A blog with beautiful, fantastic and wonderful things which you don't need but absolutely have to have.
Paintings of interiors by Elizabeth Hoopes are highlighted in a new exhibition of the work of McMillen Inc.
I’m sure many of us are looking forward to watching the Oscars next week- all the movie stars, fashion, glitz and glamour. In addition, I usually look forward to seeing the stage for the production. In set design, the stage is the focal point, the background for a production. Setting the scene usually involves creating a visual ambience that is appropriate for the event, for maximum audience enjoyment, and perhaps a magical atmosphere. Production designer David Rockwell from Rockwell Group was chosen as the set designer for this year’s Oscars. According to official site of The Academy of Motion Pictures Arts and Sciences’ site: “Light and movement, the most basic components of movie making, will be integrated into this year’s sets to create an immersive, transformative environment. Rockwell Group has reprised one of the most dazzling elements of the 81st Academy Awards design – the Swarovski Crystal Curtain – but with new and unexpected features for an even greater theatrical effect. The overall design is intended to evoke a classic but modern glamour, with white, platinum, topaz and smoky bronze hues.” Enjoy Rockwell’s presentation. Photo, Audrey Hepburn,Time and Life pictures Video via You Tube http://www.youtube.com/watch?v=RyuTKH_RVCk
Wall hanging peep bunnies are a delightful and charming addition to any room decor. These cute bunnies are crafted from soft, high-quality fabric and feature a unique design that allows them to be easily hung on a wall. One of the most exciting features of these wall hanging peep bunnies is that they come in customizable colors, allowing you to choose the perfect shade to match your room's decor. Whether you prefer pastel hues, bright and bold colors, or something in between, there's sure to be a combination that will suit your style. They're lightweight and easy to hang, so you can quickly add a touch of whimsy and charm to any room. Whether you're decorating a nursery, a child's bedroom, or simply want to add a touch of playfulness to your living room or office, these customizable wall hanging peep bunnies are a delightful choice that's sure to put a smile on your face every time you see them. These are a Easter HIT!
Cadell - Gallery - The Scottish Colourists
Luggage from the past is enjoying a second life as storage and furniture. Here's how to display it around your home
A view of the Saloon at Daylesford as decorated by John Fowler for the 2nd Viscount Rothermere. Christie's. As Part II in the Notable Homes series on Daylesford, a closer look is given to the furnishings selected by John Fowler and Esmond Harmsworth, the 2nd Viscount Rothermere. (For the previous post, Part I, click here). After the viscount died in 1978, his widow and third wife, the former Mary Murchison, returned to live in the U.S. where she died in 1993 at age 62 in a West Palm Beach, Florida, hospital. A native of Dallas, Texas, Viscountess Rothermere was the daughter of Kenneth Murchison, the founder of a successful insurance partnership, and the niece of Clinton W. Murchison, once one of the world's wealthiest men. According to her obituary, she maintained homes in Palm Beach, Manhattan, Monte Carlo, and Newport, Rhode Island where she was a supporter of Save the Bay. In addition, she served on the board of directors of Stratford Hall Plantation in Virginia and the Salk Institute in La Jolla, California. Although it was her stepson and step-grandson who inherited the viscountcy, her six sons by a previous marriage and her son with Esmond were well taken care of by a trust that included some shares in the Daily Mail and Daily Standard group of newspapers; a 1997 partial sell-off of shares netted her seven sons GBP 163 million. A view of Daylesford from the Image from VIEWS OF THE SEATS OF NOBLEMEN AND GENTLEMEN OF ENGLAND,WALES, SCOTLAND AND IRELAND by J.R. Neale, 1823. Although Daylesford House had been sold (with the next owners to be discussed in following posts), many of the furnishings remained with Mary, Viscountess Rothermere until a sale on April 16, 1994, in New York at Christie's. So there were no photos in the catalogue of the furniture in situ at Daylesford, but some of the lots could be seen in a series of delightful but uncredited watercolors, included in this post. Another watercolor view of the Saloon at Daylesford as decorated by John Fowler. Image via Christie's. Among the most memorable furnishings during the Fowler period at Daylesford are the suite of seat furniture by Thomas Chippendale for Sir David Garrick. Of course, Chippendale is one of the most famous names in furniture, but Garrick, an acclaimed actor and manager of the Drury Lane Theatre, was a celebrity in his time. David Garrick's Hampton Villa. Married to the famous Viennese dancer Eva Marie Viegel, Garrick purchased a furnished villa on the banks of the Thames on the outskirts of London in Hampton in 1754. Utilizing the top talent of the day, he employed Robert Adam for architectural improvements, Jean Pillement to decorate the drawing room walls with chinoiserie painting, and Capability Brown to landscape the grounds. From 1768 to 1778, Chippendale was involved with the interiors and the work was documented in bills, correspondence, inventories, and sale catalogues. An invoice, provided in the Christie's catalogue, which runs from 21 May to 23 September 1768, lists the seat furniture as follows: David Garrick, Esq To Thomas Chippendale 1768 L s d Aug 3 To 8 French Arm Chairs very neatly Carv'd & painted Blue & white, stuff'd & cover'd with your own Blue Damask & Brass nail'd 24 - - To 2 large Tub Chairs carv'd & painted to match stuff'd & Cover'd with damask & large Down Cushions for the seats 12 - - To a large French sofa to match the Chairs and cover'd with your damask & nail'd & a large Feather Cushion Blue Cheque cases for the sofa & Cushion 2 - - In addition to this commissioned suite of furniture, Chippendale altered and repaired Garrick's existing furniture. Also, Chippendale made a bed (now painted green and white) to match this suite that is exhibited in the collection at the Victoria and Albert Museum (click here to see access. no. W.21-1917) A pair of George III painted bergeres, circa 1768 by Thomas Chippendale from the Saloon of Daylesford. Christie's. Lot 142, Sale 7906. A set of six George III painted armchairs, four circa 1768 by Thomas Chippendale, two of a later date. From the Saloon at Daylesford. Christie's. Lot 143, Sale 7906. A view of the Saloon showing the back of the settee en suite with the previous seating. The settee was of a later date, commissioned by John Fowler, but it is presumed that all had the same yellow fabric. The settee was offered in the catalog as Lot 144 but was not pictured. The suite is included in a 1779 inventory when Garrick died and again in the sale catalogue when his widow died in 1823. Her solicitor bought the house and many of the furnishings, but when the house and contents were sold again in 1864, the suite did not appear in the auction catalogue. The whereabouts were unknown until Colefax & Fowler assistant Tom Parr found them during John Fowler's decoration of Daylesford. The existing paint finish was scraped down to find traces of the old blue and white decoration; thinking the paint finish was more stylish than gilding, Fowler had them painted grey-blue and antique white. A George III giltwood mirror, circa 1765, in the manner of John Linnell from the Saloon at Daylesford. Christie's. Lot 161. Sale 7906. A pair of Regency lacquer-mounted and grained rosewood side cabinets from the Saloon at Daylesford. Each with a later black slate top. Christie's. Lot 162. Sale 7906. The Dining Room at Daylesford during the Rothermere residency. Image via Christie's. A pair of George III cut-glass, ormolu and blue glass three-light candelabra, late 18th century. Christie's. Lot 96, Sale 7906. A Regency mahogany four-pedestal drop-leaf dining table, early 19th century. Christie's. Lot 186, Sale 7906. A set of 10 Regency chairs along with 8 of a later date commissioned by John Fowler for Viscount Rothermere. Christie's Sale 7178, 2005. The largest room of the house is the sitting room known as the Long Gallery. It was comfortably furnished for everyday use. The Long Gallery at Daylesford during the Rothermere residency. Image via Christie's. A Scottish George III mahogany open armchair, mid-18th century. Christie's. Lot 131, Sale 7906. A Queen Anne stool, together with a matching copy of a later date. Christie's. Lot 164, Sale 7906. A Louis XVI ormolu-mounted and brass-inlaid ebony longcase regulateur with equation of time, circa 1780. The case stamped J. JOLLAIN twice. Christie's. Lot 113. Sale 7906. Another view of the Long Gallery during the Rothermere residency. Christie's. The Morning Room pictured in JOHN FOWLER, PRINCE OF DECORATORS and discussed in the previous post of The Devoted Classicist is also known as the Chinese Room because of artwork. In the reflection in the mirror, note the curtains designed by Fowler and how the swags connected around the curved bay. The Morning Room at Daylesford during the Rothermere residency. Image via Christie's. A pair of Regency ormolu-mounted rosewood side cabinets, early 19th century. Christie's. Lot 130, Sale 7906. The Library at Daylesford during the Rothermere residency. Christie's. An early George III mahogany kettle stand with a later canted square top. Christie's. Lot 172, Sale 7906. An English bronze bust of Warren Hastings cast from a model by Thomas Banks. See the previous post for more on Hastings. Christie's. Lot 1, Sale 7906. Another view of the Library at Daylesford during the Rothermere residency. Christie's. Portrait of Warren Hastings by Lemuel Francis Abbott. Christie's London, April 15, 1994. The auction catalogue consisted of property from the estate of Mary, Viscountess Rothermere, and was not limited to furnishings that had been at Daylesford. The portrait of Warren Hastings might have been at another residence, but that is unlikely and is shown here because of the significance to the history of the house. Portrait of Margaret Layton of Rawdon, circa 1620, oil on panel. Christie's. Lot 191, Sale 7906. Margaret Layton's doublet, the jacket or waistcoat seen in the portrait. Linen embroidered in silver and silver-gilt thread, with sequins and gold lace, lined in pink silk. English, circa 1620 to 1620. Christie's.Lot 192, Sale 7906. (A pair of matching leather gloves was offered as Lot 193). The portrait of Margaret Layton and associated garment were most likely from the Rothermere's London mansion Warwick House. Facing Green Park, it was built 1770 to 1771 to a design by Sir William Chambers (the architect of Somerset House, the pagoda at Kew, and Albany), but largely rebuilt during the 19th century in the French Renaissance taste. Purchased in 1924 by Esmond Harmsworth (before he was a viscount), the principal rooms were remodeled in the 18th century style. A photo of the Rothermeres posing with the portrait and jacket in the background was shown in the previous post. The catalogue also showed silver and art from the estate that was offered in 13 additional specialty auctions in New York and London, including a portrait by El Greco. The next post of The Devoted Classicist will present Daylesford as it was decorated by Renzo Mongiardino during the residency of its next owner, Baron Hans Thyssen-Bornemisza.
Paintings of interiors by Elizabeth Hoopes are highlighted in a new exhibition of the work of McMillen Inc.
Y2K at its opulent crazy finest, peep this raw silk gold panel with delightful golden tassels. Ridiculous and awesome and it could be yours! 52"x47" room
If you've always aspired to have an A-lister weekend, you're in luck...
Item Description Get ready for the holiday season with delicious Christmas Tree Peeps! From Just Born come these delightful and colorful Peeps Christmas treats in the shape of traditional Christmas trees. They are even decorated with candy ornaments and garland. These Peeps have the same great marshmallow flavor that your whole family enjoys. The only thing that’s missing is the smell of pine! Each pack contains 9 festive Christmas trees Decorated just like a real Christmas tree Made in the USA by Just Born
requested: Pisces Sun, Pisces Moon, Libra Rising
'Deck the Halls' has a literal meaning at Chatsworth House, which for the 10th year is inviting the public to see its spectacular Christmas decorations
Add a touch of humor to your farmhouse Easter decor with our whimsical 7" x 12" hanging wood sign. Hand-painted in crisp white, it features the playful phrase "Welcome To The Peep Show" in bold black text, accompanied by colorful bunny peeps. This delightful sign is not only perfect for Easter, but it also makes a great addition to your bathroom decor. Hang it in your powder room or guest bathroom for a humorous touch that will surely bring smiles to your guests' faces. Crafted with care and attention to detail, our farmhouse hanging wood Easter sign is a charming piece that will bring joy to your home year after year. Embrace the lighthearted spirit of the season with our "Welcome To The Peep Show" sign – a fun and festive accent for your Easter decor.
Co-founder of Babyccino Kids, Courtney Adamo lives in London with her husband Michael and their three children, Easton (7), Quin (5) and …
A view of the Saloon at Daylesford as decorated by John Fowler for the 2nd Viscount Rothermere. Christie's. As Part II in the Notable Homes series on Daylesford, a closer look is given to the furnishings selected by John Fowler and Esmond Harmsworth, the 2nd Viscount Rothermere. (For the previous post, Part I, click here). After the viscount died in 1978, his widow and third wife, the former Mary Murchison, returned to live in the U.S. where she died in 1993 at age 62 in a West Palm Beach, Florida, hospital. A native of Dallas, Texas, Viscountess Rothermere was the daughter of Kenneth Murchison, the founder of a successful insurance partnership, and the niece of Clinton W. Murchison, once one of the world's wealthiest men. According to her obituary, she maintained homes in Palm Beach, Manhattan, Monte Carlo, and Newport, Rhode Island where she was a supporter of Save the Bay. In addition, she served on the board of directors of Stratford Hall Plantation in Virginia and the Salk Institute in La Jolla, California. Although it was her stepson and step-grandson who inherited the viscountcy, her six sons by a previous marriage and her son with Esmond were well taken care of by a trust that included some shares in the Daily Mail and Daily Standard group of newspapers; a 1997 partial sell-off of shares netted her seven sons GBP 163 million. A view of Daylesford from the Image from VIEWS OF THE SEATS OF NOBLEMEN AND GENTLEMEN OF ENGLAND,WALES, SCOTLAND AND IRELAND by J.R. Neale, 1823. Although Daylesford House had been sold (with the next owners to be discussed in following posts), many of the furnishings remained with Mary, Viscountess Rothermere until a sale on April 16, 1994, in New York at Christie's. So there were no photos in the catalogue of the furniture in situ at Daylesford, but some of the lots could be seen in a series of delightful but uncredited watercolors, included in this post. Another watercolor view of the Saloon at Daylesford as decorated by John Fowler. Image via Christie's. Among the most memorable furnishings during the Fowler period at Daylesford are the suite of seat furniture by Thomas Chippendale for Sir David Garrick. Of course, Chippendale is one of the most famous names in furniture, but Garrick, an acclaimed actor and manager of the Drury Lane Theatre, was a celebrity in his time. David Garrick's Hampton Villa. Married to the famous Viennese dancer Eva Marie Viegel, Garrick purchased a furnished villa on the banks of the Thames on the outskirts of London in Hampton in 1754. Utilizing the top talent of the day, he employed Robert Adam for architectural improvements, Jean Pillement to decorate the drawing room walls with chinoiserie painting, and Capability Brown to landscape the grounds. From 1768 to 1778, Chippendale was involved with the interiors and the work was documented in bills, correspondence, inventories, and sale catalogues. An invoice, provided in the Christie's catalogue, which runs from 21 May to 23 September 1768, lists the seat furniture as follows: David Garrick, Esq To Thomas Chippendale 1768 L s d Aug 3 To 8 French Arm Chairs very neatly Carv'd & painted Blue & white, stuff'd & cover'd with your own Blue Damask & Brass nail'd 24 - - To 2 large Tub Chairs carv'd & painted to match stuff'd & Cover'd with damask & large Down Cushions for the seats 12 - - To a large French sofa to match the Chairs and cover'd with your damask & nail'd & a large Feather Cushion Blue Cheque cases for the sofa & Cushion 2 - - In addition to this commissioned suite of furniture, Chippendale altered and repaired Garrick's existing furniture. Also, Chippendale made a bed (now painted green and white) to match this suite that is exhibited in the collection at the Victoria and Albert Museum (click here to see access. no. W.21-1917) A pair of George III painted bergeres, circa 1768 by Thomas Chippendale from the Saloon of Daylesford. Christie's. Lot 142, Sale 7906. A set of six George III painted armchairs, four circa 1768 by Thomas Chippendale, two of a later date. From the Saloon at Daylesford. Christie's. Lot 143, Sale 7906. A view of the Saloon showing the back of the settee en suite with the previous seating. The settee was of a later date, commissioned by John Fowler, but it is presumed that all had the same yellow fabric. The settee was offered in the catalog as Lot 144 but was not pictured. The suite is included in a 1779 inventory when Garrick died and again in the sale catalogue when his widow died in 1823. Her solicitor bought the house and many of the furnishings, but when the house and contents were sold again in 1864, the suite did not appear in the auction catalogue. The whereabouts were unknown until Colefax & Fowler assistant Tom Parr found them during John Fowler's decoration of Daylesford. The existing paint finish was scraped down to find traces of the old blue and white decoration; thinking the paint finish was more stylish than gilding, Fowler had them painted grey-blue and antique white. A George III giltwood mirror, circa 1765, in the manner of John Linnell from the Saloon at Daylesford. Christie's. Lot 161. Sale 7906. A pair of Regency lacquer-mounted and grained rosewood side cabinets from the Saloon at Daylesford. Each with a later black slate top. Christie's. Lot 162. Sale 7906. The Dining Room at Daylesford during the Rothermere residency. Image via Christie's. A pair of George III cut-glass, ormolu and blue glass three-light candelabra, late 18th century. Christie's. Lot 96, Sale 7906. A Regency mahogany four-pedestal drop-leaf dining table, early 19th century. Christie's. Lot 186, Sale 7906. A set of 10 Regency chairs along with 8 of a later date commissioned by John Fowler for Viscount Rothermere. Christie's Sale 7178, 2005. The largest room of the house is the sitting room known as the Long Gallery. It was comfortably furnished for everyday use. The Long Gallery at Daylesford during the Rothermere residency. Image via Christie's. A Scottish George III mahogany open armchair, mid-18th century. Christie's. Lot 131, Sale 7906. A Queen Anne stool, together with a matching copy of a later date. Christie's. Lot 164, Sale 7906. A Louis XVI ormolu-mounted and brass-inlaid ebony longcase regulateur with equation of time, circa 1780. The case stamped J. JOLLAIN twice. Christie's. Lot 113. Sale 7906. Another view of the Long Gallery during the Rothermere residency. Christie's. The Morning Room pictured in JOHN FOWLER, PRINCE OF DECORATORS and discussed in the previous post of The Devoted Classicist is also known as the Chinese Room because of artwork. In the reflection in the mirror, note the curtains designed by Fowler and how the swags connected around the curved bay. The Morning Room at Daylesford during the Rothermere residency. Image via Christie's. A pair of Regency ormolu-mounted rosewood side cabinets, early 19th century. Christie's. Lot 130, Sale 7906. The Library at Daylesford during the Rothermere residency. Christie's. An early George III mahogany kettle stand with a later canted square top. Christie's. Lot 172, Sale 7906. An English bronze bust of Warren Hastings cast from a model by Thomas Banks. See the previous post for more on Hastings. Christie's. Lot 1, Sale 7906. Another view of the Library at Daylesford during the Rothermere residency. Christie's. Portrait of Warren Hastings by Lemuel Francis Abbott. Christie's London, April 15, 1994. The auction catalogue consisted of property from the estate of Mary, Viscountess Rothermere, and was not limited to furnishings that had been at Daylesford. The portrait of Warren Hastings might have been at another residence, but that is unlikely and is shown here because of the significance to the history of the house. Portrait of Margaret Layton of Rawdon, circa 1620, oil on panel. Christie's. Lot 191, Sale 7906. Margaret Layton's doublet, the jacket or waistcoat seen in the portrait. Linen embroidered in silver and silver-gilt thread, with sequins and gold lace, lined in pink silk. English, circa 1620 to 1620. Christie's.Lot 192, Sale 7906. (A pair of matching leather gloves was offered as Lot 193). The portrait of Margaret Layton and associated garment were most likely from the Rothermere's London mansion Warwick House. Facing Green Park, it was built 1770 to 1771 to a design by Sir William Chambers (the architect of Somerset House, the pagoda at Kew, and Albany), but largely rebuilt during the 19th century in the French Renaissance taste. Purchased in 1924 by Esmond Harmsworth (before he was a viscount), the principal rooms were remodeled in the 18th century style. A photo of the Rothermeres posing with the portrait and jacket in the background was shown in the previous post. The catalogue also showed silver and art from the estate that was offered in 13 additional specialty auctions in New York and London, including a portrait by El Greco. The next post of The Devoted Classicist will present Daylesford as it was decorated by Renzo Mongiardino during the residency of its next owner, Baron Hans Thyssen-Bornemisza.
Welcome to the delightful world of Easter Peeps Wood signs Tiered Trays! Get ready to dazzle your home decor with these charming and whimsical additions that will bring a smile to your face and spread the festive cheer throughout your space. 🌈 Pastel colors Wood: Each handmade sign is carefully crafted using high-quality wood materials, adorned with the most delightful pastel colors imaginable. From gentle pinks and soft yellows to soothing blues and soothing greens, these signs will add a touch of Easter magic to any room. 🐣 Adorable Peep Designs: Our Easter Peeps Wood signs Tiered Trays feature the cutest peep-shaped designs, intricately painted with attention to detail. These lovable little characters are sure to captivate the hearts of all who lay eyes upon them, making them the perfect addition to your seasonal decorations. 🌷 Versatile Decor: Whether you're decorating for Easter brunches, spring gatherings, or simply wanting to infuse some vibrant colors into your home, our Easter Peeps Wood signs Tiered Trays are sure to be the talk of the town. They can be easily displayed on tiered trays, mantels, shelves, or hung on walls, instantly transforming any space into an Easter wonderland. ✨ Handmade with Love: Each sign is meticulously handmade with love and care, ensuring that no two are exactly the same. This means you will be receiving a unique piece of art that adds a personal touch to your home decor. 🔔 This Easter, don't miss the opportunity to bring some cheer and joy into your space with our Easter Peeps Wood signs Tiered Trays. Mix and match the different sizes and designs to create a delightful arrangement that truly captures the
Wander the opulently decorated State Apartments at Osborne House, where Queen Victoria took dinner, played billiards and received numerous dignitaries.
Lover of music, fashion, films, literature, nature, animals and life.
I am a big fan of Peter Dunham Design and Peter Dunham Textiles. He's truly a master of bohemian design and does it soooo well. Layers and layers and layers... Peter Dunham Textiles are available through Hollywood At Home: LOVE this collection. There's something for everyone here. A little Mediterranean, a little Indian, and little Moroccan. Fancy, casual. All rolled into one. ...
Digital PDF Book Instant Download. 50 Victorian American House Designs & Plans with Prices for 1878 PALLISER'S AMERICAN COTTAGE HOMES. 100 pages By PALLISER, PALLISER & Co. ARCHITECTS If you have any interest in Victorian American Architecture then this is a great book to have in your collection. The original edition of this Rare Book was printed in 1878 ****====================================================**** This book is also available in one of our 5 x Book Discount Collection Sets Here: RARE Victorian Architecture House Plan Books Collection #1 https://www.etsy.com/listing/471526020/new-collection-of-5-x-rare-victorian ****====================================================**** My Personal 100% Guarantee To You If you Buy this Book and after reading it, You feel that You did not get Your Money's worth from it, Message me and I will cancel your purchase and Refund Your Money. And You Can Keep The Book as My Personal Gift To You. ****====================================================**** PREFACE. In presenting to the public a new work on Architecture, we have endeavored to meet a demand that has been made on us, for some time past, for practical designs of low and medium priced houses suited to the masses of our country. We have endeavored, by careful study of proportion and distribution of parts, to combine good design with practical, convenient plans and sound construction ; in fact our aim has been, to get the best effect in design in the simplest, most common sense, and least expensive manner, as it is not expense and ornate decorations, which so many ignorantly believe to be the highest attainment of architecture, but design, which produces true beauty and graceful appearance. The same materials and expense thrown away on an ugly, ill-proportioned building, if guided by good design, would produce an elegant building, and this is why the architect is brought into requisition, to treat the materials placed in his hands so as to give an expression of beauty to the simplest form. It is an erroneous idea, that it is necessary to enclose convenience and comfort in the internal arrangements with ugliness, or that it is impossible to obtain a pleasing and effective design with a good plan and a modern construction. We have seen buildings which, externally, were perfect, but their plans of interior arrangement were absolute failures, being without a closet or pantry and devoid of the comfort and conveniences which one would expect to find. The first and main object of consideration should be the plan, the design being of a pliant nature and easily adapted to the ever-varying forms of comfortable and convenient plans. One of the objects of this work is to show, that in the erection of buildings the last named principles may be combined; also, we hope that it may prove suggestive to those intending to build and to mechanics engaged in the erection of buildings. We are inclined to think that, in many instances, the ideas contained will be something more than suggestive, and they will no doubt be found useful in assisting those who propose the erection of buildings, to decide on the character of the building they wish to erect. It has not been stated on the Plates where and for whom the buildings have been erected, yet the greater portion of the designs have been executed, or are in progress of execution in different parts of the country. In this we hope to have shown what can be done in obtaining good and convenient plans, with tasty and effective exteriors, at very low prices ; the present state of the country has made this a necessity, and has been one of the chief considerations in preparing these designs. The prices given will only do for the same specification the designs were executed by, and the same locality, and will vary according to location and style of material and finish used in construction. PALLISER, PALLISER & CO., Bridgeport, Conn., January 1, 1878. ====================================== This scarce antiquarian book is part of our Reference Books Digitized Series. In the interest of creating a more extensive selection of rare historical books, we have chosen to Digitize this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other Digitizing issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's rare works of literature that would not normally be available. ====================================== This Book is intended for education and informational purposes only. Our modification and restoration process of this book, has resulted in our creating a new work (restored or annotated or improved work), that gives us a clear and novated copyright to this modified version. ====================================== Please note. This ebook is in PDF. file format. You can read it on your iPad or Tablet with iBooks. You can read it on your computer with Adobe Acrobat Reader If you do not have Adobe Acrobat Reader installed in your computer, you can download it from Adobe. It's completely FREE. ====================================== Shipping is FREE via Instant Digital Delivery: This is a digital item. 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"With the tragic and the beautiful you roam--" ~Kylie Johnson 'Count me the stars' I've recently b...
🍭🍦🍬🧁🍭🍩🍬🍰🍭🍦🍬🧁🍭🍩🍬 An adorably wonderful gift for your sweetie or as a treat to yourself! Decorate your indoor garden with this one of a kind bird house that is certain to catch the eye and the imagination, to spark magnificent conversation, and to bring a smile. ☺️ Reminiscent of the delightful Candyland game we all played as kiddos, this handmade birdhouse is decked out in all things decadent, including donuts, cupcakes, lollipops, sprinkles, nonpareils, ice cream cones, Peeps chicks, Bazooka bubblegum, Tootsie Rolls, and more of your favorite nostalgic penny candies! Each side of this hand painted wooden birdhouse features a different scene. You can grab some soft serve with your Peeps at the “Sugar” ice cream parlor, sip on some hot chocolate (with extra marshmallows of course), backstroke through rainbow colored nonpareils, or take a stroll through a sugar frosted forest! If I were in charge of the world, it would look something like this sugary sweet birdhouse! *birdhouse is approximately 6 x 4 inches *decoration only, not intended for use as a working bird feeder (we wouldn’t want the little Peeps carried off or worse yet, for the birdies to be injured) *items are secured and not intended to be easily removed (please watch the wee ones) *handmade to order, please allow for variances (if you have a custom request, I will certainly do my best to accommodate) 🥰 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Stop by and say hi! ☺️ https://www.instagram.com/ cross.my.heart.co https://www.facebook.com/CrossMyHeartCo/ ✨ All thoughts, feelings, beliefs, and opinions found here are my own and are in no way endorsed by Etsy or it’s affiliates. I am NOT a medical professional and make no claims that items found in my shop are guaranteed to cure or heal physical ailments. Please, please, listen to your intuition and seek medical advice when it is needed. Your greatest responsibility is to love yourself. 💖 *For me, each and every order is a personal experience from beginning to end; a gift from me to you, as well as a gift from you to yourself or to someone that you treasure. I consider the process of packaging orders as an extension of my craft and an extension of my overall intuitive process, meant to imbue a authentic connection and inspire a joyful experience from beginning to end. Thus, your package may include little "giggle goodies" - a phrase coined by a beloved repeat customer, turned friend - in the hopes of achieving a smile and more practically, to protect your items on their journey home. There is no added charge for these trinkets, and if you find that you can't make use of them yourself, my wish is for you to pass them (and the smile) along to another. If you would prefer that standard packaging be provided, just send me a message upon checkout and I will be happy to keep it basic! :)
The Print This photographic print leverages sophisticated digital technology to capture a level of detail that is absolutely stunning. The colors are vivid and pure. The high-quality archival paper, a favorite choice among professional photographers, has a refined luster quality. Paper Type: Photographic Print Finished Size: 18" x 24" Arrives by Wed, May 1 Product ID: 12151541
The renowned interiors illustrator, who captured the most divine spaces with his signature brushstrokes, died today in New York City.
