Silvia Grav es una joven fotógrafa malagueña de 21 años que actualmente reside en Los Ángeles. Desde hace dos años la fotografía se convirtió en su profesión y hace unos meses fue seleccionada como uno de los 20 mejores fotógrafos menores de 20 por la red social Flickr. También ha trabajado para marcas como Lexus y su siguiente paso en comenzar con el mundo del vídeo y el cine, además de aprender música, a cocinar, hablar mejor y perder el […]
¿En qué instante descubrimos la fragilidad, la duda, la cara del espejo que nos desvela esa realidad de sombras y contradicciones después de la...
Where bikers used to look like bikers.Vintage outlaw bikers.In those days, 1% (one-percenters) outlaw bikers used to wear WWII nazi symbols like
À la fin des années 1960, Elaine Mayes est partie immortaliser les pionniers du rock et les adolescents énamourés qui ont occupé Haight-Ashbury, l'épicentre des contre-cultures en Californie. Une exposition propose de redécouvrir ces portraits...
Evelyn Nesbit c. 1901
Etta Drucille Guyse, known as Sheila Guyse, (July 14, 1925 – December 28, 2013) was a popular African-American singer, actress, and recording artist,
¿En qué instante descubrimos la fragilidad, la duda, la cara del espejo que nos desvela esa realidad de sombras y contradicciones después de la...
¿En qué instante descubrimos la fragilidad, la duda, la cara del espejo que nos desvela esa realidad de sombras y contradicciones después de la...
Being born in the modern age, we often forget how different things were before us. People could only know what someone looked like based on an artist's subjective vision or a grainy black-and-white photo. Despite the efforts of the artists, paintings can rarely achieve the level of realism that pictures can. And thus, people often wonder how some of the most famous historical figures really looked with all of the subjectiveness removed from the image. Bas Uterwijk, a photographer from Amsterdam who has a background in computer graphics, 3D animation, and special effects, slowly but surely tries to provide the answer to this aching question.
Qué idiota. Ya sé que existo. Es absurdo dudar algo así cuando la respuesta está impresa en la propia duda, cuando no existe una sin la otra. Aun así lo hacía, en parte por el cúmulo de medias verdades sin asumir que eran mi vida y en parte por las mentiras que yo misma dibujaba, empeñada en acercarme así a lo que hubiese querido que fuera. A ti te sabía parte de una de ellas, pero te sabía en lo más profundo del alma, justo detrás de la esquina que nadie se atreve a cruzar. Te veía hecho en trazos, de carbón, porque yo nunca supe más que dibujar. Inacabado, imperfecto y predecible como no podía ser de otra forma: habías nacido del temblor de mis propias manos. Pero te amé igual. #Explore(16) More: Facebook page
Reproductions of American Art: Power House Mechanic, 1920 Lewis W. Hine, American (1874-1940) Digital Photographic Reproduction Full Size Reproduction: 13.75 x 9.8 inches This reproduction is a new, individually printed and proofed, giclee* process photographic reproduction. It is printed on Epson Ultra Premium Luster Finish Paper with archival pigment inks. This premium grade, heavyweight fine art paper has a rich luster surface finish and is engineered to render the highest color gamut available for vivid color reproduction and highly saturated prints. Created for collectors, it IS NOT A POSTER or mass produced print on low quality, inexpensive paper. Lewis W. Hine (1874 – 1940) was an American sociologist and photographer. Hine used his camera as a tool for social reform. His photographs were instrumental in changing the child labor laws in the United States. Power House Mechanic (working on steam pump), 1920, one of his "work portraits", shows a working class American in an industrial setting. The carefully posed subject, a young man with wrench in hand, is hunched over, surrounded by the machinery that defines his job. But while constrained by the machinery the man is straining against it—muscles taut, with a determined look—in an iconic representation of masculinity. Power House Mechanic reflects Hines's artistic shift, from a documentary style to what can be called “interpretive photography” whose purpose was raise the stature of industrial workers, who were increasingly diminished by the massive machinery they operated. American art encompasses the history of drawing, illustration, painting, photography and a wide range of visual art genres. In the late 18th and early 19th centuries, artists primarily painted landscapes and portraits in a realistic style based mainly on Western painting and European arts. A parallel development taking shape in rural America was the American craft movement, which began as a reaction to the industrial revolution. After World War II, New York replaced Paris as the center of the art world. Since then many American movements have shaped Modern and Postmodern art. Art in the United States covers a huge range of styles and subjects. Original Medium: Gelatin Silver Print. Reproduction Medium: Digital Photograph on Fine Art Paper, Archival Pigment Inks Image Size: full size: 13.75 x 9.8 inches printed on larger 17 x 13 inch paper to allow ample borders for matting and framing NOTE: The Da Vinci Art Prints watermark on this image is for computer viewing only and of course NOT on the actual print. PayPal only please. Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
His friends and colleagues share their birthday wishes
God, I wish whoever was behind Jared Leto’s laughable “look” as The Joker (some suspect the make-up was a “troll”) took some pointers from French-born photographer Eolo Perfido‘s photo series “Clownville.” The portraits are a perfect mixture of demented and grotesque. Make-up by Valeria Orlando. via Feature Shoot
La historia del arte sólo necesitaba un poquito de ciencia ficción.
Disegnò il treno Skyliner che collega l’aeroporto Narita e Tokyo, portò in Occidente la prima modella nipponica
Girls working in Springstein Mills, Chester, South Carolina. Zetella Gallman (by window) has worked 2 years. Both girls in middle said they had been in mill 8 years, 1908 Group of card-room hands in Richmond Spinning Mills. Smallest girl in the middle is a doffer. Chattanooga, Tennessee, 1910 Group of girls and women working in Aragon Mill, Rock Hill, South Carolina, 1912 [song about Aragon Mill] Group of workers going to work at 6;45 A.M. In Spring Village Mill, Winchendon, Massachusetts, 1911 Lizzie Davis, smallest, been in mill 2 years. Nettie Arnet, been in mill 8 years. Monnie McCraney, been in mill 3 years. Vater Arnet, been in mill 8 years. Mattie Connor, spinners and Winders. Dillon, SC, 1908 Noon hour. All are working here. Newberry, South Carolina, 1908 Operatives in Indianapolis Cotton Mill, noon hour, 1908 Some of doffers and the Superintendent, Catawba Cotton Mill, Newton, NC. Ten small boys and girls about this size out of a force of 40 employees, 1908 Some of the girls working at the Priscilla Knitting Mills, Meridian, Mississippi, 1911 Some of the spinners in Pell City Cotton Mills. Pell City, Alabama, 1910
