quite different. Arriz has a degree in architecture so his main focus is always on construction and structure. He has an incredible gift for solving spatial issues. I like to focus more on the final look, furniture and space planning and decorating. But one of my favourite things to do is to sketch out ideas together. Now and then we disagree but we always come up with a solution. What are your views on the role of Canadian design on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? I speak to so many international designers who are impressed by the Canadian Design Scene. We can proudly boast some larger than life stars at all ends of the design spectrum including Yabu Pushelberg, Shim Sutclilffe, KPMB, Powell and Bonell, Umbra, Brian Gluckstein as well as Sarah Richardson, to name a few. I don’t particularly see Canadian designers as having a specific role related to their nationality. I believe that our role is the same as good design world-wide; to deliver stellar work that ultimately improves the quality of people’s lives while connecting them to beauty. I would, however, like to see Canadian designers make a mark through an outstanding effort to operate with responsibility when it comes to ecological concerns. In regards to defining a unique Canadian style, design has become so global that I think it is difficult to distinguish a style with a place. Words that come to mind when I think of our design scene as a collective though are: authentic, subtle, thoughtful, and restrained. What sets us apart though are our heritage and natural resources – especially our wood. I think a lot of people see Canadian style in things like fur and antlers and rustic, organic qualities. I do see a lot of homes with antlers! But it is really only a small portion of the kind of work that’s being done here. It is interesting though that the oldest company in Canada, The Hudson Bay Co., is in the midst of a total brand overhaul and is suddenly ultra-cool. Those red, yellow, black and green stripes, truly iconic Canadiana, are showing up in some of the most fascinating interiors as well as on the most stylish people at home and abroad. Suzanne, thank-you so much for taking time out of your busy schedule to participate in my series. I am truly honoured and flattered you agreed! What a busy life you lead. I can relate to making things out of Lego, as a child I loved to build houses with what little Lego I had. I was also constantly making new cardboard box homes for my Barbies and I re-decorated my Barbie house constantly! As for my room, my patient mother let me paint my whole room several times and create a rainbow theme - yikes - so 80's. Down to rainbow print sheets and drapes, which she gave to me last year for posterity sake! XO Barbara

This week's guest is the queen of home construction DIY - she can operate a power tool like its nobody's business. Please welcome.... Chris Kauffman from Just Beachy She is.... I was first introduced to Chris, her amazing handiwork and her blog, Just Beachy, when her house tour was featured on Steven and Chris {for you non-Canadians, it is a Canadian lifestyle show}. I was blown away by her vision of taking a builder basic home and turning it into a home with a custom built look. What blew me away further was it was all her handiwork! Using power tools, wood, paint, and ingenuity she added custom detailing to her home that many people pay through the nose for. Chris did it all with her own hands! Since I have yet to turn on a skill saw or use a mitre saw I am in awe of someone who is so capable with such equipment. After finishing their home, she and her husband sold it and are now working their magic on another new build! They have already begun to transform their home into something spectacular. Chris added "feet" to builder basic cabinets. Chris' kitchen in her new home. The before: The after! You can read about the transformation here. Her laundry room in her new home Adding panelling to give room character and depth, bringing walls to life. Chris' bunkie at her old home. Her kitchen at her previous home, take note of the custom millwork! Custom millwork for one of her clients. All photos courtesy of Chris Kauffman What is your background? Your education? Are you trained as a designer? My background well I grew up just outside of Toronto in the city of Oshawa until highschool when we moved to NB and I lived there for a few formative years. I always loved interior design and even took a class in 10th grade in NB . Can you believe there was an interior decorating class where we learned the basics like colour theory , floor plans as well as design boards, I enjoyed it very much. I enjoyed moving a lot as a young adult which allowed me to try my hand at interior decorating often trying new paint colours and always sewing up drapes and pillows and I dabbled in some sad DIY projects looking back. I didn't in the early 90's see decorating as a real job, I wish I had but where I was there seemed to be no such need so I put this dream aside. After having kids I started to dabble in carpentry projects where I found I was quite comfortable. My first big project was a large kitchen island. Then I loved onto wainscoting and that lead to endless projects in my last home. My husband encouraged me to start a blog to share my personal projects and to find like minded people, this was about 6 or more years ago. Having a blog gave me incredible motivation to tackle and complete lots of projects. After a year or so I started to offer my services like on-line design plans. I did that for some time and had a good time with it for a little while but it did not full-fill my desire to be hands on. So I moved onto offer more services like built ins, millwork , custom headboards coupled with design. I love doing this type of work. I work part time and mostly and mostly during the warmer months it's tough to work in the cold with power tools , for me. I don't have any formal training, design comes naturally for me. You have been featured and highlighted on several Canadian publications and television shows such as Steven and Chris, has that helped your design business? I wish I could say that being on Steven and Chris and in magazines has helped my business but I really don't think it has. Perhaps I have found new readers and it has been fun, so I am glad I have participated and opened my home and work to such exposure. I am however happy to keep myself busy with my own projects and to do projects for the small circle of clients that I work with . You took a builder basic home and transformed it into a custom beauty with your previous home, documenting it on your blog. Did you do most of the work? Yes I did all of the work in our former home, well my husband did complete one beautiful built in in the kitchen and we worked together on our backyard projects like out pergola and our bunkie, but normally I work solo, it's easier that way. I know how I like things done. What tips can you give others who want to take a builder basic home and transform it to something more unique? Where should one start? I think it is important to invest in your home , I think the best way to get started and to increase its visual appeal is to pay attention to millwork . Add panelling, wainscoting or beadboard . I always say that a room should be beautiful even when its empty. Make the bones beautiful. I can stand cheap tiny trim , what is the point, before you go buy oodles of decorative accessories spend it on something permanent instead, you will get that money back in the long run. What has been your most favourite project you have worked on? My all time favourite project has to be our bunkie, I dreamed for many years about building a backyard bunkie for summer sleeping and winter storage, I really didn't think we would ever really do it , but we did and it was a dream come true. I am very proud of it although we sold the house months after completing it, which was unexpected but great. Any disasters or projects that just didn’t go well? Oh yes, I installed laminate click flooring in our basement and it was a disaster , it kept popping apart and looked terrible. What design vision do you have for your current home? I want to keep things simple and classic, lots of millwork, built ins , soft colours for the most part, a little mix of industrial with a touch of coastal. Dark rustic floors , lots of white and grey and always great lighting . How would you describe your design style? I would describe my style as traditional coastal rustic. Any New Year’s Resolutions for you? I will be turning 40 this year so my goal it to really get in shape then to keep in shape, long term. What are your views on the role of Canadian design on the world stage? Do you feel that Canadians have a unique sense of style, the way we design and decorate our homes? If so, what do you think sets us apart? I think the talent that is here in Canada is incredible and diverse. I can honestly say 90% of the designers I admire are Canadian. I think that since we are such a diverse country that comes through in Canadian design. I think we have access to an incredible array of stores and sources especially closer to the larger cities in Canada, there is something to suit everyone. My dream one day would to be given the chance to learn how to use basic power tools {I am adept using a drill and jigsaw!} to unleash my creativity upon a space! Chris is truly an inspiration! XO Barbara

Mod Podge glass projects can be used to decorate any room in your home. You can make candles, vases, and even nice dishes to put on display in your kitchen

Learning how to decoupage on wood is one of the most popular and surprisingly simple ways to upcycle wood crafts and furniture. By simply adding a layer of pretty paper or fabric, decoupaging on wood can turn a bland chair or accent piece into a bright and cheerful conversation starter. Instead of buying brand new, expensive furniture that comes with a rustic, eclectic look, you can learn how to Mod Podge on wood and create those unique pieces entirely on your own. Learn How to Decoupage on Wood with this extensive and easy beginner tutorial. Mod Podge crafts and decoupage ideas are a brilliant way to upcycle old pieces as well as incorporate new patterns and colors into your home. You can easily achieve a rustic look with vintage craft ideas that utilize wood decoupage projects. Once you have read this whole article, scroll down for some furniture decoupage ideas. Get free craft projects delivered straight to your inbox! Sign up for FaveCrafts

Make your shabby chic or farmhouse bedroom the most elegant and classy part of your home by having this linen Long Ruffle Bed Scarf. This bed scarf has long ruffle drops on both sides. It is available in multiple colors and bed sizes, so you have the choice of selecting the one that goes with the décor of your room. Item Details: White and Natural Off White 100% pre-washed medium cotton 26" ruffle drop is on both sides The flat area length is the width of you bed size x 26" Sizes: Twin - flat surface 39" across then the ruffle drop Full - flat surface 54" across then the ruffle drop Queen - flat surface 60" across then the ruffle drop King - flat surface 76" across then the ruffle drop CA King - flat surface 72" across then the ruffle drop

I remember watching the first ever series of River Cottage and being really inspired by Hugh Fearnley-Whittingstall. Over the years we’ve followed him on TV, watched the move from the original River Cottage to its new base near Axminster and continued to be inspired by the River Cottage way of life. Hardly a week goes by … Continue reading An unforgettable day at River Cottage