Pendant près de cinq décennies, j'ai eu la chance de gagner ma vie en faisant quelque chose que j'aime; la photographie. Ma vie photographique a été un «
This image of a model wearing a gray Dior suit outside the Louvre Metro station was photographed by Mark Shaw in Paris in 1957 for LIFE magazine's September article "A Bright Young Look in Paris". Image size 22" x 32"/Paper size 24" x 36", Edition of 30 All Mark Shaw prints are made to order in limited editions on Hahnemϋhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in 4 sizes. Prices increase as editions sell out.
When David Maisel was visiting an old, disused psychiatric hospital, he was beckoned into a small room by a prisoner who had been brought in from the local jail to clean up the building, who had gotten to know the building well. The prisoner referred to the room as The Library of Dust and David was soon to discover that it was crammed floor-to-ceiling with nearly 4000 identical copper tins containing the ashes of patients who had died in the hospital from the 1880s to the 1970s. Respectfully, David took a selection of the canisters and photographed them in turn, segregating them and focusing on the incredible, luminous patterns that had now formed on the decaying copper.
Models Freja Beha Erichsen is styled by Olivier Rizzo in andronynous menswear suitings lensed by Alasdair McLellan for Vogue Italia May 2020.
A Sprinkle of Stardust
A través de su fotografía aérea, David Maisel plasma lugares ambientalmente muy afectados. Para llevarlo a cabo, contrata a un piloto que lo asciende hasta 11.000 pies de altitud, y, a cielo abierto y desde una avioneta de cuatro plazas, este fotógrafo neoyorquino retrata una perspectiva sorprendente del planeta Tierra.
When David Maisel was visiting an old, disused psychiatric hospital, he was beckoned into a small room by a prisoner who had been brought in from the local jail to clean up the building, who had gotten to know the building well. The prisoner referred to the room as The Library of Dust and David was soon to discover that it was crammed floor-to-ceiling with nearly 4000 identical copper tins containing the ashes of patients who had died in the hospital from the 1880s to the 1970s. Respectfully, David took a selection of the canisters and photographed them in turn, segregating them and focusing on the incredible, luminous patterns that had now formed on the decaying copper.
David Maisel has been documenting environmentally impacted landscapes, as seen from the air, for more than 20 years. The large-format unaltered photographs reveal worlds that are alien, surreal, terrifying and beautiful.
Jean Shrimpton photographed by David Bailey, 1964.
I came across David Maisel 's photographs several years ago and was immediately taken by them. Using aerial photography, Maisel captures environmentally impacted sites - open pit mines, clear-cut forests, zones of water reclamation - presenting the complex relationships between natural systems and
“Photography, for me, is a way to see the unseeable and to capture the unimaginable”—an extended conversation with one of the great contemporary landscape artists dealing with the American West, David Maisel.
When David Maisel was visiting an old, disused psychiatric hospital, he was beckoned into a small room by a prisoner who had been brought in from the local jail to clean up the building, who had gotten to know the building well. The prisoner referred to the room as The Library of Dust and David was soon to discover that it was crammed floor-to-ceiling with nearly 4000 identical copper tins containing the ashes of patients who had died in the hospital from the 1880s to the 1970s. Respectfully, David took a selection of the canisters and photographed them in turn, segregating them and focusing on the incredible, luminous patterns that had now formed on the decaying copper.
David Maisel has been documenting environmentally impacted landscapes, as seen from the air, for more than 20 years. The large-format unaltered photographs reveal worlds that are alien, surreal, terrifying and beautiful.
Jean Shrimpton photographed by David Bailey, 1964.
I came across David Maisel 's photographs several years ago and was immediately taken by them. Using aerial photography, Maisel captures environmentally impacted sites - open pit mines, clear-cut forests, zones of water reclamation - presenting the complex relationships between natural systems and
“Photography, for me, is a way to see the unseeable and to capture the unimaginable”—an extended conversation with one of the great contemporary landscape artists dealing with the American West, David Maisel.
David Maisel (b. 1961) studied architecture, landscape architecture, and photography at both Princeton University and the Harvard Graduate School of Design - before leaving the latter to pursue his photographic career full-time. He now lives in the Bay Area, and exhibits internationally.
David Maisel re-photographed x-rays of art objects from antiquity. Since x-rays map both the inner and outer surfaces of a subject, these mysterious images offer yet another dimension with which to appreciate ancient objects and the artists who made them — hinting at the continuous presence of the past contained within all things.
