This listing is for digital files only. Here my new Beginner's Punch needle Guide. It includes basic rules, supplies list, 15 types of stitches (with videos) and two printable patterns (bouquet and butterfly pattern for pillow). This beautiful patterns can be punched by pros or beginners. This guide is in English and includes: • A PDF file with description of punchneedle technique, basic rules and popular mistakes, 15 types punchneedle stitches (with videos) and 2 patterns for your homework • 30 pages of instructions, recommendations, step-by-step videos, tips & tricks for how to punch With the help of this guide you can make a wonderful decor for yourself or as a gift, and diversify your works. I will tell you: * how to choose punch needle, cloth, frame and threads * how to trace the pattern * how to thread a needle * basic rules in punch needle * how to embroider: - ordinary basic stitches - parallel stitches - chaotic stitches - basic and clipped loops - long parallel stitches - long parallel stitches and fringe - leaf decor - round flowers decor - flower buds decor - small flower shoots decor - lush flowers decor - wheat ear decor - chamomile decor A quick reminder!!! This listing is for digital files only.
Are you ready to dive into the colorful and creative world of punch needle embroidery? Whether you’re a seasoned crafter looking for your next project or a newbie eager to pick up a new hobby, you’re in for a treat! Today, I’m thrilled to share with you a handpicked compilation of punch needle kits that […]
This morning, I thought it would be nice to slow down a bit and just look at some beautiful pieces of embroidery. To that end, I’m going to share with you some needle painting embroidery projects worked by Margaret Cobleigh. Margaret’s the gal who will be teaching needle painting class here on Needle ‘n Thread ...
Thread painting with all the colors of the wind…
From the cross to split stitch, Needle Embroidery Painting Ideas For Beginners can include a huge range of designs So, what are you waiting for?
Embroidery Picture Columcille Megalith Park, Realistic Style, Hand Embroidery Art I embroider in my unique style, mixing different types of stitches. I use different types of threads and the finest needles. As a result, I get a realistic effect in my embroidery. As a basis, I used a high-quality strong canvas for artists and threads. This picture is protected by a custom wooden frame with the museum glass. The frame is ready to hang. - Avoid direct sunlight on the picture. - Please, remember the color settings on your monitor or phone may differ slightly from the real color of the pictures. - If you have any questions you can text me at any time. Thank you for your attention to my pictures! Ekaterina
The design for this piece was commissioned by one of my students, Angela Webb. She attended my raised embroidery course at the RSN, where she was inspired to create a large panel in the style of the fabulous designs of the C17th. I designed the piece based on her ideas, which she subsequently worked under[...]
If you want your hand embroidery experience to be as relaxing and enjoyable as possible, then using the right needle is key! Choosing a needle that’s appropriate for your thread, fabric and project will save you tangles, pricked fingers, and the frustration of fighting with your thread. Learn what t
For a long time I had my many needles jammed in a bin with a lot of other little embroidery odds and ends, and I really wanted a more convenient (and cute!) way to store them. So I set out to create a needle book, and a tutorial to go along with it!
The original source for this Embroidery Project is unknown but we can’t let that stop us from sharing with you. It’s amazing! I love the simplicity of the sampler, literally a sampler o…
Continuing from where we left last time, let's take a look at the “non-conventional” placement of colors at needlepainting. A quick recap for those who missed the previous part of the needlepainting tips: The majority of lessons and tutorials for long and short stitching (including the lesson on this blog) show the traditional way of shading, which goes from top to the bottom in horizontal rows of colors. However, when you come to the actual needlepainting you might find out that the directions of stitches, the placement of colors can vary A LOT from project to project. The most confusing part in such cases, is usually the order of work: where to start from, is it better to go row by row switching colors or finish each color area separately, etc. It may not seem that complicated when you look at the project but as soon as you start, the questions keep arising. So, in July we discussed diagonal shading and the order of working it. Now, I have to remind that what was demonstrated is only my way of working such patterns of shading. I actually saw a different approach in a book once (similar to the traditional one, just changing the colors couple of time in one row) so be aware that there are other methods and ways and maybe you will even develop your own preferred way of working it! This time, let's take a look at shading in patches. If it sounds weird, I'm sorry, but that's the only term that comes to my mind when I think about it, haha. What I mean by patches are spots of colors placed randomly in a shape that is supposed to be long and short stitched. For example, look at Euphoria piece. The flower there is shaded exactly in patches. The borders are not that clear because the colors are close in temperature although having different hues. There are yellowish, pinkish and coral colors placed as spots randomly and only the lightest color on the edge of the petals and the brightest coral close to the center of the petal, only these two have the same placement from petal to petal. It was really fun to work it, merging few hues together which made the “base” color of the flower not clear. Is it yellow or light pink? There is no real answer because both colors are present there equally. Now that you have an idea about what shading in patches is, exactly, here are two examples with step by step pictures. First of all, pause, look at the placement of spots and think: how would you work it? In what order would you shade this petal? From the left? From the right? What next? Make a simulation of working the petal in your mind. Done? Now, this is how I worked it. 1-3. Theoretically, I could start it from the right as well, it wouldn't make much difference. 4. We had to work the two top patches first because this one is attached to both of them. That's why we couldn't work the left corner and then this one consecutively. 5. This one is attached to both patches of colors above again. 6. The last one, I guess, is quite self-explanatory? For these examples, I took thread of similar colors, but the hues are a little different. My goal was not to perform a good shading, like from lighter to darker colors, or have some realism. My goal was to work the patches and make them evident for you when you look so that you can tell the colors and patches apart in a finished petal. Here is a look at the petal under natural lighting. The colors merge better here, but you can still the patches here, right? This example is veeery close to how I worked Euphoria :) Now let's take a look at the second example, slightly more complicated. Look at the placement of patches and think how you would work this petal, what would be your order of work? When you are ready, look at my process of working it: 1-3. the first two patches are quite clear 4-5. Now, why did I work the one on the right and not the one no the left? Because the left one goes a little under the right one, so it is attached to it. That's why the right one has to be worked first. 6-7. And the last ones are our good old horizontal rows for traditional long and short stitching. Here's how the petal looks under the natural lighting. Did you guess the order of work correctly? Would you do it differently? I think these kinds of exercises are golden for long and short stitch practicing and they will prepare you for working serious needlepainting pieces, like Magnolia bu Trish Burr that we worked together recently. So, next time you have spare time, draw a couple of petals with random spots inside and try to figure out how to work them, it will be fun!
Carefully handcrafted embroidery needle paint 4" wooden hoop
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This comprehensive post about painting with thread will teach you everything you need to know to make more realistic embroidery art...
Embroidery as a craft has flourished everywhere across the world. Whether it’s stunning artwork or cheeky cross-stitch on clothing and home goods, it’s always been an important part of our material culture. However, today, some people think of needlework as a dying art that is unsuited for our hectic lives. Well, this is not entirely true and there’s an online community that proves it.
Paulina Bartnik è un'artista polacca che crea spille a forma di uccelli e animali con la tecnica "needle painting" che più che ricamati sembrano dipinte.
Just look at these wonderful works!
Fantasy Remembered by Dawn Pollard
As is always the way, the final leg of the stumpwork garden only took about half an hour. First I finished the last of the kale/chard slubby silk picots. I was a little uncertain about them to star…
These astounding needlework pieces are by self-taught embroiderer Trish Burr from Cape Town. She has written several books on the technique, contributed widely to magazines and teaches throughout South Africa and overseas. Trish lives in Cape town, South Africa with her husband and three children. Trish willingly shares her knowledge with fellow embroiderers, and in her own words she says, “We need to keep hand embroidery alive - if we hug our ideas to ourselves, they will become lost and worthless in the future. If I give you a gift, I no longer have it, you do. However, if I give you an idea then we both have it, and if you share this idea with others then we have expanded on it and can watch it grow.” Little Bee Eaters Australian Sacred Kingfisher Green Bee Eater Hornbill Lilac Breasted Roller Chinese Flower And Bird
Continuing from where we left last time, let's take a look at the “non-conventional” placement of colors at needlepainting. A quick recap for those who missed the previous part of the needlepainting tips: The majority of lessons and tutorials for long and short stitching (including the lesson on this blog) show the traditional way of shading, which goes from top to the bottom in horizontal rows of colors. However, when you come to the actual needlepainting you might find out that the directions of stitches, the placement of colors can vary A LOT from project to project. The most confusing part in such cases, is usually the order of work: where to start from, is it better to go row by row switching colors or finish each color area separately, etc. It may not seem that complicated when you look at the project but as soon as you start, the questions keep arising. So, in July we discussed diagonal shading and the order of working it. Now, I have to remind that what was demonstrated is only my way of working such patterns of shading. I actually saw a different approach in a book once (similar to the traditional one, just changing the colors couple of time in one row) so be aware that there are other methods and ways and maybe you will even develop your own preferred way of working it! This time, let's take a look at shading in patches. If it sounds weird, I'm sorry, but that's the only term that comes to my mind when I think about it, haha. What I mean by patches are spots of colors placed randomly in a shape that is supposed to be long and short stitched. For example, look at Euphoria piece. The flower there is shaded exactly in patches. The borders are not that clear because the colors are close in temperature although having different hues. There are yellowish, pinkish and coral colors placed as spots randomly and only the lightest color on the edge of the petals and the brightest coral close to the center of the petal, only these two have the same placement from petal to petal. It was really fun to work it, merging few hues together which made the “base” color of the flower not clear. Is it yellow or light pink? There is no real answer because both colors are present there equally. Now that you have an idea about what shading in patches is, exactly, here are two examples with step by step pictures. First of all, pause, look at the placement of spots and think: how would you work it? In what order would you shade this petal? From the left? From the right? What next? Make a simulation of working the petal in your mind. Done? Now, this is how I worked it. 1-3. Theoretically, I could start it from the right as well, it wouldn't make much difference. 4. We had to work the two top patches first because this one is attached to both of them. That's why we couldn't work the left corner and then this one consecutively. 5. This one is attached to both patches of colors above again. 6. The last one, I guess, is quite self-explanatory? For these examples, I took thread of similar colors, but the hues are a little different. My goal was not to perform a good shading, like from lighter to darker colors, or have some realism. My goal was to work the patches and make them evident for you when you look so that you can tell the colors and patches apart in a finished petal. Here is a look at the petal under natural lighting. The colors merge better here, but you can still the patches here, right? This example is veeery close to how I worked Euphoria :) Now let's take a look at the second example, slightly more complicated. Look at the placement of patches and think how you would work this petal, what would be your order of work? When you are ready, look at my process of working it: 1-3. the first two patches are quite clear 4-5. Now, why did I work the one on the right and not the one no the left? Because the left one goes a little under the right one, so it is attached to it. That's why the right one has to be worked first. 6-7. And the last ones are our good old horizontal rows for traditional long and short stitching. Here's how the petal looks under the natural lighting. Did you guess the order of work correctly? Would you do it differently? I think these kinds of exercises are golden for long and short stitch practicing and they will prepare you for working serious needlepainting pieces, like Magnolia bu Trish Burr that we worked together recently. So, next time you have spare time, draw a couple of petals with random spots inside and try to figure out how to work them, it will be fun!
Инструкция и проиллюстрированный мастер класс, как вышивать простой, тоновой и гладью с настилом. Разные красивые цветы в простой технике.
Watch how flowers can come to life through threads in exquisite embroideries.
