About The Artwork 'From Idea to Form' encapsulates the journey of an idea from its inception to its tangible realization. This piece serves as a metaphor for the creative process, illustrating the transformation that ideas undergo before manifesting into physical form. The delicate dance of butterflies around the hat symbolizes metamorphosis, reflecting the evolution of thoughts. The interplay between the hat and the butterflies represents the dynamic exchange between the mind’s inner workings and the external expression of creativity. Through this artwork Mia Mai invites viewers to delve into the depths of their own imagination, encouraging a reflection on the process through which ephemeral ideas are sculpted into reality. It offers a nuanced exploration of the relationship between thought and expression, highlighting the transformative power of creativity. To explore the significance of ‘The Hat with Thoughts’ series more deeply, you are welcome to visit the ‘Portfolio’ section on www.miamai.it A digital artwork, originally AI-generated by Mia Mai, (a partnership between an Italian multidisciplinary artist and Artificial Intelligence). This fine art print (30x30cm) on premium 310gr paper is exclusively stamped with Mia Mai's initials. Each limited edition piece is accompanied by a certificate of authenticity and a quality guarantee. To preserve the meaning and the artist’s inspiration, the artwork is accompanied by its description, printed on parchment and signed. Please note, the artwork is printed on A3+ size to ensure a pristine white border, allowing for seamless adaptation to your desired passepartout and frame. Original Created:2024 Subjects:Fantasy Materials:Paper Styles:ContemporaryConceptualArtificial IntelligenceDigital ArtMinimalism Mediums:DigitalArtificial IntelligenceMoving Images Details & Dimensions Digital:Digital on Paper Artist Produced Limited Edition of:6 Size:11.8 W x 11.8 H x 0.1 D in Frame:Not Framed Ready to Hang:No Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:Italy. Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks. Have additional questions? Please visit our help section or contact us.
75 tips on how contemplation can uplevel your creative practice. By integrating these insights and practices into your artistic journey, you can navigate the complexities of creativity with a renewed sense of purpose, resilience, and connection to your authentic self.
Since their inception in 2019, Brijean has navigated the music scene with creative flair, blending elements of psych-pop and dancefloor beats. Their music explo
Top 50 Most Beautiful TV Series Actresses includes American, Canadian, British, Irish and Australian actresses, starring in the famous TV series .
About time. Autistic children have suffered long enough from these "interventions."
Effectpedaal voor elektrische gitaar Digitale Stereo-Delay 12 veelzijdige Delay-programma's Stereo Sound in 32 Bit / 96 kHz Studiokwaliteit Real time control plus 4 geheugenplaatsen (128 via MIDI) Ingebouwde Phrase-Looper met 60 seconden opnametijd Led-display Controls: Time, Feedback, E.Level, Delay Typ, Param, Tone, Mod Depth Tap Division Memory 2 footswitch 2x 6,3 mm jack ingangen (A / Mono B), 2x 6,3 mm jack uitgangen (A / Mono B), 6,3 mm jack ingang voor externe schakelaars of Expression-Pedal, MIDI, USB Voeding met drie AA-batterijen of 9 V DC-voedingseenheid (niet inbegrepen - geschikte voedingseenheid: Art. 409939) Energieverbruik: 225 mA Afmetingen (B x D x H): 101 x 138 x 63 mm Gewicht: 610 g 30 30 dagen Money-back garantie 3 Drie jaar Thomann garantie Leverbaar sinds Augustus 2019 artikelnummer 468034 verkoopseenheid 1 stuk Analogico No tap feature Yes Battery Operation Yes PSU included No
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Young people who fail to develop language as expected face significant challenges in all aspects of life. Unfortunately, language disorders are common, either as a distinct condition (e.g., Developmental Language Disorder) or as a part of another neurodevelopmental ...
external-links is a simple jQuery plugin that uses regular expression to identify External Links of your page and adds an CSS class to each link.
LangChain is an AI-first framework designed to enable developers to create context-aware reasoning applications by linking powerful Large Language Models with external data sources. We just published a course on the freeCodeCamp.org YouTube channel that will teach you all about LangChain. The course will equip you with the cutting-edge skills needed to build a highly knowledgeable chatbot using LangChain Expression Language. Tom Chant is a popular instructor at Scrimba. In this course, Tom wi
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Stoicism is a philosophical school of thought that originated in ancient Greece and has had a profound influence on emotional expression. Stoics believe in the importance of self-control, rationality, and the ability to detach oneself from external circumstances. This philosophy places a strong emphasis on managing one's emotions and not allowing them to dictate one's
*This work has a small modification that can be seen in the pictures Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
The convolution associated with memory is being resolved with advancement in neuroscience. According to the concurrent assumptions, synaptic plasticity forms one of the basis of memory formation, stabilization and strengthening. In Alzheimer's disease ...
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
The challenge for me is, with my creations, to establish a contact, a presence in the moment. My sculptures must impose themselves on the eye, to put on a show. Having thus imposed their presence, the bet is won when the audience feels the humor, love or/and well-being that the characters exhale and inspire. I like to translate his moods which I try to externalize by the expression of the face, the body and above all, by the movement. I like to capture a moment of movement, a body in action. Characteristics of techniques used since 2016: I chose paper as my main material. First I make an iron frame, then a first paper "dressing" soaked in cellulosic glue. It is at this point that I begin to look for the expression of the body and the role that it will play in the scene. I let each character be born as I continue to put layers of paper.
This study, called for by autistic people and led by an autistic researcher, is the first to explore ‘autistic inertia,’ a widespread and often debilitating difficulty acting on their intentions. Previous research has considered initiation ...
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
Being an introverted, shy person, painting for me is a form of expression of emotional, affective, mental content, a form of personal expression. I have always been fascinated by the show, be it external like the theater or internal like for example the Japanese tea ceremony which incorporates both external, theatrical, contemplative and internal ritual gestures (a reflection on the meaning and content of the world). Thus I took more or less random fragments from the spectacle of life which sometimes takes the form of random arrangements of things that can be found in a corner of the workshop, on the kitchen table, in a trash can, in an old wall etc. from a theater performance or an absurd scene that can be encountered in real life These random details of reality, I oversize and speculate, turning them into plastic gestures (a pendulum between abstract gesturalism and expressionism). I can say that this license has the role of a psychoanalyst with the help of which the personal impotence of expression is alchemized, in which my internal content, my emotional baggage is transmuted and sublimated into forms, concrete external objectives. The painting is my spokesperson and the voice of my weaknesses.
