Na mais recente edição da feira, referências naturais norteiam a criação de boa parte dos designers

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VITA is a tribute to the light, water, sun, greenery, colours, scents and flavours of the ‘cradle of civilisation’: the Mediterranean Sea. Ceramica Sant’Agostino thought that the best way was to create perfect majolica tiles in porcelain, paying tribute to art and tradition with unique ceramic invention and technology. Rendering such vivid colours on a shiny porcelain surface was a particularly engaging challenge met by our lab.

Saiba tudo sobre estampas étnicas, aprenda como utilizá-las para decorar ambientes e deixá-los ainda mais bonitos!

Angela Mckay is a surface pattern designer and illustrator based in Brooklyn, New York. Originally hailing from the sunny shores of Australia and the humid tropics of Thailand, she brings her unique illustrations together to create a fun and diverse range for Ohkii Studio . Angela draws

O diretor de arte português Rui Pinho decidiu inserir olhos de personagens animados em fotos de celebridades do mundo real. Confira o resultado!

Não sei se vocês vão usar como fundo de tela pro computador, para o celular, para o blog de vocês, em seus tumblrs quem sabe, mas seja que for, a questão é que eu tive – como uma obrigação que eu colo

Have a look at this diverse selection of playful prints created by French illustrator Quentin Monge. Much time has passed since our first feature of

Laura Berger criou um mundo só seu, ilustrado com seres fabulosos. Através de seus desenhos, Laura explora nossa conexão com o universo e com os outros.

Olykor-olykor nagy gondot jelenthet egy-egy üres fal a lakásban, vagy az, hogy éppen mit is kéne kitennünk rá, hogy ne legyen olyan unalmas. Ehhez persze

For years, Kelly Wilkinson's name was familiar to listeners of KQED, the local NPR...

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In the world of textiles, creating your own patterns with unique designs might be the secret ingredient to success. Isabela de Oliveira is a professional print designer for the brand FARM and specializes in transforming fabrics into spectacular showcases of Brazlilian culture. She draws inspiration from nature, the visual arts, and everyday objects, achieving powerful images with a wide social reach. In this course, learn how to compose a versatile illustration for a textile piece. Isabela guides you through the process step by step, from conceptualizing your ideas and creating some initial sketches and rapports in Adobe Photoshop, to preparing the definitive file for sending and printing.

El protagonista real de "La gran ola de Kanagawa" es el monte Fuji, al que se le reserva el lugar central de la acción ―aunque a nuestros ojos occidentales

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Copyright © 2008.Rita Barreto. All rights reserved. REPRODUÇÃO PROIBIDA - ® Todos os direitos reservados. www.ritabarreto.com

"El Barquero" print This is a Glicée print, printed with pigment inks on acid free, warm white, very light textured 200g fine art paper. This print is available in three optional sizes: --Small Print: The print measures 8.3” x 11.7” (21 x 29.7 cm/A4) including a white border for framing. The white border measures 0.6 inches (1.6 cm) --Medium Print: The print measures 13" x 19" (32.9 x 48.3 cm/A3+) including a white border for framing. The white border measures 1" (2.5 cm) --Large Print: The print measures 16.5" x 23.4" (42 x 59.4 cm /A2) including a white border for framing. The white border measures 1.3" (3.3 cm) Each print is signed The small print is shipped in a sleeve in a fiberboard mailer with an extra cardboard inside. The medium and large prints are shipped in a tube. If small prints are purchased along medium or large ones, they will be shipped together in a tube. Please note that colours may vary slightly due to monitor settings. Also, the margin-to-print ratio may vary slightly from depicted, depending on print size. Shipping Cost: To Spain: 6 $ To Europe: 8 $ To the rest of the world: 12 $ Shipping upgrades available

Gouache Painting of Sea Shells designed by Elena Comte. Connect with them on Dribbble; the global community for designers and creative professionals.

Printing with leaves, flowers, and other found objects allows you to create decorative patterns and works of art that capture the beauty of nature. Photo © Adam Mastoon. You can make beautiful stat…

A famosa carpa Koi, símbolo de força, resistência e sucesso na cultura japonesa, serviu de inspiração para este papel de parede TNT extraordinário. Os peixes elegantes são representados com perspectiva vista de cima enquanto estão nadando naturalmente, dando a sensação que estamos olhando para uma lagoa. O brilho dourado da estampa sobre um fundo antracite torna este papel de parede sofisticado - é a opção ideal para uma decoração única no popular estilo asiático.

A cor vibrante em um primeiro momento nos dá a sensação de alegria, porém, após analisarmos as situações em que se encontram personagens de cinema. Provocadora e irônica, a arte de Dave MacDowell nos faz refletir sobre valores e tradições culturais. A estranheza complementa as ilustrações de MacDowell. Entre os destaques estão Gollum, do “Senhor dos Anéis”, segurando uma bandeja da rede Burger King e o café da manhã super calórico com os personagens do filme “Clube da Luta” . Clique e veja.

Walt Disney Studios is an integral part of most people's childhoods, creating memorable characters that have stuck with us for many generations. Disney's style

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About 'Chittering and Chattering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. There is also a separate edition available ( 10 each) of small, 11 5/8 Inches x 11 5/8 Inches, linoleum block prints which are in fact the 6 detail squares of 'Chittering and Chattering,' each printed in yet a different shade of blue. Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are all unframed. Lisa Houck is a highly established Boston artist with a large following devoted to her exceptional paintings, watercolors, mosaics, prints and public art projects. At times reminiscent of Folk and Aborigine art as well as Matisse, inspired as well by James Audubon and Hokusai, Houck is as known for her gorgeous and elegant color as a sensibility both playful and quite serious that is uniquely her own. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. PUBLICATIONS: Providence Journal, “Artists Put a Modern Face on Mosaics”, by Bill Van Siclen, May 2010 Ceramics Monthly, “Up Front,” volume 56, January 2008 Harvard Review 32, Spring 2007 Boston Athenaeum, Annual Report, 2006 Making and Decorating Stylish Screens: Cover Art, by Katherine Duncan Aimone, Lark Books, 2003. Cambridge Center for Adult Education: Catalog Cover, Spring, 2000. Paper Art: “Working From Pulp,” by Michael G. LaFosse, Quarry Books, 1998. Arts Media: “Lasting Impressions: Looking at the Land,” Mary Behrens, June, 1997. Boston Globe: “Perspectives,” Christine Temin, April 9, 1997. American Craft: “Commissions,” August/September, 1996. Art Plan: “Cambridge’s Multi-Purpose Senior Center,” Cambridge Arts Council, 1996. Boston Phoenix: “The Weekend,” November 2, 1990. Art New England: “Lisa Houck: A Long Walk to View Some Petroglyphs,” Meredith Fife Day, July/August 1989. Boston Sunday Globe: “A Happy Case of Life Imitating Art,” Anthony Tommasini, January 8, 1989. Boston Globe, Calendar: “Exhibits: Other Dimensions,”: Critic’s Tip, Christine Temin, April 21, 1988. Boston Globe, Calendar: “Exhibits: Views From the West,” Critic’s Tip, Christine Temin, October 22, 1987. Art New England: “Lisa Houck, Kendall Square Station,” Abstracts, Thomas Frick, October 1987. Boston Globe, Calendar: “Exhibits: Bright Universe,” Critic’ Tip, Robert Taylor, June 18, 1987. Boston Globe: “Perspectives,” Christine Temin, November 27, 1986. Boston Globe, Calendar: “Exhibits: Cosmic Happenings,” Critic’s Tip, Robert Taylor, May 8, 1986. bright blue/green print of a swooping bird on Somerset Velvet Antique paper (off white), one of a series of 4 bird prints by Lisa Houck sold individually or as a set of 2, 3, or 4. Each measures 36 x 24 inches, each blue varies slightly from print to print. The others in the series are more intense in color.

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