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Everything seems quieter when it rolls in, muffled as when it snows. I'm on my bike returning from a dinner. A boy there, one of my students actually, was worried at first about me biking in the fog, but when I told him I lived near the school he said, "Ok va bene, al meno non è dall'altra parte della città." As long as you're not on the other side of the city. But I didn't really realize just how dense it had become. The city emerges bit by bit, people, cars, buildings becoming distinct and then dissolving behind me as I pass. There's a strange smell too, humidifier damp muddled with a strange musk. F says that we in centro don't even understand fog like those who live in peripheria. There, he says, is the real fog. But tonight maybe I do. It's so thick I can't see down my own street, when I look up at a lamp I see the tendrils of mist moving through the weak light. And the people seem uglier, weirder. I see prostitutes for the first time on the corner of Viale Gioia, dancing from foot to foot to keep warm. A little man by Alcatraz is hiding behind one of the big show trucks because he is selling beer illegally, and when he sees me looking he says, "Vai a casa, vai a casa," and he keeps yelling it after me even as I pedal away. Go home go home. La nebbia a Milano, wintertime is here.
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taken on one of the foggiest nights I've seen in a long time, there was zero visibility at that altitude. Every skyscraper was literally buried in it, but a perfect opportunity to capture the light pirecing through the fog was too good to pass up.
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Yes that’s right, I finally visited Kynance Cove and… we couldn’t see anything. I mentioned in my Cornish Bucket List...Read More
A small town in Ireland had a thick and eerie fog sweep in on the evening of October 9, 1976. That's when the dead walk in Ireland.
Devon-based photographer Neil Burnell captures a mossy labyrinth of gnarled roots and twisted branches in a new series that manifests nature’s most fantastical qualities. Mystical exposes the otherworldly elements of Wistman’s Wood, an ancient oak woodland on Dartmoor, Devon, England, while it’s enveloped by a dense fog. The overgrown forest is thought to be the remnants of a similarly wooded area dating back to 7,000 B.C. Burnell tells Colossal that when he visited the spot as a kid, he was reminded of “the film set of Empire Strikes back in the forest of Dagobah.” The photographer has spent much of his career in graphic design, but after delving into photography more seriously, he returned to the forest to try to capture the mysticism in his cinematic style. More
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Peter Hulance
Feeling very “pictures that you can smell”
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taking a break from this blog for now. you can now catch me at my sideblog aoimei.
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Fighting through the forest fog, Nepal by Dmitry Kupratsevich
In the foreground, a man stands upon a rocky precipice with his back to the viewer. He is wrapped in a dark green overcoat, and grips a walking stick in his right hand. His hair caught in a wind, the wanderer gazes out on a landscape covered in a thick sea of fog. In the middle ground, several other ridges, perhaps not unlike the ones the wanderer himself stands upon, jut out from the mass. Through the wreaths of fog, forests of trees can be perceived atop these escarpments. In the far distance, faded mountains rise in the left, gently leveling off into lowland plains in the right. Beyond here, the pervading fog stretches out indefinitely, eventually commingling with the horizon and becoming indistinguishable from the cloud-filled sky. The painting is composed of various elements from the Elbe Sandstone Mountains in Saxony and Bohemia, sketched in the field but in accordance with his usual practice, rearranged by Friedrich himself in the studio for the painting. In the background to the right is the Zirkelstein. The mountain in the background to the left could be either the Rosenberg or the Kaltenberg. The group of rocks in front of it represent the Gamrig near Rathen. The rocks on which the traveler stands are a group on the Kaiserkrone. PRINT INFORMATION · NB: Our prints come Unframed ☺ · Paper Types ☺ o Fine Art paper is White (Ivory) Cotton Rag Acid Free and 300gsm o Canvas Matt paper is Polyester and 260gsm o Photo paper is glossy finish and is 200gsm · Customisations are possible – just shoot us a message ☺
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