En la mitología, la diosa Diana era una de las más adoradas y veneradas por los habitantes de la Antigua Roma. Tenía una belleza...
Diosa egipcia maga, diosa de las brujas y de los conjuros
Luciendo alas plateadas y una diadema dorada, Selene brilló con fuerza sobre todas las tierras de la antigua Grecia.
Obvio quieres ser Afrodita, la diosa del amor, ¿no?
Quién es la Diosa? La palabra "Diosa" se refiere a un Ser Divino Femenino. Alrededor del mundo, y durante miles de años, la mayoría de nuestros ancestros veneraron a una Divina y muy Poderosa Madre-Diosa. Ella fue honrada como la Madre de Toda Vida. Arqueólogos modernos han descubierto numerosas estatuas y artefactos que verifican la veneración de antiguas deidades femeninas. De dónde proviene la idea de una Diosa? Los primitivos humanos dependían de la Tierra para todas sus cosas: comida, protección... Era la proveedora de todo lo necesario para la vida... y también la vida misma. Ellos habían notado que toda la vida era creada a partir de los cuerpos de las hembras (tanto mujeres como animales), de modo que encontraron natural la idea de que existiera una Creadora Femenina Todopoderosa también. Se han encontrado numerosas imágenes de diosas en pinturas rupestres, figuras talladas y pequeñas esculturas que datan de 35.000 años antes de Cristo o tal vez anteriores. Algunas de esas imágenes fueron llamadas "Venus" y tal vez la más famosa de todas sea la Venus de Willendorf. La mayoría de estas figuras femeninas de diosas muestran seres redondos, abundantes y serenos. Las amplias y generosas formas simbolizaban prosperidad, libertad y seguridad. Es la Diosa sólo para Mujeres? No, la Diosa fue celebrada y reverenciada por todos los miembros de las tempranas sociedades. Hombres, mujeres y niños estaban todos bajo la protección de la omnipresente Madre-Diosa. Ella era a la vez Nutriente y Terrible. Hoy, la cultura de la Diosa está reemergiendo también en hombres, mujeres y niños, que celebran y respetan las energías femeninas. Cuántos tipos de Diosas existen? La Diosa es una sola y al mismo tiempo muchas: americana como Pachamama, Hilandera o Coatlicue, egipcia como Isis o Sekhmet, griega como Gaia, Demeter, Perséfone, Afrodita, Hera, Diana, Artemisa, Vesta, Hécate, babilónica como Inana o Lilith, hindú como Kali, Lakshmi o Tara, orientales como Kwan Yin o Ameratsu, afroamericana como Yemanyá, Oshún, celta como Freya y Brigid. Cuando todas sus manifestaciones se reúnen representan el pleno poder del arquetipo. Al celebrar a la diosa festejamos la diversidad, porque cada una tiene un atributo: hoy se puede ser una pero mañana otra. Y el conocerlas a todas y vivenciar los arquetipos femeninos universales nos ayuda a valorar nuestras diversas facetas y a enfrentar con fortaleza nuestro camino único de individuación. Por Patricia Turnes www.radiobrujas.com
The Sumerian religion was polytheistic in nature, and the Sumerians worshipped a great number of deities. These deities were anthropomorphic beings, and were meant to represent the natural forces of the world.
Pachamama is an ancient Inca fertility goddess who presides over planting and harvesting, providing the earth’s inhabitants everything needed to sustain life. She is referred to in other cultures as ... Read More
Ze is een prachtige naaldvilte Earth Mama van 100% wol. Haar kleuren zijn wit en gebroken wit. Ze draagt de levensspiraal op haar buik. Haar lichaam en haar zijn weelderig en ze vertegenwoordigt vruchtbaarheid, vrede en de liefdevolle zorg van een moeder. Ze is een zacht beeld van 10,5 cm hoog met een sterke aanwezigheid en vriendelijke persoonlijkheid. Ze zou een geweldig cadeau zijn voor een aanstaande moeder, een moeder of voor iedereen die het moederschap en onze prachtige aarde viert. Bedankt voor het kijken :-)
@solitalo Cuando se crea un lazo de Amor y Consciencia, se crea Unidad; la Unidad es la verdad de cada Alma, es la Verdad del Creador y de la Diosa. Yo soy la Diosa Hathor que me comunico ahora con…
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“Mujeres condenadas”
Diosa de la aurora: Eos y su relación con el cielo Eos y la maldición de Afrodita El mito más famoso de eos: el castigo de la inmortalidad Eos y su hijo Memnón, el héroe etíope El poeta Homero llamaba a Eos “ la de sonrosados dedos ” y “ la de azafranado velo ”.
Decora tus paredes con la lámina Goddess of Fertility del artista Sissan Richardt por solo €29.00 en Nomadart!
The amount of lifelike detail this 17th-century sculptor got in this iconic piece is remarkable.
La escultura Venus de Milo es una obra griega fechada en el período helenístico, aunque su estilo se corresponde con la estética predominante del período...
The ancient symbol for Tanit, a figure shaped like a pyramid with a small head and arms holding up a symbolic flower. Above it a fish, also a symbol of good luck for people living by the mediterranean sea both ancient and present time.
Themis, also known as Lady Justice, was the Greco-Roman Titan-goddess of divine law, judgement and order. She was one of the daughters of Gaia and Ouranos, and became a consort of Zeus and Lucifer, both of whom she had several children; the first generation of Horae with Zeus and the second generation with Lucifer. She is often depicted carrying a scale and blindfold, showing her true neutrality during judgement, as well as carrying a bronze sword. The personification of abstract concepts is cha
Tanit es la Diosa cartaginesa de Ibiza, y su nombre e imagen es muy utilizado hoy en día en la isla
Sassari. Museo Archeologico Nazionale Sanna. Estatueta de deessa mare procedent de Bonu Ighinu (Neolític mitjà)
On March28, 2010, I posted a column concerning evidence of the creation of music as a subject of a painted panel in the Sanctuary of the cave of Le Trois Freres. Additional evidence of Paleolithic music in connection with rock art is presented by the upper Aurignacian carved relief known as the “Venus of Laussel” cave in France. This famous female figure is shown holding what appears to be a bison horn in her right hand. The horn is marked with thirteen striations down the side. "Venus of Laussel", stone relief carving, Laussel cave, France. p.41, Rault, Lucy, Musical Instruments, Craftsmanship and Tradition from Prehistory to the Present,2000. This figure actually suggests two possible musical implications. One, the horn might be played trumpet fashion. In Musical Instruments, Craftsmanship and Tradition from Prehistory to the Present, Lucy Rault (2000) provided pictures of tribal people playing animal horns trumpet fashion. In playing a trumpet the sound is provided by vibration of the player’s lips blown into the mouthpiece, in these examples a hole drilled into the side of the horn down near the pointed end. Although the Venus of Laussel does not have the horn held to her mouth we must allow the possibility. Side-blown Kudu horn, Chad. p.198, Rault, Lucy, Musical Instruments, Craftsmanship and Tradition from Prehistory to the Present, 2000. Another possibility relates to the thirteen striations on the side of the horn. With these it is possible that the horn was played as a rhythm instrument known as a rasp. The Ute Indians of Colorado and Utah use a rasp called a morache for their annual Bear Dance in which a notched stick or bone (reportedly originally a bear jaw bone) is held against a resonator such as a basket, a drum, or a plank over a hole in the ground, and rubbed with a stick. The rubbing of the stick back and forth over the notches provides the vibration of the instrument. The sound was felt to reproduce the growling of the bear. Back in 1980 my wife Charlotte and I attended the spring Bear Dance at Ignacio in the Ute Mountain Ute reservation in southwestern Colorado. The continuing low drone of the morache is immensely compelling and quickly begins to resonate in the mind of the listeners. Rault points out that with the striations marked on the side of the horn held by the “Venus of Laussel” it could have been played as a rasp, rubbed with a stick like the Ute morache and the conical form of the horn would also provide the resonating chamber. Perhaps this sound echoing within the cave would provide a roaring or growling sound to emulate one of the great animals painted on the cave walls. Stalactites as lithophone, South Africa. p.25, Rault, Lucy, Musical Instruments, Craftsmanship and Tradition from Prehistory to the Present, 2000. Another interesting possibility for music played within a cave is provided by the presence of stalactite and stalagmite formations which can be played as a percussion instrument. Such a formation used to make music is known as a lithophone, a stone instrument. Rault stated that in some of the painted caves of Europe evidence remains as signs of impact on such stalactite and stalagmite formations that would ring like a xylophone when struck with a wooden, bone, or perhaps an antler hammer. As I stated in my previous posting none of this is proof that there was ever any playing of music in company with rock art painted on the cave walls. We must, however, acknowledge that it could have been, and I prefer to assume that on ceremonial occasions music and other sound effects would have been included in at least some of the ceremonies. REFERENCE: Rault, Lucy 2000 Musical Instruments, Craftsmanship and Tradition from Prehistory to the Present, Harry N. Abrams, Inc., New York.
Çok güzel kız çocuklarının büyüyünce çok can yakacakları söylenir ve genelde de öyle olur ya; buradaki örneklerle de can yakma konusunda master yapmış büyüle...
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¿Te gusta LP? 🙊 ¿Te encanta su estiló?❤️✨ Aquí podrás encontrar imágenes, vídeos e incluso memes relacionados sobre esta hermosa cantautora 😆 Espero y lo disfrutes 😉🤗
Each one of us, male and female, carries within our psyche both Masculinity and Femininity. Now the divine feminine energy raising up planetarily, there is no better time to tap into it and enjoy more success with grace. The real power of your divine femininity is beyond measure. Gone are the days you were a Cinderella waiting
