Barovia is a land of darkness and distress, but in the hands of your players, it offers a world of creativity and freedom. This module…

Madam Eva is a reoccurring character in The Curse of Strahd. Madame Eva is an old woman with long fingernails and nose. She wears a robe with a head piece. She's always ready to help people even though she's bound by Strahd. She doesn't like sending adventurers to their doom but cares about her family and the Vistani. Eva was born an Illegitimate child to Strahd's father from a one night stand. She grew up to know Castle Ravenloft well and worked as a maid. During the wedding where Strahd killed

Unearth the terror of Ravenloft one more time in D&D's Curse of Strahd Revamped!

Now that I've gone over the book in agonizing detail, I am ready to write a review of Curse of Strahd, a Dungeons & Dragons adventure meant for characters levels 1-10. I'll try and make this short and sweet (hours later: I failed). You can buy this adventure and the tarokka deck on amazon here: Curse of Strahd: A Dungeons & Dragons Sourcebook (D&D Supplement) D&D: Curse of Strahd Tarokka Deck We'll go over the good stuff, the bad stuff, and then I'll give my overall thoughts. The Good This adventure is something of a "re-imagining" of the original Ravenloft adventure, with a bunch of extra stuff added in. They did this in 3rd edition with Expedition to Castle Ravenloft, and I think Curse of Strahd pulls it off far better. The entire concept of needing to go track down the different items to defeat Strahd gives the heroes a reason to go to these side places, so they don't feel like filler. You can really tell that a wizards staffer wrote this adventure, as opposed to the outside studios that made Princes of the Apocalypse, Out of the Abyss and etc. This adventure is much tighter and cohesive. Everything has a certain rhyme or reason, and the different locales are linked to each other in natural ways. Often in the other 5e adventures, you could sense that different people worked on different chapters. This led to an uneven feel and a lack of cohesiveness that meant you had to sit down and put in a lot of work to make the adventure feel like a continuous story rather than a collection of isolated locales. Lots of Material to Raid My favorite NPC Many of the locations in Curse of Strahd are a lot of fun and are worthy of being pulled out and used in your own campaign even if you never use this adventure. Vallaki: This area is overloaded with great stuff. It's a little crowded and confusing, but I love the Wachters and I think Izek Strazni is a top notch bad guy. Ruins of Berez: Baba Lysaga is a fantastic villain. I think every DM should try and put this chapter into their campaign in some way. I am fascinated to see if there is any link to Baba Yaga. There's so many possibilities. The Amber Temple: I'm a bit torn on this place. It feels sort of like it doesn't belong in this book. It's a great locale and maybe I'm wrong, but I'm pretty sure it actually defines just who the Dark Powers of Ravenloft are! I love it. If you are running a campaign that involves Vecna, I think you should definitely use this place. It honestly feels like this temple can be the centerpiece of a Vecna-based adventure or campaign. Van Richten's Tower: I love this area so much. It's simple and very D&D. You can use the traps here in any campaign. Billions of Good Ideas The most important thing to me in any product is new, fun ideas. Stuff that inspires me and the players. This book is full of them. The Dream Pastries are fantastic. Stella, the girl who acts like a cat is in my opinion a really fun NPC. The Revenants in Argynvostholt are very cool and I think Sir Godfrey looks awesome. The flesh golem bride is a hilariously creepy idea that can lead to all sorts of great things. As soon as I read the name Seriach the Hell Hound Whisperer, I knew I had to use this NPC in my own campaign in some fashion. Even though she's just one of the NPCs in the crypts, Sasha Ivliskova the old vampire wife of Strahd's who has been locked away and forgotten immediately gave me a lot of cool ideas. There's even good little ideas in a throwaway item like Rictavio's journal. There's a mention of an orc who can bite through chains and there is a description of conjoined goblin twins. You just read those entries and an NPC pops into your head, fully formed. Links to Many Different Settings Tenebrous aka Undead Orcus One of the most enjoyable things about this book is that there are quiet little links to many other D&D products. From what I understand, the Wizard of Wines is from Rahasia (which was written by the Hickmans, who also wrote the original Ravenloft adventure). There's a prominent NPC linked to Mordenkainen's Fantastic Adventure. There's vestiges linked to Dead Gods and Savage Tide. I bet there's a ton more that I didn't even pick up on. I really appreciate the time and effort put in to give us those sorts of details. This book was not slapped together. It feels like they went over it time and again, adding layers of tweaks and details. It really shines through. The Art One of my favorite pieces of art in Curse of Strahd I am really pleased that they put some full-page images in this book. I love D&D art. It really helps me visualize things. I would say that most of the art in this book is above average, but there has been no art in 5e that has really blown me away. Are we simply past the era of superstar artists? I still maintain that if there is a great 5e artist, it is Mike Schley. His maps are fantastic and fun to look at. Steady Improvement Each time wizards of the coast puts out a new D&D adventure, they fix some mistakes from the last one. Previously, there was a problem in that the adventures were simply too long. Going from level 1 to 16 or whatever takes a lot longer than 6 months for most groups. In this adventure, you go from levels 1-10. There is still a ton of material and you will definitely get your money's worth, but you won't necessarily need to invest a year of your life of weekly play to get through it. The Bad Let me say that I think this is the best adventure so far, and I think it wins by a wide margin. Tyranny of Dragons was uneven and underdeveloped in many places. Princes of the Apocalypse just felt flat to me and I hated the haunted keeps. Out of the Abyss was cool but read like it was a slog and I get the sense a lot of people bailed out on the adventure once they got to the surface at level 8. So I definitely would say that Curse of Strahd is worth buying. Even if you don't run it, there is a metric ton of material in the book that you can use for your campaign. That said... Does Anyone Really Want a Remake? Judging from the popularity of this adventure, I'd say that the answer to this is "yes." But for me, I'd much prefer a sequel that builds on past events rather than a "re-telling." This adventure is handled in a way where you could say it is a sequel, but if you ran the original Ravenloft adventure then you're putting your players through a deluxe version of the same thing. I want new ideas. I want underdeveloped concepts from previous editions to get a chance to shine. I want new classics. Re-creating old material is, to me, a way of saying: "The old stuff was better and we can't top it." That's not true. There's a lot of people out there with awesome ideas. Just give them an outlet and let's move things forward. Filler While they put in a herculean effort to make all of the locations worthwhile, some of them come off as filler. Tsolenka Pass seems very insignificant. Yester's Hill is basically an elaborate encounter with druids. The Werewolf Clan feels extremely optional and the werewolves feel like one horror element too many. Argynvostholt comes off to me as overblown and almost completely extraneous. The weirdest one is the hags in Old Bonegrinder. There is a good chance that the group will be 4th level when they go here, and they will be walking into a TPK against three night hags. What's weirder is that when the author ran this on Dice, Camera, Action, he changed them to weaker green hags. Why were they night hags in the first place? New DMs Don't Know What to Do with This I have read similar comments from numerous new DMs on Reddit. They are saying that they bought this book and they have no idea how to run it. That is because wizards is still organizing these books in that weird way where each location gets a chapter and you have to dig through them to find out how the plot gets you from one place to another. The whole book starts off with miscellaneous jumbled chapters loaded with all sorts of disparate concepts like how the mists work and where things are on the overland map, often then referring us to another chapter for the bulk of the material. The entire Tser Pool Encampment is actually lodged into one of these chapters rather than being given its own section. It's a tiny location, but it contains such a major part of the plot (the tarokka reading) that you expect it to have its own chapter rather than being buried in that miscellaneous Barovia description section. I think that if they had put Tser Pool, the gypsy description and the tarokka rules all in one singular gypsy-centric chapter, it would have made things easier for me. In the case of Curse of Strahd, the organization makes a bit more sense because the entire idea of this adventure is that you do the tarokka reading and are basically randomly assigned areas to visit. But it's up to the DM to figure out how to get the group to these places, and new DMs are going to have a hard time with that. The hooks that take you from one area to another are buried deep in each chapter. You have to read the entire book to understand how to link things together, and you better take notes because few people will be able to remember all of that material. This is a big book and it requires a lot of reading. I can see how many newcomers might feel overwhelmed. We really needed a page with a synopsis/sample plot, detailing how the campaign progresses from one location to the next. I still think they should be organizing these adventures like Pathfinder Adventure Paths - linear. If you want a sandbox, It's not hard at all to make a sandbox out of a railroad. But it is very time-consuming to turn this sandbox into a path. And I still really wish they'd put page number references rather than "see chapter 5 of the DMG." Continuous Organizational Issues I found this hazard to be annoyingly difficult to look up. What's funny about these organizational choices is that I personally benefit from them. My "guides" to these adventures where I try to help DMs prepare are by far the most popular articles on my site. To me, that says that DMs need help with these books. That should not be the case! The point of a published adventure is to make it so that the DM does not have to do a lot of work! Even the best adventures require a certain amount of prep and research. When I ran White Plume Mountain for 5e a year or two ago, it took just a few hours to prep. I got four full sessions out of it. I cannot tell you the hours upon hours I have spent looking up stuff and connecting dots with Curse of Strahd. It felt like a chore. It felt like work. It took me weeks and sometimes I dreaded going back to it. And I love D&D! I am a big Chris Perkins fan! Having to sit there and look up every god damn magic item, monster and especially the traps and environmental hazards (which are really annoying to find) was the worst! Here's an example... The Charm of Heroism: On page 39 of Curse of Strahd, the heroes might be given a charm of heroism. We are told to "see "Supernatural Gifts" in chapter 7 of the Dungeon Master's Guide." Now let's go find it. We don't have a page number so we have to flip through the book. What a pain. We find it. It says "This charm allows you to give yourself the benefit of a potion of heroism as an action." So guess what?! Now we have to find the potion of heroism. No page number, no nothing. Let's go find it. It's on page 188 of the DMG. Guess what it says? "...For the same duration, you are under the effect of the bless spell (no concentration required)." NOW WE HAVE TO LOOK UP BLESS. It's on PH page 219. +d4 to attack rolls or saves for one minute. I really, really wish that they would just write what some of this stuff does right in the adventure text. So many games are going to come to a screeching halt because of this charm of heroism. DMs who don't prepare this kind of thing in advance are suddenly flipping through multiple books while their players sit there and time ticks away. It's an easy thing to overlook, as you'll assume you can just flip to a page and boom there's the info. The Art I mentioned the good stuff about the art, now here's the bad. I personally don't like the way Strahd looks. To me, Strahd will always look like the guy in the AD&D 1st edition Clyde Caldwell painting. In this book, Strahd is.. purple? Sort of? And the details on his face in almost every piece are a bit mushy. Seriously though, look at the above comparison. Am I just an old fogey? The 5e cover certainly isn't bad at all. I like the surreal quality of it, which is something I really enjoyed on Jeff Easley covers. It really isn't fair to ask anyone to follow up an iconic piece of D&D art. But to me, that is not Strahd. Couldn't they have just hired Clyde Caldwell to do the 5e cover and update his look? I understand that the Bela Lugosi-style vampire is extremely dated, but this new dude does absolutely nothing for me. The interior art is also hampered by the 5e "page rips," something I've groaned about before. This design choice actually obscures parts of the art and in some cases makes them look significantly worse. Check out this example. This is art of the gates of Barovia: Do you see how the white paper obscures the top of the art? It's so close to one of the statues that it lessens the effect - it becomes difficult to see that both heads are lopped off. There also seems to be an issue with how the art turns out when printed. While I like that full page art is used, a lot of the full page pieces are muddy or vague. Take a look at this image from page 83. I have the digital version and how it looks in the book side by side. And keep in mind that the above book version is actually a bit brighter than what I am looking at in my book! I understand that some of this must just be the mechanics of how things are printed. But between the darkening and the page rips, I think the artists are being done a disservice. When I saw this art of the ghoul in the book, I thought it was horrible. Most of the page was black. It felt like a missed opportunity. But then I found the original art online.. and it's good! The Poster Map I think I am in the minority on this, but I feel strongly about it. The poster map feels wasted. On one side, there's a map of Barovia and the towns. This is useful to a degree, as you and your players can look at it on the table and track where the group is, particularly when they are on the road. The other side has the Castle Ravenloft map. Even at poster map size, the castle sections are small. They're isometric, which is a bit confusing. Worst of all, this poster map has the secret doors and the traps on it. So if you plop this thing down on the table, your players are going to know a lot more about the castle than they should and an entire element is taken out of the game. That's not the end of the world. But even when this thing is on the table, you need to squint and turn this gigantic map around to kind of, sort of, point out where the heroes are. Even if the DM just wants to use the map to personally refer to in play, how the heck are you going to do that? It's gigantic! Are you going to fold up your map in ways it wasn't meant to be bent? Are you going to unfurl this massive thing and hold it up in front of your face and speak to the players? To me, this thing is completely impractical. I would have preferred a separate booklet with the castle sections on individual pages with DM notes. I have always liked battle maps. This poster could have had one side with some generic, reusable areas at five feet per square. Divide one side up into quarters for four maps: The road, a village street, an inn and a church, cave or dungeon interior. The other side can have some specific but reusable locales. Mostly Castle Ravenloft areas - especially the crypts! In fact, an entire side might be devoted to the crypts, as that is a massive area that the adventurers will probably spend a lot of time in. I know 5e is miniatures-optional, but there are some locations in every adventure where you just need minis or some kind of visual representation of where the characters are and what the room is like. Death House This mini-adventure is designed to get the heroes from level 1 to level 3. Honestly, I think it doesn't belong in this book. It's not a bad adventure. I love the idea. It would be a great Expeditions scenario. I think there's too many rooms in Death House and it feels like if you don't run the adventure carefully, your group will get bored. I also don't like the choice of final monster at all. This location has no real connection to anything in Curse of Strahd, which is a bummer because there is so much material out there to play with. Instead of going through Death House, the group could have interacted with Strahd or one of his underlings like Rahadin. They could have encountered Beucephalus the nightmare in the woods. They could have found Ezmerelda's trail, or a villager comatose from a dream pastry. A vestige could have reached out to tempt them. Sergei's spirit might have lead them into Barovia. They could have had some kind of chase or interaction with the gypsies. There's so many possibilities. I think Curse of Strahd would have been much better served with an introductory mini-adventure that brings the group into Barovia and lets them have a few easy fights and roleplaying encounters, so that new players have the opportunity to learn the basics of the game. In fact, they probably should have just done the Madam Eva tarokka reading right off the bat rather than hoping the group makes their way to Tser Pool. Tarokka Woes It's not the end of the world or anything, but I pre-ordered the tarokka deck well before the Curse of Strahd book even came out. The deck did not actually come out and arrive at my house until at least a month after the book did. I had originally planned on starting Curse of Strahd right when the book came out. I would have been really annoyed to find that I wouldn't even have the deck when my group got to the tarokka reading. I actually looked into buying an older version of the deck online when I heard that the official deck wouldn't be out on time. It doesn't seem like rocket science to know that the tarokka deck should be out by the time the book is, if not before. All of those Adventurer's League groups are starting Curse of Strahd right when the book is out. These potential customers are right there in stores where the decks can be sold. The tarokka reading is essential to the adventure and is meant to be done in one of the first sessions. If the group goes through the reading and the deck isn't even out yet, then that DM isn't going to buy the deck when it does come out because it is no longer needed! It's too late! Overall Most of my gripes really have nothing to do with the actual content of the adventure, but rather how it is presented. Every single 5e adventure requires a ridiculous amount of "homework" and I think that is a shame. But the fact remains that if you can get past all of that, this is the best 5e adventure yet. It is full of great ideas. Many of the locations are fantastic. Tons of thought and care went into this and it really shows. I think a lot of people might regard Curse of Strahd as a modern classic, perhaps even moreso than The Red Hand of Doom. Time will tell on that one. But there is no question that this is a great adventure that is well worth your money.

I've been reading that a lot of newer dungeon masters are having a hard time figuring out how to run Curse of Strahd. In this article, I am going to give you an outline of how you can put this adventure together. If you are a new DM and have other questions, feel free to ask in the comments below or email me. You can buy Curse of Strahd and the Tarokka deck on amazon here: Curse of Strahd: A Dungeons & Dragons Sourcebook (D&D Supplement) D&D: Curse of Strahd Tarokka Deck Note: I used art from Jason Thompson's Curse of Strahd Walkthrough map, which you can get here. It is a very helpful aid when trying to visualize the adventure. I made two outlines. One is short and simple. The other one is more detailed. My way is not the "right" way. There is no "right" way. Every DM has their own style. I am just trying to give an example of how to organize this adventure. This Show Helps: If you have the time and you are new to D&D, you might want to watch Dice Camera Action. On that show, the guy who wrote this adventure runs it for a group. You can see how he ran it and how he handled things. It is very helpful. I write summaries of each episode here. What Do I Do With This? You might look at the Curse of Strahd book and ask yourself, "What do I do with this?" Your job is to link the different areas and ideas together to form a storyline path. There's a lot of details in a lot of different places, and it can be very difficult to fit it all together. I would suggest that you create an outline of the places you want the group to go to, and in what order. I wrote a Guide to Curse of Strahd which might help you figure out other stuff, too. Making Your Outline: When planning out your campaign outline, keep in mind that certain things might change once you start running the game, depending on the actions of the players. For the most part, you'll probably be fine. The fact that the magic items that the heroes need to get (the tome, the icon and the sunsword) are in specific areas means that the group has to go to those areas at some point. Making Connections: The trickiest thing about making an outline for Curse of Strahd is finding out how to connect one section to the next. The details are buried in the text of each chapter. If things get muddled and your group is floundering in the game, remember that you can use the wereravens to nudge them in the right direction. The wereravens are good guy allies of the heroes from start to finish. How to Handle the Tarokka Reading: In the adventure, it is suggested that the DM do one reading before the game, and then another if the heroes go to Eva's. This way, if the heroes never meet Eva, you have determined where the items are and etc. Be aware that if you do the reading at the table with your players, you might get results that you don't like. As an example, while I think the Amber Temple is awesome, it just didn't feel right to me. So if I did a reading at the table and I draw the temple, I'm kind of stuck with it. For the tarokka reading, I just picked the results that I wanted. That way I could put the items in locations that I want to run, use the NPC I like, and put Strahd in the room that I think is the most fitting. When it came time to run this, I would stack my tarokka deck so that when I did the reading at the table when running the game, it would give me the results I wanted. If you don't own a tarokka deck, that's fine. You can just narrate the reading. That actually makes it easier. Strahd Encounters: One thing the book leaves in your hands is when, where and how Strahd interacts with the group as they travel through Barovia. There are general guidelines for encounters on page 10, and there are a number of suggested Strahd encounters sprinkled in various chapters, but ultimately it's up to you to decide what you want to do. I placed four Strahd Encounters prior to the actual trip into Castle Ravenloft. I decided to make one a dramatic introduction encounter, and the other 3 based on each of Strahd's Goals (listed on page 10). Gaining Levels: I would recommend not giving out experience points when you run this. Just have the group level at certain points, usually after they finish a chapter. I'll note times to level in the outline. Sometimes the group might fly through a chapter in a single session, and it will feel too soon to level them. In that instance, don't level them for at least another session or two. 5th edition D&D is supposed to be flexible, so that 4th level characters can handle 6th level areas. Some areas will probably take longer than you expected, so the discrepancy in leveling should even out. Starting at Level 3: If I ran this adventure, I would start the group at level 3. If you decide to start at level one, you could run Death House (page 211) or you could cook up a little introductory adventure in the world the heroes come from, before they are drawn to Barovia. Be careful, though. If you have new players, they might get attached to your world. They might not want to leave! If you do make up an intro adventure, you might want to use the werewolves and Vistani in your homebrewed adventure so that the tone of Curse of Strahd is ingrained in your campaign from the start. Short Outline Here is a simple outline of how you could run this adventure. We'll assume that the characters start at level three. 1. Creeping Fog: (page 22) The group is drawn into the mists 2. Village: The group follows the road and comes to the village of Barovia. They meet vistani who tell them to seek out Madam Eva. They also meet Ismark and Ireena, who want to flee to Vallaki once they bury their father. Strahd attacks the group in the graveyard. 3. Madam Eva: The raven guides the group to Tser Pool (page 36), which is on the way to Vallaki. The vistani talk with the heroes. Madam Eva does her reading. Here's the results I chose: Tome of Strahd is in Van Richten's Tower Icon of Ravenkind is in Krezk Strahd's Enemy is Ezmerelda The Sunsword is in The Ruins of Berez The final battle with Strahd occurs in Strahd's Tomb (page 93). After the reading, Ismark wants to get Ireena to Vallaki, where he hopes she'll be safe from Strahd. 4. Vallaki: The group travels to Vallaki. They meet the Keepers of the Feather and Rictavio. Rictavio translates Madam Eva's reading. Rictavio has to flee Vallaki, so he tells the group to go to Van Richten's Tower. The Tome of Strahd is there. 5. Van Richten's Tower: The heroes obtain the tome and meet Ezmerelda. Strahd Attacks. 6. Roadblock: The group goes to Krezk, but they aren't allowed in. They must go get wine from the Wizard of Wines first. 7. The Wizard of Wines: The place is over-run with monsters. The group needs to get a magic gem from Yester Hill. I decided not to require the group to get the gem in Berez. 8. Yester Hill: Twig Blights, druids and a statue of Strahd. The group gets the gem. They can now get the wine and will be allowed into Krezk. 9. Krezk: The group might have a major encounter at the pool (page 156). The Icon of Ravenkind is in room 13 (page 150). 10. Ruins of Berez: The group will have to battle Baba Lysaga and her Creeping Hut to obtain the Sunsword. 11. Invitation: Once the battle is complete, the heroes find the Black Carriage (page 37) waiting for them. Wind blows, and an invitation to the castle (page 251) lands at their feet. The heroes get in, and the carriage takes them to Castle Ravenloft. 12. The Castle: The heroes make their way through the castle and have a final battle with Strahd and his brides in his tomb. 13. Epilogue: The sun is out, and the heroes can at last go home. Things to Do That's a simple "road map" for you to follow. The group might decide to go to a place like Argynvostholt just to check it out, and they might decide to go to a location "out of order." But that's our basic framework and we can change it as we like as the campaign progresses. Things you might want to do when you plan your campaign out: Create an Outline: Plan out the locations that you want to use in order. Use the "Areas by Level" chart as your guide (page 6). Place Encounters: Pick out the random encounters you want to use (on pages 28-33). You can roll them during the game if you want, but I like to place them in advance so I can make sure I get to use the ones that I like when I want. Also, rolling during the game eats up time and can become a pain. Plan Out and Place Your Strahd Encounters: There's a major Strahd Encounter in Krezk (on page 156) that you probably want to use. There's a very scary and deadly one, too ("St. Andral's Feast" on page 124). Even if you use those, you still might want to make up some on your own (see page 10 for guidance). Strahd is supposed to be popping up a number of times before the group gets to the castle. Look at the Marks of Horror: (page 7) Try to add little flourishes in the adventure, like creeping shadows and decay. Doing it in advance is usually better than making those things up on the fly, though you can do either or both. Trinkets: You might want to place trinkets (page 210) in your outline. These types of fun but non-essential things are easy to forget. There's a lot of cool trinkets that deserve to be used. Your players will appreciate little details like this, as it all adds up to an enriched game experience. Detailed Outline The short outline is probably all you need to look at. But I'd also like to give an example of a more detailed outline that allows you to foreshadow things and help you get all of your ideas in one place. I started by doing the Tarokka Reading: Tarokka Results Master of Stars (Van Richten's Tower) Tome of Strahd Monk (Krezk) Holy symbol of Ravenkind Enchanter (Ruins of Berez) The Sunsword Mists (Ezmerelda) The book provides an option for the group to meet her in almost every single chapter. I decided that I want the group to meet her at Van Richten's Tower Darklord The final battle with Strahd occurs in Strahd's Tomb We start the outline by picking out a hook. Then we are going to organize and connect all of the chapters we want to use. When you make your outline, add in your own ideas and flourishes. Change whatever you want. You do not have to stick to the book. Creeping Fog: (pg 22) It's evening. The mists draw the heroes into Barovia. You'll have to cook up some reason as to how this happens. You could even have it where the group doesn't know each other, and that they each were drawn into the mists from separate locations. They all emerge in Barovia at the same time. Skeletal Rider: Upon emerging from the mist, they see a skeletal rider in the distance ("skeletal rider" page 31). It does not attack. It is searching for a way to escape the fog. I decided to make the skeletal rider the "spirit of the campaign," so to speak. Each time the group sees the rider, a trinket falls off the horse and the rider leaves it. The group may wonder if the rider is trying to help them in some weird way. In my mind, the rider is a person that will never give up trying to get out of Barovia. The rider refuses to "die" for good and dropping a trinket it found in the woods is the rider's way of helping the group defeat Strahd. Trinket: A little black book that records your dreams, and yours alone, when you sleep. This will be useful further along if the heroes have "prophetic dreams." I decided to start the campaign off with a bang. First the group walks down the road for hours, and then they have their first Strahd Encounter. The journey to the village: Old Svalich Road: (page 33) The group gets a look at the realm. Gates of Barovia: (page 33) The heroes pass through massive gates flanked by headless statues Svalich Woods: (page 34) The group might find a letter. Strahd Encounter I: It's evening. A thick fog rolls in. The group encounters some Strahd zombies ("Zombies" page 31, Strahd Zombie stats on page 241). One of the zombies must have had an interesting job in life, because it is wearing.. Trinket: A black executioner's hood. During the battle, a black carriage comes down the road. Rahadin (page 236) is driving it. A passenger emerges - it's Strahd. If they peer into the carriage, the heroes might spot one of Strahd's consorts wearing a skull mask (Valenta Popofsky, page 94). There's a lantern on the carriage that causes Strahd to cast a long shadow. Narrate Strahd's shadow as moving in impossible ways. The shadow's claws extend and it gets larger and larger. The shadow is creeping toward the heroes, reaching for their throats. Strahd gives the group a single warning about Ireena, who they haven't even met yet: "She is mine!" (perceptive heroes will see the consort Valenta shift uncomfortably in the carriage). If the adventurers give him some of that patented sassy player backtalk, Strahd tries to charm a PC that you think Strahd might want as a consort or a successor. Maybe have Strahd's shadow reach out to caress the target. The point of the charm attempt is really so that the group can see that the DC of Strahd's charm power is 17, and thus they are warned that Strahd is extremely powerful. Just say the DC out loud, unless you don't like doing that kind of thing. Also remember that Strahd is protected by the heart of sorrow (page 59), which absorbs up to 50 points of damage. Strahd admires his charmed subject for a moment (to tease that he might want that PC as his own servant/ally), then releases the hold and gets back in the carriage. The black carriage rides away and almost immediately vanishes into the fog, as if it was never there. Infected Shadows: I had an idea today that I'd probably use in Curse of Strahd. When Strahd's shadow creeps toward the group, I'd have it actually attack the shadows of the adventurers. I'd have each character make a saving throw (charisma?). Those who fail the save now cast a shadow with a mind of its' own. Throughout the adventure, the tainted shadows will make like they are trying to kill the other heroes, and will reflect the feelings of either Strahd or the Dark Powers (you pick). So when the group meets Ismark, the tainted shadow will try to hack his shadow to pieces. When the group meets vistani, the shadow will drink and cavort with them. This is not a mechanical thing at all, it is merely a fun effect that the heroes could use in many ways to their advantage. Once the players see what the shadows do, they might want an infected shadow, too. So in the next Strahd encounter, I'd let them make saves again and if they want to fail, they can. I really like the whole idea of casting a shadow with a mind of its own and I think it could lead to a lot of hilarious things. You could even say sometimes that the shadow plays out what the character is really thinking. Maybe the character needs to make a saving throw to prevent it from happening. You don't want to use this to really screw over your players, so be careful how you use it. I am thinking that Barovians with no souls can't see the shadows, or don't care. Only those with souls might notice something a tainted shadow is doing. Maybe the shadow abruptly starts acting normal if an NPC sees what it is doing. Village of Barovia Raven: The group enters the village and notices that a raven is watching them from a rooftop. This is Muriel Vinshaw (page 161), the wereraven ("wereraven" page 32, wereraven stats page 242). She flies down the street and perches on the sign of the Blood of the Vine tavern. The group doesn't know it yet, but she's watching out for their interests. Souls and Shells: Check out the stuff on Barovians on page 24. I want to make sure that I demonstrate just what the people are like throughout the adventure, so I'm going to place little moments throughout the outline. Here in Barovia, let's have a scene where a bunch of Barovians wearing brown, white and gray clothes stare openly at the heroes. One Barovian among them is wearing a red vest and has bright blue eyes. He gives the group a slight smile and a nod. This is just to sort of "set the table" and display the difference between souls and shells. The Hag: I would not use the Morgantha encounter ("Dream Pastries" page 48). Instead, I'd have two villagers fighting over a dream pastry (dream pastry info is on page 125). A villager desperately needs his fix, so to speak. This way, you can get across the story of the dream pastries without potentially putting the group up against the hag, who is really powerful. Mary: The group will hear crying and they might investigate Mad Mary (who talks about Gertruda, an NPC in the castle on page 68). Her doll, "Morbid Molly," is described in this article. The group might visit Bildrath's Mercantile to buy supplies. Blood of the Vine: The heroes will probably (hopefully) enter the Blood of the Vine tavern. A whole bunch of stuff happens here: Vistani Owners: The owners tell the heroes they should visit Madam Eva at Tser Pool (which is on page 36). The Mirror Character: While in the tavern, pick a character. This character looks in the mirror in the tavern and see that their reflection makes them look significantly older - grey hair, wrinkles, crow's feet. This character is going to have progressively worse visions throughout the adventure. Nobody else sees it - just them! Radu: Let's put a vistani NPC in the tavern. I want him to try to steal things from the group later on. We'll make up a name: Radu Radovich. Let's go ahead and let the group get a look at him when they enter the tavern. Who knows, maybe they'll figure out he's up to something. He's from the Vistani camp on page 119. He's supposed to be looking for Arabelle, a 7 year old girl (see page 119) but he's a jerk and now he's seeking an opportunity to suck up to Strahd. Ismark: The heroes meet Ismark, who really needs the group's help. He asks them to come to his mansion. Ireena Introduction: Ismark brings them to his home (page 44). The group hears cries from upstairs. His sister Ireena is having a fit in her sleep. A healer-type can calm her down. The group will see two puncture marks on her neck. Ismark will sadly tell the tale of what Strahd is doing to her, and that he wants to take her to Vallaki once their father is buried. I would play up the "abusive boyfriend" subtext that is mentioned in the foreward. I would run Ireena as if she mostly fears and hates Strahd, but a part of her is drawn to him. Maybe throughout the adventure at quiet times, the group sees Ireena touching her puncture marks with a faraway look in her eyes. I added those moments into the outline so I wouldn't forget when the time comes to run it. The Church: Ireena and Ismark recruit the heroes to bury their father. The group goes to the church (page 45) meets the priest and his son. The priest hands a wineskin to the players and says, "Please take this. I don't think The Morninglord would approve of how I have been using its powers." Trinket: A wineskin that refills when interred with a dead person for a night. They go out into the graveyard and begin burying the Burgomaster (see page 47). Ireena and Ismark are with the group, of course. This is a great time to do a Strahd Encounter! Strahd Encounter II Fog rolls in. The sound of wings flapping fills the air. A massive swarm of bats burst out of the fog and flies into, past and through the party. This does no damage, it's just meant to throw the characters off balance and obscure their vision for a moment. The swarm scatters. The group hears growling. Snarling wolves creep out from the mist and attack the adventurers (except for Ireena)! As the battle commences, Strahd appears in the mist. He holds a hand out toward Ireena and says, "Tatyana, come to me." Ireena feels drawn to him. She starts approaching him, a mix of fear and yearning etched on her face. If none of the heroes try to stop her, Ismark will hold her back. After a few rounds of fighting, the wolves back off. If a hero did particularly well in the combat, Strahd compliments them. He says to Ireena in a pained voice, "They cant keep us apart for long." Then he turns to mist and vanishes. Remember that the heart of sorrow absorbs the first 50 points of damage Strahd takes (see page 59). So if the heroes strike Strahd, you should decide if it looks like he's invincible, or whether some kind of red field appears and blocks the attack. Some groups might get frustrated if they think Strahd has "plot immunity," so I'd probably narrate some kind of effect where it is clear that the field is getting damaged with each strike. Aftermath: The group may want to check on Ireena who maybe stabs a dead wolf over and over in frustration. Ismark reminds the heroes that they should finish burying his father. As the group puts the last shovelful of dirt on the grave, the March of the Dead (page 48) kicks in. A ghostly procession of the deceased heads toward Castle Ravenloft. This event hopefully will give the group the feeling that "this place is crazy!" and that there is a lot happening here. The Characters Hit Level Four Tser Pool When the Group Rests: A character has a prophetic dream: They see a mansion, a woman lying in bed with what looks like a mannequin, a door with what sounds like a cat scratching on the other side, and a distinctive wedding dress on a display. For a moment, the dress is being worn by a woman with white powdered skin and she looks pleased. This dream gives clues about the Wachters (page 110) and that the wedding gown should be taken and brought to The Abbot (page 155). Vistani Crook: Radu the gypsy spy (who I talked about above in the Blood of the Vine section) tries to steal a token of some kind from each character (this is described in "Strahd's Spies" on page 29). Strahd can use these tokens for scrying. Radu has the stats of a bandit (Monster Manual page 343). If the heroes catch him, he can give them information about the dusk elves at his camp (page 119). The Raven: Once the group has rested or whatever, the Raven shows up again. It gets their attention. It flies down the road a bit and tries to get the group to follow it. It wants to lead the group to Madam Eva's, for the all-important tarokka reading. The Journey to Tser Falls: River Ivlis: (page 35) The group crosses the river. River Ivlis Crossroads: (page 35) There's a gallows here. One of the heroes might see something that will creep them out. Arrival: The group comes to the Tser Pool Encampment (page 36) and they are welcomed by drunken vistani. The vistani greet the heroes, offer them drinks, and talk about Rictavio. They think there's something up with him. He's mysterious - dangerous. This is just a little added incentive to nudge the group toward Vallaki. They might be skeptical that Ireena will be safe there. A gypsy is drunk and messing with a lock that he "found" in Vallaki. Trinket: A lock that opens when blood is dripped in its keyhole. He'll let them have it. He has other, more reliable locks. The Tarokka Reading: Madame Eva does the reading (see the results above). Vistani Debauchery: After the reading, the vistani want to drink with the adventurers some more. They'll try to get the heroes drunk and sell them phony potions. If things get heated between the heroes and the vistani, this is a golden opportunity to break out the evil eye or curse rules (page 28). Muriel's Warning: If possible, Muriel the wereraven will assume human form and draw one hero away from the camp. She says: "The vistani are Strahd's minions! You should leave at once. You will find allies and guidance at the Blue Water Inn in Vallaki. Beware - the devil's eyes and ears are everywhere." If you want, have her turn into a raven right in front of the character. Or try to keep her identity a secret for the sake of mystery. Vallaki The trip to Vallaki: Tser Falls: (page 37) A massive waterfall. Second Gates of Ravenloft: (page 33) Same as above, headless statues and massive gates. Bonegrinder: Along the way, the group will see Old Bonegrinder. The raven will do what she can to ward the heroes away from this place as it is a very deadly area. You might want to change the hags to green hags, and you might want to say Morgantha is not home. Maybe Some Wolves: If the group doesn't go to the Bonegrinder, you might want to run "Wolves" on page 33. Strahd is testing the group's capabilities. The Characters Hit Level 5 This chapter (page 95) is overloaded with stuff. It's awesome, but it is hard to figure out what to use when. It might be best to plop the group down and give them a chance to explore Vallaki at their own speed. If the group makes a beeline for Rictavio, you could say that Rictavio is gone but will be back in a few hours. This gives the group time to look around, if that's what they want to do. Izek Strasni: (pages 231-232) I think Izek is a really cool bad guy, so I want to give him a super cool slow motion movie intro. The heroes are walking down the street checking out Vallaki and they see Izek. Izek is leaning against a wall as his guards question a nervous citizen. As he gives the heroes the stink-eye, he smokes a special pipe... Trinket: A black wooden pipe that creates puffs of smoke that look like skulls. There's a lot of hijinks they can get up to: Town Square: (page 119) People trapped in the stocks as punishment for "malicious unhappiness." The Burgomaster's Mansion: (page 103) Where criminals are brought in for "malicious unhappiness." The Wachterhaus: Home of the schemer Lady Wachter. The character who had the prophetic dream will instantly recognize this place and have flashbacks to their dream. The group might spot a girl in a window meowing like a cat at them (Upstairs Hall page 113). This is Stella, Lady Wachter's daughter. Rictavio's Wagon: (page 115) There's a lot of stuff in there. Vistani Camp: (page 119) They're looking for Arabelle, a little girl. Lake Zarovich: (page 38) The group might want to check out Lake Zarovich, which is just north of Vallaki. There is a creepy guy there named Bluto and a little girl. The Mad Mage: (page 39) He's across the lake if you want to get a little nutty. Adding in an NPC: There's a throwaway NPC in the castle that I like. She is Sasha Ivliskova (page 89), a vampire bride (vampire spawn stats, Monster Manual page 298) that Strahd got bored with and locked away in a crypt. I want her to try to join the party and wreak havoc of one kind or another. How She Escaped: Let's say that she tricked Cyrus Belview into letting her out. She just sweet-talked him a little bit. Strahd might know this happened and probably doesn't care. What She Wants: Sasha wants revenge on Strahd. She really does want to help the heroes. The problem is that she's a crazy evil vampire, so things probably aren't going to work out. She can't help but resent Ireena. Souls and Shells II: Let's say someone is putting on a show. Maybe it's Blinksy doing a puppet show or a schtick with Piccolo. Maybe it's Rictavio doing a performance. Whatever seems fun to you. The characters are wandering the streets and see about 30 people watching. Almost all of them are wearing dusty black and white clothing. There are three people among the crowd laughing uproariously. They are wearing a bright green dress, a bunch of shiny jewelry and a red scarf, respectively. All of the shells are not laughing, because shells don't laugh or cry. Once they notice the group though, they think the heroes might be new guards. So they give really pathetic fake laughs so as not to be accused of "malicious unhappiness." If you want to put the story in motion, I'd do this: The Dancing Monkey: Piccolo the dancing monkey does a little jig and hands the group a card that says: "Is no fun, is no Blinsky!" He tries to lead the group to Blinsky's toy shop. Blinsky's: If the group follows Piccolo, he brings them to Blinsky's (page 118). If the group doesn't ask, Blinsky will mention how kind and gracious Rictavio is. Blinsky is very loyal to him. He will gladly direct the group to the Blue Water Inn, and says, "Tell him Blinsky sent you." Sasha: As the group leaves Blinsky's, a woman comes in and brushes past the group. This is Sasha. She's trying to make a first impression. She's got a hooded cloak on during the day, even though it's always cloudy, a bit of sunlight comes through that makes her uncomfortable. She's wearing vistani clothes and has a dagger and a bow. This is because the previous night, she drank a vistani's blood and dumped the body in the Arasek Stockyard (page 115). She will not join the party now. She wants them to want her to. If she talks about herself, she will mention that she wanders the land alone, and that she is searching for someone. By sheer coincidence, this matches up with what Madam Eva said in the tarokka reading (see "Mists" (Queen of Spades on page 17). The group might think that Sasha is the ally that Madam Eva foretold. The Blue Water Inn: When the group enters the inn, the same character as before looks in the mirror and this time their reflection is of a very old person with liver spots, little to no hair, yellow teeth and is struggling to breathe. The Allies: The group meets the Keepers and they will allow the heroes to visit Rictavio. Rictavio is tense - he thinks Strahd is onto him. Rictavio will interpret Madam Eva's reading for them, literally telling them where the items are. He wants to say more, but there's a commotion downstairs. Guards have come for him. Rictavio may have caused "malicious unhappiness." Escape: The keepers help the group slip out of the inn (or maybe the group just wants to fight the guards). Rictavio asks the heroes to escort him to his wagon in the stockyards. When they get there, Izek Strasni (pages 231-232) and a pile of guards are waiting. Izek reveals that he knows the devil Strahd is looking for him. "We're going to hand you over to him..." Izek then sees Ireena. He's been dreaming of her (see "family is forever" on page 232). He orders his men to kill everyone except "that woman"(Ireena). Tiger: A couple of fun things can happen in this fight. Van Richten has a tiger in his wagon who can jump in to help the group. Sasha will also run in at an opportune time to save a hero and prove her worth as an ally. Now she's ready to join the party. Sasha is going to crash and burn. I want her out of the picture by the time the group gets to Van Richten's Tower. So her jealousy of Ireena and her bloodlust should seep out in short order. Once the guards are defeated, Rictavio flees town and wishes the group good luck. The deaths of the guards have no witnesses. People blame it all on the mysterious Rictavio. Invitation: At this point, the group might want to just get out of Vallaki. If they haven't been to Lady Wachter's, they are invited there to have a meal with her. She will want to try to recruit the group to kill the Burgomaster or to join her "book club" (devil worshiping cult). During the meal, she excuses herself, and Stella peers into the room and meows. She'll scamper up to her room. This might entice the group to explore. The Characters Hit Level 6 Van Richten's Tower The Journey to the Tower: Skeletal Rider Again: On the road to Van Richten's Tower, the group again spots the skeletal rider. Ireena explains that she believes the rider is eternally searching for a way out of Barovia - but there is no way out. Trinket: The rider drops a trinket wrapped in cloth. It is a vial of perfume, the scent of which only certain creatures can detect. Let's say that it is called "Conjunction" and the vial is engraved with the image of a happy wolf. When this perfume is worn, Strahd's wolves will like the smell and won't attack that character. In fact, they might even act like happy dogs around the character. The End of Sasha: If Sasha is still with the party on the road to Van Richten's, it's time for her to turn. If the group makes camp for the night, she'll take a watch if they let her. She won't be able to control her bloodlust. If everyone's asleep, she'll try to drink Ismark's blood and kill him. If there's a PC that has been particularly nice to her, she'll nudge them awake. Blood is running down her chin. She'll ask for forgiveness. The group will either have to kill her, or she'll flee back to crypt 20 in Castle Ravenloft. Zombies: If they don't camp and are walking on the road near Van Richten's Tower, a horde of Strahd Zombies lumbers out of the fog ("Zombies" page 33). A massive battle breaks out. Blood spilled puts her into a frenzy. Sasha will jump Ismark and drain him dry if she can. Luna River Crossroads: (page 40) Crossroads with some flavor text. The Aging Tree: The heroes spot a tree shedding its leaves. Wind blows and the leaves swirl around the characters. The leaves turn yellow, then grey, then crumble into nothing. The tree literally ages before their eyes, growing a few feet and then turning almost black. Its branches droop down and fall off. One touch will cause the brittle wood of the trunk to break and tip over. The Tower: The group will have to deal with the crazy traps here. The Tome Of Strahd is on the Fourth Floor (page 171) Ezmerelda: As the group emerges from the tower, Ezmerelda shows up ("Ezmerelda's Retreat" page 172). She just tried to fight Strahd in Castle Ravenloft and it didn't go well. She's hurt bad. As she talks to the group, slip in this comment: "I'm searching for my mentor. I try not to stay in one place long. I had been staying near St. Markovia's Abbey..." This is wording right out of Madame Eva's fortune. But the group probably got burned by Sasha, who said similar things. I just think it's an amusing thing to do. Strahd Encounter III As the group talks with their new buddy, it starts to rain. She tells them that she knows where the Holy Symbol of Ravenkind is - it's in St. Markovia's Abbey in a secret compartment. Fog rolls in. Thunder rumbles. As the group starts to head out into the suddenly-thick fog, Strahd arrives with swarms of bats. He will mock Ezmerelda for failing to kill him, and he will demand to know where Van Richten is. The bat swarms and Strahd attacks. Strahd focuses on the hero with the tome. During this entire encounter, Strahd ignores Ireena. He can feel her watching him. He is giving her the cold shoulder to try to make her realize that she actually wants his attention. Strahd will back off after a few rounds. Perhaps during the battle, he takes notice of any PCs who he thinks might make for a good consort/successor. He goes from angry to intrigued. He compliments that person and tells the group "Do as I have done and accept Barovia as your prison. You are all my subjects!" He turns into mist and vanishes into the fog. Resting: A lot happens during the next rest: Ireena: During a rest, Ireena gets a far away look in her eye. In the middle of the night she wakes up, petrified. She felt Strahd calling to her, speaking in her mind. Info Dump: Ezmerelda dishes out some of her backstory. She was a vistani but turned on them, she is missing part of her leg, and she is actually searching for Van Richten, her former mentor. It Was All a Dream: A character has a prophetic dream about a statue of Strahd on a hill. There is a green glow coming from inside the statue's head. This foreshadows the statue at Yester Hill (page 198). The Journey to Krezk: Raven River Crossroads: (page 40) An intersection with some flavor. A Delicious Snack: Muriel, in raven form, flies over the group. She is carrying a small sack in her beak. She drops it to the heroes and flies off. In the sack is a loaf of dark nut bread from the Blue Water Inn. The point of this is to reinforce the idea that the wereravens are allies. Additionally, we can show the players that some kind of encounter doesn't happen every time Muriel shows up and that she's not just a plot device. Along the way to Krezk: The hero who has the Tome of Strahd comes upon a corpse that looks just like them (see "corpse" page 30). Approaching Krezk: As the heroes approach Krezk (page 143), Ezmerelda again reiterates: "We may have to jump through some hoops before they let us in." If anyone asks why, she says "They caught me sneaking around in there and it got a little ugly." This is not meant to be anything major, it's just a way to let Ezmerelda show some personality and reinforce the fact that the place is under lockdown. Souls and Shells III: Let's say that the guards are shells. Dark circles under their eyes, faded armor. Like all shells, these guards are pointedly rude and have a violent temper. Once the guards start insulting the heroes, let's have the Burgomaster show up to calm them down. Describe the Burgomaster as wearing a a big shiny ring with his family crest on it, and maybe a buttoned-up red jacket with the symbol of Krezk emblazoned boldly in gold on the front. GemQuest: The place is walled in. The burgomaster will talk with them over the wall ("Burgomaster Dmitri Krezkov" page 145). He is worried that they are allies of the devil Strahd. He asks the adventurers to get a wagonload of wine from the Wizard of Wines winery. The next delivery is long overdue. If they do this, he'll let them in. The Wizard of Wines Journey to the Wizard of Wines: Scarecrows: A freak lightning storm hits. On the way to the Wizard of Wines, Baba Lysaga's scarecrows attack ("Scarecrow" encounter page 31, stats page 231). During the battle, lightning strikes a tree and it topples onto the scene. Allies: As the group nears the winery, they meet Davian Martikov and his family (wereravens). He explains that this is his winery, and that it's been overrun by invaders. Invaders: I do not like twig blights. So I'd replace them with Strahd Zombies controlled by necromancers. The group will be up to their necks in zombies, but hopefully they can clear the place out. Let's put one zombie in pirate clothes. It has a wooden hand... Trinket: The wooden hand of a notorious pirate. Carved into the hand is a crude 'treasure map', which leads to the treasury in Castle Ravenloft (page 67). More Bad News: The winery is powered by magic gems, and all of them have been stolen. Damian will need at least one - which was stolen by the villains at Yester Hill. I won't mention the gem at Lysaga's as I don't want the group to go there yet (it's dangerous). We'll say that Damian is happy just to get one gem back and feels that he's asked more than enough of the group. Yester Hill: (page 197) We're going to revamp this area to use undead instead of twig blights. The "Hidden Graves" have zombies, the druid circle is a "Circle of Bones," the druids are mages, and the Gulthias Tree is a "Desecration" from the 4th edition book Open Grave. A Desecration is the "animated remains of a deserted cemetery." We'll just re-flavor the Gulthias tree stats and boom, done. The group obtains the gem. Now the group can bring the wine back to Krezk. The Heroes Hit Level 7 Village of Krezk Rest: More fateful resting: Ezmerelda's Adventure: Ezmerelda describes some of the areas she saw in Castle Ravenloft. She mentions the painting of Tatyana in room 37 (page 66). Ezmerelda realizes that Ireena looks almost exactly like the woman in the painting. Ireena touches her bite marks and looks off into the distance. Dreaming About Horses: A character has a prophetic dream of a horse with flaming hooves (Beucephalus, page 39), a prisoner in a cell transforming into a werewolf (Emil, page 81) and a youthful man sipping wine looking at a portrait of Strahd. He angrily tosses the glass against a wall (Escher, page 70). We're giving clues to NPCs that lurk in Castle Ravenloft. Return to Krezk: The heroes can come in if they brought the wine. Ezmerelda says there's a magic pool that has healing powers in Krezk and leads them to it ("Pool and Shrine" page 146). This triggers a major event... Strahd Encounter IV Something Blue: (page 156) Ireena sees Sergei in the pool. If the heroes don't stop her, Sergei frees her spirit and both of them vanish. Strahd immediately goes crazy and sends lightning down on the group. From this moment on, he wants to destroy the characters. Souls and Shells IV: If the group goes near a commoner cottage (pages 145-146), they hear a screeching noise. A Barovian is about to cut the head off of a chicken. The Barovian's young kid watches, staring in silence. Both are wearing drab brown clothing and their eyes are very dark. The Barovian cuts off the chicken's head and blood splatters on the kid. The kid doesn't react or wipe the blood off of their face. The kid follows the Barovian inside the cottage to cook up the chicken or whatever. After that, the group needs to get the Icon of Ravenkind from the Abbey (page 147). It's in... The Main Hall: (page 150) The Icon is in a secret compartment. Ezmerelda knows this but wasn't able to snatch it when she was last here. The Abbot: When the group meets the abbot, he will look the group over up and down excitedly. He'd love to make a golem of their parts! He asks if they would donate their parts to him - once they've died far in the future, of course. He looks at a female character's hands, and exclaims that her hands would be perfect for the bride. The bride's hands are from two different people and look very mismatched once it is pointed out to the viewer. Master Bedroom: (page 178) The 'mirror' character looks into the freestanding mirror and their reflection is literally them as a fresh corpse with a pair of puncture wounds on their neck. All that's left to get is The Sunsword. It's time to face Baba Lysaga The Heroes Hit Level 8 Ruins of Berez This place is dangerous. Muriel is here and ready to help. She can direct the heroes to the ghost. Big Battle: The ghost can lead the group to the sunsword, which is under Marina's monument. The creeping hut will likely charge and Baba will fly around in her giant skull. It should be an epic battle. The group will probably find the other gem in the creeping hut, and if they want, Muriel could fly it over to the Wizard of Wines Rest: Once the battle is over, the group might rest. A character has a prophetic dream of a pulsing red heart. The heartbeat pulses through Strahd's body somehow. This is a clue to the Heart of Sorrow (page 59). When the heroes awaken, the skeletal rider is watching them. The rider leaves a trinket that might help them out in the castle in a small way... Trinket: A bouquet of funerary flowers that always looks and smells fresh. There are two cards. One says "for Helga" (she's on page 64) and the other says "for Gertuda" (she's on page 68). Giving this bouquet to one of those NPCs will cause them to like and become loyal to the character who hands her the bouquet. The roses are all pink (which, according to teleflora.com, signifies love, grace, appreciation and gentility). Let's say that as soon as a rose is separated from the others, it rots. That way the group doesn't split the bouquet and give the roses to both. We want them to make a choice here. The Invitation: After the group is rested or if they prepare to leave Berez, thunder rumbles in the distance. A warm breeze blows. There's a flash of lightning, and the heroes see The Black Carriage waiting for them (change the flavor text and use it, pages 37-38). A sealed envelope is carried on a breeze from the carriage and lands at the feet of the heroes (Invitation is on page 251). When the heroes get in, the carriage takes the group to the gates of Castle Ravenloft (page 38). The Characters Hit Level 9 Castle Ravenloft Dining Hall: (page 56) Once this crazy encounter is over, the "mirror" character looks at their reflection in the floor-to-ceiling mirrors and sees a Strahd zombie looking back at them. The zombie is wearing tattered remnants of the character's equipment and is holding Van Richten's severed head in its hands. Nobody else can see it! If it seems more creepy/amusing, have the severed head be another member of the party. The heroes make their way through the gigantic castle and fight Strahd for the final time in his crypt (Strahd's Tomb page 93). His brides are in there, too! When Strahd dies, read the flavor text on page 207. The Group Should Hit Level 10 Epilogue The fog around the land thins ("Escape from Barovia" page 208). The sun comes out. Escape is now possible through the mists. One Last Reflection: The group celebrates at the Blue Water Inn with Muriel, the Martikovs, Rictavio, Ezmerelda, Piccolo the monkey and whatever other friends they made during the campaign. This might be too goofy or cheesy for you, but I think it would be funny for the "mirror" character to look in a mirror one final time. The character is relieved to see that they look normal, but is shocked to see Sergei's ghost behind them. Sergei pats the character on the back and says, "Well done! Well done, indeed!" And you know what else? Everybody in the bar sees Sergei in the mirror, too. The Warrior: As the heroes leave Barovia, they spot the skeletal rider at the edge of the realm. He nods to the heroes, steps into the mists, and disappears. He leaves them one final trinket (I altered the "87-88 old little doll..." trinket): Trinket: An old little doll of Strahd. The doll's body has wounds on it which match up to the big attacks the group used to kill Strahd. Months later, when Strahd is reborn in Barovia, the "wounds" heal and the doll is like new. The Best Thing Outline done! You know what the best thing is? You are going to have months to refine the back end of this outline as you play through the adventure. You'll likely have a million more great ideas that you can add into your document. Thanks for reading, and good luck!

The Old Bonegrinder in Curse of Strahd is infamously difficult for players and Dungeon Masters alike. Luckily, this guide has got your back!

I collected my greatest regrets from the three Curse of Strahd campaigns I ran, and discovered my best Curse of Strahd DM tips to help you!

Curse of Strahd von Dungeons & Dragons