Carlos Cruz-Diez, Fisicromía 174, 1965 Cartón, caseína e inserciones de acetato de celulosa montados sobre madera con marco aluminio (cardboard, casein and insertions of acetate cellulose on wood with alluminium frame), 62 x 51,4 x 4,6 cm Colección particular (Private collection), Houston © 2010 Carlos Cruz-Diez / Artists Rights Society (ARS), New York / ADAGP, Paris
Puerto De la Cruz, Tenerife. The ultimate Travel Guide for the hidden gem of Tenerife, Puerto de la Cruz. The best beaches and sunset places
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"Just look at something carefully so that it becomes interesting"
GoPro sunset Photo: Santa Cruz Waves
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The interwebs are super obsessed with celebs and kitties. Here's a mix of both.
It’s done!! My biggest cross stitch project so far // Not my design. 27 hours, included: 36 episodes of Game Grumps Pokemon fire red 4 episodes of GG Out of this world 29 episodes of GG Shadow of the...
Seagull Postage Stamp cross stitch chart designed by Kate Spiridonova. ATTENTION! Fabric and threads are not included! Cross stitch charts are intended for personal use only and can't be distributed any way. Стоимость доставки в (Другой город) Рассчитать Подождите идёт расчёт доставки... Characteristics ThemesBirds, Other FabricLinda 27, Aida 14, Aida 16 Size23х27 st. Shades qty6 StitchesBackstitch, Full stitch Product typePDF instant download file Description Read How to Buy Cross Stitch Chart Finished size 23х27 stitches 6 shades of DMC threads are used Color-Symbol Chart in PDF format, instant download. Instruction is in English. Files: Demand (DMC).jpg (39.1 Кб) Designer: Kate Spiridonova
Born on November 12, 1651 (though there is some dispute about the year), in San Miguel Neplantla, Mexico, Juana Inés de Asbaje y Ramírez was the illegitimate daughter of a Spanish father and Creole mother. Her maternal grandfather owned property in Amecameca and Juana spent her early years living with her mother on his estate, Panoaya. Juana was a voracious reader in her early childhood, hiding in the hacienda chapel to read her grandfather’s books from the adjoining library. She composed her first poem when she was eight years old. By adolescence, she had comprehensively studied Greek logic, and was teaching Latin to young children at age thirteen. She also learned Nahuatl, an Aztec language spoken in Central Mexico, and wrote some short poems in that language. At age eight, after her grandfather’s death, Juana was sent to live in Mexico City with her maternal aunt. She longed to disguise herself as a male so that she could go to university but was not given permission by her family to do so. She continued to study privately, and, at sixteen, was presented to the court of the Viceroy Marquis de Mancera, where she was admitted to the service of the viceroy’s wife. When she was seventeen, the viceroy assembled a panel of scholars to test her intelligence. The vast array of skills and knowledge she demonstrated before the panel became publicly known throughout Mexico. Juana’s reputation and her apparent beauty attracted a great deal of attention. Interested not in marriage but in furthering her studies, Juana entered the Convent of the Discalced Carmelites of St. Joseph, where she remained for a few months. In 1669, at age twenty-one, she entered the Convent of the Order of St. Jérôme, where she would remain until her death. In the Convent, Sor Juana had her own study and library and was able to talk often with scholars from the court and the university. Besides the writing of poems and plays, her studies included music, philosophy, and natural science. Her small room was filled with books, scientific instruments, and maps. Though accomplished, Sor Juana was the subject of criticism by her political and religious superiors. When her friends, the Viceroy Marqués de la Laguna and his wife María Luisa, Condesa de Paredes (the subject of a series of Sor Juana’s love poems), left Mexico in 1688, Sor Juana lost much of the protection to which she had been accustomed. In 1690, a letter of hers which criticized a well-known Jesuit sermon was published without her permission by a person using the pseudonym “Sor Filotea de la Cruz.” Included with her letter was a letter from “Sor Filotea” (actually the Bishop of Puebla, Manuel Fernandez de Santa Cruz), criticizing Juana for her comments and for the lack of serious religious content in her poems. Sor Juana’s reply, the now famous Respuesta a Sor Filotea, has been hailed as the first feminist manifesto, defending, among other things, a woman’s right to education. Her fervent reply was the subject of further criticism, and the archbishop and others demanded that she give up any non-religious books or studies. She continued to publish non-religious works, among them several villancicos (a poetic form typically sung as a religious devotional for feasts of the Catholic calendar), about St. Catharine of Alexandria, written in a more feminist than religious tone. Controversy surrounding Sor Juana’s writing and pressure from those around her, including her confessor Núñez de Miranda, resulted in Sor Juana’s forced abjuration. During this time, Sor Juana was required to sell her books as well as all musical and scientific instruments. Sor Juana responded by devoting herself to a rigorous penance, giving up all studies and writing. In 1695, a plague hit the convent. On April 17, after tending to her fellow sisters, Juana died from the disease around the age of forty-four.
This is the kind of needlepoint you won't see at Granny's.
Continuing from where we left last time, let's take a look at the “non-conventional” placement of colors at needlepainting. A quick recap for those who missed the previous part of the needlepainting tips: The majority of lessons and tutorials for long and short stitching (including the lesson on this blog) show the traditional way of shading, which goes from top to the bottom in horizontal rows of colors. However, when you come to the actual needlepainting you might find out that the directions of stitches, the placement of colors can vary A LOT from project to project. The most confusing part in such cases, is usually the order of work: where to start from, is it better to go row by row switching colors or finish each color area separately, etc. It may not seem that complicated when you look at the project but as soon as you start, the questions keep arising. So, in July we discussed diagonal shading and the order of working it. Now, I have to remind that what was demonstrated is only my way of working such patterns of shading. I actually saw a different approach in a book once (similar to the traditional one, just changing the colors couple of time in one row) so be aware that there are other methods and ways and maybe you will even develop your own preferred way of working it! This time, let's take a look at shading in patches. If it sounds weird, I'm sorry, but that's the only term that comes to my mind when I think about it, haha. What I mean by patches are spots of colors placed randomly in a shape that is supposed to be long and short stitched. For example, look at Euphoria piece. The flower there is shaded exactly in patches. The borders are not that clear because the colors are close in temperature although having different hues. There are yellowish, pinkish and coral colors placed as spots randomly and only the lightest color on the edge of the petals and the brightest coral close to the center of the petal, only these two have the same placement from petal to petal. It was really fun to work it, merging few hues together which made the “base” color of the flower not clear. Is it yellow or light pink? There is no real answer because both colors are present there equally. Now that you have an idea about what shading in patches is, exactly, here are two examples with step by step pictures. First of all, pause, look at the placement of spots and think: how would you work it? In what order would you shade this petal? From the left? From the right? What next? Make a simulation of working the petal in your mind. Done? Now, this is how I worked it. 1-3. Theoretically, I could start it from the right as well, it wouldn't make much difference. 4. We had to work the two top patches first because this one is attached to both of them. That's why we couldn't work the left corner and then this one consecutively. 5. This one is attached to both patches of colors above again. 6. The last one, I guess, is quite self-explanatory? For these examples, I took thread of similar colors, but the hues are a little different. My goal was not to perform a good shading, like from lighter to darker colors, or have some realism. My goal was to work the patches and make them evident for you when you look so that you can tell the colors and patches apart in a finished petal. Here is a look at the petal under natural lighting. The colors merge better here, but you can still the patches here, right? This example is veeery close to how I worked Euphoria :) Now let's take a look at the second example, slightly more complicated. Look at the placement of patches and think how you would work this petal, what would be your order of work? When you are ready, look at my process of working it: 1-3. the first two patches are quite clear 4-5. Now, why did I work the one on the right and not the one no the left? Because the left one goes a little under the right one, so it is attached to it. That's why the right one has to be worked first. 6-7. And the last ones are our good old horizontal rows for traditional long and short stitching. Here's how the petal looks under the natural lighting. Did you guess the order of work correctly? Would you do it differently? I think these kinds of exercises are golden for long and short stitch practicing and they will prepare you for working serious needlepainting pieces, like Magnolia bu Trish Burr that we worked together recently. So, next time you have spare time, draw a couple of petals with random spots inside and try to figure out how to work them, it will be fun!
A sweet heart-themed cross stitch sampler with a big ole' anatomical heart in the centre! Stitched in a white-pink-red gradient, this pattern can also be done on white fabric with some simple alternate thread choices This pattern uses 5 DMC colours Stitches include: full cross stitch, back stitch - Grid Size: 160W x 208H Design Area on aida: - 14 count aida: 11.43" x 14.86" - 16 count aida: 10" x 13" - 18 count aida: 8.89" x 11.56" There are 3 PDF files: A cross stitch chart for the pattern, with colour symbols and floss legend. A chart for the alphabet and numbers, so you can initial and date the piece A large colour photo of the finished piece, 8 closeup photos, and additional pattern information This pattern is an instant download PDF, and does not include fabric, floss, or other physical products. PDF pattern is in colour symbols with floss legend The finished piece in the images shown is for demonstration purposes only. Instant Download Info: After payment has been confirmed, you will be emailed a link to download the pattern at your Etsy email address. PDFs will also be available under “My Account” and then “Purchase”. You will need a PDF reader, such as Adobe Reader, to open the files. You can download it here for free: www.adobe.com/products/reader Due to the nature of digital downloads, I do not offer refunds. If there is a problem with your pattern, please contact me and I'll try my best to resolve the issue! Bad Vibes Only patterns are for personal use only. The patterns may not be redistributed, or sold in any form, as a pattern or as a finished product.
13 Offensive Cross Stitches Featuring Animals - World's largest collection of cat memes and other animals
Screaming Cat Pattern including color code for DMC threads. PDF only, this is not a finnished product, it's the pattern for you to make your own. Pattern made using FlossCross.
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Choosing the right jeans Most of the mending projects I share are pretty extreme examples of patching using sashiko inspired mending techniques combined with my own stitching style. The examples that I share are either my own jeans or those that I've found while shopping at thrift/secondhand shops and garage sales. Whe
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Design: Bite Me miniature Subversive Sampler Size: 49w x 43h Designer: Kell Smurthwaite, Kincavel Krosses Permissions: This design is copyright to Kell Smurthwaite and Kincavel Krosses You may use,…
These aren't the usual cross stitch Bible quotes hanging off the walls at grandma’s house
Taiwanese sculptor Gaylord Ho was born in Hsin-Wu, Taiwan. Born to poor farmers Gaylord spent most of his free time helping, along with his brother, with the chores of scratching out a living on a small rice farm in middle Taiwan. His parents, while certainly not well off financially, were accepting and loving of their children and believed strongly in education. Gaylord was sent off to the public school system as soon as he was of age.
be-a-serial-killer: “vintage paradise ”
These cheap and unique hobbies are not part of working hours. They exist to let your mind go; it is no longer about being productive, just about feeling good.
I tried felting for the first time at a friend's house, and loved it right away. Felting was easy enough to do, and I liked that if something didn't come out just right, all I have to do is take it apart and re-do it or re-purpose the wool for something else. Plus it feels
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✰ PDF CROSS STITCH PATTERN ✰ ✦ Feel free to use it with any floss or fabric you have on hand, but this palette is intended for DMC. ✧ Pattern measures at 128x128 stitches -9.125 x 9.125” on 14ct Aida -8 x 8” on 16ct Aida -7.125 x 7.125” on 18ct Aida -5.875 x 5.875” on 22ct Aida ✦ 2,629 total stitches ✧ Colors in palette: 15 ✦ This is a PDF pattern only. No fabric, floss, or other materials are included in the listing. If you are interested in a FINISHED version of this pattern, please DM me! ✰ Listing Includes: ✰ ✧ PDF pattern to be printed, or viewed on a smartphone or tablet (and never shared!) ✦ A digital mock-up of the finished cross stitch ✧ DMC color chart ✰ How To Access Your Files ✰ ✧ Once your payment is confirmed, you will receive an email from Etsy Transactions with a link that will redirect you back to Etsy to download your files. ✦ You can choose to either print your pattern, or view them in a PDF reader on any smart device. ✰ Copyright Information ✰ ✧ All Occult Grandma patterns are for personal use only. Do not photocopy, redistribute, share, or sell any portions of it, in any form. If you intend to sell the FINISHED version of any of my charts, I kindly request that you message me first, and please credit my shop in any of your photos or listings. If you would like to purchase a commercial license for an Occult Grandma chart, please DM me. Any photos of finished objects on social media or your personal site should include a link to my shop at www.etsy.com/shop/OccultGrandma. ✦ Due to the nature of instant downloads, all sales are final. If you have any issues or questions about the chart, do not hesitate to DM me! ✰ Are you looking for a custom pattern that you don't see on my page? I can help with that! You can message me any time either directly from my Etsy shop, or at occultgrandma[at]gmail.com. ✰ ✰ All of the patterns in my shop are available in their finished version! Prices will vary on size and detail, please contact me and we can discuss it. ✰ ✰ View my other patterns here: www.etsy.com/shop/OccultGrandma ✰ © OccultGrandma 2019
Elixir of life, Healing, Potion, Cross stitch pattern in 1 PDF and SAGA file. No sharing or copying is allowed. The patterns may not be re-sold or re-distributed commercially in any manner. ✽ This digital pattern comes as a PDF file, which can be downloaded right after payment. Free Adobe Reader can be downloaded here: http://get.adobe.com/reader ✽ Pattern details: - Stitch count: 82w x 115h - Required DMC Colors: 37 pure colors + 34 blends - Designed area on 14 ct. Aida: 14.88 x 20.86 cm - Stitches used: full cross stitch, half cross stitch, french knot, backstitch ✽ You get: - color cross stitch chart (with backstitch and without backstitch separately) - black and white cross stitch chart (with backstitch and without backstitch separately) - symbol key for DMC stranded cotton - color image for your reference ✽ Other details and policy: - This is a pattern only, fabric and threads are not included - The link for downloading should come to your Etsy e-mail address. Also, PDFs are available in your Etsy account under 'My Account' and then 'Purchase' after payment has been cleared. - This pattern is digital and delivered via email, therefore I cannot issue refunds. Please contact me if you have any questions before purchasing Thank you for shopping! happy stitching!
Mit Herz, Lunge, Magen und Gehirn. Dieses Muster ist das, was man als .....Orgelerfolg bezeichnen könnte. ****** Dies ist ein PDF-Download eines Kreuzstichmusters, kein fertiges Stück. Nach dem Kauf können Sie die PDF-Dateien sofort herunterladen. Sie benötigen einen auf Ihrem Computer installierten PDF-Reader, um die Dateien anzuzeigen. Um den Adobe PDF Reader kostenlos herunterzuladen, verwenden Sie diesen Link: www.adobe.com/products/reader ****** Musterabmessungen: 53 Stiche breit x 54 Stiche hoch, oder ungefähr 10 cm breit x 10 cm hoch (wenn auf 14-count Stoff genäht) Anzahl Farben: 4 Stickgarn Marke: DMC Stickrahmengröße: 15 cm Verwendete Sticharten: Vollkreuzstich ****** Beim Kauf enthalten: - Druckbares Schwarz-Weiß-PDF-Dokument, das das Kreuzstichmuster auf einer einzelnen Seite enthält, sowie eine mehrseitige vergrößerte Version des Musters -Farb-PDF-Dokument (für die Bildschirmansicht), das das Kreuzstichmuster in zwei Formaten enthält: eine Farbsymboltabelle und eine Farbblocktabelle -Anleitung PDF mit Tipps und Tricks für Anfänger ****** Alle Kreuzstichmuster, einschließlich Schriftarten, sind urheberrechtlich geschützt © The Pixel Cottage. Bitte nicht mit Gewinn vervielfältigen oder weitergeben. Erfahre mehr über diesen Artikel
Hi all! Do you cross stitch and are looking for a new project? Take a look at my new patterns, I hope I can inspire you.
This is a pattern only. You will need to supply all materials required to complete. Designed by Erin Wasilieff Model Specifications: Leaflet Style 8 1/2" x 11" Booklet Stitch Count 95w x 146h Floss DMC
You too, can master the rude cross-stitch sampler. The products in this post were updated in April 2018.
Welcome to our shop, where we hope to leave you in stitches. Enjoy a more modern take on a classic pastime with our funny cross stitch kit "I like my puns intended.". Only full stitches are required to make this project, which also makes it a perfect beginner cross stitch pattern. A great gift for mom, grandma, or auntie this Mother's day. Once completed, listing will fit in a 5 inch hoop on 14 count, white Aida fabric. Instant pdf and word download includes: Image for reference Pattern as symbols Pattern as color blocks Material list Short stitching guide SPECIFICATIONS: 487 stitches 60 x 70 work area, or 4.5 x 5 inches If you have any questions regarding this item, please hit the “Ask a Question” button next to the price and I will get back to you within 24 hours. Happy Stitching:) All of our patterns are for personal use only and are copyright 2018 4stitchesandgiggles.
From LupineLaneDesign:
Get your craft on with one of these 21 super sassy embroidery patterns. Loads of funny embroidery and cross stitch patterns with attitude!
Cross stitch pattern - mini cross stitch croissant for beginner embroidery. Food cross stitch is modern and very simple. Easy cross stitch and small cross stitch ideal suitable for quick cross stitch. Funny cross stitch as mini embroidery great DIY home decor. The diagrams are prepared in PDF format for instant download. Fabric: 14 count White Aida Stitches: 25 x 21 Size: 1.79 x 1.50 inches or 4.54 x 3.81 cm Colours: 4 (DMC) This PDF pattern Includes: - Pattern in black and white symbol on 1 page, - Pattern in color blocks and symbols on 1 page, - List of DMC colors you will need and thread length. ATTENTION! For personal use only! All my patterns are not for commercial using. You may not resold files as is, or with minor changes. The product may not be used in any way whatsoever in which you charge money, collect fees, or receive any form of remuneration. Also the representation on any free web resource is prohibited. Please understand me as the owner. Please note this is a PDF PATTERN ONLY! No fabric, floss, or other materials are included in the listing. If you have any questions about the purchased product, individual order of cross-stitch patterns, downloading files in PDF format - write to me in a private message - I WILL HELP YOU! If you need to know the size of the fabric when using: Aida 6, Aida 11, Aida 14, Aida 16, Aida 18, Aida 22, Aida 25, Aida 28, Aida 32 - try visiting the special "Fabric Size Calculator" at: https://www.cyberstitchers.com/stitching_tools/fabric_size_calculator ♥ LINK TO SIMILAR DISCOUNTED PRODUCTS ♥ https://www.etsy.com/shop/AuthorEmbroideDesign?ref=search_shop_redirect§ion_id=28346035 Instant Download Info: You will be emailed a link to the download at your Etsy email address. Also, PDFs are available in your Etsy account under "My Account" and then "Purchase" after payment has been confirmed. To open this files you will need Adobe Reader, which can be downloaded here for free: https://acrobat.adobe.com/us/en/acrobat/pdf-reader.html I don't accept returns, exchanges, or cancellations. But please contact me if you have any problems with your order. Thank you for visiting my store. I hope you enjoyed it here :) I wish you easy embroidery!
Naughty but nice, designed to give any room a cheeky little statement or maybe to give someone a message! This kit would make a great gift for a crafty friend or simply stitch it yourself to decorate your home. This counted cross stitch kit includes: • Printed design chart and guide to cross stitching • Stranded cotton embroidery floss • 5 inch wooden embroidery hoop • Antique white 14 count Aida fabric • Round point tapestry needle The kit is designed and hand made in sunny Newcastle, England and all materials are cut by hand and packaged up by me in my messy little studio! Please note: You are not purchasing the finished cross stitch piece. Photos of the finished cross stitch are for reference only. Your kit comes packaged in a lovely kraft paper box, with everything you need inside. Packaging is made from recycled materials and is also 100% recyclable. © 2019 Innocent Bones Innocent Bones patterns are for personal use only. The patterns may not be re-sold or re-distributed commercially in any manner. To use these patterns commercial use please contact Innocent Bones.