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Natural fiber handmade linen fabric sample making and design in my home linen clothing and kitchen clothing Introducing our Linen Sample Fabric – a tactile and visual delight that encapsulates the essence of timeless sophistication and natural charm. Crafted from the finest flax fibers, this fabric exemplifies the superior quality and attention to detail that define our textile collection.
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This vibrant coral colored palm printed swimsuit effortlessly combines tropical charm with modern style, creating a playful and eye-catching beachwear piece. With a simple, classic silhouette, this one-piece knows exactly how to flatter the figure. A scooped neckline reveals just the right amount of skin to keep the lo
Upcycled Silk curtains and blinds. Made from recycled silk and available in a range of beautiful colours, this is the perfect eco fabric for a modern home.
This is a luxury jacquard fabric with a beautiful gold embroidered floral embossed design. It is designed specifically for making dress, curtains, upholstery, or any other high-end textile project. Width:55inches/140cm The listing is for 1 yard, for more quantity, we will send you an uncut piece. If purchase more, please feel free to contact us for a wholesale price❤ Disclaimer of Photos: The photo may differ from the actual product due to reproduction limitations of the photograph and limitations of viewing photos at different resolutions, hue, brightness, contrast, and other screen variations. Due to these limitations, photos may not provide a perfect match to the actual product received. Please convo us if you have any questions. Enjoy shopping : )
создаёт cross stitch patterns, embroidery patterns, craft tutori
With the human body in motion as a starting point, I performed research into knitting with flexibility, elasticity, stretching, pulling, extending, bending, folding, distortion and tension as key elements. Just as the body’s muscles make up patterns of lines, threads play with color and motifs. The research was executed both manually and industrially. What are the differences between hand and machine? And how can we manipulate an industrial process to reach the desired aims? The result is a collection of fabrics that cover, wrap and protect the body and becoming a source of comfort.
SKU: 8917Content: 100% PolyesterColor: Off-WhiteWidth: 46 inches
These stays are certainly the most complex cording project I've done, so I wanted to share how I've been going about it! First off, I'm using a totally different cording method than the ones shown in my Making a Corded Petticoat post. In both methods shown in that tutorial, the cord was put in place first and its channel was sewn around it. Those methods work just fine for a corded petticoat, but won't work very well for these stays. Instead, I'm sewing channels into the fabric first, then inserting the cording afterwards. As a reminder, this is the pattern I'm working with: Fabric Prep Since the criss-cross cording is the most difficult part of these stays, that's what we'll focus on. Each of the squares that make up the criss-cross pattern are only 0.25" wide, so they're very small and difficult to sew accurately. The space between each square forms the channel that the cord threads through. I'm using a green shot cotton as the pretty outer fashion layer of the stays, with two layers of thin but tightly woven white cotton as the strength layers. My stitches will go through all three layers of fabric, but the cording will be run between the two white layers of cotton. The first challenge was figuring out how to mark the stitching guidelines on the fabric. I could have made all the markings on the back of each piece, but I find that the top side of my stitching often looks a bit more precise than the back, so I needed a way to mark the green fabric so that I could stitch accurately, but not have the markings visible later. Squares marked with water soluble pen, with a penny for scale. At first I tried using a water soluble fabric marker that had a relatively fine tip. It showed up very well on the fabric, but since it is a marker and the fabric wicked the ink out a bit, the line it left was fairly thick. The thicker line made it very hard to see where exactly to stitch. Some of my test squares were more parallelogram than square, and the width of the squares varied between 5/16" and 3/16" wide. It may seem like I'm being overly picky, but that is a difference of 1/8", which means I was off in some areas by the width of half of a square! When working at such a small scale, even a little bit of deviation becomes extremely obvious. Wibbly wobbly stitching due to wide fabric marker guidelines. I considered using a fine mechanical pencil to draw more precise, accurate lines, but there were two potential issues. One, I was worried it wouldn't wash off well, leaving me with pencil lines all over my stays. Two, it's actually pretty hard to draw an accurate line on this fabric with a mechanical pencil, as the pressure of the lead warps and distorts the fabric as you're trying to draw. Can't draw a straight line b/c the pressure of the lead warps the fabric. Luckily, I was able to solve both issues at once with my favorite secret weapon: Mah super-sekrit weapon. Shh, don't tell! Starch has saved my butt on many a sewing project. Here, it serves two purposes. First, it stiffens the fabric so that it is almost paper-like, so now I can easily draw on it using the mechanical pencil without the fabric distorting. Now I can get perfectly straight, thin, highly accurate stitching lines! With starched fabric, no distortion! Comparison of marker lines vs mechanical pencil lines. Second, thanks to Lifeofglamour's various experiments with tinting starch for use on ruffs, I know that very often, pigments and dirt that are mixed in with or sitting on top of starch wash out without staining the fabric. When I tested this theory on my fabric, washing the starch out washed the pencil marks down the drain too! You can buy spray on starch or the liquid kind you dip your fabric into from the store, but thanks to Frolicking Frocks (dude, check out those petticoats!) I'm a convert to making my own out of cornstarch. My test stitching proves much more straight and accurate with the pencil guidelines, and after washing all evidence of the pencil lead is gone! Now that I've got that settled, the last step before stitching is to use a lightbox to trace my design onto the fabric. Stitching My original plan was to hand-stitch the stays, but I came to my senses after attempting a sample. I tried using my modern sewing machine, but it's very hard to stitch a line precisely 0.25" and stop in exactly the right place using the pedal control, so I pulled out the little Singer 99 hand crank machine I refurbished a few years ago instead. Remember this one? Isn't she pretty? With a hand crank, it's really easy to stop right at the exact number of stitches you want. A lot of fiddling and several tests later, I settled on a stitch length calibrated to precisely 1/16 of an inch, giving me squares that were 4 stitches wide on each side. Getting the correct stitch size is no mean feat on these old machines, since you set the length by screwing an unlabeled knob in or out as needed. That knob is the stitch length regulator. Notice the distinct lack of numbers or any useful markings of any sort? Now that I've got the length set, sewing each square is now as easy as starting the needle in the right place, sewing 4 stitches, sinking the needle on the 4th stitch, raising the presser foot, turning the fabric, putting the foot down again, sewing 4 more stitches, etc, all the way around the square. This leaves a bunch of thread tails all over the place. Of course I can't just trim them because the stitching would come out, so the loose threads are pulled to the back and tied off. Since I'm a bit paranoid about the knots coming undone, I put a dot of Fray-Check on each to prevent unraveling. Remember to test the Fray-Check on an inconspicuous spot first! My layers are thin, and on the first few knots I used too much and it soaked through to the front. Threads pulled to the back for tying. At first I was tying the threads after each square, but it's more efficient to sew several squares, then flip to the back and start pulling through/tying off. The problem with doing it that way is that those loose tails get in the way of stitching, and if you sew through the tail of a square a few rows down it's a mess to untangle. Luckily, I'm owned by two exceedingly furry felines, and thus have a clothing de-furring brush that doubles as a way to clear all my loose threads off to one side with a single swipe. Guess the fuzzbeasts are good for something. There's something like 200 tiny squares on just ONE front panel, plus more on each side panel, so you can see why this has been taking me a while! Cording After washing the starch out, drying, and pressing each piece, it's FINALLY time to stuff some cord in there. I'm using the same Sugar n' Cream cotton cord that I used in my corded petticoat. You'll want a cord of a width that fits fairly snugly in your channels, so choose accordingly, or stitch your channels to accommodate the cord you wish to use. I'm using a thick, blunt needle with a wide eye. Tapestry needles are perfect. The eye should be large enough that the cord just fits through it, but not so big that the needle won't fit through your channels with the now doubled cord in tow. I also have a pair needle nose pliers, because despite my best efforts, the eye of my needle still gets stuck in the fabric sometimes. When I made my last pair of corded stays, I broke the only good needle I had and swapped to one that was nearly the same, only sharp instead of blunt. It sorta worked, but the sharp tip kept shredding the fabric on both sides, and those scrapes later unraveled into larger holes, allowing the cord to poke out. I wouldn't have minded if they were all on the inside, but most of them were on the pretty outside! If all you can get is a sharp needle, grind the tip down. Holes in channels caused by sharp needle shredding fabric. Sadly, these are on the front, so they show when I wear it. On the backside of the stays, I poke the needle through just one layer of fabric right at the start of a channel. Since the needle is blunt, with some fabrics an awl is needed to start the hole. It takes a bit of practice to get the tip to go through just one layer of fabric, but practice makes perfect, right? Using an awl to start the hole. Threading the needle into the channel. Once inside, the needle is pushed down the length of the channel, dragging the cord behind it. It's tight, and I have to moosh (super technical term) and manipulate the fabric around the needle to move it along. Sometimes the pliers are necessary to pull the needle through the channel too. The eye is stuck at the entry to the channel, so I use pliers to help it along. At the opposite end, I poke the tip of the needle back out through the back fabric and pull it out, taking care to not pull all the cording out with it! The pliers are also super useful here, as the eye of the needle generally gets stuck on the way out. All the pushing and pulling on the needle is pretty rough on my fingers; using the pliers instead solves that problem. The downside is that I'm more likely to break a needle when pulling on it with the pliers. It's easier on my fingers to just use the pliers to pull the needle out. I don't trim the cord close to the fabric just yet; instead I cut it so there's about 1" still hanging out, then move on to the other channels. The places where the cords cross are a bit tricky to get through, but it's doable. Eventually I end up with a small forest of cord ends growing out of the back of the stays. Well that's a right mess. Once I've got a whole section done, I start trimming the stray tails. I cut the cord pretty close to the fabric, but not right flush with it. There are till some tiny tails hanging out. Trimmed close, with just a little bit hanging out. Then, without holding onto the cord, I tug on both ends of the channel, stretching the fabric slightly. Most of the tails pop back into their holes and disappear. A few are still sticking out a bit, but this is the inside of the garment, so I don't care overmuch. Gently stretching each channel. There are still holes at the start and end of each channel, but again, it's the inside, and they close up a little with time anyways. No more tails! Wow, that got lengthy! If any part of this tutorial isn't clear, let me know and I'll try to unmuddy it a bit. If you've got a cool cording project you're working on, show us in the comments! I've still got a few panels to go, so I'm off to the sewing table again for another late night.
Beige color and 10 more colors Gaberdine fabric used for making clothes , jackets , blazer , accessories and other items. Beautifully made to use for costumes, decorations, weddings and much more. Width : 60" inches Color : Beige Content : Poly Thank you for your coming! Please read policy before placing an order. Please contact us via ETSY Conversations for more details. Fabrics are sold by the yard. We will continue length of multiple yards . It will come in one piece of the multiple yards you will buy. All order will be shipped from New York, USA. It is recommended to leave a phone number for the right delivery. All orders will be shipped to Etsy address only. All sales are final. Fabrics once cut can not be returned. If the parcel returns unclaimed, we will send it again after we receive the shipping cost for resending. Please be reminded that real color may look different from the pictures because of the camera, light and monitor...,which should not be a reason for non-positive feedback.
FORMA SHIBORI Forma n°5 Forma n°6 Forma n°7
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Givenchy Haute Couture Printemps-Été 2019 - tendances mode, beauté, mannequins et inspirations
The Beatrice Top by Heirlome is a sunburst pleated bubble top in mid weight crepe fabric
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Are you looking for ideas on how to manipulate fabric? In this tutorial I introduce a whole bunch of different types of tucks for you to choose from.
This month's eye-catching item that makes us want to take a closer look.
No-fuss tips for adding this textured cinching detail to your clothes.
Fabric: 93% Mulberry silk 7% Spandex Color: Cream, Brown Care: Hand wash or dry clean A luxurious, soft, light-weight shirt. Made with silk. This shirt has a turn-down collar. This button down shirt has a straight silhouette and can be worn with jeans. Unlined. Model is 175cm/5'9" tall and wearing a size M.
The Dafi throw skilfully combines lightness and generosity with its graceful yet enveloping aura: this is due to its noble blend of cotton and linen, but also to its deliberately airy hand-weaving. This throw is generous thanks to its double weave and its embroidery, which is just as pretty on the front as on the back. The embroidery is inspired by the traditional Fez stitch, and adorns the overall canvas, where the graphic tandem of Snow and Charcoal is contrasted with a touch of Tobacco. Light fringes punctuate the overall effect. A must-have to spread here and there, on a corner of the sofa to invite the sun into your home, or for a sunset on the beach, to curl up in front of the last glowing rays.Dafi is made in India.
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Learn how to make pintucks with your sewing machine presser foot and a twin needle with our step-by-step tutorial.
Finally, pictures of the collection I’ve been working on for the past 8 months or so! (See here and here for the work in progress – especially the second picture in the first link). I…
Not only architecture impress us with their details and forms, but fashion means the same. For me it is all about details, fashionable aspects of our creative mind. Have a look on a little and simp…
