These stays are certainly the most complex cording project I've done, so I wanted to share how I've been going about it! First off, I'm using a totally different cording method than the ones shown in my Making a Corded Petticoat post. In both methods shown in that tutorial, the cord was put in place first and its channel was sewn around it. Those methods work just fine for a corded petticoat, but won't work very well for these stays. Instead, I'm sewing channels into the fabric first, then inserting the cording afterwards. As a reminder, this is the pattern I'm working with: Fabric Prep Since the criss-cross cording is the most difficult part of these stays, that's what we'll focus on. Each of the squares that make up the criss-cross pattern are only 0.25" wide, so they're very small and difficult to sew accurately. The space between each square forms the channel that the cord threads through. I'm using a green shot cotton as the pretty outer fashion layer of the stays, with two layers of thin but tightly woven white cotton as the strength layers. My stitches will go through all three layers of fabric, but the cording will be run between the two white layers of cotton. The first challenge was figuring out how to mark the stitching guidelines on the fabric. I could have made all the markings on the back of each piece, but I find that the top side of my stitching often looks a bit more precise than the back, so I needed a way to mark the green fabric so that I could stitch accurately, but not have the markings visible later. Squares marked with water soluble pen, with a penny for scale. At first I tried using a water soluble fabric marker that had a relatively fine tip. It showed up very well on the fabric, but since it is a marker and the fabric wicked the ink out a bit, the line it left was fairly thick. The thicker line made it very hard to see where exactly to stitch. Some of my test squares were more parallelogram than square, and the width of the squares varied between 5/16" and 3/16" wide. It may seem like I'm being overly picky, but that is a difference of 1/8", which means I was off in some areas by the width of half of a square! When working at such a small scale, even a little bit of deviation becomes extremely obvious. Wibbly wobbly stitching due to wide fabric marker guidelines. I considered using a fine mechanical pencil to draw more precise, accurate lines, but there were two potential issues. One, I was worried it wouldn't wash off well, leaving me with pencil lines all over my stays. Two, it's actually pretty hard to draw an accurate line on this fabric with a mechanical pencil, as the pressure of the lead warps and distorts the fabric as you're trying to draw. Can't draw a straight line b/c the pressure of the lead warps the fabric. Luckily, I was able to solve both issues at once with my favorite secret weapon: Mah super-sekrit weapon. Shh, don't tell! Starch has saved my butt on many a sewing project. Here, it serves two purposes. First, it stiffens the fabric so that it is almost paper-like, so now I can easily draw on it using the mechanical pencil without the fabric distorting. Now I can get perfectly straight, thin, highly accurate stitching lines! With starched fabric, no distortion! Comparison of marker lines vs mechanical pencil lines. Second, thanks to Lifeofglamour's various experiments with tinting starch for use on ruffs, I know that very often, pigments and dirt that are mixed in with or sitting on top of starch wash out without staining the fabric. When I tested this theory on my fabric, washing the starch out washed the pencil marks down the drain too! You can buy spray on starch or the liquid kind you dip your fabric into from the store, but thanks to Frolicking Frocks (dude, check out those petticoats!) I'm a convert to making my own out of cornstarch. My test stitching proves much more straight and accurate with the pencil guidelines, and after washing all evidence of the pencil lead is gone! Now that I've got that settled, the last step before stitching is to use a lightbox to trace my design onto the fabric. Stitching My original plan was to hand-stitch the stays, but I came to my senses after attempting a sample. I tried using my modern sewing machine, but it's very hard to stitch a line precisely 0.25" and stop in exactly the right place using the pedal control, so I pulled out the little Singer 99 hand crank machine I refurbished a few years ago instead. Remember this one? Isn't she pretty? With a hand crank, it's really easy to stop right at the exact number of stitches you want. A lot of fiddling and several tests later, I settled on a stitch length calibrated to precisely 1/16 of an inch, giving me squares that were 4 stitches wide on each side. Getting the correct stitch size is no mean feat on these old machines, since you set the length by screwing an unlabeled knob in or out as needed. That knob is the stitch length regulator. Notice the distinct lack of numbers or any useful markings of any sort? Now that I've got the length set, sewing each square is now as easy as starting the needle in the right place, sewing 4 stitches, sinking the needle on the 4th stitch, raising the presser foot, turning the fabric, putting the foot down again, sewing 4 more stitches, etc, all the way around the square. This leaves a bunch of thread tails all over the place. Of course I can't just trim them because the stitching would come out, so the loose threads are pulled to the back and tied off. Since I'm a bit paranoid about the knots coming undone, I put a dot of Fray-Check on each to prevent unraveling. Remember to test the Fray-Check on an inconspicuous spot first! My layers are thin, and on the first few knots I used too much and it soaked through to the front. Threads pulled to the back for tying. At first I was tying the threads after each square, but it's more efficient to sew several squares, then flip to the back and start pulling through/tying off. The problem with doing it that way is that those loose tails get in the way of stitching, and if you sew through the tail of a square a few rows down it's a mess to untangle. Luckily, I'm owned by two exceedingly furry felines, and thus have a clothing de-furring brush that doubles as a way to clear all my loose threads off to one side with a single swipe. Guess the fuzzbeasts are good for something. There's something like 200 tiny squares on just ONE front panel, plus more on each side panel, so you can see why this has been taking me a while! Cording After washing the starch out, drying, and pressing each piece, it's FINALLY time to stuff some cord in there. I'm using the same Sugar n' Cream cotton cord that I used in my corded petticoat. You'll want a cord of a width that fits fairly snugly in your channels, so choose accordingly, or stitch your channels to accommodate the cord you wish to use. I'm using a thick, blunt needle with a wide eye. Tapestry needles are perfect. The eye should be large enough that the cord just fits through it, but not so big that the needle won't fit through your channels with the now doubled cord in tow. I also have a pair needle nose pliers, because despite my best efforts, the eye of my needle still gets stuck in the fabric sometimes. When I made my last pair of corded stays, I broke the only good needle I had and swapped to one that was nearly the same, only sharp instead of blunt. It sorta worked, but the sharp tip kept shredding the fabric on both sides, and those scrapes later unraveled into larger holes, allowing the cord to poke out. I wouldn't have minded if they were all on the inside, but most of them were on the pretty outside! If all you can get is a sharp needle, grind the tip down. Holes in channels caused by sharp needle shredding fabric. Sadly, these are on the front, so they show when I wear it. On the backside of the stays, I poke the needle through just one layer of fabric right at the start of a channel. Since the needle is blunt, with some fabrics an awl is needed to start the hole. It takes a bit of practice to get the tip to go through just one layer of fabric, but practice makes perfect, right? Using an awl to start the hole. Threading the needle into the channel. Once inside, the needle is pushed down the length of the channel, dragging the cord behind it. It's tight, and I have to moosh (super technical term) and manipulate the fabric around the needle to move it along. Sometimes the pliers are necessary to pull the needle through the channel too. The eye is stuck at the entry to the channel, so I use pliers to help it along. At the opposite end, I poke the tip of the needle back out through the back fabric and pull it out, taking care to not pull all the cording out with it! The pliers are also super useful here, as the eye of the needle generally gets stuck on the way out. All the pushing and pulling on the needle is pretty rough on my fingers; using the pliers instead solves that problem. The downside is that I'm more likely to break a needle when pulling on it with the pliers. It's easier on my fingers to just use the pliers to pull the needle out. I don't trim the cord close to the fabric just yet; instead I cut it so there's about 1" still hanging out, then move on to the other channels. The places where the cords cross are a bit tricky to get through, but it's doable. Eventually I end up with a small forest of cord ends growing out of the back of the stays. Well that's a right mess. Once I've got a whole section done, I start trimming the stray tails. I cut the cord pretty close to the fabric, but not right flush with it. There are till some tiny tails hanging out. Trimmed close, with just a little bit hanging out. Then, without holding onto the cord, I tug on both ends of the channel, stretching the fabric slightly. Most of the tails pop back into their holes and disappear. A few are still sticking out a bit, but this is the inside of the garment, so I don't care overmuch. Gently stretching each channel. There are still holes at the start and end of each channel, but again, it's the inside, and they close up a little with time anyways. No more tails! Wow, that got lengthy! If any part of this tutorial isn't clear, let me know and I'll try to unmuddy it a bit. If you've got a cool cording project you're working on, show us in the comments! I've still got a few panels to go, so I'm off to the sewing table again for another late night.
Embroidered coat by Alabama chanin Hand-embroidered swing coat in 100% cotton jersey. Couching embroidery adds a beautiful texture and sculptural quality.
Style: Casual/Street/Y2K/Sweet/Preppy Fabric Content: Polyester Fit Type: Slim fit Neckline: Square Neck Sleeve Length: Sleeveless Sweet design: This vest features a square neckline and embroidered fabric with bows on both sides of the shoulders, giving it a sweet and feminine touch. Slim fit: The slim fit design of this vest is perfect for those who want to show off their figure and create a flattering silhouette. Polyester fabric: Made from high-quality polyester fabric, this vest is durable and easy to care for, making it a great addition to your wardrobe. Back strap decoration: The bows on both sides of the shoulders add a unique touch to the back straps of this vest, making it stand out from other basic tank tops. Versatile: This vest can be dressed up or down, making it a versatile piece that can be worn for a variety of occasions, from casual outings to special events.
100 % Premium Cotton Fabric * Gorgeous nature floral on cotton fabric * Great fabric choice for nature lovers * This fun fabric is perfect for small craft projects like: quilting, cushion cover, handkerchiefs, bandana, skirts or baby clothing * This is a local sourced fabric, only limited quantity is available * All fabrics are in brand new condition from a smoke & pet free home. 🌻 Available Cuts: 1/2 meter, 1 meter etc (If you order multiple quantity, it will be in one piece). 🌸 Dimensions: The whole fabric size about 150cm wide. 🌹 Care instructions: Can be washed in machine (30 degree/86F) without squeezing or gently hand washing (recommended). 🌼 Our fabrics are seasonal and only available in a very small amount of quantity. We are truely grateful our love for Australian native fabrics will be part of your project, and looking forward to share these wonderful journeys together. 💐 We are offering FREE SHIPPING worldwide. All orders will be shipped with online tracking. We are also offering full refund, if you are not happy with any of our product. ❤️ Visit our shop for more gorgeous fabrics : 🥰 Please feel free to contact us for any questions. Thank you for visiting our shop :)
These little inchies are great fun to work on and great for getting creative inspiration for other work. I have been tempted to do some for a while but it took signing up for a swap before I actually got around to doing some. For my first swap partner I made inchies with a blue theme in mind............... (click in the pictures for a closer look) For my second swap partner I made inchies with a black theme in mind..................... With this swap I have 2 partners each gets 12 inchies. So I made 16 of each colour theme and below are the 8 inchies I have decided to keep for myself. I figured I would soon build up a nice personal collection which I will probably frame. It will be nice to build up a collection in a variety of colours. In return for the ones I send I will hopefully receive 2 sets of 12 back, and hopefully again these will be in my colour preferences so if I build up a collection of these they should also make a nice collection to frame. So I have been thinking and wondered if anyone would like to swap 12 inchies with me, I would prefer fabric inchies, embroidered & embellished in your style. So if you are interested please leave a comment or email me privately.
Rust Dyeing
Iranian artist Maryam Ashkanian embroiders individuals deep in sleep onto the surface of her handmade pillows, matching the size of her subjects to the area one would physically occupy if they took a nap on her work. The stitched sleepers lay sprawled in different configurations on the white background, some with their arms outstretched, whiles others hold them tucked into their bodies. These sculptures are a way to access the wide subject matter of dreams, a place where Ashkanian feels we can observe ourselves in one of the purest forms. More
Pillows, blankets, curtains, placemats, and other sewing projects for your home.
Vous l'attendez, et... fidèle au rendez-vous du dimanche, elle est là : Quand j'ai vu cette minuscule troussette ici : http://kerouezee.over-blog.com/article-petit-etui-43032554.html , j'ai littéralement craqué. Mais je me suis dit que ce serait sympa...
This week we are creating a slow stitching panel, taking time to enjoy the process and decide just what this beautiful piece might become...
Sunday morning I played around with new stones thinking they were going to be grey but perhaps because it is the bleak mid-winter the stones turned a warmer colour. This piece is inspired by Mark's paintings of stones disappearing under water. He is brilliant at that. For both of us scenes like this bring up whisperings of summers spent on beautiful Georgean Bay. For those of you in Toronto don't forget The Artist Project at the Better Living Centre February 21-14, 2019 Mark Berens will be at Booth 506. Strips of plant dyed fabrics soon to become rocks. By Sunday evening I was happily couching away. I have based the background onto an old blanket and it is like stitching butter. The one thing about this kind of stitching is it allows for mind wandering and as I stitched these delicious rusts and browns my mind whispered memories of my beautiful Rusty Pups They are dearly missed As are their antics and adventures. And then as I prepared this post A photo demanded to be noticed So much like my new stones. I have a teacher who always says the piece you start next should always be informed by the last piece you did. Perhaps this means my next piece will have to be seaweed in the colours of my Georgean Bay stones. But I already have soooo many new beginnings just started! But my mind is flowing with ideas on how to go about a seaweed piece. It is so easy to have many ideas isn't it The days just aren't long enough for their execution! I hope you have a day rich in creative ideas.
What do you suggest to mend ribbed cuffs on hoodies? I have plenty of hoodies and unfortunately there are holes on my cuffs. I have no idea how it happened either. Honestly? Whenever that happens to…
Explore backwoods creations' 415 photos on Flickr!
This is beautiful super mini bunting, is made with vintage french fabric, fine linen and old blue embroidered fabric. Each pennant measures just 3.5cm and the bunting is just under 1 metre long. The perfect addition to anywhere you fancy.
Watch how flowers can come to life through threads in exquisite embroideries.
Fabric that is stretchy can be a challenge to work with. Here's some helpful tips and tricks for how to embroider on stretchy fabric.
Have you ever tried to embroider on a t-shirt, but found that it’s a bit more tricky than you had expected? Learning how to embroider on stretchy fabric can be a challenge, so I’ve...
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Well... mine has grown quite a lot over the past four weeks... I started with "sewing" a row of beautiful bright summer daisies :) ...and it just kind of grew... ...so how does my garden grow? It grows a little every day, and now there are more than enough flowers for one garden. There will be two:) Today I am at home, working in the "garden":) I visited a friend this week, who has created the most beautiful garden, over the past couple of years, and the simple joy of walking around her garden, chatting about the plants and flowers, was all the more special when you don't have one of your own. My mother, too, has a heavenly garden. No matter what time of the year it always looks so beautiful, even in the dead of winter. For me, gardens have the most amazing ability to change the way you might be feeling, always for the better. This was one of my favourite gardens I visited last year in the tiny French village of Hautpoul. A beautifully recreated medieval garden... So when I stitch my flowers, it feels a little like I'm gardening, until I can do it again for real. Today I've been setting the flowers into their garden "beds", stitching the occasional new one to fill a gap... and so my garden grows:) Thank you so much for the lovely comments left on my last post. So very kind, and I'm happy that my wee flowers make you smile :) Back to my "gardening" now :) See you Jenny xx
We're loving the strong embroidery and stitching trend right now, and I'm even more excited to try out my new punch needles I got online recently. There's so much beautiful inspiration around too, and
This embroidered flower pillow is a lovely way to add some vintage charm to any space and best of all, it was simple and inexpensive to make! I’m not sure if it’s the cozy, nostalgic feeling it brings about when I curl up on the sofa with a hoop and needle on my lap, or…
