Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Grab your apron and try your hand at throwing, spinning and decorating your own wares at a pottery class or cafe in London.
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
🍓IG: Mori.Charlotte🍓 🍑Japanese activist that wants the masses to realize that people of color are beautiful🍑
Sharing some top tips and advice about how I set up my own pottery studio as well as some behind-the-scenes photography of how to throw on a wheel.
"The Dresden Quilt Vase," the first showstopper of my Quilt Project. This stunning hand-built oval vase stands approximately 10 inches tall, with an oval opening measuring approximately 5 x 6 inches. Crafted from layers of colored porcelain clay bound to stoneware, it showcases a mesmerizing fusion of techniques from nerikomi style and quilting. Each vase is a functional piece of art, adorned with a clear food-safe glaze for practicality. The Quilt Project has been a year-long endeavor to perfect this unique technique, inspired by the intriguing relationship between femininity and power. By exploring women's work and the breaking of gender norms, I pay homage to the historical significance of quilting. Quilting, traditionally seen as women's work, has always been far from powerless. It served as a means for building communities, amplifying voices, and even aiding the underground railroad and suffragist movement. Drawing inspiration from this rich tradition, I have meticulously recreated the essence of quilting on this exceptional vase, seamlessly blending the old and the new. The renowned Dresden quilt pattern, dating back to the early 1800s, adorns the vase with its distinct periwinkle blue and pink arrangement. This limited edition vase is a true collector's item, available to only a select few. Each piece is meticulously hand-built and uniquely adorned, ensuring that no two vases are alike. Whether displayed as a standalone work of art or paired with a beautiful bouquet, this hand-built ceramic vase with its periwinkle blue and pink quilt pattern is bound to captivate those who appreciate the beauty of craftsmanship and the allure of limited editions. Embrace the legacy of quilting, elevate your space, and revel in the functional and artistic beauty that this vase brings to your collection.
For Lydia Cambareri, the pleasure of creating one-of-a-kind pottery pieces in the studio is is doubled, because her studio is a converted, 1920s train carriage.
Werbung | Für unseren neusten Studiovisit hat es uns nach Hamburg verschlagen. Direkt über der Möbelwerft, einer großen Tischlerei mit viel schwerem Gerät und lauter Musik, findet sich das Atelier von Ini Neumann und ihrem Label We are Studio Studio. Neben Keramik entstehen hier Möbel und die w
Take a tour of Jeremiah Brent's dreamy pottery room in the L.A. home he shares with his husband, interior designer and TV personality Nate Berkus.
En av de roligaste sakerna med mitt jobb är att leta efter nya formgivare. Att jag gillar keramik är kanske inte någon överraskning vid det här laget – men just därför kanske ni förstår min förtjusning är jag sprang på Paula Atelier. Hon bor i Göteborg och gör helt otroliga skulpturer och konstverk av lera. […]
‘The bottle kilns are a constant inspiration for 1882 Ltd., and we are thrilled that Bethan used them as inspiration for this collection.’ - Bethan Gray
At the end of 2008 Sue Scobie switched from a career as an environmental scientist to working with clay full-time. Sue spent 2009 finishing a Diploma in Ceramics (by distance from Otago Polytechnic). Since then she has continued developing her simple vessel-based forms in colored clay, inspired by landscapes and the environment.
Tranquility and creativity collide in pottery workshops that don’t just embrace Scandinese and Japandi elements—they live by them. These spaces, with their
