Name: Donna Wilson and husbandLocation: Belfast, Northern IrelandType of home: TownhouseSize: 1000 square feetYears lived in: 10 years; renting Tell us a little (or a lot) about your home and the people who live there: It’s a rental but I’ve made it my home, adding colour, texture, and layers to make it feel warm, cosy, and homely.I identify as a woman who loves life!

home decorating ideas, home decorating, home decorating pictures

The ultimate in antique furniture: Marie Antoinette’s drawing room in the Petite Trianon. The chairs, the settees, the lanterns – are all so gorgeous – as is the pink and white fabric. The floor is Parquet de Versailles, a pattern that is still copied today. Install some Wi-Fi and I’d be quite happy here! This year I have been compiling and posting a list of the Top Ten Design Elements that I think help create a beautiful room. These elements are what makes an interior interesting, exciting – a place that when you enter it, you have to stop and catch your breath from the sheer surprise and beauty of the room. Of course, this is a very personal list. All design aficionados have their own ideas of what they feel makes up a desirable and beautiful room. Perusing photographs of rooms that I love, a certain look or style is repeated over and over. These interiors are the ones that draw me in, time and time again: they are more casual, livable, cozy, inviting and warm. To date, the Cote de Texas Top Ten List of Design Elements includes: Linen Slipcovers Seagrass Curtains Light fixtures Wall decor The item next added to the list is antiques. This is a complicated issue and somewhat misleading because the “antique” might actually be a reproduction. A reproduction can play as important a role in decor as a true antique because it is the shape and lines of the piece of furniture that give it its classic appeal, not necessarily its age. Adding to the confusion, the “antique” as a design element may not even be a piece of furniture, it can be an accent, an accessory, or even a building material, such as an aged limestone mantel, reclaimed wood floor, or stone wall. The appeal of an antique can come from either its patina or its shape. But a room, for me, is not complete, or as interesting, without some type of antique element included in its design. Why antiques? When addressing what makes antiques important to a decor – in furniture, it might be its shape and the style. For instance, a pair of French bergeres with their sensuous lines add a classical touch. This look can be achieved through using an actual antique, or a reproduction or even an updated version of the antique. The important element to the room, thus, is the lines of the chair rather than its provenance. Conversely, if the antique element comes in the form of a building material – the aged floor or fireplace mantel – its the texture, the worn surfaces and the patina, that enhance the atmosphere. The fireplace mantel may be brand new, but if it is a good reproduction, it could achieve the same effect as if it was 200 years old. Not everyone can afford period antiques, but there are many companies that made great copies for those who want the graceful and sensual curves of a Louis XV chair or console but can’t afford the hefty price of the period piece, or even a reproduction of the piece that was made over 100 years ago. Further, consider this when understanding why antiques are so important in design. One question a designer gets asked over and over again is, “I want to decorate my room, but I want it to last, I don’t want it to look dated or trendy in five or ten years.” I always say – impossible. Everything dates in ten years. Each decade is easily identified by its furniture styles and fabrics. The only way – the absolute only way to avoid having a totally passé look in ten years is to decorate using classical antique shapes: use Louis XV and XVI chairs, use antique English side tables with barley twist detailing, bring in antique consoles and cabinets. Simply said, the more antiques in your room, the less trendy it will be and the more current it will look for many years to come. Below are examples of rooms that are decades old, yet look refreshingly new because of the use of antique elements and furniture: Elsie de Wolfe, 1909 This photograph was taken of a room designed by Elsie de Wolfe in 1909. Think about that for a minute – 1909, over 100 years ago. If this picture were in color, I’m not sure anyone would be able to accurately date the interiors. Look how “today” this room actually looks. All the French chairs, some dressy, some country, make it impossible to detect this room is as old as it truly is. The dining room chairs even wear “trendy” slipcovers” over their backs. Garden elements – the stone capitals – so prevalent in the 2000’s are here at the turn of the century. What makes this room so timeless? What makes this room look fresh today? Without a doubt, it’s the antiques – the classic shape of the furniture. The antiques, or the classically shaped chairs (for these chairs might have actually been new reproductions), keep this room timeless. The classically shaped chairs and tables and the rugs make it impossible to declare this room “out of style.” Elsie de Wolfe at Versailles Another timeless interior from Elsie de Wolf: this time the interior is her own house located in the shadow of Versailles. Again, the antiques – the chairs and the tables, the settees, the classic patterned Versailles parquet floor, the French doors, the marble mantel, the leopard prints - all keep this room from screaming one decade or another – or, even one century or another. Could you, if you had to, determine when this room was decorated? Gorgeous! What Not To Do: This is the decor that most people grew up with in the 1950s and 1960s. While mid-century is desired by many today, this is a look that is best forgotten. Compare this decor with the decor below – both from the same time period: Marian Hall - 1950 This room was also designed in the 1950s, by Marian Hall. This room is timeless, due of course to the use of classical shaped chairs and tables. These again may be antiques, period or reproductions – who can tell? Their lines and shapes are what is important. Though this room is 60 years old, even the colors are amazingly modern – the white walls, the olive greens and sages, the peaches and khakis. This one photograph proves my point more than any other – using antiques will keep your interiors from dating. Again, What Not To Do: a typical interior that screams 1950s. I actually grew up with a fireplace just like that. Nancy Lancaster, 1950s One of the more famous interiors in the history of interior design, the yellow drawing room by Nancy Lancaster which features both English and French antiques in a delightfully cluttered space. Again, utterly timeless – this space is not defined by any decade or style. Nancy Lanscaster, 1950s Another 1950’s decor by Nancy Lancaster – her bedroom at Haseley. I adore this room! Again, the antiques, the screen, the bed, the accessories, the rug, all make it timeless and classic. Michael Taylor, 1950s Even contemporary design can be timeless. This furniture is not antique, but the shapes and detailing come from the classic: the lamps resemble English barley twists, the side table with its fluting takes it looks from an antique column, the chairs are shaped like Louis XVIs. Here the contemporary furniture is based on the classical which makes it timeless itself. Does the trendy cowhide give you a clue to the decade this room was designed? Michael Taylor – 1950s. Amazing. Michael Taylor, 1960s Another design by Michael Taylor. Though most known for his later contemporary work, his earlier work from the 50s on, was more classic. Here – a sitting room is made timeless due to all the French antique furniture (though who is to say it is truly antique or reproductions?) I adore the slipper chairs with the zebra upholstery! Adding a classical element is the tapestry, the lamps, the hanging shelf, the rug – all most likely antiques, or reproductions. Remember: any item over 100 years old is officially an antique, regardless if the antique is actually a reproduction. This room recently designed by Miles Redd reminds me of the room above by Michael Taylor. This room is timeless and could have been designed in any decade. The classic chairs and tables, lamps and chests give no clue as to the actually time this room was designed. Another timeless design – what decade is this from? Coco Chanel’s French apartment from the 1950s. Notice the comparison to this room below: Deandra Douglas’ estate - the antique table is similar to Coco Chanel’s. The antique tapestry resembles Chanel’s screen. Both rooms are similar in style, yet they were designed fifty years apart. Again, timeless, classic antiques always make an interior more interesting. John Saladino The Master at Using Antiques: One of John Saladino’s most famous designs is this apartment in New York City. Along the back wall, a mirror is layered against a hanging tapestry – a trademark of Saladino’s. The antiques are mixed with traditionally upholstered pieces. As always – it’s the beautiful antiques that Saladino chooses that make his interiors so stunning. For instance, the pair of chairs shown above are so strikingly gorgeous – how could anyone choose contemporary chairs over these? The painted detailing on the chairs, the shaped backs, the curved arms – these chairs add so much interest to the room, it’s hard to imagine the space without them. But….are these truly antiques or new? Remember – it’s not always the provenance that’s important. Sometimes it’s just the design. John Saladino, Villa di Lemma John Saladino’s own Villa di Lemma, again a mix of English, French, Italian and Spanish antiques. Each antique is so beautiful and special, one alone would be enough – but an entire room full of this caliber of antiques is stunning. Saladino’s interiors are always warm and welcoming, inviting and interesting. And it’s his use of antiques that create that perfect atmosphere he is so adept at. Another view of Saladino’s living room filled with beautiful antiques and contemporary art. Would this room look as beautiful filled with Italian contemporary furniture? The house itself looks like an antique castle but it is from this past century. Jose Solis Betancourt This room, designed recently by Jose Solis Betancourt is a combination of contemporary upholstery shapes mixed with antique side chairs and accessories. The mirror, the lamp, the art – are all antiques which makes the room classic and timeless, despites it contemporary feel. Imagine this space without the mirror, the lamp, the chairs - it would be cold and starkly modern. Instead the antiques lend the warmth and beauty. Betancourt studied under the master, John Saladino, and his influence here is very evident: the mirror layered over a hanging textile, the side chair with a waterfall skirt lending a slipcover appearance to it, the lilacs, the mix of new vs. old – is all so very Saladino. Rose Tarlow, an antiques specialist, decorated her apartment in London over 25 years ago – nothing has been changed since and it still looks as beautiful as the day she created it. The antiques of course give it its timeless appeal – the table, the chairs, the screen, the accessories – nothing dates. Suzanne Rheinstein This orangery designed by Suzanne Rheinstein almost twenty years ago, still looks fresh and stylish. Here the antiques are painted which make them slightly less dressy and serious. The classic Brunschwig and Fils chintz is timeless. Slipcovers and apple matting are trendy elements today, though they have been used for centuries in England. The painted screen and hatbox are colorful – not stuffy like antiques are perceived to be. Is this house in the countryside of England? It certainly looks like it, but actually it’s in Virginia. I would decorate a room just like this today and change little, if anything, about it. Rheinstein would disagree with me – she did totally redecorate this room, but I always liked this version more. e Here, a newly decorated living room from L.A.’s Ruthie Sommers. Classic fabrics – ikats and zebra prints, chintz and embroideries look new and fresh. Yet, the antique pieces are what provide the interest, the warmth: the chinoiserie side tables, the wood arm chairs, the desk, the accessories. This shows how a younger couple can decorate incorporating antiques and still get a hip look for today. Antiques Don’t Have To Be Fancy: Rough Luxe, the new buzzword in design – mixes the rustic in a stylish way, it heralds the imperfect. Here, LA’s Atelier AM mixes an antique leather screen with chairs from the 30’s. The soft pastel silk pillows are juxtaposed against all the harsh edges. This look, taking its lead from the rustic and sparse Belgian design, is rapidly gaining in popularity. There is something honest about this look – stripped bare of all excesses and frills, its appealing in its simple approach. But don’t think it’s easy to design this way. It takes someone with a keen eye for design, for proportion, for color, to be able to put something together like this and have it been so pleasing. Hot, hot, hot stylist and interior designer Jill Brinson’s Atlanta house has a Rough Luxe appeal. Her clever mixture of new with old, imperfect antiques, has its roots in Belgian styling. Totally personal – her house is filled with pieces picked for their lines, texture, and uniqueness. The antiques are not necessarily precious but that is the appeal. Antique Architectural Elements: Antiques that are important to a room can be structural. Here, antique flooring really adds to the look of this room. The walls, the ceiling, the windows give much atmosphere to this decor – without the structural elements the room would be much less interesting. It all looks so inviting, comfortable and warm due to the weathered patina of the architectural elements. Antiques don’t always have to be furnishings. Here, the walls of the room are antique: the boiserie (paneling), the parquet flooring, the fireplace mantel, the windows. All the building materials are antique or are made to look antique, creating a room that is incredibly beautiful. This house, home to a famous Belgian fashion designer, is the height of timeless decorating. It is impossible to date this room – was it decorated in the 90s or the 70s ? Is the house new or a century old? Will the design looked dated in 20 more years? Of course not. This room is perfection and one of the prettiest designed rooms in recent memory. Architectural Elements Don’t Have To Be Old To Look Old: Here, in contrast to the above room, the building elements of this house are not antique, but are made to look old: the paneling, the ceiling, the windows. The rustic antiques, the tables, the stools, all add that warm touch to the room that you just can’t replicate with store bought furniture. So charming! Unfortunately, we can’t all afford to live in glorious old houses like this. The appeal of this house is its patina and its architecture. The aged terra cotta tiled floor, the thick stucco walls, the arched windows and doors, the shutters - it’s all so romantic, even inviting though there is barely any furniture. Faking Age With Antique Architectural Elements IS Possible: The owner of Chateau Domingue remodeled her house to make it look centuries old. All the patina was added using architectural salvage from her shop. The walls were once sheetrock but now they are clad in antique stone which was brought over from Europe. The flooring is also aged, brought over from Europe. New can be made to look old – and it is especially effective when the salvage is antique. Another new kitchen made to look old. All the cabinets were removed and replaced with antique consoles and dressers. This kitchen is by Houstonian interior designer Jane Moore. Additionally, her furniture is also antique: the dining room table is Swedish, the upholstery pieces are antique frames. This is just so much more appealing than a contemporary kitchen with rows of cabinetry. I love white rooms – I think they are wonderful, especially white rooms filled with white linen slipcovers. While this room is wonderfully designed, it not one I would choose for myself. Why? There are no antiques, no antique reproductions, nothing that warms up the room, makes it cozy looking and inviting – two things I need to see in a room to make it appeal to me. This room screams 2000’s. In 10 and 20 years, it will be dated and I assume, the decor will be long gone, changed by owners looking for something less obvious. And another white room that does nothing for me emotionally, except leave me cold. One glance and it’s done with. There’s nothing to hold your interest – all the wood looks the same, an anemic pencil color, there is nothing romantic here. The art work is itself puzzling – one is left wondering when the movie is starting. By contrast, this white room is everything the other two above aren’t. It’s interesting and warm, inviting. The two chairs are antique, as is the wonderful Chinese coffee table. These pieces, along with other accessories around the room make this space more timeless and less contemporary. Very beautiful. Another white room that appeals. This room is so interesting, so vibrant with all its layers and clutter. Your eye jumps from table to table to mirror to art work, to fabric to stacks of books and then it starts all over again – wondering what was missed on the first glance. The room is alive, it looks like someone actually lives here, drinks coffee here, reads a newspaper here, plays cards and eats a snack here. It’s cozy, it’s warm, it’s inviting – everything you would want in a room. It’s a large room made smaller by all the furniture. There are so many different textures – the seagrass, the zebra, the fringe, the silk taffeta, the smooth crystals, the soft curtains – it might be difficult to keep your hands to yourself and not caress all the different materials. This room is one of my favorite of last year and I have included it in each Top Ten Design Element yet: linen, slipcovers, seagrass, curtains, light fixture, wall decor – and now antiques. How far will it go – will it qualify for all Top Ten Elements? Stay tuned! Another beautiful white room, warmed by the antiques – the antique sofa, the large, wonderful oval portrait and the Mora clock peeking in from the next room. Besides being all white, the room is also Swedish, another personal favorite of mine. Imagine this room without the antique sofa or portrait – it wouldn’t be quite same, would it? This white room by Kay O’Toole is all antiques – of course - O’Toole is an antique dealer. The fabric on the chairs is old gray and white Fortuny. For years I lusted after this apartment – every single room was glamorous! Another Swedish room, with an antique chest acting as a coffee table, antique tables, chairs, and Mora clock. The crystal sconces and chandeliers add an extra touch here. Again, the antiques warm the room with their patina, which then adds another layer that catches the eye when walking through the space. All white with a touch of green in the shutters and pillows. What a wonderful living room! The two empty gold frames add a touch of whimsy, while the furniture showcases country French at its best. I love the mix of chairs – two pairs, one is dressy, the other is wonderfully slouchy. These antiques are the opposite of the “don’t touch” antiques of yesterdays. Instead, these invite a lingering of the hand over the their smooth, painted woods. Beautiful! Gerrie Bremermann designs an all white room using silk taffeta for curtains and lots of antiques. Living in New Orleans and owning her own antiques shop insures that Bremermann’s clients get large doses of patina in their rooms. Typical of a Bremermann room, the majority of antiques are French. My own family room before I painted it gray. I advise clients to buy at least one antique piece of furniture for each room. This then becomes the anchor of the room. One can decorate around it, change fabrics and accessories, without having to ever replace the furniture. Here, my antique dough table is used as a coffee table. The two barley twist gate legs are from the 20s probably. They are so heavy, unlike new tables, plus I got them for a steal - $300 each from a dealer in Houston. This all white/cream room is so feminine – thanks to the Swedish and French antiques. I love how the original upholstery is duplicated by the use of tiny nailheads that are usually covered by trim. Color: This fabulously bright living room is timeless – due to the antique furniture and to the architecture of the room with all the moldings. The fabrics are classic chintz. When was this designed? This sitting room reminds of the same room above – this is where the Dowager Duchess of Devonshire moved to after her husband died. It’s a smaller, much more cluttered and lived-in version of the Diamond and Baratta room above. Michael Smith’s rooms are classic – always filled with wonderful antique furniture and accessories. This room is a personal favorite. Imagine if the chairs, the trunks, the desk were replaced with contemporary designs! Charlotte Moss’ living room has beautiful matching consoles and antique chairs and tables. The rug! She has a wonderful eye for creating warm and inviting interiors using hand picked antiques. Everything here but the sofa is antique. The owner is antique dealer Donna Brown of The Gray Door in Houston. Her townhouse is fabulous! The chandelier and the tapestry are to die for. Donna Brown’s kitchen and family room. She replaced a standard kitchen with antique elements such as this office file. I love the stool and the wine tasting table. Babs Watkins, Julie Baker and Eleanor Cummings all shared the design credit on this house. Without a doubt the antique furniture and accessories made this room beautiful. Hard to imagine what it would look like with contemporary furnishings. The real deal: this country house in England is filled with English antiques. Vicente Wolf combined modern upholstery with antique tables. These tables and the classic rug create the warmth in the room. The brown woods help anchor it. Another mixture of contemporary and antique. The antiques make the room more interesting and add much needed texture. I’ve always loved this room with the old French leather chairs and the antique tables. Nothing is too fine or unaffordable here which helps make the room that much more appealing. Antiques can be fun – not stuffy. The large gilt Louis Philippe mirror is almost playful here in a room filled with lime green and hot pink. When starting out, try to buy one big piece of antique furniture for each room. If money is an issue, then save up instead of settling. I waited years and years (15 to be exact) to be able to afford a Buffet a Deux for my living room. I used funds from my business to pay for it myself so that my husband couldn’t interfere!! Now that I have this piece, it will always be in my house – somewhere – and hopefully in my daughter’s house one day. One fabulous antique is all a room needs. The chairs could be new or old here, but it doesn’t matter when a such a fabulous antique like this armoire is present. The chandelier is quite exquisite too. Mixing contemporary and the antique. Always try to buy one major antique for each room. It will stay with you for a lifetime. This armoire grounds the room, makes it seem more special, warm, less modern. Gorgeous, gorgeous, gorgeous antique table and chairs. Beyond gorgeous. Another beautiful dining room with antique Swedish chairs and a fabulous tapestry. Here, the antique tapestry becomes the important piece of furniture. Perfection! Granny’s dining room furniture made youthful by pleated slipcovers. If you don’t want all this brown, try painting your inherited dining room and buffet. I adore this dining room with its large linen covered skirted table. But the antique leather French chairs make such a huge statement here. Beautiful antique chairs, chandelier and Swedish chest mix with Bennison fabrics. The table may be old or new – it really doesn’t matter when so many gorgeous antiques are around. In my dining room, my breakfront is antique and is the anchoring piece. The chairs are vintage, not antique. The French barometer is antique, bought from 1st Dibs. But the chandelier – I don’t know if it is antique or not. I bought it from a friend who said it is, but I have my doubts. It doesn’t matter to me though, I really like it and it looks like an antique, which is good enough for me. The sconces are definitely new, but again, they have an antique look – it’s the style I was going after, not the provenance. In this hallway, the antique daybed, pillows and screen turn a pass-through into something special. Gorgeous daybed! This bedroom by Randy Powers of Houston is a mixture of fine antiques and reproductions. The tea table is new, yet the side tables are antique, as are the mirrors and the accessories. The settee is antique, but the bed is new – repainted by Powers. I love this fabric, it’s one of my favorite toiles. The side tables add interest – being antique they are both different, yet look similar. Such a beautiful room. A bedroom in Lars Bolander’s Swedish house. The room is filled mostly with Swedish antiques. I love this room! Bolander has a design book coming out this September. Preorder it HERE. In this bedroom, the antique table makes a huge statement. The fruitwood is so warm. It grounds all the white. Beautiful! Suzanne Rheinstein designed this bedroom years and years ago – yet it still seems relevant for today. The antiques are beautiful, the bed, the chairs, the mirrors, the art work! I would love to have this bedroom – it’s gorgeous and timeless. A headboard made of a settee – to die for! One of my favorites from a long time ago. Again, one antique piece of furniture is enough: I bought this armoire for my bedroom and know that it will always have a place in my home. It makes the room. Antiques are important even in bathrooms: the enfilade is so much prettier than a built in cabinet. The antique chandelier is gorgeous. Powder rooms are also great places to add an antique or two. One important antique – the chair (or is it a new reproduction) adds much romance to this bathroom. The lamps are a better choice than bathroom styled sconces too. The chair alone would add the perfect touch, but the cabinet, the tub, the hardware, the light fixture, the art work, all antiques, make this bathroom special. There are now seven of the Top Ten Design Elements posted. Three more to go! Keep a look out for the remaining elements coming soon. As always, thank you for your continued support!

I instantly fell in love when Ashlina shared this chic Manhattan home on The Decorista! The West Village townhouse designed by Rob Stuart and photographed by Donna Dotan is all sorts of fabulous! Can

A few months ago, I showed photographs from The Gray Door antiques shop. The owner, Donna Temple Brown, had recently moved her shop to Ferndale in Houston – taking over the property formerly owned by veteran antique dealer Laurence Anderson. Anderson’s husband, Bill Anderson, is the architect who is responsible for many of the contemporary townhouses built in the Ferndale area, a chic cross section of homes and shops. Anderson designed a combination house and antique store for his wife. The shop was on the ground level, and their home was above – a modern day version of living above the store. After many years on Ferndale, the Andersons sold their property and Brown moved in. At this time in her life – the thought of commuting to work by taking an elevator down one flight was too appealing to turn down. But, there were issues. Donna loved her own townhouse, which had been photographed for many fine design magazines and books. Her “unfurnished” kitchen was an inspiration for many other designers. Her own furnishings came from her shop and her décor was a wonderful advertisement for her business. The question was could she make the much more contemporary living space on Ferndale work with her antiques? Donna Brown’s old townhouse which she sold. Her kitchen was an inspiration for many. In her old townhouse – the family room was in a separate room from the living room and dining room. Donna Brown’s former townhouse – the tapestry was the focal point in the living/dining room. More about the tapestry later. The living room in her former townhouse. Then, there was Donna’s shop - The Gray Door. She had recently moved it to the trendy Alabama Design District after years spent on West Gray. Her new shop on W. Alabama was large – with enough space to easily show off the oversized French armoires and consoles she is known for. Could she make the smaller sales floor on Ferndale work? Still – the lure of Ferndale with its zero commute was too strong to ignore. Once she made th decision - all her concerns evaporated. With a modest renovation of the living space, she turned the contemporary architecture into a chic gallery that is simply gorgeous. Below, she reconfigured the sales floor and incorporated the garage into the shop – greatly enlarging it. She discovered that her clients preferred the new shop where they could imagine how the antiques would look in their own houses. BEFORE: At the back of the house was a two car garage. Donna decided to incorporate this space into the shop, which greatly increased the sales floor. AFTER - The Gray Door today: this area of the new shop was once the garage. In all, its been the best move Donna has made. In the morning she comes down to the shop, coffee in hand, while still in her robe, and often is still at her desk working when her assistant Darcy arrives to open up. The benefits of the lack of a commute in traffic cursed Houston can’t be stressed enough. It has to be enormously beneficial on keeping Brown’s blood pressure in check. A few choice pieces in shop right now – the painted cabinet is a great size. The station clock is beyond fabulous. Need a tall chandelier? Recently, the magazine Antique Shops and Designers showcased the new living spaces with beautiful photographs taken by Jack Thompson. Donna asked me to also come photograph her house – but she wanted me to include the BEFORE photos so that readers could get ideas for their own renovations. AFTER: The Gray Door. The old shop used to end where the opening is. Donna enclosed the garage, put in a bank of floor-to-ceiling windows and cut an opening in the back wall. Great sofa and chair, trumeau, and notice the pair of sconces next to the window! To die for!!! Today, I have gathered the BEFORE photographs from the upstairs living space. AND, I have a collection of my own photographs that I took last week. So, please enjoy the BEFORE and AFTER photos from the house above The Gray Door! BEFORE: The three story townhouse that Donna Temple Brown bought. Before, Made In France, a French antique shop, was on the ground floor. Above, shop owner Laurence and Bill Anderson (the architect of the house) lived on the 2nd and third floors. Today – the city required that Donna provide two parking spaces at the front of the shop. In order to do so, she had to move the front door to the private HOUSE which is seen on the left, up the stone steps, under the pretty glass awning. The entrance to the SHOP was at the very right – off to the side. To open up the shop, Donna moved its door to the front, instead of the side. AFTER: Donna brought her two antique doors and placed them to the right of the shop, under an awning. She also replaced the third floor window, making it much less contemporary looking. The gravel front drive of the store now has room for the parking that the city required. BEFORE: The front door to the house opened to a stone staircase – that led up to the large screened in porch. Since the door had to be moved to the side – this staircase had to be totally reconfigured. AFTER: The front door to the house is now at the side of the building, located through iron gates. AFTER: Looking down from the porch to the stairwell – which now is U shaped because the door had to be moved. BEFORE: The screened in porch runs the length of the townhouse. On the right side is the living room and dining room, with the kitchen in between the two rooms. The floor is the same as that in the house: matte limestone – set without grout. The floor is very French looking – which is an aesthetic detail leftover from Laurence Anderson who is from France. BEFORE: Looking the other direction towards the stairwell. AFTER: Donna filled the porch with an assortment of her antique pieces – like the faux bois bench and iron table and chairs. She also used wicker and plants to soften the space. Donna removed the screens to open the space up more to the breezes. She uses this as another room in her townhouse – drinks and desserts are served here at parties. AFTER: Looking out towards the treetops. With the screens removed, it really feels like you are in a treehouse in this open air balcony. BEFORE: The front door opens up from the balcony onto the entry. The door faces a wall which is actually the back of the kitchen. The dining room is to the right. BEFORE: Here you can see the kitchen on the other side of the wall that faces the front door. The dining room is on one side of the kitchen and the living room is on the other. The master bedroom is entered through the living room. BEFORE: Looking the other direction towards the living room. BEFORE: The dining room. Although Laurence is an French antique dealer, she decorated her house in more of a mix of antiques and contemporary. Her dining room was surprisingly more modern than one would think judging by what she sells at her shop! The dining room window overlooks the stairs portion of the balcony. AND AFTER: AFTER: The entry hall. Donna placed a painted piece on the large front wall and flanked it with crystal sconces and antique chairs. Across is a Lucite shelf. At the end of the hall is the dining room. The floors are matte limestone set without grout. Donna painted the walls a shade that exactly matches the limestone. AFTER: The dining room. Donna’s linen skirted table is surrounded by a mix of antique chairs. Against the dining room window that overlooks the balcony’s staircase is a long, painted gray console. Donna placed a bench, slipped in an light aqua blue linen, in front of the window. Behind it is a gilt framed print that many might remember from Donna’s former townhouse. Flanking the bench is her large collection of ironstone platters and plates. Donna filled this painted cabinet with her various collections. The room is large enough that when she needs to, she brings in another round table to double the amount of seating. Also – along the back wall is a series of storage behind hidden doors. Donna has plans to remove the doors and renovate this area, by doing so she will gain a needed few inches in height. She wants to display her large tapestry here, but right now – the tapestry is a few inches too tall! By removing the doors – she will gain the needed space. Remember her beautiful tapestry from her former townhouse? Here it is: BEFORE: The tapestry. Once she completes Phase II of her renovation, there will be enough height to hang it in her new townhouse. This chandelier, one of a pair, is now in her living room. BEFORE: Donna kept the footprints of the kitchen – the biggest change came by removing the upper cabinets and taking off the bottom cabinet doors. The countertops are concrete, which she loved! AFTER: Donna removed the upper cabinets and designed the remaining windows to mimic the windows in the neighboring dining room. Linen curtains cover the bottom cabinets. She also put a marble topped table in the middle to use as an island. Antique light fixture and shelves on the walls that hold glasses and plates. Looking towards the living room. Donna has a real gift for styling kitchens and bathrooms and I really want her to help me with mine!!! She kept this bank of drawers for utensils. So cute! I want to take off my bottom cabinet doors too. I love this look so much! BEFORE: The living room is on the other side of the kitchen. It is very spacious. Here is how Laurence Anderson decorated it – with a piano and a seating area around the fireplace. On the right by the piano are the stairs that lead to the guest bedrooms on the third floor. And the powder bathroom is on the right of the fireplace wall. BEFORE: The seating area. She used a mix of classic and contemporary furnishings. Towards the back right, where the armoire is – is the door to the master bedroom. AND – there is a wet bar in front of the glass door – which Donna removed in order to open up that area. BEFORE: The wet bar which was freestanding in front of the balcony windows. You can see the stairs that lead up to the guest rooms and the kitchen is at the far right. AFTER: Donna has two seating areas in the living room – one near the kitchen and one around the fireplace. She put in a new firebox and mantel. Against the back wall she hung all the artwork. The two magnificent chandeliers hang over the seating areas. The larger area is defined by an area rug. While all the walls match the limestone – the back fireplace wall is different - it’s a soft, barely aqua color. Here is the smaller seating area – you can see into the kitchen and the entry hall and the dining room beyond. Closeup of the beautiful chandelier and armoire. Donna told me that she particularly is attracted to chandeliers and art. These are what she tends to collect. Her shop always has a selection of wonderful chandeliers. The second seating group – next to the kitchen. This sofa is slipcovered in a khaki fabric. Instead of a coffee table – Donna used a wine tasting table. The larger seating area has an assortment of antique chairs. The second chandelier hangs over this area. Looking back from the living room towards the porch and entry hall. I can’t tell you how pretty this house is! It’s just beautiful. Each piece is like art, each chair, each table. It’s a neutral palette, so serene. One of the prettiest parts of the décor is the gallery wall. It is filled with art in antique frames and prints in gilt frames. Hanging is a small mirror and a round oil. There are also a few sconces and plates. This is how a gallery wall should be!! They are trendy – and I’ve seen them all over the internet – but few look this fabulous. Donna made this the focal point of the living room and I can’t tell you how beautiful it is!!! Here’s a closeup of one side of the gallery wall. I love the round painting – and the unframed oil, and the mirror! Perfection! And where there was once the freestanding wet bar, Donna has placed an antique bookcase that once held documents. The master bedroom is through the door. BEFORE: The master bedroom was divided into two rooms – a study and a bedroom. It was painted bright yellow – as you can see. BEFORE: The small area where the bed was. Donna removed these two bookcases to make one large bedroom. AFTER: Now – the bedroom is one large room. And it is so pretty!! Silk curtains hang at the windows and another pair hang at the opening to the master bathroom. The bedroom is so romantic and very Italian in feel, although it is filled with French furniture. Against one wall, Donna placed a large mirror on the floor – and centered an antique chaise in front of it, along with a side table. Looking from the back of the bedroom to the shelves. There is a small desk in front of the shelves and Donna hung several paintings there. Between the two windows is this wonderful painting that you may remember from the family room in her former townhouse. This painting is one of my favorites!! The iron bed is surrounded by four gilt framed prints. The limestone is continued through the bedroom and bathroom. And there is a chandelier hanging over the bed – of course! BEFORE: On the other side of the living room is the powder room. Originally there was a contemporary sink made of concrete and blue tiles. AFTER: Donna used this large sink on a stand in the powder room. Made of marble – it is incredible!! She added a crystal chandelier and a wonderful antique mirror. Another view – originally Donna thought this sink would be in the kitchen, but it just wasn’t big enough, so she used it here instead. Upstairs there is a large study, along with two guest rooms. On the stairs, there is a beautiful antique mirror. BEFORE: The guest room with the arched wood roof and the large window that Donna removed. AFTER: The smaller window is a big improvement in this cozy guest room. Two French beds with a metal garden table between them. At the window is a tapestry that is painted, not sewn. The guest room, where Donna’s grown children come to stay is romantic with the unusual ceiling. I thought it looked like a state room on a ship, but Donna said, a friend says it is like being inside a jewelry box. One day she would love to put silk on the walls to make it really look like a jewelry box. Our tour was now over – we had spent a few hours going through the townhouse, discussing all the changes that Donna had made and all the changes she still wanted to make. Honestly, I was so impressed with her home, which was a surprise. I had loved Donna’s former townhouse and had wondered if I would like this new space as much? It was a true revelation that the new place was actually so much – MORE. More sophisticated and more chic, for starters. More special. The old house was beautiful, no doubt, but townhouses like that are found on every street inside the loop. This new house – with the shop below – is more urban, more at home in NYC than in sprawling Houston. The new space far exceeds the old townhouse in every single way. It’s amazing. It’s so timeless, so classic – and another lesson that shows that using antiques never date. The décor will always look as good as it does today. To visit the store, get directions and times from the web site, The Gray Door HERE. A huge thank you to Donna Brown! Thank you so much for your hospitality – I had the BEST time!!!Joni

Inside the West End home of arts advocate Donna McNeil, a collection is filled with old friends Snow has just started coating the steps of Donna McNeil’s townhouse in Portland’s West End. A storm is coming, but she’s the force … Continue reading →

I instantly fell in love when Ashlina shared this chic Manhattan home on The Decorista! The West Village townhouse designed by Rob Stuart and photographed by Donna Dotan is all sorts of fabulous! Can

I would like to share with you one of my favourite things that in my opinion adds a lot of character to any space: vintage leather. And with this I do not mean those shiny, black and chrome “yuppie-style” pieces …

When we saw that Nightline co-host Cynthia McFadden had sold her three-bedroom co-op at 129 East 69th Street last week,

Inside the West End home of arts advocate Donna McNeil, a collection is filled with old friends Snow has just started coating the steps of Donna McNeil’s townhouse in Portland’s West End. A storm is coming, but she’s the force … Continue reading →

Inside the West End home of arts advocate Donna McNeil, a collection is filled with old friends Snow has just started coating the steps of Donna McNeil’s townhouse in Portland’s West End. A storm is coming, but she’s the force … Continue reading →

The actress opened up about her plans for the holidays and the challenges of raising teenagers in a cover story for the magazine's December- January issue.

Greenwich Street Townhouse is a traditional home offering fresh interiors by Rob Stuart Interiors, located in the West Village of Manhattan, New York.